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EACH NUMBER AND CHOOSE FROM THE
FOLLOWING TO CLASSIFY THE MAIN PURPOSE
OF THE VIDEO: A. TO DESCRIBE, B. TO
ENTERTAIN, C. TO EXPLAIN, AND D. TO
PERSUADE. WRITE THE LETTER OF THE
CORRECT ANSWER ON A SHEET OF PAPER.
•With a certain purpose in mind, a writer begins
creating text. Text can be a music video script,
TV commercial script, or movie script. This is
followed by the selection of theme, the main
subject of a viewing material.
•The theme shapes the selection and organization of
elements –plot, setting,
•characterization, and conflict – to constitute the whole
process, from scriptwriting to
•video production. Also, it guides the production team in
turning the script into videos
•or multimedia.
•Identifying the theme and checking the relevance of
its supporting details are
•skills a visually literate person should enhance and
get better at. Gear yourself up
•as this lesson on identifying the theme and key
details opens up for you.
TEXT CAN BE AS SIMPLE AS SMILEYS. IT CAN BE AS
LENGTHY AS THE SEVEN HARRY POTTER BOOKS. IT
CAN BE AS ILLUSIONARY AS THE PORTRAIT OF
MONA LISA. IT CAN BE AS RELAXING AS THE SONG
YOU LISTEN TO WHILE IN YOUR BEDROOM.
PERSONAL AND SOCIAL BENEFITS. THERE IS
THIS NEED YOU THINK IS LIKELY TO BE FILLED
BY YOUR INTERACTION WITH THE TEXT THAT
MOTIVATES YOU TO PRODUCE OR CONSUME
FUNCTIONAL REPRESENTATIONS OF
LANGUAGE, FOR EXAMPLE, SLOGAN, TV
COMMERCIAL, MUSIC VIDEO, TV BROADCAST,
POLITICAL DEBATE, ETC. IN SCHOOL, YOUR
TEACHER MIGHT BE ASKING YOU TO WRITE A
MOVIE REVIEW, SO YOU WOULD HAVE TO
SPEND TIME WATCHING NETFLIX MOVIES. AT
HOME, WHEN YOU FEEL THE NEED TO RELAX,
YOU WOULD MOST LIKELY TUNE IN TO MUSIC
TV. T
PERSONAL AND SOCIAL BENEFITS. THERE IS
THIS NEED YOU THINK IS LIKELY TO BE FILLED
BY YOUR INTERACTION WITH THE TEXT THAT
MOTIVATES YOU TO PRODUCE OR CONSUME
FUNCTIONAL REPRESENTATIONS OF
LANGUAGE, FOR EXAMPLE, SLOGAN, TV
COMMERCIAL, MUSIC VIDEO, TV BROADCAST,
POLITICAL DEBATE, ETC. IN SCHOOL, YOUR
TEACHER MIGHT BE ASKING YOU TO WRITE A
MOVIE REVIEW, SO YOU WOULD HAVE TO
SPEND TIME WATCHING NETFLIX MOVIES. AT
HOME, WHEN YOU FEEL THE NEED TO RELAX,
YOU WOULD MOST LIKELY TUNE IN TO MUSIC
TV. T
THE NATURE OF TEXT CONSUMPTION OR
PRODUCTION VARIES
DEPENDING ON YOUR NEEDS AND IT CHANGES
ACCORDING TO THE ROLES YOU PLAY: BEING A
STUDENT, BEING A CHILD, BEING A FRIEND,
BEING A COMMUNITY LEADER, OR BEING A
FILIPINO
CITIZEN.
IMAGES AND VISUAL MEDIA FOR THEIR
PERSONAL NEEDS. ON THE OTHER HAND, TEXT
DISSEMINATED IN THE PUBLIC SPHERE CAN HAVE
POSITIVE AND NEGATIVE SOCIAL EFFECTS.
FOR THIS REASON, THE CONCEPT OF
RESPONSIBLE USE AND PRODUCTION OF TEXT
WHICHEVER MEDIUM AND WHEREVER PLATFORM
IT IS HAS BEEN GREATLY ADVOCATED LATELY.
ACTIVELY ENGAGING WITH THE TEXT,
SPECIFICALLY WITH VIEWING MATERIALS,
SHOULD LEAD YOU TO THE IDENTIFICATION OF
THE MAIN REASON WHY THE TEXT IS CREATED.
