Scene structure
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The document outlines the scene structure and camera work for a short film. It describes 5 scenes: 1) the actress being bullied by siblings, 2) her father comforting her, 3) the house burning down, 4) the actress grown up and haunted by her past, 5) her being haunted by her dead siblings. The scenes will use a variety of shots including close-ups, extreme close-ups, wide shots, and tracking shots created through camera work, greenscreen, and After Effects. Scene divisions will include black screens with white text comments. Camera work will be done freely without a tripod from a first-person perspective.
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Story board
The document outlines a 15-scene storyboard for an opening sequence. Scene 1 will feature an ident, while scene 2 will zoom in on a leaf with credits. Scene 3 will show trees with actor names, and scenes 4-5 will feature tree branches with credits for music and editing. Scenes 6-10 will depict an old photo, a girl at a tree, her bloody face, eyes, mouth, and her talking to voices. Scenes 11-13 will show the girl at the tree dropping her head, her possessed eyes zooming out, and her standing with head down. Scenes 14-15 will show the girl walking away through trees in a long shot and then trees on their own, leading to end
Location shots
Eight locations will be used to film scenes for the thriller movie. The first location is a street and underpass where the main character encounters the murderer. Two houses will be shown as the main character moves, with only interiors shown of the murderer's residence. Various outdoor locations will also be featured. The paths outside a school will be the first three locations, providing an isolated area for the discovery of the murder. A house belonging to one of the actors will represent the main character's home and the bedroom will show her seeking safety after witnessing the murder. The drama studio at the school allows manipulation of lighting for scenes of a fight and the main character tied to a chair. Flashback scenes in the common room and hallways
Lighting plan
This document outlines the lighting plan for three situations in a short horror film. In the first situation, the actor will be on the sofa when there is a knock at the door. A key light will be placed by the camera, a back light will provide atmospheric lighting, and an optional fill light from a desk lamp. In the second situation, the actor walks toward the door, with a back light casting a blue shadow and a key light creating shadows as the actor reaches for the door. In the third situation, the actor answers the door, and a back light may be used from outside to give a mysterious effect or make the actor stand out.
Shot number
This document contains a shot list for a film project. It describes 32 shots ranging from close-ups to long shots, in various indoor and outdoor locations. The shots involve the main male and female characters interacting in woodland paths, studios with projected backgrounds, their homes, a school hall and more. Most shots track or pan between subjects, with some stationary shots to establish settings and capture emotion on characters' faces. The camera movements and shot types are designed to advance the romantic narrative between the main characters over time.
Location shots
This document discusses 8 locations that will be used to film a thriller movie. Location 1, 2, and 3 will be a path outside a school that will be used for the main character to discover the murderer and as another location later in the film. Locations 4 and 5 will be a house that can double as two different houses for scenes where the main character leaves and receives a threatening phone call. Location 6 is a drama studio at the school that will be used darkly lit scenes of a fight and the main character being tied to a chair. Location 7 at the school will be used to film flashback scenes of the main character's happier times there before she flees.
Story board
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2. The Avon River Bridge, where characters would walk alone at night to feel eerie before being split up.
3. His garage, which has a long, diagonal room that a swinging light could shadow for an isolated, old-looking scene space.
4. His lounge, convenient for the final scene where a power outage during a TV watch would startle as a figure walks past a large window in the darkness.
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The document analyzes and summarizes the locations used in a thriller film. It discusses how the first location of a dark, isolated room creates fear and tension. The second location of a café establishes normalcy before something suspicious occurs. Later locations along isolated roads foreshadow that the climax is approaching in a secluded area with no witnesses. The filming locations aid the atmosphere and camera techniques to further the thriller genre conventions.
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Eight locations will be used to film scenes for the thriller movie. The first location is a street and underpass where the main character encounters the murderer. Two houses will be shown as the main character moves, with only interiors shown of the murderer's residence. Various outdoor locations will also be featured. The paths outside a school will be the first three locations, providing an isolated area for the discovery of the murder. A house belonging to one of the actors will represent the main character's home and the bedroom will show her seeking safety after witnessing the murder. The drama studio at the school allows manipulation of lighting for scenes of a fight and the main character tied to a chair. Flashback scenes in the common room and hallways
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This document outlines the lighting plan for three situations in a short horror film. In the first situation, the actor will be on the sofa when there is a knock at the door. A key light will be placed by the camera, a back light will provide atmospheric lighting, and an optional fill light from a desk lamp. In the second situation, the actor walks toward the door, with a back light casting a blue shadow and a key light creating shadows as the actor reaches for the door. In the third situation, the actor answers the door, and a back light may be used from outside to give a mysterious effect or make the actor stand out.
