SlideShare a Scribd company logo
HORROR FILM TITLES ANALYSIS
MEGAN BIRD
In this post I will be analysing titles of three films and suggest
what are the most conventional:
- Titles/Job Roles
- Language
- Ordering
- Colour/Font
THE EXORCIST -
Ordering of titles;
- Studio Logos – Standard Warner Bros Logo
- Name of Director – The colour of the font connotes the genre of the film making it easier
for the audience to recognise the genre. The same font is used in the
name of the film and the other titles for continuity
- Name of Writer -The colour of the font connotes the genre of the film making it easier
for the audience to recognise the genre. The same font is used in the
name of the film and the other titles for continuity
- Title of the Film - The colour of the font connotes the genre of the film making it easier
for the audience to recognise the genre. The font used is thin and
creepy, this could be used to foreshadow events to come, the titles
can help create the mood for the film.
THE EXORCIST CONTINUED -
Language –
The language used in this opening is minimal to the extent the names introduced are shown on screen, when
the director is mentioned it said ‘A William Friedkin Film’ however when the writer is shown it just says ‘
William Peter Blatty’s’ By keeping the titles minimal it means that the audience can get into the film quicker.
Ordering –
The ordering of titles in this film opening are as follows; studio logo, name of director, name of writer and
title of film. The mentioning of titles in the opening are minimal, this is conventional for horror films as it is
common to have very few titles if any to get straight into the action.
ANNABELLE -
Ordering of titles;
- Name of the producer
- References to the film before
- Film title
- Mentions of the production company
- Mentions of the writer and director
- The font is fairly thin, this is common in horror films as it connotes creepiness.
The colour is plain making the titles blend into the background. This makes it
more mysterious and intriguing.
ANNABELLE CONTINUED -
Language –
When the titles are shown it gives the job title of the person and then their name. There is extra information shown in
the opening titles, for example the fact that Annabelle is the sequel to The Conjuring. This is displayed in the same font
as the rest of the titles and the way it is explained is with minimal wording so that it gets straight to the point. Towards
the end of the titles sequence there are 2 pages full of the production company, writers and directors. This is
unconventional for horror films to do this as it is usual that they want to get the titles over as quick as possible so the
events can unfold.
Ordering –
The ordering of titles in this film opening are as follows; Producer, reference to previous film, title of the film and the
followed by 2 pages of production company and directors. This is unconventional for horror films as it is typical that
the director has a title to himself, it is also unconventional for the production company, music, editors and directors to
be crammed onto a 2 page spread.
INSIDIOUS -
Ordering of titles;
- In association with stage 6 films
- Name of production company
- Name of director
- Title of the film
- Name of actors
All the titles are in the same font and colour. The connotations of the colour red are death and
blood. This helps establish the genre of the film quickly. The font is fairly thin like the other
titles I have decided to analyse. However when the directors name is shown his name is in black
And is backlit by a white moon like object.
INSIDIOUS CONTINUED -
Language –
When the titles are shown it gives the job title of the person and then their name. The jargon used is specific to the
persons job role. When the directors name is shown on screen it does now show their title, just his name. When the
actors names are shown on screen they appear in pairs, this could be to save time so that the action can be revealed
quicker.
Ordering –
The ordering of titles in this film opening are as follows; In association with stage 6 films, name of production company,
Name of director, Title of the film & name of actors. This generally sticks to conventions for this genre as the titles are
done fairly quickly, they are in colours that connote the genre of this film and there are no pages full of names.
CONCLUSION -
In conclusion it is common for a film in the horror genre to have minimal titles in order for the film to start
efficiently, meaning that the audience experience the films entirety without being distracted from the long
titles. The Exorcist and Insidious both show the name of the films at the end of the title sequence but Annabelle
is shown after the name of the first film in the series. This may be so that people can make associations and
relate the situations in Annabelle, to the previous film. I have found out that they include the name of the studio
and the director, but the actors names do not feature in the opening titles. This might be because they do not
want the audience to relate seeing the actors in other films. It also may be because people might not like a
certain actor which might stop them from watching the film. Obviously the production company of the film will
want the film to be a success, meaning they will do anything they can to ensure that it is successful. In
Annabelle they did not put the directors name on a separate page to everyone else's name, instead they
crammed on a lot of names to get them in the titles. This is not a convention for this genre therefore they
challenged it.
In the titles of our film we have included the Studio Logo, Directors Name, Names of producers, Names of
actors, sound engineers, make up, costume, props and then at the end of the film we had the name of the film.
This develops the normal conventions however we felt that if we only included a few titles for example, the
studio logo, director, producer and actors that the titles ended abruptly and they were shown to a short length
of time so it didn’t really fit with the opening.

