Chloe Smith took several experimental photography projects exploring reflection, blur, movement, and photo montages. For reflections, she achieved ghostly images in manual focus of stairwell lights. She found blurring images made them look like paintings. Using slow shutter speeds on a tripod, she captured moving figures transparently. For montages, she took overlapping photos and merged them, finding taking multiple rows created neater composites. Her favorite used brightness, vibrancy, and looked like individual photos were stuck together to cover a large scene.