Film opening title conventions
•Download as PPTX, PDF•
0 likes•391 views
The document analyzes conventions in film title sequences. It examines the openings of three films - Citizen Kane, The Book of Eli, and Donnie Darko. While all three show the film title, production company, and director's name, they do not include the main cast. This breaks from the typical convention but maintains an air of mystery. In conclusion, film openings usually display the title, companies, and director but omit the starring actors, which seems strange as big names could widen audiences.
Report
Share
Report
Share
Recommended
Trailer convetions
Trailers typically include a tagline to hint at the film's narrative and what the audience can expect, with Alien using "In space no one can hear you scream." The title is shown at the end so viewers remember it. Age ratings like PG are also displayed to indicate appropriate audiences. Production companies begin trailers with their logos and hints of the narrative aim to intrigue viewers into watching. Release dates are usually included so the audience knows when they can see the film.
Film opening codes
The document discusses various film opening conventions and codes that establish genre expectations for audiences. It explains that opening sequences aim to grab attention and indicate what genre to expect. For example, the opening of The Wolverine clearly uses action/adventure codes like explosions and fights to set up the hero vs villain plot. It also notes the purpose of studio and production logos in openings is to draw in fans of those brands and actors. Sound codes help convey genre through diegetic sounds that immerse audiences, versus non-diegetic music. Overall, openings aim to engage audiences and provide context to set expectations through visual and audio cues.
Conventions of trailers 2
Film trailers typically include several key elements: the production company logo at the beginning to set expectations for the type of film, the title shown at the end to leave viewers wanting more, and an age rating to indicate appropriate audience. Trailers also commonly feature character introductions to help viewers connect, music to set the tone, and release dates to let potential viewers know when they can see it. Social media promotions are now included as well to encourage word-of-mouth advertising.
Trailers
Film trailers are advertisements used to promote films by showing brief clips and snippets without revealing the full plot. The goal is to intrigue viewers into wanting to watch the full movie. Trailers are typically shown before films at cinemas but are now also shown online, on DVDs, and on television. Different types of trailers like theatrical trailers and teaser trailers may be released at different times leading up to a film's release to continue generating buzz. By highlighting exciting clips and parts of the story, trailers help market films and build larger audiences, which increases revenue.
Codes & conventions of a film trailer
The document outlines various codes and conventions commonly used in film trailers, including:
1) Beginning with the production company logo to establish credibility.
2) Including the age certification to indicate the target audience.
3) Encouraging viewers to engage on social media around hashtags and websites related to the film.
4) Introducing characters, especially famous actors, to draw in audiences familiar with their work.
5) Concluding with the film release date to motivate viewers to see it in theaters.
Submarine
This document summarizes the opening title sequence of a film. It shows the logos of the different production companies that worked on the film, with the background color becoming gradually lighter. This could symbolize the main character's life improving throughout the film. The final frame is unique, showing the film title over a coastal landscape. The document also describes the diegetic sounds heard during the sequence, including wind, seagulls, a clock ticking and a gentle song, establishing a peaceful setting.
Media task 1 powerpoint
The document compares and contrasts the teaser and full trailers for The Dark Knight Rises and The Wolf of Wall Street. It finds that the teaser trailer for The Dark Knight Rises uses dialogue to build tension without showing scenes, while the full trailer uses action and dialogue to promote it as an action film. For The Wolf of Wall Street, the teaser trailer shows a short comedic scene without sound, while the full trailer provides context about the main character and has a mix of short scenes and comedy. Both full trailers aim to further promote the films and reveal more details.
Skyfall Opening titles essay
The document discusses the order and placement of titles in the opening credits of the James Bond film Skyfall. It explains that the film's producers, EON Productions and Albert R. Broccoli, are shown first. Next, the title reveals the main character, James Bond played by Daniel Craig, to emphasize his importance. It then notes that the film is based on Ian Fleming's novels. After showing the film's title, Skyfall, it reveals the cast members' names in an order that highlights the importance and fame of the actors, with Javier Bardem second after Craig and Judi Dench last alongside Craig. The credits then list producers and other crew before ending with the director's name to also emphasize his significance.
Recommended
Trailer convetions
Trailers typically include a tagline to hint at the film's narrative and what the audience can expect, with Alien using "In space no one can hear you scream." The title is shown at the end so viewers remember it. Age ratings like PG are also displayed to indicate appropriate audiences. Production companies begin trailers with their logos and hints of the narrative aim to intrigue viewers into watching. Release dates are usually included so the audience knows when they can see the film.
Film opening codes
The document discusses various film opening conventions and codes that establish genre expectations for audiences. It explains that opening sequences aim to grab attention and indicate what genre to expect. For example, the opening of The Wolverine clearly uses action/adventure codes like explosions and fights to set up the hero vs villain plot. It also notes the purpose of studio and production logos in openings is to draw in fans of those brands and actors. Sound codes help convey genre through diegetic sounds that immerse audiences, versus non-diegetic music. Overall, openings aim to engage audiences and provide context to set expectations through visual and audio cues.
Conventions of trailers 2
Film trailers typically include several key elements: the production company logo at the beginning to set expectations for the type of film, the title shown at the end to leave viewers wanting more, and an age rating to indicate appropriate audience. Trailers also commonly feature character introductions to help viewers connect, music to set the tone, and release dates to let potential viewers know when they can see it. Social media promotions are now included as well to encourage word-of-mouth advertising.
Trailers
Film trailers are advertisements used to promote films by showing brief clips and snippets without revealing the full plot. The goal is to intrigue viewers into wanting to watch the full movie. Trailers are typically shown before films at cinemas but are now also shown online, on DVDs, and on television. Different types of trailers like theatrical trailers and teaser trailers may be released at different times leading up to a film's release to continue generating buzz. By highlighting exciting clips and parts of the story, trailers help market films and build larger audiences, which increases revenue.
Codes & conventions of a film trailer
The document outlines various codes and conventions commonly used in film trailers, including:
1) Beginning with the production company logo to establish credibility.
2) Including the age certification to indicate the target audience.
3) Encouraging viewers to engage on social media around hashtags and websites related to the film.
4) Introducing characters, especially famous actors, to draw in audiences familiar with their work.
5) Concluding with the film release date to motivate viewers to see it in theaters.
