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FREDERIC JAMESON

   Fredric Jameson is an American literary critic and Marxist political
   theorist. He is best known for his analysis of contemporary cultural
   trends—he once described postmodernism as the spatialization of
   culture under the pressure of organized capitalism.
 His interest in Sartre led Jameson to intense
  study of Marxist literary theory. Even though
  Karl Marx was becoming an important influence
  in American social science, partly through the
  influence of the many European intellectuals
  who had sought refuge from the Second World
  War in the U.S., such as Theodor Adorno, the
  literary and critical work of the Western Marxists
  were still largely unknown in American academia
  in the late 1950s and early 1960s.
  v
The critique of
postmodernism
   "Postmodernism, or, The Cultural Logic of Late Capitalism" was initially
    published in the journal New Left Review in 1984, during Jameson's tenure as
    Professor of Literature and History of Consciousness at the University of
    California, Santa Cruz. This controversial article, which would later be expanded
    to a full-sized book in 1991, was part of a series of analyses of postmodernism
    from the dialectical point of view Jameson had developed in his earlier work on
    narrative. Jameson here viewed the postmodern "skepticism towards
    metanarratives" as a "mode of experience" stemming from the conditions of
    intellectual labor imposed by the late capitalist mode of production.
   Postmodernists claimed that the complex differentiation between "spheres" or
    fields of life (such as the political, the social, the cultural, the commercial, etc.)
    and between distinct classes and roles within each field, had been overcome by
    the crisis of foundationalism and the consequent relativization of truth-claims.
    Jameson argued, against this, that these phenomena had or could have been
    understood successfully within a modernist framework; postmodern failure to
    achieve this understanding implied an abrupt break in the dialectical refinement
    of thought.

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Frederic jameson

  • 1. FREDERIC JAMESON Fredric Jameson is an American literary critic and Marxist political theorist. He is best known for his analysis of contemporary cultural trends—he once described postmodernism as the spatialization of culture under the pressure of organized capitalism.
  • 2.  His interest in Sartre led Jameson to intense study of Marxist literary theory. Even though Karl Marx was becoming an important influence in American social science, partly through the influence of the many European intellectuals who had sought refuge from the Second World War in the U.S., such as Theodor Adorno, the literary and critical work of the Western Marxists were still largely unknown in American academia in the late 1950s and early 1960s. v
  • 3. The critique of postmodernism  "Postmodernism, or, The Cultural Logic of Late Capitalism" was initially published in the journal New Left Review in 1984, during Jameson's tenure as Professor of Literature and History of Consciousness at the University of California, Santa Cruz. This controversial article, which would later be expanded to a full-sized book in 1991, was part of a series of analyses of postmodernism from the dialectical point of view Jameson had developed in his earlier work on narrative. Jameson here viewed the postmodern "skepticism towards metanarratives" as a "mode of experience" stemming from the conditions of intellectual labor imposed by the late capitalist mode of production.  Postmodernists claimed that the complex differentiation between "spheres" or fields of life (such as the political, the social, the cultural, the commercial, etc.) and between distinct classes and roles within each field, had been overcome by the crisis of foundationalism and the consequent relativization of truth-claims. Jameson argued, against this, that these phenomena had or could have been understood successfully within a modernist framework; postmodern failure to achieve this understanding implied an abrupt break in the dialectical refinement of thought.