More Related Content

What's hot

Semiology
SemiologySemiology
Semiology
ShahEman
 
Meaning theory pro forma hl
Meaning theory pro forma hlMeaning theory pro forma hl
Meaning theory pro forma hl
Hayden20
 
Question 7 evaluation
Question 7 evaluationQuestion 7 evaluation
Question 7 evaluation
hannahgrinham
 
The Use of Mise en-Scene in Our Short Film
The Use of Mise en-Scene in Our Short FilmThe Use of Mise en-Scene in Our Short Film
The Use of Mise en-Scene in Our Short Film
khalfyard
 
Evaluation Question 7
Evaluation Question 7Evaluation Question 7
Evaluation Question 7
jessunderwood
 
Poster Codes and Conventions!
Poster Codes and Conventions!Poster Codes and Conventions!
Poster Codes and Conventions!anna-louise
 
Film poster analysis
Film poster analysisFilm poster analysis
Film poster analysis
ljacksonmedia
 
Q1 evaluation
Q1 evaluationQ1 evaluation
Q1 evaluation
ebbirchall
 
Finalised allocated speaking parts
Finalised allocated speaking partsFinalised allocated speaking parts
Finalised allocated speaking partschurchillmedia
 
Film poster analysis
Film poster analysisFilm poster analysis
Film poster analysis
ljacksonmedia
 
Script and Storyboard Development
Script and Storyboard DevelopmentScript and Storyboard Development
Script and Storyboard Development
AnaVasilescu2
 
Final questionnaire
Final questionnaireFinal questionnaire
Final questionnaire
mvincent13
 
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
hannahgrinham
 
Final research pp
Final research ppFinal research pp
Final research pp
imunoztorre
 
Question 1
Question 1Question 1
Question 1
jessbaker90
 
Trailer analysis
Trailer analysisTrailer analysis
Trailer analysis
shannonleahy
 
Mise en scene in ‘promise’
Mise en scene in ‘promise’Mise en scene in ‘promise’
Mise en scene in ‘promise’
Kayyah_Robun
 
Film prep
Film prepFilm prep
Film prep
HanifHamza2088
 
Question 1
Question 1Question 1
Question 1
jessbaker90
 

What's hot (20)

Semiology
SemiologySemiology
Semiology
 
Meaning theory pro forma hl
Meaning theory pro forma hlMeaning theory pro forma hl
Meaning theory pro forma hl
 
Question 7 evaluation
Question 7 evaluationQuestion 7 evaluation
Question 7 evaluation
 
The Use of Mise en-Scene in Our Short Film
The Use of Mise en-Scene in Our Short FilmThe Use of Mise en-Scene in Our Short Film
The Use of Mise en-Scene in Our Short Film
 
Evaluation Question 7
Evaluation Question 7Evaluation Question 7
Evaluation Question 7
 
Question 1
Question 1Question 1
Question 1
 
Poster Codes and Conventions!
Poster Codes and Conventions!Poster Codes and Conventions!
Poster Codes and Conventions!
 
Film poster analysis
Film poster analysisFilm poster analysis
Film poster analysis
 
Q1 evaluation
Q1 evaluationQ1 evaluation
Q1 evaluation
 
Finalised allocated speaking parts
Finalised allocated speaking partsFinalised allocated speaking parts
Finalised allocated speaking parts
 
Film poster analysis
Film poster analysisFilm poster analysis
Film poster analysis
 
Script and Storyboard Development
Script and Storyboard DevelopmentScript and Storyboard Development
Script and Storyboard Development
 
Final questionnaire
Final questionnaireFinal questionnaire
Final questionnaire
 
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
 
Final research pp
Final research ppFinal research pp
Final research pp
 
Question 1
Question 1Question 1
Question 1
 
Trailer analysis
Trailer analysisTrailer analysis
Trailer analysis
 
Mise en scene in ‘promise’
Mise en scene in ‘promise’Mise en scene in ‘promise’
Mise en scene in ‘promise’
 
Film prep
Film prepFilm prep
Film prep
 
Question 1
Question 1Question 1
Question 1
 

Viewers also liked

Webinar, créez des contenus remarquables
Webinar, créez des contenus remarquablesWebinar, créez des contenus remarquables
Webinar, créez des contenus remarquables
Effinity
 