Submarine
This document summarizes the opening title sequence of a film. It shows the logos of the different production companies that worked on the film, with the background color becoming gradually lighter. This could symbolize the main character's life improving throughout the film. The final frame is unique, showing the film title over a coastal landscape. The document also describes the diegetic sounds heard during the sequence, including wind, seagulls, a clock ticking and a gentle song, establishing a peaceful setting.
Media task 1 powerpoint
The document compares and contrasts the teaser and full trailers for The Dark Knight Rises and The Wolf of Wall Street. It finds that the teaser trailer for The Dark Knight Rises uses dialogue to build tension without showing scenes, while the full trailer uses action and dialogue to promote it as an action film. For The Wolf of Wall Street, the teaser trailer shows a short comedic scene without sound, while the full trailer provides context about the main character and has a mix of short scenes and comedy. Both full trailers aim to further promote the films and reveal more details.
Skyfall Opening titles essay
The document discusses the order and placement of titles in the opening credits of the James Bond film Skyfall. It explains that the film's producers, EON Productions and Albert R. Broccoli, are shown first. Next, the title reveals the main character, James Bond played by Daniel Craig, to emphasize his importance. It then notes that the film is based on Ian Fleming's novels. After showing the film's title, Skyfall, it reveals the cast members' names in an order that highlights the importance and fame of the actors, with Javier Bardem second after Craig and Judi Dench last alongside Craig. The credits then list producers and other crew before ending with the director's name to also emphasize his significance.
Title research
This document summarizes the opening title sequence of the film Juno. It explains each scene which introduces the distributor, producers, director, title of the film, main actors, and other key crew members like the music supervisor, costume designer, and cinematographer. The summaries provide context for how these opening credits establish the framework of who created the film and set expectations for the audience.
Timeline title sequence
This title sequence introduces the audience to the production companies, director, and main actors involved in the film. Over the course of twelve titles from 0.0 to 1.53, the sequence displays the logos of production companies like Universal to establish the high production quality. It identifies Peter Berg as the well-known director and features several big name actors like Taylor Kitsch, Emile Hirsch, and Ben Foster who would attract audiences based on their past successful roles. Interspersed footage also begins to set the scene of intense military training and builds intrigue around the film's themes while not yet revealing the full plot.
Top 3 trailers
The trailer for Whiplash summarizes that it is about a drummer in a jazz band who attends a prestigious music conservatory. It shows the main character enduring intense pressure from his demanding instructor, played by J.K. Simmons. The trailer uses intense music, shifts in pace, and intertitles highlighting positive reviews to draw interest in the film's storyline and build anticipation for its portrayal of the competitive world of music.
Gone Girl Campaign
The document outlines the marketing campaign used to promote the film Gone Girl, which was based on a bestselling novel. The campaign utilized teaser posters and trailers that provided minimal information to generate intrigue. It also included magazine covers, interviews with cast members, soundtrack releases, and an interactive website themed as a missing person's case, to continue promoting the mystery and build excitement leading up to the film's release. The multifaceted campaign was successful in making Gone Girl a box office number one hit.
Pr4 me my_movies
The document provides summaries of four films: Superbad, This Is The End, Knocked Up, and an overview of the comedy genre. Superbad is about three teenage boys trying to get alcohol for a party. This Is The End is about celebrities like Seth Rogen and James Franco sheltering during the biblical apocalypse. Knocked Up is about a one night stand that results in an unexpected pregnancy. The overview discusses how comedy films often involve relatable characters facing problems and achieving goals in humorous ways, and are enjoyable due to stars like Jonah Hill and relatable storylines.
Institutional aspects- SA
The document discusses several institutional aspects presented in film trailers to entice audiences. It notes that trailers often feature popular actors or production companies. The trailer for The Equalizer highlighted companies like Sony and Columbia that have produced blockbuster films. It also promoted the main actor Denzel Washington's prestige. Towards the end, the trailer advertised the release date and social media hashtags to engage audiences online. Overall, the trailer aimed to attract viewers through stars, companies, and music to build hype for the film.
Institutional aspects
The document discusses several institutional aspects presented in film trailers to entice audiences. It notes that trailers often feature popular actors or production companies. The trailer for The Equalizer highlighted companies like Sony and Columbia that have produced blockbuster films. It also promoted the main actor Denzel Washington's prestige. Towards the end, the trailer advertised the release date and social media hashtags to engage audiences online. Overall, the trailer aimed to attract viewers through stars, companies, and music to build hype for the film.
Trailer research drama
The trailer for the film The Football Factory is over 1 minute and 30 seconds long, showing it is not a teaser trailer. It reveals the protagonist is involved in a football gang and the film follows his story. Fast cuts and a narration at the beginning set the serious and aggressive tone. The target audience is young male adults in the UK who can relate to the English football teams and crime depicted, which has been a problem associated with football there.
Moodboard
This document discusses the artistic inspirations for a music video project. It summarizes several music videos and films that influenced the creator's concepts and shooting style. The Arctic Monkeys' "R U Mine?" video inspired the use of handheld camerawork and a quirky performance aspect. Scenes from "Scott Pilgrim vs The World" provided ideas for comic book-style subtitles and close instrument shots. The black and white cinematography and one-shot style of "Control" were also influential. Green Day's "Basket Case" inspired the addition of filters and dreamlike crossfades. Finally, the children and soft focus of The Black Keys' "Tighten Up" informed the planned introduction. Overall, the
Media2014 trailer conventions
Film trailers typically include several conventions to attract audiences. They usually begin with the production company logo to establish reputation. This is followed by the film title at the end to ensure viewers remember it. Age certification is also displayed to indicate appropriate audience. Trailers also increasingly include social media promotions. Character introductions are important to help audiences relate and connect to the story. Music, voiceovers and montages are utilized to build tension and immerse viewers in the film's atmosphere and genre. Trailers come in different lengths to generate hype, with full trailers usually between 1-2 minutes.
The good the ugly de-con
The opening credits of the western film feature the iconic theme music composed by Ennio Morricone, setting the tone of the genre. Animated splashes of blood and images of outlaws on horses further establish the violent nature of the film. The early production company logos like United Artists, founded by legends like Charlie Chaplin, signal this will be a major production. Gunshots accompany the prominent billing of star Clint Eastwood, portrayed as a dangerous gunslinger. The director's name is still unknown, building anticipation, as the larger fonts and colors used for the supporting cast are introduced. Through these stylized credits without footage, the film conveys it will be an epic with a big build up for viewers.