IS IT TO DESCRIBE, TO ENTERTAIN, TO EXPLAIN,
OR TO PERSUADE? IS IT A COMBINATION OF
ACTIVE VIEWING ALSO DEMANDS FROM A
VIEWER LIKE YOU THE ABILITY TO CAPTURE THE
BIG IDEA INSTRUMENTAL FOR ACHIEVING THE
PURPOSE (S) SET BY THE AUTHOR, COMMONLY
KNOWN AS THEME. THE THEME IS SOMETIMES
CALLED STORYLINE, TOPIC, MAIN IDEA OR
UNIFYING CONCEPT. IT IS NOT EASY TO
RECOGNIZE THE THEME OF WHAT YOU ARE
WATCHING BECAUSE IT IS USUALLY IMPLIED. NOT
UNTIL YOU FINISH WATCHING THE ENTIRE SHOW,
PROGRAM, OR BROADCAST AND UNLESS YOU
HAVE THE ANSWERS TO THE FOLLOWING
QUESTIONS CAN YOU CRITICALLY THINK OF THE
THEME:
WHAT IS HAPPENING?
WHAT TYPES OF CONFLICT ARE THE
CHARACTERS FACING?
WHO ARE THE CHARACTERS AND HOW ARE
THEY RELATED WITH EACH OTHER?
WHEN AND WHERE ARE THE ACTIONS TAKING
PLACE?
HOW ARE THE ACTIONS SEQUENCED?
WHY DO THE ACTORS THINK AND ACT THE
WAY THEY DO?.
WITH REGARD TO THE COMMON
THEMES, MASTERCLASS (2020) HAS
THIS NON EXHAUSTIVE LIST,
NAMELY: 1), LOVE, 2) HUMANITY
VS. TECHNOLOGY, 3) SACRIFICE, 4)
GOOD VS. EVIL, 5) DEATH, 6)
PERSEVERANCE, 7) COMING OF
AGE, 8) FAMILY DRAMA, 9) REASON
VS. FAITH, AND 10) JUSTICE
DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx
DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx
DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx
DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx
DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx
DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx
DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx
DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx

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DISCUSSIONS ABOUT THE DIFFERENCE BETWEEN EXT-THEMES.pptx

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  • 5. EACH NUMBER AND CHOOSE FROM THE FOLLOWING TO CLASSIFY THE MAIN PURPOSE OF THE VIDEO: A. TO DESCRIBE, B. TO ENTERTAIN, C. TO EXPLAIN, AND D. TO PERSUADE. WRITE THE LETTER OF THE CORRECT ANSWER ON A SHEET OF PAPER.
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  • 7. •With a certain purpose in mind, a writer begins creating text. Text can be a music video script, TV commercial script, or movie script. This is followed by the selection of theme, the main subject of a viewing material.
  • 8. •The theme shapes the selection and organization of elements –plot, setting, •characterization, and conflict – to constitute the whole process, from scriptwriting to •video production. Also, it guides the production team in turning the script into videos •or multimedia.
  • 9. •Identifying the theme and checking the relevance of its supporting details are •skills a visually literate person should enhance and get better at. Gear yourself up •as this lesson on identifying the theme and key details opens up for you.
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  • 11. TEXT CAN BE AS SIMPLE AS SMILEYS. IT CAN BE AS LENGTHY AS THE SEVEN HARRY POTTER BOOKS. IT CAN BE AS ILLUSIONARY AS THE PORTRAIT OF MONA LISA. IT CAN BE AS RELAXING AS THE SONG YOU LISTEN TO WHILE IN YOUR BEDROOM.