Filming update 1.1
Filming update 1.1Filming update 1.1
Filming update 1.1
DrSips
 
Webinar : Vous avez une boutique en ligne Prestahop : grâce à Selldorado fait...
Webinar : Vous avez une boutique en ligne Prestahop : grâce à Selldorado fait...Webinar : Vous avez une boutique en ligne Prestahop : grâce à Selldorado fait...
Webinar : Vous avez une boutique en ligne Prestahop : grâce à Selldorado fait...
Effinity
 
Pràctica en el aula gggg
Pràctica en el aula ggggPràctica en el aula gggg
Pràctica en el aula gggg
Romulo Eduardo Gomez Custodio
 
PC-ACE Features
PC-ACE FeaturesPC-ACE Features
PC-ACE Features
Doris Zhou
 
Condensers microscope/cosmetic dentistry courses
Condensers microscope/cosmetic dentistry coursesCondensers microscope/cosmetic dentistry courses
Condensers microscope/cosmetic dentistry courses
Indian dental academy
 
Shaft subjected to bending moment only
Shaft subjected to bending moment onlyShaft subjected to bending moment only
Shaft subjected to bending moment only
abdul ahad noohani
 
Master can vehicle_data_interface
Master can vehicle_data_interfaceMaster can vehicle_data_interface
Master can vehicle_data_interface
Yury Lavrentiev
 
Condenser in Thermal Power Plant
Condenser in Thermal Power PlantCondenser in Thermal Power Plant
Condenser in Thermal Power Plant
Mihir Patel
 
Arqueologia Botânica dos Jardins de Burle Marx
Arqueologia Botânica dos Jardins de Burle MarxArqueologia Botânica dos Jardins de Burle Marx
Arqueologia Botânica dos Jardins de Burle Marx
Projeto Golfinho Rotador
 
Presentation on CFBC Boilers
Presentation on CFBC BoilersPresentation on CFBC Boilers

Viewers also liked (13)

Webinar, créez des contenus remarquables
Webinar, créez des contenus remarquablesWebinar, créez des contenus remarquables
Webinar, créez des contenus remarquables
 
5
55
5
 
Filming update 1.1
Filming update 1.1Filming update 1.1
Filming update 1.1
 
Webinar : Vous avez une boutique en ligne Prestahop : grâce à Selldorado fait...
Webinar : Vous avez une boutique en ligne Prestahop : grâce à Selldorado fait...Webinar : Vous avez une boutique en ligne Prestahop : grâce à Selldorado fait...
Webinar : Vous avez une boutique en ligne Prestahop : grâce à Selldorado fait...
 
Pràctica en el aula gggg
Pràctica en el aula ggggPràctica en el aula gggg
Pràctica en el aula gggg
 
PC-ACE Features
PC-ACE FeaturesPC-ACE Features
PC-ACE Features
 
Mala
MalaMala
Mala
 
Condensers microscope/cosmetic dentistry courses
Condensers microscope/cosmetic dentistry coursesCondensers microscope/cosmetic dentistry courses
Condensers microscope/cosmetic dentistry courses
 
Shaft subjected to bending moment only
Shaft subjected to bending moment onlyShaft subjected to bending moment only
Shaft subjected to bending moment only
 
Master can vehicle_data_interface
Master can vehicle_data_interfaceMaster can vehicle_data_interface
Master can vehicle_data_interface
 
Condenser in Thermal Power Plant
Condenser in Thermal Power PlantCondenser in Thermal Power Plant
Condenser in Thermal Power Plant
 
Arqueologia Botânica dos Jardins de Burle Marx
Arqueologia Botânica dos Jardins de Burle MarxArqueologia Botânica dos Jardins de Burle Marx
Arqueologia Botânica dos Jardins de Burle Marx
 
Presentation on CFBC Boilers
Presentation on CFBC BoilersPresentation on CFBC Boilers
Presentation on CFBC Boilers
 

Similar to Horror film titles analysis 2

Horror film titles analysis
Horror film titles analysisHorror film titles analysis
Horror film titles analysis
mcjbird
 
Horror film titles analysis
Horror film titles analysisHorror film titles analysis
Horror film titles analysis
SianKnapp
 