Gone Girl Campaign
The film campaign for Gone Girl involved releasing teaser posters and trailers that provided minimal information to generate intrigue and discussion. A full theatrical trailer and magazine covers then revealed more details about the plot and characters. Interviews with the cast provided additional insights. Digital and social media promotion included websites, blogs, YouTube videos of the trailers and soundtrack, and links to purchase tickets and music. The goal was to build massive buzz through various marketing strategies leading up to the film's successful box office performance.
Media analysis of contemorary titles opening vs. older titles opening
This document compares the opening title sequences of two films from different eras: The Man With The Golden Arm from 1955 and The Final Destination from 2009. The older film features white bars that move and reveal cast names, while the newer one uses more animation related to the film's theme of death. Overall, openings have changed dramatically over time with advances in technology, allowing for more detailed and dramatic visuals in modern sequences. However, both styles still aim to introduce the audience to the film's key information, even if newer openings do so in a faster and more directly thrilling manner.
Title and Credit Convention Research
Titles appear at the beginning of movies and trailers to provide information like the movie name, production company, and distribution company. Credits appear at the beginning and end of movies and just at the end of trailers, listing the actors, editors, sound engineers, songwriters, and others involved in production. Titles are meant to intrigue audiences about what the movie is about and get them interested to watch it when it is released, while credits acknowledge everyone who contributed to making the movie. Both titles and credits are designed based on genre conventions, with horror titles often using scary fonts and thriller titles keeping it simple.
Conventions of the film trailer
The document discusses conventions that are commonly found in film trailers. Some of the key conventions mentioned include:
- Trailers are usually between 1.5-3 minutes long and include key scenes out of order from the full movie.
- Titles identifying the movie, actors, directors, and production company are included.
- Music is used to set the tone and reflect the genre.
- The British Board of Film Classification age rating and release date are often displayed at the end.
Title Sequence Conventions
The document discusses the formal conventions of a film title sequence. It explains that a title sequence usually lasts 2-5 minutes and introduces the main production credits using three common styles: montage, narrative, or conceptual. The standard order of credits is production company, director, producer, main actors/actresses, film name, and remaining crew. Two examples, Juno and Se7en, follow the conventions while Spiderman 3 switches some elements like showing the film name before the director/producer credits. All three examples feature non-diegetic sound.
Codes and Conventions of Film Posters
This document discusses common conventions used in film posters, including prominently displaying the title and release date, featuring main actors and characters, incorporating logos and slogans, and providing information on production companies and viewing formats. Examples of posters for movies like The Avengers: Age of Ultron, Batman vs Superman: Dawn of Justice, and Man of Steel are analyzed to show how they employ techniques like large bold titles; positioning of characters, logos, and dates; and inclusion of social media links and production details.
Biopic analysis of titles
The document analyzes and compares the opening title sequences of three biopic films: Cadillac Records, I'm Not There, and Made of Stone.
Cadillac Records establishes the collaborative effort between studios and sets the tone for the film with the director name and main actors over a record player playing music from the era.
I'm Not There uses a simplistic title sequence in black and white to portray Bob Dylan backstage at a concert, setting an artistic tone.
Made of Stone immediately shows the subject of the film, The Stone Roses, through slow motion footage of the lead singer at a concert with flashing lights as a voiceover discusses happiness, while also establishing the production company and genre with a
Crook bbfc rating
The document discusses the BBFC rating for the upcoming crime film and trailer titled "Crook". It explains that the film has been rated 15, as it will contain excessive violence including depictions of crime scenes with blood, as well as strong language, threat, and imitable behavior. While these aspects fit within a 15 rating, the film will not include nudity, sex, discrimination or drugs which are allowed but not necessary for the crime genre. An 18 rating was ruled out as it would be too restrictive, and a 12 is not suitable due to the planned use of strong language throughout the film.
Film trailer codes and conventions
Film trailers tend to follow certain conventions to be successful in attracting audiences. They will show the film title at the beginning and end to ensure viewers remember it. Music and voiceovers are used to set the tone and pace of the film and explain the plot. Well-known production logos and actors are included to signal the quality and generate interest from their fans. Age ratings provide guidance on appropriate audiences while social media details encourage further engagement online. Character introductions and captions of names involved aim to connect viewers and provide information on directors' styles. Trailers range from 1-3 minutes usually, with shorter teasers also used to build hype, and the release date is displayed at the end to prompt viewers to see it soon
Title and credits conventions
The document discusses the use of titles and credits in movie trailers. Titles are often shown at the end of the trailer to leave a lasting impression. Credits acknowledge those involved in making the film, particularly the director. Reviews and details about the director/actors are meant to attract audiences and give them a sense of whether they will enjoy the film. Production companies are usually featured at the beginning to promote their involvement. The purpose is to provide just enough information through titles and credits to intrigue audiences and create "enigmas" about the film's plot and story without revealing too much.
The conventions of Opening Credits
An opening title sequence introduces the key production elements of a film or television program, typically listing the production companies, director, main actors, and other important crew members. Production companies are usually listed first to highlight their financial backing of the project. Big name directors and top-billed actors then receive individual billing through on-screen text or graphics to promote their involvement. Supporting cast members and crew are then listed in descending order of importance. The sequence aims to familiarize viewers with the talent involved and generate interest in the film through its visuals and music.
More Related Content
What's hot
Title research
This document summarizes the opening title sequence of the film Juno. It explains each scene which introduces the distributor, producers, director, title of the film, main actors, and other key crew members like the music supervisor, costume designer, and cinematographer. The summaries provide context for how these opening credits establish the framework of who created the film and set expectations for the audience.
Timeline title sequence
This title sequence introduces the audience to the production companies, director, and main actors involved in the film. Over the course of twelve titles from 0.0 to 1.53, the sequence displays the logos of production companies like Universal to establish the high production quality. It identifies Peter Berg as the well-known director and features several big name actors like Taylor Kitsch, Emile Hirsch, and Ben Foster who would attract audiences based on their past successful roles. Interspersed footage also begins to set the scene of intense military training and builds intrigue around the film's themes while not yet revealing the full plot.