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This document contains a shot list for a film project. It describes 32 shots ranging from close-ups to long shots, in various indoor and outdoor locations. The shots involve the main male and female characters interacting in woodland paths, studios with projected backgrounds, their homes, a school hall and more. Most shots track or pan between subjects, with some stationary shots to establish settings and capture emotion on characters' faces. The camera movements and shot types are designed to advance the romantic narrative between the main characters over time.
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This document discusses 8 locations that will be used to film a thriller movie. Location 1, 2, and 3 will be a path outside a school that will be used for the main character to discover the murderer and as another location later in the film. Locations 4 and 5 will be a house that can double as two different houses for scenes where the main character leaves and receives a threatening phone call. Location 6 is a drama studio at the school that will be used darkly lit scenes of a fight and the main character being tied to a chair. Location 7 at the school will be used to film flashback scenes of the main character's happier times there before she flees.
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The document outlines scenes 1-8 of a storyboard for a film titled "THE DAY OF RECKONING". Scene 1 introduces the main character with a tracking shot and voiceover. Scene 2 uses an extreme close-up of the character's eyes and a gunshot sound effect. Scene 3 cuts to an establishing shot of a library with soundtrack. Scene 4 shows a blurred note being read with continued soundtrack. Scene 5 uses a split screen of 3 characters walking with weapons from a low angle with voiceover and faint soundtrack. Scene 6 circles the characters in conversation until a gun is aimed at the viewer and the scene ends. Scene 7 zooms out to show the characters holding weapons with fire and dialogue. Scene 8 shows the
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1. The Fish Inn pub outside of Ringwood, which would provide a stereotypical setting for characters after a night out and create tension with its quiet, dimly lit atmosphere.
2. The Avon River Bridge, where characters would walk alone at night to feel eerie before being split up.
3. His garage, which has a long, diagonal room that a swinging light could shadow for an isolated, old-looking scene space.
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The document provides details on filming locations and shots for a film, including where characters will stand, enter and exit rooms, what will happen in each location, and camera angles. Character A will stand by a bookshelf, enter a room after a bedroom scene and pick up a bag, leave through the front door, cycle down a road while being filmed, leave her bike by a gate and enter a garden, and stand by a gate holding a gun. The Friend will be in shots with Character A and sat at an outdoor table in the garden. Scenes will take place with different light levels to convey meaning.
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The song lyrics describe a confrontation between a hacker and a group seeking justice. In the music video treatment:
We see the hacker working at his computer when his security cameras alert him that the group has broken into his home. The hacker flees out the window as the group searches his room. Later, the hacker walks alone down the street while being watched by the group. At a scenic overlook, the hacker collapses in distress while the group watches, then they resume their pursuit with their faces masked.
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This document discusses different types of camera shots used in opening sequences to convey meaning:
1) A close up shot establishes significance by focusing on a key item like a phone used by a murderer.
2) A medium shot allows viewers to see a character's body language and background setting.
3) A long shot establishes the scenery and location of a scene. Tracking, pan, tilt, and performance shots similarly keep audiences focused on characters and their movements and reactions. Mise en scene clues like settings, props, and clothing can provide context about characters.
Conventions That I Challenged
The document discusses how typical horror/thriller trailers often use nighttime shots or shots filmed in the dark, such as of abandoned houses, as these types of dark scenes were found in most trailers analyzed. However, the trailer being discussed intentionally did not include these typical conventions and chose to challenge conventions by having all shots filmed outdoors during broad daylight. While this approach may not work as well for some horror/thriller genres that rely on nighttime or dark shots to build tension, the trailer creator believes the daylight shots in their trailer still create enough tension and suspense.
Short Story: Cast Study 2
This short horror story is called "Static" and follows a boy who is awakened at night by strange static sounds coming from his television. As he investigates further, he discovers more serious threats. The genre is horror and the theme explores dark mystery and murder. The short story was directed by Robert Towne and created by Gabriel Hernandez, with the screenplay by Jorge Gomez. It was found on the YouTube channel "DarthBob2005".