Analysing titles
Analysing titlesAnalysing titles
Analysing titles
saraahadele
 
Title Sequence Conventions
Title Sequence ConventionsTitle Sequence Conventions
Title Sequence Conventions
callumho99
 
Title sequence comparison
Title sequence comparisonTitle sequence comparison
Title sequence comparison
Danielle
 
Film Title Sequence Conventions.
Film Title Sequence Conventions.Film Title Sequence Conventions.
Film Title Sequence Conventions.
Shannon Wynne
 
Task 7
Task 7Task 7
Task 7
sam palmer
 
Film title research
Film title researchFilm title research
Film title researchjsgstudio13
 
Film opening lessons sep 2013
Film opening lessons sep 2013Film opening lessons sep 2013
Film opening lessons sep 2013NShuttle
 
Title research
Title research Title research
Title research
kieran foley
 
Evaluation - Question 1
Evaluation - Question 1Evaluation - Question 1
Evaluation - Question 1
ameliabird
 
Strengthening film titles in our opening sequence assignment 16
Strengthening film titles in our opening sequence assignment 16Strengthening film titles in our opening sequence assignment 16
Strengthening film titles in our opening sequence assignment 16vera2ann
 
Courtney wilson Title sequence
Courtney wilson Title sequenceCourtney wilson Title sequence
Courtney wilson Title sequence
courtsxo
 
Adding title graphics
Adding title graphicsAdding title graphics
Adding title graphics
albertmarealle
 
Formal Film Title Sequence Conventions
Formal Film Title Sequence ConventionsFormal Film Title Sequence Conventions
Formal Film Title Sequence Conventions
Shannon Wynne
 
Titles (Skyfall)
Titles (Skyfall)Titles (Skyfall)
Titles (Skyfall)
oliverloom5
 
Titles
TitlesTitles
Titles
lucyjones93
 

Similar to Horror film titles analysis 2 (20)

Horror film titles analysis
Horror film titles analysisHorror film titles analysis
Horror film titles analysis
 
Horror film titles analysis
Horror film titles analysisHorror film titles analysis
Horror film titles analysis
 
Analysing titles
Analysing titlesAnalysing titles
Analysing titles
 
Title Sequence Conventions
Title Sequence ConventionsTitle Sequence Conventions
Title Sequence Conventions
 
Title analayis
Title analayisTitle analayis
Title analayis
 
Title sequence comparison
Title sequence comparisonTitle sequence comparison
Title sequence comparison
 
Film Title Sequence Conventions.
Film Title Sequence Conventions.Film Title Sequence Conventions.
Film Title Sequence Conventions.
 
Task 7
Task 7Task 7
Task 7
 
Film title research
Film title researchFilm title research
Film title research
 
Film opening lessons sep 2013
Film opening lessons sep 2013Film opening lessons sep 2013
Film opening lessons sep 2013
 
Title research
Title research Title research
Title research
 
Evaluation - Question 1
Evaluation - Question 1Evaluation - Question 1
Evaluation - Question 1
 
Strengthening film titles in our opening sequence assignment 16
Strengthening film titles in our opening sequence assignment 16Strengthening film titles in our opening sequence assignment 16
Strengthening film titles in our opening sequence assignment 16
 
Courtney wilson Title sequence
Courtney wilson Title sequenceCourtney wilson Title sequence
Courtney wilson Title sequence
 
Question1
Question1Question1
Question1
 
Adding title graphics
Adding title graphicsAdding title graphics
Adding title graphics
 
Formal Film Title Sequence Conventions
Formal Film Title Sequence ConventionsFormal Film Title Sequence Conventions
Formal Film Title Sequence Conventions
 
Titles (Skyfall)
Titles (Skyfall)Titles (Skyfall)
Titles (Skyfall)
 
Titles Analysis
Titles AnalysisTitles Analysis
Titles Analysis
 
Titles
TitlesTitles
Titles
 

More from mcjbird

Evaluation 3 2
Evaluation 3 2Evaluation 3 2
Evaluation 3 2
mcjbird
 
Evaluation 3 v2
Evaluation 3 v2Evaluation 3 v2
Evaluation 3 v2
mcjbird
 
Evaluation 3 V2
Evaluation 3 V2Evaluation 3 V2
Evaluation 3 V2
mcjbird
 
Evaluation q4 2
Evaluation q4 2Evaluation q4 2
Evaluation q4 2
mcjbird
 
Evaluation Q3
Evaluation Q3Evaluation Q3
Evaluation Q3
mcjbird
 
Evaluation Q4
Evaluation Q4Evaluation Q4
Evaluation Q4
mcjbird
 
Generic conventions of digipak and magazine adverts
Generic conventions of digipak and magazine advertsGeneric conventions of digipak and magazine adverts
Generic conventions of digipak and magazine adverts
mcjbird
 