Top 3 trailers
The trailer for Whiplash summarizes that it is about a drummer in a jazz band who attends a prestigious music conservatory. It shows the main character enduring intense pressure from his demanding instructor, played by J.K. Simmons. The trailer uses intense music, shifts in pace, and intertitles highlighting positive reviews to draw interest in the film's storyline and build anticipation for its portrayal of the competitive world of music.
Gone Girl Campaign
The document outlines the marketing campaign used to promote the film Gone Girl, which was based on a bestselling novel. The campaign utilized teaser posters and trailers that provided minimal information to generate intrigue. It also included magazine covers, interviews with cast members, soundtrack releases, and an interactive website themed as a missing person's case, to continue promoting the mystery and build excitement leading up to the film's release. The multifaceted campaign was successful in making Gone Girl a box office number one hit.
Pr4 me my_movies
The document provides summaries of four films: Superbad, This Is The End, Knocked Up, and an overview of the comedy genre. Superbad is about three teenage boys trying to get alcohol for a party. This Is The End is about celebrities like Seth Rogen and James Franco sheltering during the biblical apocalypse. Knocked Up is about a one night stand that results in an unexpected pregnancy. The overview discusses how comedy films often involve relatable characters facing problems and achieving goals in humorous ways, and are enjoyable due to stars like Jonah Hill and relatable storylines.
Institutional aspects- SA
The document discusses several institutional aspects presented in film trailers to entice audiences. It notes that trailers often feature popular actors or production companies. The trailer for The Equalizer highlighted companies like Sony and Columbia that have produced blockbuster films. It also promoted the main actor Denzel Washington's prestige. Towards the end, the trailer advertised the release date and social media hashtags to engage audiences online. Overall, the trailer aimed to attract viewers through stars, companies, and music to build hype for the film.
Institutional aspects
The document discusses several institutional aspects presented in film trailers to entice audiences. It notes that trailers often feature popular actors or production companies. The trailer for The Equalizer highlighted companies like Sony and Columbia that have produced blockbuster films. It also promoted the main actor Denzel Washington's prestige. Towards the end, the trailer advertised the release date and social media hashtags to engage audiences online. Overall, the trailer aimed to attract viewers through stars, companies, and music to build hype for the film.
Trailer research drama
The trailer for the film The Football Factory is over 1 minute and 30 seconds long, showing it is not a teaser trailer. It reveals the protagonist is involved in a football gang and the film follows his story. Fast cuts and a narration at the beginning set the serious and aggressive tone. The target audience is young male adults in the UK who can relate to the English football teams and crime depicted, which has been a problem associated with football there.
Moodboard
This document discusses the artistic inspirations for a music video project. It summarizes several music videos and films that influenced the creator's concepts and shooting style. The Arctic Monkeys' "R U Mine?" video inspired the use of handheld camerawork and a quirky performance aspect. Scenes from "Scott Pilgrim vs The World" provided ideas for comic book-style subtitles and close instrument shots. The black and white cinematography and one-shot style of "Control" were also influential. Green Day's "Basket Case" inspired the addition of filters and dreamlike crossfades. Finally, the children and soft focus of The Black Keys' "Tighten Up" informed the planned introduction. Overall, the
Media2014 trailer conventions
Film trailers typically include several conventions to attract audiences. They usually begin with the production company logo to establish reputation. This is followed by the film title at the end to ensure viewers remember it. Age certification is also displayed to indicate appropriate audience. Trailers also increasingly include social media promotions. Character introductions are important to help audiences relate and connect to the story. Music, voiceovers and montages are utilized to build tension and immerse viewers in the film's atmosphere and genre. Trailers come in different lengths to generate hype, with full trailers usually between 1-2 minutes.
The good the ugly de-con
The opening credits of the western film feature the iconic theme music composed by Ennio Morricone, setting the tone of the genre. Animated splashes of blood and images of outlaws on horses further establish the violent nature of the film. The early production company logos like United Artists, founded by legends like Charlie Chaplin, signal this will be a major production. Gunshots accompany the prominent billing of star Clint Eastwood, portrayed as a dangerous gunslinger. The director's name is still unknown, building anticipation, as the larger fonts and colors used for the supporting cast are introduced. Through these stylized credits without footage, the film conveys it will be an epic with a big build up for viewers.
Gone Girl Campaign
The film campaign for Gone Girl involved releasing teaser posters and trailers that provided minimal information to generate intrigue and discussion. A full theatrical trailer and magazine covers then revealed more details about the plot and characters. Interviews with the cast provided additional insights. Digital and social media promotion included websites, blogs, YouTube videos of the trailers and soundtrack, and links to purchase tickets and music. The goal was to build massive buzz through various marketing strategies leading up to the film's successful box office performance.
Media analysis of contemorary titles opening vs. older titles opening
This document compares the opening title sequences of two films from different eras: The Man With The Golden Arm from 1955 and The Final Destination from 2009. The older film features white bars that move and reveal cast names, while the newer one uses more animation related to the film's theme of death. Overall, openings have changed dramatically over time with advances in technology, allowing for more detailed and dramatic visuals in modern sequences. However, both styles still aim to introduce the audience to the film's key information, even if newer openings do so in a faster and more directly thrilling manner.
Title and Credit Convention Research
Titles appear at the beginning of movies and trailers to provide information like the movie name, production company, and distribution company. Credits appear at the beginning and end of movies and just at the end of trailers, listing the actors, editors, sound engineers, songwriters, and others involved in production. Titles are meant to intrigue audiences about what the movie is about and get them interested to watch it when it is released, while credits acknowledge everyone who contributed to making the movie. Both titles and credits are designed based on genre conventions, with horror titles often using scary fonts and thriller titles keeping it simple.
Conventions of the film trailer
The document discusses conventions that are commonly found in film trailers. Some of the key conventions mentioned include:
- Trailers are usually between 1.5-3 minutes long and include key scenes out of order from the full movie.
- Titles identifying the movie, actors, directors, and production company are included.
- Music is used to set the tone and reflect the genre.
- The British Board of Film Classification age rating and release date are often displayed at the end.
