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This document provides plans and sketches for three scenes of a film. Scene 1 takes place in an empty, derelict room with a central bed, showing the characters' basic living style. Cameras will be positioned behind a glass window and zoom through the window closer to the bed. Scene 2 is in a larger room to imply it is the main living area, also with minimum furniture. A camera will be positioned to film half of the room. Actors may be placed in blue dots and characters arguing in a black circle. Scene 3 is an aerial view of a forest location, with the camera facing away from a road and positioned at the edge of the forest, allowing shots of characters in the distance among the trees.
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Recce
This document outlines the locations that will be used for filming a short film. Scene 1 will take place in the author's garage, which will be emptied out except for a central bed. Scene 2 will be filmed in an abandoned hospital building, using empty rooms that can be furnished as desired. Possible rooms depicted give a dreary, dystopian feel. Scene 3 begins outside the abandoned building, then continues in a forest location called Castle Hill, showing shots through different areas of trees and more open landscapes. Possible camera shots and character movements are mapped out to suit the dystopian genre and themes of isolation.
Props
This document provides descriptions of props needed for the opening sequence of a film about a character called The Silencer. It includes:
1) A silenced 9mm pistol covered in slight blood that The Silencer uses for killing and will be shown being cleaned.
2) A plain laptop belonging to The Silencer that will be used for communicating with headquarters and writing mission reports.
3) Crumpled mission reports and a tattered map pinned to a wall that show The Silencer's previous mission locations and will establish his lifestyle.
4) The props help explain The Silencer's profession and background but are not essential to the overall plot.
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Shot number
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Shot list
This shot list contains 42 shots for a music video that will tell a story through a sequence of scenes. It begins with establishing shots of a hilltop view and a character smoking. Subsequent shots show the character walking along a street while their clothes and demeanor change. Later shots depict the character using drugs, watching confusedly as their reality distorts, and encountering violence in an alleyway. The video concludes by having two characters meet while displaying blank expressions on a street corner.
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This document outlines the locations that will be used for filming a short film. Scene 1 will take place in the author's garage, which will be emptied out except for a central bed. Scene 2 will be filmed in an abandoned hospital building, using empty rooms that can be furnished as desired. Possible rooms depicted give a dreary, dystopian feel. Scene 3 begins outside the abandoned building, then continues in a forest location called Castle Hill, showing shots through different areas of trees and more open landscapes. Possible camera shots and character movements are mapped out to suit the dystopian genre and themes of isolation.
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This document provides descriptions of props needed for the opening sequence of a film about a character called The Silencer. It includes:
1) A silenced 9mm pistol covered in slight blood that The Silencer uses for killing and will be shown being cleaned.
2) A plain laptop belonging to The Silencer that will be used for communicating with headquarters and writing mission reports.
3) Crumpled mission reports and a tattered map pinned to a wall that show The Silencer's previous mission locations and will establish his lifestyle.
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This document provides details for a photoshoot with multiple bands. It lists each band to be shot, including Flobots, The King Blues, and Rise Against. For each band, it specifies the shot type, angle, distance, lighting, background, and positioning on a double page spread, as well as any planned editing to the images.
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Shot number
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This document discusses several potential film locations. The first location is a bridge that will be used for a flashback scene where two characters run and chase each other. Another bridge location is listed as a backup in case the primary bridge cannot be used, and will feature the characters standing and talking at sunset. Additionally, a conference room is identified as the location for a scene where the character Sarah receives a phone call in an office setting.
layout where i filmed
The document describes different filming techniques used by a camera operator to create effects that engage viewers. In the first scene, the camera operator filmed from behind a bush to obscure the view and make it seem like the protagonist was being spied on. In the second scene, the camera operator slowly revealed more of the shot and followed the protagonist to give the impression they were being followed. In the final scene, the camera operator crouched behind a garden wall to film from a low angle and show the protagonist's authority over the person spying on them.
Presentation2
The document provides an analysis and suggested improvements for 8 shots in a storytelling sequence:
1) Shot 1 is a close up that could convey more emotion through facial expression.