Artists Permission Letter
Artists Permission LetterArtists Permission Letter
Artists Permission Letter
mcjbird
 
Shot list say you love me
Shot list   say you love meShot list   say you love me
Shot list say you love me
mcjbird
 
Risk assessment
Risk assessmentRisk assessment
Risk assessment
mcjbird
 
Filming plan
Filming planFilming plan
Filming plan
mcjbird
 
Shooting schedule say you love me
Shooting schedule   say you love meShooting schedule   say you love me
Shooting schedule say you love me
mcjbird
 
Storyboard – first draft
Storyboard – first draftStoryboard – first draft
Storyboard – first draft
mcjbird
 
Music video concept - say you love me
Music video concept - say you love meMusic video concept - say you love me
Music video concept - say you love me
mcjbird
 
Casting
CastingCasting
Casting
mcjbird
 
Mise en-scene
Mise en-sceneMise en-scene
Mise en-scene
mcjbird
 
Shot list
Shot listShot list
Shot list
mcjbird
 
Music video concept
Music video conceptMusic video concept
Music video concept
mcjbird
 
Interpretation of lyrics
Interpretation of lyricsInterpretation of lyrics
Interpretation of lyrics
mcjbird
 
Preliminary Task Evaluation
Preliminary Task EvaluationPreliminary Task Evaluation
Preliminary Task Evaluation
mcjbird
 

More from mcjbird (20)

Evaluation 3 2
Evaluation 3 2Evaluation 3 2
Evaluation 3 2
 
Evaluation 3 v2
Evaluation 3 v2Evaluation 3 v2
Evaluation 3 v2
 
Evaluation 3 V2
Evaluation 3 V2Evaluation 3 V2
Evaluation 3 V2
 
Evaluation q4 2
Evaluation q4 2Evaluation q4 2
Evaluation q4 2
 
Evaluation Q3
Evaluation Q3Evaluation Q3
Evaluation Q3
 
Evaluation Q4
Evaluation Q4Evaluation Q4
Evaluation Q4
 
Generic conventions of digipak and magazine adverts
Generic conventions of digipak and magazine advertsGeneric conventions of digipak and magazine adverts
Generic conventions of digipak and magazine adverts
 
Artists Permission Letter
Artists Permission LetterArtists Permission Letter
Artists Permission Letter
 
Shot list say you love me
Shot list   say you love meShot list   say you love me
Shot list say you love me
 
Risk assessment
Risk assessmentRisk assessment
Risk assessment
 
Filming plan
Filming planFilming plan
Filming plan
 
Shooting schedule say you love me
Shooting schedule   say you love meShooting schedule   say you love me
Shooting schedule say you love me
 
Storyboard – first draft
Storyboard – first draftStoryboard – first draft
Storyboard – first draft
 
Music video concept - say you love me
Music video concept - say you love meMusic video concept - say you love me
Music video concept - say you love me
 
Casting
CastingCasting
Casting
 
Mise en-scene
Mise en-sceneMise en-scene
Mise en-scene
 
Shot list
Shot listShot list
Shot list
 
Music video concept
Music video conceptMusic video concept
Music video concept
 
Interpretation of lyrics
Interpretation of lyricsInterpretation of lyrics
Interpretation of lyrics
 
Preliminary Task Evaluation
Preliminary Task EvaluationPreliminary Task Evaluation
Preliminary Task Evaluation
 

Recently uploaded

Adversarial Attention Modeling for Multi-dimensional Emotion Regression.pdf
Adversarial Attention Modeling for Multi-dimensional Emotion Regression.pdfAdversarial Attention Modeling for Multi-dimensional Emotion Regression.pdf
Adversarial Attention Modeling for Multi-dimensional Emotion Regression.pdf
Po-Chuan Chen
 
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup   New Member Orientation and Q&A (May 2024).pdfWelcome to TechSoup   New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
TechSoup
 
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
Nguyen Thanh Tu Collection
 
Guidance_and_Counselling.pdf B.Ed. 4th Semester
Guidance_and_Counselling.pdf B.Ed. 4th SemesterGuidance_and_Counselling.pdf B.Ed. 4th Semester
Guidance_and_Counselling.pdf B.Ed. 4th Semester
Atul Kumar Singh
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
MIRIAMSALINAS13
 