Music video treatment
The music video treatment proposes a narrative-driven video that contrasts a hacker character with a group seeking justice. It begins with the hacker at home on his computer before the group infiltrates his house. Later, the hacker collapses in distress while the group watches from a scenic overlook, putting their masks back on as the sun sets. The video aims to use lighting, camerawork and location to distinguish hero from villain through the story told in the lyrics.
Camera shots powerpoint year 12
The document discusses different film techniques including:
- An extreme close up of a character on the phone to focus on the phone display.
- A close up of a character's face to show distress after witnessing a death.
- A medium shot of two men exploring an attic to interpret body language and facial expressions.
- A long shot to establish location and allow viewers to understand the scene setting.
- A tracking shot following a character's movements to watch each action closely.
- A panning shot building suspense by unknown of what will be seen when the camera stops moving.
- A zoom in on a woman's face to focus on her expression as the last thing seen.
- C
Storyboard
The document outlines a storyboard for a film trailer that is meant to be misleading. It shows various scenes including the main character at home, a flashback of friends camping, and two people later found with one dead. It then shows the character in town surrounded by a gang. Throughout, camera angles, shots, sounds and music are used to build mystery until the trailer ends on a cliffhanger with two people pointing guns at each other.
Evaluation task 1
The document compares shots and techniques used in the filmmaker's thriller to those used in several well-known thriller films to effectively create suspense and tension. It discusses how shots from films like "The Lovely Bones" and "The Usual Suspects" that frame characters from below or show isolated rooms or feet were replicated to give villains presence and convey isolation. Similarly, the use of subtle unsettling music in key moments, like in "The Lovely Bones," helped build an ominous atmosphere in the filmmaker's work. The comparisons highlight how established thriller techniques can successfully generate mystery and suspense when adopted in new films.
Recce
This document provides descriptions of filming locations and shots for a film. It details where Character A and The Friend will be located in various scenes, such as Character A standing in front of a bookshelf and entering a room after a bedroom scene to pick up a rucksack. It also describes exterior locations like Character A cycling down a road while being filmed from a tracking vehicle and entering a garden where The Friend will be sitting at an outdoor table.
Storyboard 2
The document outlines a storyboard for 9 scenes of a film. Scene 1 shows three friends waking up on a rooftop confused about how they got there. Scene 2 shows one friend's confused face as they cross the road, wondering where they are. Scene 3 shows the boys at a bus stop realizing their wallets are missing as two approaching characters are zoomed out on. Scene 4 shows the boys asking a shopkeeper for change after losing their wallets. Scene 5 shows the boys walking toward the protagonist's house. Scene 6 shows the boys in his bedroom realizing they are late for school and have also lost their phones. Scene 7 shows the protagonist panicking about missed calls from his parents. Scene 8 shows the boys arguing while taking
Recce
The document provides details on filming locations and shots for a film, including where characters will stand, enter and exit rooms, what will happen in each location, and camera angles. Character A will stand by a bookshelf, enter a room after a bedroom scene and pick up a bag, leave through the front door, cycle down a road while being filmed, leave her bike by a gate and enter a garden, and stand by a gate holding a gun. The Friend will be in shots with Character A and sat at an outdoor table in the garden. Scenes will take place with different light levels to convey meaning.
Horror film openings
This document discusses horror film openings and provides examples from Evil Dead, Ginger Snaps, and Seven. It notes that the Evil Dead opening establishes tension without revealing the story or characters by showing blood dripping down stairs in a dark scene. The Ginger Snaps opening depicts a death scene that raises questions about who died and why. The Seven opening features a close-up shot of a secret message being uncovered that hints at clues and raises mysteries about the plot.
Animatic powerpoint
The document describes 10 shots from an animatic. Shot 1 is a mid-shot of a character leaving a room. Shot 2 is a tracking shot of the character. Shot 4 shows a shot reverse shot from the child's point of view. Shot 3 uses a camera tilt from the character's feet to their lower body. Shots 5-7 show different angles focusing on a painting being destroyed. Shots 1, 6, 8-10 were added or modified during editing to include establishing shots, a character coming downstairs, a dog being stroked, a radio waking someone, and a character being dragged away.
Snap[1]
The film follows a man who steals cameras from people and takes creative photos as he is being chased, returning the cameras and photos to his surprised victims. The camera work captures his excitement and obstacles through close-ups, tracking shots, and handheld footage. Sound and editing match the energy of each scene. Mise-en-scene hints he repeats this process with different people through changing clothes and cameras between shots.