2) Shot 2 establishes the setting but could be improved by adding mystery through black and white or more props.
3) Shot 3 shows a character walking toward a door but could be improved by showing the full door.
4) Shot 4 closes in on body language but could better show facial expression from the front.
5) Shot 5 is similar but could also benefit from a front angle for facial expression.
6) Shot 6 creates tension by showing a hand on the door but could use the other hand.
Production feedback
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This document analyzes 9 frames from a music video. Each frame is summarized individually, describing the camera shots, lighting techniques, and mood conveyed. Low-key lighting and shadows are used frequently, creating ominous and sinister tones. Close-up shots of faces emphasize secrecy or unease. Group shots analyze the identities of the people and how they present themselves. Overall the document breaks down the visual techniques used across different scenes to manipulate the audience's emotional response.
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Ron Burgundy is the dominant character in a medium shot from Anchorman. The lighting is high key and balanced throughout, a typical comedy technique. All of the characters are centered in the frame and placed at a vertical position, suggesting they are prepared for an upcoming fight as a unified news crew.
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This shot from Blade Runner features characters Rick Deckard and Rachael in a meeting at the Tyrell Corporation. Deckard, the dominant character, is centered in the frame and well-lit, while Rachael stands in the corner and is less illuminated. The shot utilizes a medium shot and eye-level angle to depict the characters against a backdrop of their dystopian world, characterized by sepia tones and high contrast lighting. Rachael stands formally facing Deckard, foreshadowing that she is a replicant under his control.
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1. The music video will consist of 42 shots depicting a character named Jonah dealing with drug addiction and potential violent outbursts.
2. The shots will show Jonah using drugs alone on a hill, writing lyrics in his house surrounded by drugs, and having an argument at an unknown location before leaving with his belongings in a bag.
3. The video will also include scenes of Jonah approaching a group of men in an alley one of whom is attacked, appearing distressed and confused in various urban locations, and potentially attacking others with a weapon while under the influence.
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This document analyzes the opening frames of a student psychological horror film. It discusses how each frame uses conventions of the horror genre, such as mysterious and eerie openings, isolating long shots of the protagonist, increasing close-ups to build tension, dim lighting and jump scares using editing. It also explains how the frames depict the protagonist's growing sense of unease and lack of control through the use of POV shots and blood imagery. The analysis shows how the opening scene sets up themes of mystery, isolation and an unknown threat to effectively engage the audience in the horror genre.
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The document provides details for an additional photoshoot with four models: Gina Kayali, Ama Charles, Magne, Sonia Naqvi, Heliena Hagos, and Laura Franklin. It specifies the shot type, lighting, background, and positioning for each model, as well as potential editing details. The shoot will include mid shots, close-ups, and portraits taken outdoors, indoors, and at night using natural light, flash, and macro lenses depending on the situation. Backgrounds will include walls, parks, and interior rooms. Photos will be positioned in the double page spread, sidebar, and as portraits. Minimal editing is planned besides potential skin or contrast adjustments
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This document discusses different types of camera shots used in opening sequences to convey meaning:
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2) A medium shot allows viewers to see a character's body language and background setting.
3) A long shot establishes the scenery and location of a scene. Tracking, pan, tilt, and performance shots similarly keep audiences focused on characters and their movements and reactions. Mise en scene clues like settings, props, and clothing can provide context about characters.
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This document discusses various camera shots and techniques, including their purposes. It provides descriptions of shots like establishing shots, long shots, close-ups, point-of-view shots, two-shots, overhead shots, high angles, low angles, panning, tilting, tracking, zooming in and out, balanced and unbalanced shots, the rule of thirds, shallow focus, and focus pulling. The purposes of these shots include setting the scene, focusing on specific objects, including the audience's perspective, emphasizing importance or power, showing relationships, and creating effects like tension, disorder, or drama.