1.4 modern child centered education - mahatma gandhi-2.pptx
1.4 modern child centered education - mahatma gandhi-2.pptx1.4 modern child centered education - mahatma gandhi-2.pptx
1.4 modern child centered education - mahatma gandhi-2.pptx
JosvitaDsouza2
 
Operation Blue Star - Saka Neela Tara
Operation Blue Star   -  Saka Neela TaraOperation Blue Star   -  Saka Neela Tara
Operation Blue Star - Saka Neela Tara
Balvir Singh
 
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...
Levi Shapiro
 
A Strategic Approach: GenAI in Education
A Strategic Approach: GenAI in EducationA Strategic Approach: GenAI in Education
A Strategic Approach: GenAI in Education
Peter Windle
 
How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17
Celine George
 
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
MysoreMuleSoftMeetup
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
siemaillard
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
 
Embracing GenAI - A Strategic Imperative
Embracing GenAI - A Strategic ImperativeEmbracing GenAI - A Strategic Imperative
Embracing GenAI - A Strategic Imperative
Peter Windle
 
special B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdfspecial B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdf
Special education needs
 
678020731-Sumas-y-Restas-Para-Colorear.pdf
678020731-Sumas-y-Restas-Para-Colorear.pdf678020731-Sumas-y-Restas-Para-Colorear.pdf
678020731-Sumas-y-Restas-Para-Colorear.pdf
CarlosHernanMontoyab2
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
Thiyagu K
 
Honest Reviews of Tim Han LMA Course Program.pptx
Honest Reviews of Tim Han LMA Course Program.pptxHonest Reviews of Tim Han LMA Course Program.pptx
Honest Reviews of Tim Han LMA Course Program.pptx
timhan337
 
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
EugeneSaldivar
 
Palestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptxPalestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptx
RaedMohamed3
 

Recently uploaded (20)

Adversarial Attention Modeling for Multi-dimensional Emotion Regression.pdf
Adversarial Attention Modeling for Multi-dimensional Emotion Regression.pdfAdversarial Attention Modeling for Multi-dimensional Emotion Regression.pdf
Adversarial Attention Modeling for Multi-dimensional Emotion Regression.pdf
 
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup   New Member Orientation and Q&A (May 2024).pdfWelcome to TechSoup   New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
 
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
 
Guidance_and_Counselling.pdf B.Ed. 4th Semester
Guidance_and_Counselling.pdf B.Ed. 4th SemesterGuidance_and_Counselling.pdf B.Ed. 4th Semester
Guidance_and_Counselling.pdf B.Ed. 4th Semester
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
 
1.4 modern child centered education - mahatma gandhi-2.pptx
1.4 modern child centered education - mahatma gandhi-2.pptx1.4 modern child centered education - mahatma gandhi-2.pptx
1.4 modern child centered education - mahatma gandhi-2.pptx
 
Operation Blue Star - Saka Neela Tara
Operation Blue Star   -  Saka Neela TaraOperation Blue Star   -  Saka Neela Tara
Operation Blue Star - Saka Neela Tara
 
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...
 
A Strategic Approach: GenAI in Education
A Strategic Approach: GenAI in EducationA Strategic Approach: GenAI in Education
A Strategic Approach: GenAI in Education
 
How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17
 
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
 
Embracing GenAI - A Strategic Imperative
Embracing GenAI - A Strategic ImperativeEmbracing GenAI - A Strategic Imperative
Embracing GenAI - A Strategic Imperative
 
special B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdfspecial B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdf
 
678020731-Sumas-y-Restas-Para-Colorear.pdf
678020731-Sumas-y-Restas-Para-Colorear.pdf678020731-Sumas-y-Restas-Para-Colorear.pdf
678020731-Sumas-y-Restas-Para-Colorear.pdf
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
 
Honest Reviews of Tim Han LMA Course Program.pptx
Honest Reviews of Tim Han LMA Course Program.pptxHonest Reviews of Tim Han LMA Course Program.pptx
Honest Reviews of Tim Han LMA Course Program.pptx
 
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
 
Palestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptxPalestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptx
 