Snap
The film follows a man who steals cameras from people and takes creative photos as he is being chased, returning the cameras and photos to his surprised victims. The camera work captures his excitement and obstacles through close-ups, tracking shots, and handheld footage during chases. Sound and editing match the energy and tension of scenes, from calm music for setup to faster music building tension as he is pursued. Mise-en-scene hints he has done this many times through changing clothes and cameras between shots.
Planning edit
This document outlines 24 shot descriptions for a film involving a Detective being chased by mysterious figures called Shades. The shots include establishing shots of streets and wooded areas, shots of the Detective finding a ribbon belonging to a girl and encountering Shades, flashback shots providing hints to the Detective's backstory, and point-of-view shots showing the Detective becoming surrounded and overwhelmed by the Shades. Pictures are included at the end to accompany some of the shots.
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Pada tanggal 5 Mei 2013, Pol-Tracking Institute me-release hasil survei opinion leaders/expert bertajuk: “Mencari Kandidat Alternatif 2014: Figur Potensial dari Daerah”. Ada banyak figur daerah yang layak dan potensial menjadi kandidat alternatif 2014, mereka adalah “mutiara-mutiara” Indonesia di berbagai daerah yang telah terbukti dan berprestasi memimpin daerahnya. Kejenuhan publik terhadap figur-figur lama kembali berkontestasi dalam Pemilu 2014 juga mendorong munculnya nama-nama alternatif yang menjanjikan tetapi belum diwacanakan.
2012 2013 Formative Assessment School Goals 1 and 2
This document presents formative assessment data from Quarters 1-3 of the 2012-2013 school year. It analyzes reading comprehension and math/problem solving scores by grade level based on Reading Street benchmark tests, STAR Math tests, and problem solving assessments. The data shows the percentage of students meeting or exceeding standards in these areas over the three quarters, with progress generally seen from Quarter 1 to Quarter 3 within each grade level. The document was submitted by Deborah Connolly and Katie Straub to evaluate progress towards goals of improving reading comprehension and problem solving skills across grades.
Ipo
Dokumen ini memberikan informasi tentang kelompok presentasi tentang kerupuk kulit sapi. Terdapat daftar nama anggota kelompok, bahan bahan dan alat yang digunakan untuk membuat kerupuk kulit, proses pembuatannya mulai dari perontokan, pemisahan, perebusan hingga penggorengan, serta perkembangan penjualan produk kerupuk kulit.
Ict systems used
Ryan Bradley plans to use WordPress to create a blog to present his work online using creative elements like SlideShare, Prezi, and YouTube. SlideShare will allow him to embed PowerPoint presentations and Prezi is an online tool for creating animated presentations. YouTube will be used to upload practice video shots. A laptop and Photoshop will be used to edit photos outside of school. Two Canon cameras, a 550D and 1100D, will be used to capture high quality video and photos, which will then be edited in iMovie.
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2012 2013 Formative Assessment School Goals 1 and 2
2012 2013 Formative Assessment School Goals 1 and 2
Similar to Scene structure
FMP: Pre-Production Updated
Ewan plans to create a short film as his final project along with additional promotional materials like a poster and merchandise. The film is about a girl who notices something strange about her neighbor's house but can't figure out what. Ewan chose this project to further develop his filmmaking skills. He will share the film and additional materials on his website, YouTube, and at a small event with other students. The film is targeted towards young adults aged 16-24 and focuses on themes of drama, dark comedy, and light violence. Ewan has developed storyboards, a shotlist, and multiple drafts of the script based on feedback. He has also scouted several filming locations.
5. pre production (fmp) (1)
This document outlines the pre-production planning for a horror film featuring a possessed clown seeking revenge. It includes a style sheet listing needed props, costumes, and locations. Storyboards are presented for 7 scenes showing the clown stalking and attacking teens. The clown was previously killed by one of the teens, Ben, but has now returned from the dead. Software, resources, contingency plans, and a production schedule are also provided to complete the project.
Order of scenes presentation
The document outlines how a filmmaker plans to film a story about two brothers who go to their late uncle's abandoned house to search for deeds. It describes various scenes that will take place, including the brothers' arrival, searching the house, one brother having flashbacks and hearing strange noises, things flickering on and off, one brother deciding to sleep on the couch and having something strange happen, the other brother searching for him upstairs, and discovering a disturbing surgery room. For each scene, it provides details on the camera angles and shots that will be used to capture the action and advance the plot.