Title Sequence Conventions
The document discusses the formal conventions of a film title sequence. It explains that a title sequence usually lasts 2-5 minutes and introduces the main production credits using three common styles: montage, narrative, or conceptual. The standard order of credits is production company, director, producer, main actors/actresses, film name, and remaining crew. Two examples, Juno and Se7en, follow the conventions while Spiderman 3 switches some elements like showing the film name before the director/producer credits. All three examples feature non-diegetic sound.
Codes and Conventions of Film Posters
This document discusses common conventions used in film posters, including prominently displaying the title and release date, featuring main actors and characters, incorporating logos and slogans, and providing information on production companies and viewing formats. Examples of posters for movies like The Avengers: Age of Ultron, Batman vs Superman: Dawn of Justice, and Man of Steel are analyzed to show how they employ techniques like large bold titles; positioning of characters, logos, and dates; and inclusion of social media links and production details.
Biopic analysis of titles
The document analyzes and compares the opening title sequences of three biopic films: Cadillac Records, I'm Not There, and Made of Stone.
Cadillac Records establishes the collaborative effort between studios and sets the tone for the film with the director name and main actors over a record player playing music from the era.
I'm Not There uses a simplistic title sequence in black and white to portray Bob Dylan backstage at a concert, setting an artistic tone.
Made of Stone immediately shows the subject of the film, The Stone Roses, through slow motion footage of the lead singer at a concert with flashing lights as a voiceover discusses happiness, while also establishing the production company and genre with a
Crook bbfc rating
The document discusses the BBFC rating for the upcoming crime film and trailer titled "Crook". It explains that the film has been rated 15, as it will contain excessive violence including depictions of crime scenes with blood, as well as strong language, threat, and imitable behavior. While these aspects fit within a 15 rating, the film will not include nudity, sex, discrimination or drugs which are allowed but not necessary for the crime genre. An 18 rating was ruled out as it would be too restrictive, and a 12 is not suitable due to the planned use of strong language throughout the film.
What's hot (19)
Media analysis of contemorary titles opening vs. older titles opening
Media analysis of contemorary titles opening vs. older titles opening
Similar to Film opening title conventions
Film trailer codes and conventions
Film trailers tend to follow certain conventions to be successful in attracting audiences. They will show the film title at the beginning and end to ensure viewers remember it. Music and voiceovers are used to set the tone and pace of the film and explain the plot. Well-known production logos and actors are included to signal the quality and generate interest from their fans. Age ratings provide guidance on appropriate audiences while social media details encourage further engagement online. Character introductions and captions of names involved aim to connect viewers and provide information on directors' styles. Trailers range from 1-3 minutes usually, with shorter teasers also used to build hype, and the release date is displayed at the end to prompt viewers to see it soon
Title and credits conventions
The document discusses the use of titles and credits in movie trailers. Titles are often shown at the end of the trailer to leave a lasting impression. Credits acknowledge those involved in making the film, particularly the director. Reviews and details about the director/actors are meant to attract audiences and give them a sense of whether they will enjoy the film. Production companies are usually featured at the beginning to promote their involvement. The purpose is to provide just enough information through titles and credits to intrigue audiences and create "enigmas" about the film's plot and story without revealing too much.
The conventions of Opening Credits
An opening title sequence introduces the key production elements of a film or television program, typically listing the production companies, director, main actors, and other important crew members. Production companies are usually listed first to highlight their financial backing of the project. Big name directors and top-billed actors then receive individual billing through on-screen text or graphics to promote their involvement. Supporting cast members and crew are then listed in descending order of importance. The sequence aims to familiarize viewers with the talent involved and generate interest in the film through its visuals and music.
Codes and conventions of opening credits
Codes and conventions are followed in title sequences to introduce the key production elements of a film or television program. The opening credits usually include the production company name, director, main actors, film title, and other important roles. Big production companies and major directors and actors are given individual billing and longer screen time in the credits to highlight their importance and attract audiences. Less prominent cast and crew are grouped together or given shorter billing. The order and presentation of credits follows standard formats to efficiently convey the key selling points of the production to viewers.
What makes a successful film trailer
To make a successful film trailer, certain conventions should be followed. Trailers typically begin with the film production company's logo to establish reputation. The film title is also prominently displayed to identify the movie. Trailers conclude by showing the British Board of Film Classification rating to indicate appropriate audience age and provide expectations of content. Character introductions, music, voiceovers and captions of actors/directors are employed to engage the audience and create interest in seeing the full film. Release dates are displayed at the end to motivate viewers to see the movie upon its launch.
Conventions of trailer
Task 3 of Unit 2,3,22 explaining what trailers are and why they are used along with their conventions.
Film Title Sequence Conventions.
The title sequence for Ferris Bueller's Day Off introduces the audience to the production companies, director John Hughes, lead actor Matthew Broderick, and the film's title. Key locations and characters are then shown to provide context. Actors' names appear with main roles featured more prominently. Credits are given to the cast and crew to conclude the sequence.
The title sequence for Catch Me If You Can begins by showing the production companies and director Steven Spielberg. Lead actors Leonardo DiCaprio and Tom Hanks are introduced. Supporting actors are shown in groups of three. The film's title appears in large text. Credits continue for both the cast and off-screen crew, and it concludes
General codes and conventions of film trailers
1) Film trailers follow certain conventions including showing the film production logo, title, and age certification at certain points.
2) They aim to introduce audiences to the characters, provide clues to the genre through visuals and music, and encourage audiences to follow social media accounts for the film.
3) Trailers vary in length from short "teaser" trailers under 1.5 minutes to full trailers around 2 minutes. They typically showcase parts of the plot and characters while building hype and include the release date to encourage audiences to see the film.
Title sequence comparison
This document compares the title sequences of three films - Lucy, Pitch Perfect, and The Hobbit: An Unexpected Journey. It finds that Lucy, a thriller, includes the most credits like production companies and actors' names. Pitch Perfect and The Hobbit include fewer credits to avoid boring younger audiences. Font styles also differ between films - Lucy uses plain white font on black, Pitch Perfect uses imagery, and The Hobbit uses a style reflecting the film. The document concludes different genres target audiences differently in their title sequences.