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This document discusses several potential film locations. The first location is a bridge that will be used for a flashback scene where two characters run and chase each other. Another bridge location is listed as a backup in case the primary bridge cannot be used, and will feature the characters standing and talking at sunset. Additionally, a conference room is identified as the location for a scene where the character Sarah receives a phone call in an office setting.
layout where i filmed
The document describes different filming techniques used by a camera operator to create effects that engage viewers. In the first scene, the camera operator filmed from behind a bush to obscure the view and make it seem like the protagonist was being spied on. In the second scene, the camera operator slowly revealed more of the shot and followed the protagonist to give the impression they were being followed. In the final scene, the camera operator crouched behind a garden wall to film from a low angle and show the protagonist's authority over the person spying on them.
Presentation2
The document provides an analysis and suggested improvements for 8 shots in a storytelling sequence:
1) Shot 1 is a close up that could convey more emotion through facial expression.
2) Shot 2 establishes the setting but could be improved by adding mystery through black and white or more props.
3) Shot 3 shows a character walking toward a door but could be improved by showing the full door.
4) Shot 4 closes in on body language but could better show facial expression from the front.
5) Shot 5 is similar but could also benefit from a front angle for facial expression.
6) Shot 6 creates tension by showing a hand on the door but could use the other hand.
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Production feedback
The student's two-minute film opening received a score of 37 out of 60 and was assessed as being at a Level 3. There was evidence of creative technical skills used in the footage, including some controlled camera work with varied shots and framing. The editing used well-placed cuts and transitions, and attempted to include titles. While the dialogue was unclear at times, the music and sound effects helped build tension as the film transitioned from a dream to waking up. Overall, the assessor viewed it as a good opening that fit the genre well and demonstrated some proficient abilities.
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Georgia Stickley Pre-Production Feedback Sheet
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The video begins with two miners in a dark tunnel who discover a trap door leading to a colorful dance studio. One miner, Arthur, embraces the world of dance and partners with one of the female dancers. The other miner remains an observer. At the end, the second miner returns to the tunnel alone, stating he never saw Arthur again, implying Arthur died in the fantasy world of dance. The video can be analyzed through various narrative theories, with key elements including Arthur as the hero, the trap door as the donor, and the female dancers as princesses.
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The document discusses music videos for Birdy's "Wings" and songs by Rihanna, Fergie, and Lia. It notes that the Birdy video features her in a bedroom with warm colors, exaggerated highlights and shadows, and blurry in-and-out focus that create a calm, dreamlike effect. For Rihanna and Fergie's videos, sunlight highlights them against dark backgrounds, offering a calm backdrop. Lia is surrounded by fairy lights and curtains capturing the light, with blur giving a calm effect. Both videos use the artist as the focus of the shot but use light interestingly to illuminate them.
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The document lists 143 shots from a music video. The shots vary in location (road, pier, town), camera angle (wide, medium, close up), and camera movement (fixed, hand held, track). They show the progression of a romantic relationship between a male and female subject through dancing, cooking, walking together in various settings, and emotional moments like putting a necklace on the female.
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The document summarizes the results of two questionnaires sent to the target audience for a music genre video project. The first questionnaire found that the target audience was ages 18-25 and most commonly associated the genre with relationships. The second questionnaire found that the most common places to listen to the music were chilling in bed and being outside. A house and open space were the most expected locations for a music video of this genre. Finally, a narrative style of music video was most expected, though concept and performance styles were also selected.
Target Audience Research
After distributing questionnaires to people ages 18-25, the target audience for the genre of music, the author found that the most common association people have when listening to this genre is relationships. Many people also said they think of relaxing or chilling out when listening. Most reported listening in bed or outside. For locations in a music video, a house or open space were most popular. Finally, a narrative style of music video was most expected for this genre.
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Georgia received high marks for her AS coursework. She scored 15/20 for planning, 60/60 for her main construction task, and 18/20 for her evaluation. Her evaluation included excellent video commentary on conventions used in her production and how they set up the narrative. She provided great detail on character representation through mise-en-scene but could have strengthened her answer by including more theorists. Overall her work showed a great understanding of the task, audience and genre through analytical detail, images and research. She received a total score of 95/100 and a final grade of A.