Production Planning
The document outlines Ewan Wild's plans for their final project, which includes creating a short horror film along with additional promotional materials such as posters, trailers, and merchandise. Ewan will shoot the film over one weekend in March with the goal of telling a story about a girl who notices strange behavior from her neighbor. Ewan also discusses plans for the poster designs, which will either include animated flickering lights or a still photograph with animated hair. Location scouting, equipment needs, music selection, and font choices are also covered.
Opening sequence Pitch - Scott Holliday
This is my original pitch of ideas for my 2-3 Minute Thriller Opening Sequence For my A-Level Media course.
Media storyboard
This storyboard document outlines 10 scenes for a film:
Scene 1 starts with a long shot of the protagonist Tony in bed with a girl from school, shocking him about what happened the night before and making the audience curious.
Scene 2 shows Jimmy walking downstairs puzzled by people remaining at his house after a party, heightening the audience's interest in learning what transpired.
Scene 3 focuses on a girl as Ryan and Jermaine fight over her, leaving the audience wanting to know who she chooses.
Scenes 4-8 continue advancing the plot and characters' relationships while eliciting emotions like anxiety, laughter, and nerves from the audience.
Scene 9 shows Jimmy getting in trouble from his
3 frame analysis
Kailum Gardner analyzes the cinematography techniques used in three thriller films: The House at the End of the Street, The Purge Two, and Inception. For each film, Kailum discusses the lighting, camera angles, and mise-en-scene to convey mood and provide context. Key details like dim lighting, security camera shots, and unusual collapsing settings are examined for their storytelling impacts. Overall, the document focuses on how visual elements in scenes from the three thrillers engage viewers and enhance tension.
My Planning.ppt
This document provides planning details for a short film titled "Sparkle". It outlines the shooting schedule, script, locations, participants and health and safety considerations. The 16 scene script summary depicts Megan being bullied at school and home, cutting herself, and then meeting a new neighbor Jake who notices her cuts and wants to get to know her better. Credits are provided for the various film roles and departments.
Ouija
This document analyzes the trailer for the horror film Ouija. It summarizes that the trailer establishes the genre as horror through its fast pace and scary imagery. It creates a confusing narrative at first but eventually reveals that a girl was killed after playing with a Ouija board alone, and her friends now try to use the board to find clues about her death while avoiding the same fate. The target audience seems to be 16-25 year olds, as the actors appear to be in their early 20s, and the scary imagery and sounds are effective at eliciting emotions in viewers of that age range.
My Planning
This document outlines the planning for a short film titled "Sparkle". It includes a shooting schedule, script details for 16 scenes, information on locations, participants, and health and safety. The title cards and credits for each scene are also provided. The film will follow a girl named Megan who is being bullied and cuts herself, until a new boy at school named Jake notices and tries to befriend her.
planning
Hope Smith plans to film a short horror film entirely from outside her house looking in through windows. She will film at night for safety and ease. The sole location is her house in Shipton by Beningbrough. Layout diagrams show the windows and areas visible. A risk assessment addresses potential issues like tripping, dropping equipment, or power cuts. Evan Stone will play the lead role. Hope will direct and edit. Equipment includes a gimbal, camera, batteries, and SD cards. Costumes, props, a mood board, color scheme, storyboard, and production schedule are provided.
planning
Hope Smith plans to film a short horror film entirely from outside her house looking in through the windows. She will use the interior and exterior of her house as the sole location. The film will follow a girl (played by Evan Stone) home alone at night. Hope provides a risk assessment, crew details, equipment list, costume design, props, mood board, storyboard, and shooting schedule for a night of filming on April 12th.
Music video treatment
The music video treatment describes a plot involving three scenarios showing characters realizing they need to seize opportunities and make changes in their lives. It begins by introducing the artist contemplating alone in a field. It then cuts between a couple breaking up on a bench but finding realization, a teenage boy intervening in his parents' fight, and a girl overcoming struggles with her art. Throughout are cuts back to the artist observing and ties in with the song's message of living fully with no regrets. Locations include a field, park, family home, bedrooms and classrooms to portray the scenarios.