Film openning titles
Quentin Tarantino's film Reservoir Dogs used a simple technique in the opening credits to introduce each of the nine characters - the characters were shown walking down the street with individual close-up shots and freeze frames displaying their character names. The 500 Days of Summer opening credits introduced the main characters in more depth and through an animated sequence of drawings and buildings related to the narrative. The Suicide Squad credits focused on displaying the production companies rather than character names, likely because the big-budget film's actors did not need additional exposure and revealing names could give away the plot. In general, independent films tend to focus more on introducing individual characters in the opening credits while larger films promote the production companies that funded the film instead of character names
Codes & Conventions in Trailers - General
1) Film trailers typically include certain codes and conventions such as showing the title of the film towards the end to help viewers remember it.
2) They also usually display the release date/information towards the end to generate interest and encourage viewers to watch the film.
3) Production logos are often the first thing viewers see in a trailer and can provide clues about the genre and quality of the film based on the production company's reputation.
Types of-trailer
The document discusses the types and conventions of teaser trailers. It begins by defining a teaser trailer as a short promotional video released long before a film's release to generate hype. It then explores the key differences between teaser trailers and longer theatrical trailers. Teaser trailers are 30-60 seconds while theatrical trailers are 2-3 minutes. Teaser trailers may contain footage that is later cut from the final film. The document also examines common conventions of teaser trailers, such as focusing on the main characters, using dramatic music and footage to create atmosphere, and leaving viewers on a cliffhanger.
Codes and Conventions of Film Trailers
The document discusses key elements of film trailers. It explains that trailers typically last 2-3 minutes and combine clips from the film to create interest without revealing too much of the plot. Trailers often display ratings and content warnings at the start. They usually showcase the production company logos at the beginning to establish the type of film it will be. Music, voiceovers, and introducing main characters are also common trailer elements used to set the tone and engage viewers. The film title is typically revealed at the end to encourage viewers to watch the full trailer.
Conventions of trailers
Film trailers typically include several key elements: the production company logo at the beginning to establish reputation; the film title near the end to build curiosity; an age rating to indicate appropriate audience; and calls to action like hashtags or websites to encourage social media engagement. Trailers also introduce characters to help audiences connect, include recognizable actors or directors to draw interest, use music and voiceovers to set tone and pace, and display the release date near the end to prompt planning to see the film. Multiple trailers, from short teasers to full-length versions, are often released to gradually build anticipation for a film.
Conventions of an opening sequences
The document discusses conventions of opening sequences in films. It explains that opening sequences usually include the logos of the production companies to indicate the type of film. The film title is then shown, which can set the tone through colors and font styles used. The opening credits list the main cast and supporting actors to help audiences decide if they want to watch. Locations are sometimes shown as well to provide context for where the story takes place. The overall aim is to introduce viewers to the characters, setting, genre, and atmosphere to engage them in the beginning of the film.
Film trailers task 1
The document discusses several key elements that film trailers typically include to advertise and promote films. Trailers usually reveal the basic storyline to entice audiences while maintaining an element of mystery. They introduce main characters, directors, and popular actors/celebrities to draw audiences. Trailers also aim to persuade audiences through techniques like appropriate music, shots, reviews, star ratings, and revealing the release date at the end. The overall purpose is to encourage people to watch the film while only revealing a taste of what to expect.
Film Trailer CAC
Film trailers follow certain codes and conventions:
1) They feature the production company logo to signify the studio backing and attract audiences familiar with that company's films.
2) They emphasize the actors and directors, mentioning awards or previous popular works, to build interest in the talent involved.
3) More recently, they include social media links like hashtags and Facebook pages to promote word-of-mouth sharing online.
What is the difference between film opening sequences and film trailers
Opening sequences usually provide opening credits and set the atmosphere for the film in under a minute, while film trailers are longer previews that use montages of scenes to give viewers insight into the film and entice them to watch it. Both introduce main characters and hint at the genre, but trailers showcase "best bits" from the film and often end on a cliffhanger to drive interest, while openings build anticipation through credits or animation without clips from the film.
Formal Film Title Sequence Conventions
The film title sequence introduces the audience to the production companies, director, writer, and lead actor. It shows the family home and main characters Ferris and his parents. Titles then provide the names of the cast and crew involved in starring, production, music, and more. The sequence finishes by Ferris breaking the fourth wall and signaling the start of the film.
1)titling in film openings
The document discusses titling in film openings. Key credits at the beginning usually include the director, starring actors, and production company. For example, in Pacific Rim, the director and producer are named first, followed by other producers. At the end, the production company and film title are shown. Titling can convey information about the film through typography, color, and font used. For Pacific Rim, the futuristic chrome title suggests a sci-fi genre and serious tone through bold 3D letters. Titling is also sometimes used to establish the location or era of the film. While common, titling alone does not set the mood and is accompanied by other elements like sound, camerawork, effects, and mise-
Similar to Film opening title conventions (20)
What is the difference between film opening sequences and film trailers
What is the difference between film opening sequences and film trailers
More from Sam Benzie
Evaluation question 3
The document summarizes feedback received from target audiences on a music video project. Key points:
- Interviews with 3 target audience members provided insight into what they want from music videos, such as something different, narrative-based videos, and authentic characters.
- Feedback confirmed the video succeeded in being different through visual filters and a narrative-based approach without the artist. It showed meaning through props and used authentic 17-year-old actors without lyrics.
- Pitching the idea to classmates helped identify flaws and gain additional perspective, though the final video diverged from the original plan based on this feedback.
- Feedback on draft digipak designs was incorporated, combining elements like the 3D effect and
Evaluation question 4
Jack Francis used various media technologies at different stages of his music video project. In the research and planning stage, he used his computer to conduct online research and draft documents using Word and PowerPoint. He also used his mobile phone to communicate with actors and find inspiration by viewing other music videos. During construction of the video, Jack used a Panasonic camera and tripod to film footage, downloading software to obtain the music file, and Movie Studio Platinum to edit the footage and add the music. He uploaded the final video to YouTube. For ancillary tasks like a digipak and advertisement, Jack used Photoshop to add text and edit images, an online filter website, and a printer. Finally, he uploaded all
Risk assessment
The document contains 3 risk assessments for filming scenes for a music video at different outdoor locations. Key hazards identified include water and quicksand near the beach, uneven surfaces and smoke bombs in the woods, and vehicles and crowds at an unspecified third location. Measures taken to prevent injuries include ensuring proper footwear, first aid kits, adequate clothing, and supervision of teenagers. Additional actions such as locating hazards beforehand, monitoring tide and crowd levels, and having phones and transportation available are also outlined. Responsibilities for addressing risks are assigned to the project manager Jade Paul.