Horror film titles analysis 2

  • 1. HORROR FILM TITLES ANALYSIS MEGAN BIRD
  • 2. In this post I will be analysing titles of three films and suggest what are the most conventional: - Titles/Job Roles - Language - Ordering - Colour/Font
  • 3. THE EXORCIST - Ordering of titles; - Studio Logos – Standard Warner Bros Logo - Name of Director – The colour of the font connotes the genre of the film making it easier for the audience to recognise the genre. The same font is used in the name of the film and the other titles for continuity - Name of Writer -The colour of the font connotes the genre of the film making it easier for the audience to recognise the genre. The same font is used in the name of the film and the other titles for continuity - Title of the Film - The colour of the font connotes the genre of the film making it easier for the audience to recognise the genre. The font used is thin and creepy, this could be used to foreshadow events to come, the titles can help create the mood for the film.
  • 4. THE EXORCIST CONTINUED - Language – The language used in this opening is minimal to the extent the names introduced are shown on screen, when the director is mentioned it said ‘A William Friedkin Film’ however when the writer is shown it just says ‘ William Peter Blatty’s’ By keeping the titles minimal it means that the audience can get into the film quicker. Ordering – The ordering of titles in this film opening are as follows; studio logo, name of director, name of writer and title of film. The mentioning of titles in the opening are minimal, this is conventional for horror films as it is common to have very few titles if any to get straight into the action.
  • 5. ANNABELLE - Ordering of titles; - Name of the producer - References to the film before - Film title - Mentions of the production company - Mentions of the writer and director - The font is fairly thin, this is common in horror films as it connotes creepiness. The colour is plain making the titles blend into the background. This makes it more mysterious and intriguing.
  • 6. ANNABELLE CONTINUED - Language – When the titles are shown it gives the job title of the person and then their name. There is extra information shown in the opening titles, for example the fact that Annabelle is the sequel to The Conjuring. This is displayed in the same font as the rest of the titles and the way it is explained is with minimal wording so that it gets straight to the point. Towards the end of the titles sequence there are 2 pages full of the production company, writers and directors. This is unconventional for horror films to do this as it is usual that they want to get the titles over as quick as possible so the events can unfold. Ordering – The ordering of titles in this film opening are as follows; Producer, reference to previous film, title of the film and the followed by 2 pages of production company and directors. This is unconventional for horror films as it is typical that the director has a title to himself, it is also unconventional for the production company, music, editors and directors to be crammed onto a 2 page spread.
  • 7. INSIDIOUS - Ordering of titles; - In association with stage 6 films - Name of production company - Name of director - Title of the film - Name of actors All the titles are in the same font and colour. The connotations of the colour red are death and blood. This helps establish the genre of the film quickly. The font is fairly thin like the other titles I have decided to analyse. However when the directors name is shown his name is in black And is backlit by a white moon like object.
  • 8. INSIDIOUS CONTINUED - Language – When the titles are shown it gives the job title of the person and then their name. The jargon used is specific to the persons job role. When the directors name is shown on screen it does now show their title, just his name. When the actors names are shown on screen they appear in pairs, this could be to save time so that the action can be revealed quicker. Ordering – The ordering of titles in this film opening are as follows; In association with stage 6 films, name of production company, Name of director, Title of the film & name of actors. This generally sticks to conventions for this genre as the titles are done fairly quickly, they are in colours that connote the genre of this film and there are no pages full of names.
  • 9. CONCLUSION - In conclusion it is common for a film in the horror genre to have minimal titles in order for the film to start efficiently, meaning that the audience experience the films entirety without being distracted from the long titles. The Exorcist and Insidious both show the name of the films at the end of the title sequence but Annabelle is shown after the name of the first film in the series. This may be so that people can make associations and relate the situations in Annabelle, to the previous film. I have found out that they include the name of the studio and the director, but the actors names do not feature in the opening titles. This might be because they do not want the audience to relate seeing the actors in other films. It also may be because people might not like a certain actor which might stop them from watching the film. Obviously the production company of the film will want the film to be a success, meaning they will do anything they can to ensure that it is successful. In Annabelle they did not put the directors name on a separate page to everyone else's name, instead they crammed on a lot of names to get them in the titles. This is not a convention for this genre therefore they challenged it. In the titles of our film we have included the Studio Logo, Directors Name, Names of producers, Names of actors, sound engineers, make up, costume, props and then at the end of the film we had the name of the film. This develops the normal conventions however we felt that if we only included a few titles for example, the studio logo, director, producer and actors that the titles ended abruptly and they were shown to a short length of time so it didn’t really fit with the opening.