PLANNING fmp
Millie plans to create a trailer and promotional posters for her own paranormal film called "Dolos". The film will be about a person experiencing paranormal activity in their home, such as a ghost mimicking family members. For the trailer, Millie will film scenes at her own home where she has experienced paranormal events. The trailer will include a scene where the main character hears their father calling from outside but finds him inside confused when they go to check. Millie will storyboard some scenes and film others handheld to seem more authentic. For posters, Millie will use dramatic photoshopped images and color schemes including red/blue and orange/green/violet to promote "Dolos".
Short film planning and pre production
Here are the key steps to record and edit sound for your short film:
1. Record diegetic sounds on location using a portable audio recorder. Get ambient house noises, car sounds, door knocks, etc.
2. Record additional effects like footsteps, bangs and breaths in a quiet space. Isolate each sound.
3. Download non-diegetic music and effects from royalty-free libraries like Zapsplat. Choose tracks that build tension.
4. In Premiere Pro, import all audio files and sync diegetic sounds to picture. Layer in non-diegetic music and effects.
5. Adjust levels and apply effects like reverb to match the scene. Automate volume
Music video analysis
This document provides details on 21 shots for a music video depicting a character named Juliher's drag transformation process and night out with friends. Shot 1 introduces Juliher and her friends planning their evening on a split screen. Following shots depict Juliher's bathroom preparation, including shaving, makeup application, and changing into feminine clothes. Later shots show the group meeting at a club, Juliher dancing and confronting a homophobic man, then celebrating with friends after standing up for the LGBTQ community. The shots are described in detail to advance the narrative and themes of self-expression, acceptance, and confronting discrimination.
Planning my opening sequence
The document outlines Nana Oppong's plans for an opening sequence to a thriller film. Some initial ideas like a serial killer or revenge killings were rejected as too graphic. The final idea chosen is of a woman dating and killing multiple men to steal their money, inspired by a TV crime show. The opening sequence will use different camera angles and close-ups to build suspense without revealing too much. Friends will be cast in the roles and pre-existing music and sounds will be used due to a lack of audio production experience.
SHORT FILM PITCH
This power point outlines both my ideas for my short films, they explain: what the genre is, what the storyline is and why I have to shoot my film is a certain style/form, it also includes much more detail
1. initial plans sf 2017 2
Luke Ross outlines his initial plans for developing a short film for class. He considers three potential story ideas: a horror/creepy film, a comedy sketch, or a comedy/horror sketch. For his final idea, he chooses a horror/creepy story about a man who experiences strange, frightening events every day at the same minute that he hates doing a chore. The story is outlined in 8 acts. Ross indicates he will film scenes in his kitchen, living room, and bedroom, and will need props like a baseball bat and washing items. He provides a mood board with various images to influence the tone and atmosphere of the final product. Ross plans to research camera techniques, editing, audio, film resources and possible
Pre production
The document outlines a student's initial idea for a thriller trailer called "Never Look Back" about two brothers who live in an abusive home with an alcoholic stepfather who beats their mother, forcing the brothers to eventually kill the stepfather to end the cycle of violence; it discusses the story elements, characters, and production requirements for filming the trailer.
Similar to Scene structure (20)
Scene structure
- 1. Scene Structure By Ryan Bradley
- 2. Scene One • Scene 1 will start in the living room of a house, my actress will be sitting up against the sofa while her brother & sister are bullying her, the shot will be a close up which will be a shot that shows more emotion.
- 3. Scene Two • This scene will follow on from scene One, within this scene it will show her Dad comforting my actress, once again this will be a close up however it will be an extreme close up rather than just a normal close up.
- 4. Scene Three • This scene will consist of the father and daughter standing outside the house while it is burning down, this will be a wide shot, this may be rendered using adobe after effects.
- 5. Scene Four • Throughout this scene it will show my actress in later life, she will have grown up and be reeling over the deaths of her family apart from her Father, this will be a tracking shot of her driving into her drive, this once again will be done using greenscreen.
- 6. Scene Five • She will be living a happy life, then suddenly things start to go wrong, she begins to be haunted by the two twin siblings that were killed in the fire, this will use a variety of shots that will be generated by camera work done by me.
- 7. Scene Division • My scenes will be split with a comment made by a magazine, The background will be a black screen, with white text stating what comment was made, my text will be ‘rockwell’ in a white colour.
- 8. Camera Work • The camera will be held by me and it will be without the use of a tri-pod as if it is the viewer walking down the hall way, all of my camera work will be done free hand and mostly in first person view.