Risk assessment jf
This document outlines potential hazards, injuries, severity levels, prevention measures, and emergency response plans for a film shoot. It identifies hazards from camera equipment, falling down stairs, getting hit by a car, low lighting, and alcohol in the eyes. Prevention measures include safety checks, practice, road safety reminders, lighting the environment, and emptying alcohol containers. The emergency response plan is to call an ambulance if anyone is injured from these hazards. Responsible parties are identified for any required actions.
Mise-en-scene
The document outlines the mise-en-scene elements for a music video including costume, lighting, actors, makeup, props, setting, and editing. Costumes will show the relationship is unstable through dark clothes for the female actor and concealed faces for the male actor. Lighting will use high key when the female is happy and low key when sad. The video will focus on older teenage actors to match the target audience. Minimal makeup on the female will show she is controlled by the male. Props like sparklers and lanterns will symbolize moving on from the past. Multiple settings like the beach and woods will avoid boredom. Editing will use smooth transitions and color correction to engage the audience.
Casting
This document provides casting considerations for a music video about a female protagonist who is unhappy in her relationship and is better off alone. It describes two main characters, Cleo and Finn, and proposes several actors for each role. For the role of Cleo, Kat is suggested due to her extensive acting experience from childhood productions. Megan is also proposed but is younger than the character. For the role of Finn, Callum is put forward given his experience acting in school productions playing various roles, though he is younger than the character. Sam is also proposed but has less overall acting experience than Callum.
Shooting schedule
This document provides a shooting schedule detailing the date, time, location, actors, and shot types for filming a project. It includes shots at V festival in Chelmsford on August 21st, close-ups of Kat and Callum at Callum's house on September 20th, establishing and tracking shots of Kat and Callum at Mablethorpe beach during sunset on September 24th, tilt and tracking shots of Kat and Callum in Blackpool on September 30th, and establishing and close-up shots of Kat at Willinghamwoods on October 1st.
Shooting schedule a2
The document provides a shooting schedule for a music video by the band The Vaccines. It details that filming will take place over one day, September 21st, beginning at dusk at a petrol station with scenes of Kirsty and Oliver, then moving indoors at night to film scenes inside a house of Kirsty and Callum using a camera and tripod along with alcohol as props. Filming will conclude the following early morning with exterior street scenes of Kirsty and Oliver filmed with a camera and tripod.
Shot list music video
The shot list documents scenes for a music video involving characters Kirsty, Oli, Ellie, and Callum. It includes 35 shots at a petrol station of Kirsty and Oli awkwardly sitting together and Kirsty walking away from Oli. It then details 15 shots of Kirsty walking along a pathway from different angles. Additional shots include Kirsty drinking alcohol at a house, being sick, and a sexual encounter with Callum. The list concludes with shots of Ellie walking along the same pathway from different angles and Kirsty and Oli hugging at the petrol station.
Evaluation Question 3
From audience feedback on their music video concept, the document summarizes that they learned to:
1) Keep makeup and costumes natural to make characters more relatable to indie genre conventions.
2) Favor a mixed narrative over including diegetic sound which could be distracting.
3) Film entirely outside to create atmosphere and meet indie genre conventions rather than including indoor scenes.
Evaluation question 6
The document discusses technologies used during each phase of constructing a media product. In planning and research, the author learned to use Blogger and Prezi effectively but had difficulties with Slideshare. During construction, the author gained skills using a camera, microphone, LED light, and movie editing software. In evaluation, the author became familiar with Emaze but was already proficient in presentation software like PowerPoint. Overall, the author felt their media skills improved the most during the construction phase of the large project.
Question 3
Warner Bros would be an effective major distributor for the film Imperium. As one of the big six film studios, Warner Bros has the resources and experience needed to distribute a mainstream crime/drama film widely. With over 8000 employees and $13 billion in revenue in 2015, Warner Bros can handle large production and promotion campaigns. They successfully promoted Goodfellas, which made a $21 million profit. To reach the target audience of males and females aged 35+ for Imperium, the distributor must carefully select promotion platforms and design advertisements appropriately. Television, online social media, and fan pages would be effective low-cost promotion methods.
Risk assessment
This document identifies potential hazards during an outdoor activity and measures to prevent injuries. It lists hazards such as roads, cameras, leaves, trees, and wildlife/dogs. For each hazard, it identifies potential injuries, a severity rating, measures taken to prevent injury, the number of people at risk, additional required measures, and those responsible. The hazards include getting run over, electrocution from cameras, slipping on leaves, falling branches from trees, and bites from wildlife or dogs. Preventative measures include being vigilant around roads, checking cameras for damage, walking carefully through leaves, avoiding trees, and not approaching wildlife. Those participating are responsible for their own safety.
Shooting schedule
This document contains a shooting schedule for a film being shot over one day. It lists 15 scenes, all taking place on October 12, 2016. The locations are either exterior shots on a road near a village or interior shots in a barn. The main characters involved are Wilson, Makenzie, and Detective McCoy. Scenes include shots of Wilson walking and smoking, entering the barn, dialogue exchanges between the characters, and a close-up of a gun.
Shooting schedule
The document contains a shooting schedule for a film with 12 scenes planned for the first day of shooting. The first 6 scenes take place outside on a road and show Wilson walking into and around a village, including shots of his torso and him throwing down a cigarette. Scenes 7-11 take place inside a barn and include introductions of the characters Wilson, Makenzie, and Detective McCoy. These scenes involve dialogue exchanges between the characters shot over shoulders and in close-ups. Props include a desk, chairs, and cigarettes.
Student video analysis
The document provides instructions for a student video analysis assignment. Students are asked to analyze 2-3 past student film openings, considering elements like camera work, editing, pacing, setting, sound, acting, and titles. At least one film must be from the student's genre. Two sample student films are then analyzed in detail based on these elements:
1) A thriller film opening showing two students captured in an abandoned building trying to escape their captor.
2) A black-and-white noir film opening featuring a detective investigating a serial killer case.