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The film opening uses technical skills creatively with varied, well-framed shots and attention to location, costumes, and performance. Cuts and transitions effectively establish the narrative through titles and pacing. Sound and music build tension, while clear dialogue advances the story. Overall, the assessor praised it as an excellent, professionally-executed opening that fits its genre through a clear narrative and genre conventions.
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Question 3
Summit Entertainment would be an ideal institution to distribute my dystopian film targeted at teenagers. Summit has experience distributing popular films in this genre, such as the Twilight and Divergent franchises, that attracted large audiences. They successfully market and release films using digital technologies to reach wide audiences on multiple platforms. Choosing Summit gives confidence that they can effectively promote my film to the same target demographic and genre fans using their proven strategies.
Final Script
1) A group of survivors live a basic life scavenging for food in an abandoned building after a blackout wiped out most of civilization. They have run out of food supplies.
2) Two members of the group, a boy and girl, argue about what to do next. The girl wants to go search for more food in the nearby town while the boy thinks it's hopeless. Another boy agrees with searching the town.
3) The group's leader, Alex, interrupts and tells them about an abandoned warehouse in the forest that likely has food supplies. He convinces the group to set out for the warehouse immediately. The scene then cuts to surveillance footage of the group leaving and heading into the forest
Production Schedule
The production schedule outlines the filming and post-production tasks for a short film over 3 weeks in December and January. It includes the dates, locations, crew needed, and equipment required for the risk assessment, two days of filming scenes at different locations, recording voiceovers, and multiple editing sessions to complete the project.
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The document discusses the filming equipment needed to capture detailed shots for a movie project, including a Black Magic Pocket camera to film in 1080p, a variable ND filter to control light levels outdoors, a shotgun mic to reduce extraneous sounds, a boom pole operated by an assistant to follow dialogue movements, headphones to monitor audio quality, a tripod for stable shots, LED light panels for illumination control, a glide track for a smooth opening shot, and a Steadicam for a handheld effect during an argument scene while focusing on actors.
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The document discusses the casting choices for several roles in a dystopian film set in a derelict building. Actors between ages 14-18 were chosen so that they appear similar in age to the target audience and can relate to living alone in the conditions described. Descriptions are provided for each actor's role and why they were chosen physically and in terms of acting ability. The document also discusses costume and makeup choices meant to portray characters living in difficult conditions without access to proper clothing or hygiene. Props discussed include a pocket watch, contact lenses, a dirty mattress, blankets, and empty food tins meant to establish the setting and characters' deprivation.
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The document discusses the casting choices for several roles in a dystopian film set in a derelict building. Actors between ages 14-18 were chosen so that their ages match the target teenage audience. Descriptions are provided for each actor and why they were chosen, focusing on their experience, appearance fitting the roles, and not having distinguishing features.
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Floorplan1
- 2. For the first scene I have chosen to have an empty, derelict room with a central bed showing their basic living style. I chose to position the bed centrally to get an effect of isolation. The red dots indicate the positions I will have my cameras in. Firstly they will be behind a glass window that I will put in place opposite the bed, as the shot zooms and moves through the window the camera will end up closer to the bed. I have displayed this movement with an arrow. Bed, central in room Camera movement Scene 1
- 3. For the next scene, I have chosen for it to take place in a bigger room so to imply this is the main room of the building that the characters are living in. Again I have chosen to have minimum furniture to enhance the idea of a simple lifestyle and I have positioned this to make the room spacious and barren. The red dot indicates where I may place my camera it will always be directed at this half of the room so to not break the 180 degree rule. The blue dots signify where I may place some of my characters and the black circle is another indication of where the two characters arguing will be positioned so they are central. Idea for character positioning Idea for camera positioning, will move for different shots Scene 2
- 4. Scene 3 Here is a Ariel view of my possible forest location. I have chosen an open/barren landscape with various trees. I will position my camera facing away from the road so the landscape will be completely forest and the figures may walk away from me. I will position my camera on the edge of the forest/open landscape so to get distant view of the forest reinforcing the idea of isolation of the characters. Giving me the opportunity to do a shot of them in the distance enhancing this theme. There are also trees in this area as I have showed in my plan, allowing me to possibly get shots in a more woodland area.