  • 12. PERSONAL AND SOCIAL BENEFITS. THERE IS THIS NEED YOU THINK IS LIKELY TO BE FILLED BY YOUR INTERACTION WITH THE TEXT THAT MOTIVATES YOU TO PRODUCE OR CONSUME FUNCTIONAL REPRESENTATIONS OF LANGUAGE, FOR EXAMPLE, SLOGAN, TV COMMERCIAL, MUSIC VIDEO, TV BROADCAST, POLITICAL DEBATE, ETC. IN SCHOOL, YOUR TEACHER MIGHT BE ASKING YOU TO WRITE A MOVIE REVIEW, SO YOU WOULD HAVE TO SPEND TIME WATCHING NETFLIX MOVIES. AT HOME, WHEN YOU FEEL THE NEED TO RELAX, YOU WOULD MOST LIKELY TUNE IN TO MUSIC TV. T
  • 13. PERSONAL AND SOCIAL BENEFITS. THERE IS THIS NEED YOU THINK IS LIKELY TO BE FILLED BY YOUR INTERACTION WITH THE TEXT THAT MOTIVATES YOU TO PRODUCE OR CONSUME FUNCTIONAL REPRESENTATIONS OF LANGUAGE, FOR EXAMPLE, SLOGAN, TV COMMERCIAL, MUSIC VIDEO, TV BROADCAST, POLITICAL DEBATE, ETC. IN SCHOOL, YOUR TEACHER MIGHT BE ASKING YOU TO WRITE A MOVIE REVIEW, SO YOU WOULD HAVE TO SPEND TIME WATCHING NETFLIX MOVIES. AT HOME, WHEN YOU FEEL THE NEED TO RELAX, YOU WOULD MOST LIKELY TUNE IN TO MUSIC TV. T
  • 14. THE NATURE OF TEXT CONSUMPTION OR PRODUCTION VARIES DEPENDING ON YOUR NEEDS AND IT CHANGES ACCORDING TO THE ROLES YOU PLAY: BEING A STUDENT, BEING A CHILD, BEING A FRIEND, BEING A COMMUNITY LEADER, OR BEING A FILIPINO CITIZEN.
  • 15. IMAGES AND VISUAL MEDIA FOR THEIR PERSONAL NEEDS. ON THE OTHER HAND, TEXT DISSEMINATED IN THE PUBLIC SPHERE CAN HAVE POSITIVE AND NEGATIVE SOCIAL EFFECTS. FOR THIS REASON, THE CONCEPT OF RESPONSIBLE USE AND PRODUCTION OF TEXT WHICHEVER MEDIUM AND WHEREVER PLATFORM IT IS HAS BEEN GREATLY ADVOCATED LATELY. ACTIVELY ENGAGING WITH THE TEXT, SPECIFICALLY WITH VIEWING MATERIALS, SHOULD LEAD YOU TO THE IDENTIFICATION OF THE MAIN REASON WHY THE TEXT IS CREATED. IS IT TO DESCRIBE, TO ENTERTAIN, TO EXPLAIN, OR TO PERSUADE? IS IT A COMBINATION OF
  • 16. ACTIVE VIEWING ALSO DEMANDS FROM A VIEWER LIKE YOU THE ABILITY TO CAPTURE THE BIG IDEA INSTRUMENTAL FOR ACHIEVING THE PURPOSE (S) SET BY THE AUTHOR, COMMONLY KNOWN AS THEME. THE THEME IS SOMETIMES CALLED STORYLINE, TOPIC, MAIN IDEA OR UNIFYING CONCEPT. IT IS NOT EASY TO RECOGNIZE THE THEME OF WHAT YOU ARE WATCHING BECAUSE IT IS USUALLY IMPLIED. NOT UNTIL YOU FINISH WATCHING THE ENTIRE SHOW, PROGRAM, OR BROADCAST AND UNLESS YOU HAVE THE ANSWERS TO THE FOLLOWING QUESTIONS CAN YOU CRITICALLY THINK OF THE THEME:
  • 17. WHAT IS HAPPENING? WHAT TYPES OF CONFLICT ARE THE CHARACTERS FACING? WHO ARE THE CHARACTERS AND HOW ARE THEY RELATED WITH EACH OTHER? WHEN AND WHERE ARE THE ACTIONS TAKING PLACE? HOW ARE THE ACTIONS SEQUENCED? WHY DO THE ACTORS THINK AND ACT THE WAY THEY DO?.
  • 18. WITH REGARD TO THE COMMON THEMES, MASTERCLASS (2020) HAS THIS NON EXHAUSTIVE LIST, NAMELY: 1), LOVE, 2) HUMANITY VS. TECHNOLOGY, 3) SACRIFICE, 4) GOOD VS. EVIL, 5) DEATH, 6) PERSEVERANCE, 7) COMING OF AGE, 8) FAMILY DRAMA, 9) REASON VS. FAITH, AND 10) JUSTICE