Title sequence analysis
This document analyzes the title sequences of three films: The Shining, Se7en, and Reservoir Dogs. It finds that all three films include the studio logo, director, film title, and key or other cast members in their opening credits. The order that most commonly appears is studio logo first, followed by the film title, director, producer, key cast, and other cast. Based on this analysis, the author concludes that their own title sequence should include at least the studio logo, director, film title, and cast members, with that standard order.
Shooting schedule
The document contains a shooting schedule for a film titled "Imperium" with 10 shots planned over 1 day. The locations include a road outside a village, a barn interior. Characters include Wilson, Makenzie and Detective McCoy. Scenes include Wilson walking on the road and throwing down a cigarette, then entering the barn where a freeze frame will capture his face and a master shot of the whole barn setting. Dialogue shots between the characters are also scheduled inside the barn.
Student film opening analysis
This document provides an analysis and review of two student film openings titled "Carnage" and "Counterpart". For Carnage, the reviewer provides positive feedback on the camera work, editing, sound design, costumes, lighting, and setting in building tension and suspense. The only criticism is that it felt more like a trailer than an opening. For Counterpart, the reviewer critiques the shaky camera work, distracting background elements, uneven editing, and stiff acting, though notes some successful elements like the shadowy masked characters and fitting title/music. Overall, Carnage received higher marks for its effective techniques in setting an ominous tone through its technical elements.
Mise en scene
The document discusses the importance of mise-en-scene elements for establishing believability in a 1960s-set film opening scene involving the interrogation of a detective by gangsters. Costumes of the time period, natural lighting outside transitioning to low-key lighting inside, realistic makeup depicting injuries, and props like plain chairs, period-appropriate guns and cigarettes will be used. The rural setting provides isolation for the interrogation without witnesses.
More from Sam Benzie (20)
Recently uploaded
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
The History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
Physical pharmaceutics notes for B.pharm students
clinical examination of hip joint (1).pdf
described clinical examination all orthopeadic conditions .
Leveraging Generative AI to Drive Nonprofit Innovation
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
BÀI TẬP DẠY THÊM TIẾNG ANH LỚP 7 CẢ NĂM FRIENDS PLUS SÁCH CHÂN TRỜI SÁNG TẠO ...
BÀI TẬP DẠY THÊM TIẾNG ANH LỚP 7 CẢ NĂM FRIENDS PLUS SÁCH CHÂN TRỜI SÁNG TẠO ...Nguyen Thanh Tu Collection
https://app.box.com/s/qhtvq32h4ybf9t49ku85x0n3xl4jhr15How to Manage Your Lost Opportunities in Odoo 17 CRM
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...Nguyen Thanh Tu Collection
https://app.box.com/s/y977uz6bpd3af4qsebv7r9b7s21935vdChapter wise All Notes of First year Basic Civil Engineering.pptx
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
How to Create a More Engaging and Human Online Learning Experience
How to Create a More Engaging and Human Online Learning Experience Wahiba Chair Training & Consulting
Wahiba Chair's Talk at the 2024 Learning Ideas Conference. How to Fix the Import Error in the Odoo 17
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
How to Make a Field Mandatory in Odoo 17
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...
Librarians are leading the way in creating future-ready citizens – now we need to update our spaces to match. In this session, attendees will get inspiration for transforming their library spaces. You’ll learn how to survey students and patrons, create a focus group, and use design thinking to brainstorm ideas for your space. We’ll discuss budget friendly ways to change your space as well as how to find funding. No matter where you’re at, you’ll find ideas for reimagining your space in this session.
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Recently uploaded (20)
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
RHEOLOGY Physical pharmaceutics-II notes for B.pharm 4th sem students
Leveraging Generative AI to Drive Nonprofit Innovation
Leveraging Generative AI to Drive Nonprofit Innovation
BÀI TẬP DẠY THÊM TIẾNG ANH LỚP 7 CẢ NĂM FRIENDS PLUS SÁCH CHÂN TRỜI SÁNG TẠO ...
BÀI TẬP DẠY THÊM TIẾNG ANH LỚP 7 CẢ NĂM FRIENDS PLUS SÁCH CHÂN TRỜI SÁNG TẠO ...
spot a liar (Haiqa 146).pptx Technical writhing and presentation skills
spot a liar (Haiqa 146).pptx Technical writhing and presentation skills
How to Manage Your Lost Opportunities in Odoo 17 CRM
How to Manage Your Lost Opportunities in Odoo 17 CRM
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
Chapter wise All Notes of First year Basic Civil Engineering.pptx
Chapter wise All Notes of First year Basic Civil Engineering.pptx
How to Create a More Engaging and Human Online Learning Experience
How to Create a More Engaging and Human Online Learning Experience
Digital Artefact 1 - Tiny Home Environmental Design
Digital Artefact 1 - Tiny Home Environmental Design
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...
Film opening title conventions
- 1. By Hadley Stones FILM OPENING TITLE CONVENTIONS
- 2. First clip- Citizen Kane https://www.youtube.com/watch?v=RRa3qZ0_4ew
- 3. Conventions- The conventions met for this opening are that they show the production logo, the title of the film and who the book/film is by. However it then fails to show cast and other main producers of the film which goes against most stereotypes but if this was all shown it would take the enigma away from the opening itself
- 4. Second clip- The Book of Eli https://www.youtube.com/watch?v=uPoRj-Fv4HI
- 5. Conventions- In this film opening of The Book of Eli we see that the title is clearly shown to make it clear what the film is called, however it then doesn’t show us anymore text on screen for things such as producers, actor and the director this adds a sense of mystery because you don’t know who's in it or what to expect
- 6. Third Clip- Donnie Darko https://www.youtube.com/watch?v=CJ7Fz3m485s
- 7. Conventions- The conventions shown In the opening scene of Donnie Darko meets those such as production name and company logo. As well as the directors name and overall title of the film . However as like the other two films this film does not name main cast in the opening.
- 8. Conclusion In conclusion I have found that most film openings of a wide range of genres show the title of the film as a must or people might not know what film they are watching, they also show company and production logos as brand recognition. Also they credit the director. Although they don’t include the main cast in many film openings which I find strange as I would have thought this brought in wide audiences when they see the names such as Leonardo DiCaprio or Tom Hanks.