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DISCOURSE ANALYSIS AND
PHONOLOGY
ELIANA ALMEIDA ARAGÓN
INTRODUCTION
• Attention to intonation
• Intonation studies rather
than at the segmental
level
The study of phonemes and their
articulation)
The basis of assumptions that
are open to challenge from a
discourse analyst's viewpoint.
• phonemes may undergo
considerable changes
PRONUNCIATION
• Produce meaningful
contrasts with other words
• construction of words
• segment the sounds of language
into discrete items called
pbonemes
2
1
3
4
RHYTHM
The impression of rhythm
may arise out of a feeling of
alternation
between strong and weak
'beats' in various patterned
recurrences
WORD STRESS AND PROMINENCE
01
02
03
04
Syllables which
stand out in the
flow of talk
because
the speaker has
uttered them with
relatively greater
intensity,
will be
referred to as
prominent
syllables
or duration,
or pitch variation
compared with
surrounding syllables
WORD STRESS AND PROMINENCE
When a word is used in conversation and emphasised, one of the
stressed syllables is made prominent.
In a one-stress word this is the stressed syllable, and in a two-
stress word it is usually the syllable with main stress.
Prominent syllables can be shown by using capital letters:
THE PLACING OF PROMINENCE
• Prominence refers to the
changes in stress, pitch or
emphasis that allows for added
meaning to be inferred in what
is being spoken
Prominence is given to syllables
depends on the choice of the
speaker to make certain word
salien
INTONATIONAL UNITS
• Divide speech up into
small units main, or
nuclear prominence.
• Tone groups often have a slight
pause after them, and are claimed
to correspond most frequently in
natural data with grammatical
clauses
TONES AND THEIR MEANINGS
• The prominent syllables in an
utterance are the carriers of
any significant variation in
pitch that the speaker might
use.
• At recognisable points in the
utterance, the pitch level may
rise, fall, or be carefully kept
level.
TYPES OF TONES GRAMMATICAL APPROACHES
• correct intonations for
things such as
questions, sentence-
tags, subordinate
clauses, and so on.
ATTITUDINAL APPROACHES INTERACTIVE APPROACHES
The choice of tone is
independent
Of the choice of grammatical
form, and that it is the speaker's
assessment of
The conducive (and therefore
non-open) character of the
question that is
Important.
KEY
The relative
level of pitch
between one
part of an
utterance and
another
can
often be heard
to change
to jump
upwards
or to drop Hnd
trail off
KEY
When speakers are
speaking in the
middle of their
average
pitch range,
they are speaking
in mid-key
and the utterance
simply adds
more to the
ongoing discourse
These three
functions
HIGH FOR
CONTRASTIVENESS
MID FOR
ADDITION
LOW FOR
REITERATION
represent a further
layer of speaker
choice in
intonanon
PITCH ACROSS SPEAKERS
Speakers sometimes begin a new topic by asking a question which begins
high in the speaker's pitch range, and how this high pitch is echoed by the
hearer with high pitch at the beginning of the answer. A typical topic-
opening sequence might be:
SUMMARY
Any description that
adequately separates
the
functions of
prominence, tone and
pitch level
level, is that separate
parts of the system
can be dealt with
individuall
while not losing sight
of either the overall
discourse significance
of the different levels
of choice
or the unified sense
of the importance of
speaker choice and
adjustmet
to the constantly
Changing state of play
between participants
in the talk
CONCLUSION
Dialects and varieties of English, particular tones seem to have
different functions
analysis, Lower-level learners often have to encode utterances in
L2 word-by-word, and under such conditions, appropriate tone-
grouping,
prominence, tone and key may simply not be realised

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Discourse analysis and phonology. learning activity 1.4

  • 2. INTRODUCTION • Attention to intonation • Intonation studies rather than at the segmental level The study of phonemes and their articulation) The basis of assumptions that are open to challenge from a discourse analyst's viewpoint.
  • 3. • phonemes may undergo considerable changes PRONUNCIATION • Produce meaningful contrasts with other words • construction of words • segment the sounds of language into discrete items called pbonemes 2 1 3 4
  • 4. RHYTHM The impression of rhythm may arise out of a feeling of alternation between strong and weak 'beats' in various patterned recurrences
  • 5. WORD STRESS AND PROMINENCE 01 02 03 04 Syllables which stand out in the flow of talk because the speaker has uttered them with relatively greater intensity, will be referred to as prominent syllables or duration, or pitch variation compared with surrounding syllables
  • 6. WORD STRESS AND PROMINENCE When a word is used in conversation and emphasised, one of the stressed syllables is made prominent. In a one-stress word this is the stressed syllable, and in a two- stress word it is usually the syllable with main stress. Prominent syllables can be shown by using capital letters:
  • 7. THE PLACING OF PROMINENCE • Prominence refers to the changes in stress, pitch or emphasis that allows for added meaning to be inferred in what is being spoken Prominence is given to syllables depends on the choice of the speaker to make certain word salien
  • 8. INTONATIONAL UNITS • Divide speech up into small units main, or nuclear prominence. • Tone groups often have a slight pause after them, and are claimed to correspond most frequently in natural data with grammatical clauses
  • 9. TONES AND THEIR MEANINGS • The prominent syllables in an utterance are the carriers of any significant variation in pitch that the speaker might use. • At recognisable points in the utterance, the pitch level may rise, fall, or be carefully kept level.
  • 10. TYPES OF TONES GRAMMATICAL APPROACHES • correct intonations for things such as questions, sentence- tags, subordinate clauses, and so on.
  • 11. ATTITUDINAL APPROACHES INTERACTIVE APPROACHES The choice of tone is independent Of the choice of grammatical form, and that it is the speaker's assessment of The conducive (and therefore non-open) character of the question that is Important.
  • 12. KEY The relative level of pitch between one part of an utterance and another can often be heard to change to jump upwards or to drop Hnd trail off
  • 13. KEY When speakers are speaking in the middle of their average pitch range, they are speaking in mid-key and the utterance simply adds more to the ongoing discourse These three functions HIGH FOR CONTRASTIVENESS MID FOR ADDITION LOW FOR REITERATION represent a further layer of speaker choice in intonanon
  • 14. PITCH ACROSS SPEAKERS Speakers sometimes begin a new topic by asking a question which begins high in the speaker's pitch range, and how this high pitch is echoed by the hearer with high pitch at the beginning of the answer. A typical topic- opening sequence might be:
  • 15. SUMMARY Any description that adequately separates the functions of prominence, tone and pitch level level, is that separate parts of the system can be dealt with individuall while not losing sight of either the overall discourse significance of the different levels of choice or the unified sense of the importance of speaker choice and adjustmet to the constantly Changing state of play between participants in the talk
  • 16. CONCLUSION Dialects and varieties of English, particular tones seem to have different functions analysis, Lower-level learners often have to encode utterances in L2 word-by-word, and under such conditions, appropriate tone- grouping, prominence, tone and key may simply not be realised

Editor's Notes

  1. Notas para el moderador: Descripción de lo que ha aprendido con sus propias palabras en un lado. Incluya información sobre el tema También será útil incluir aquí más información sobre el tema. Cuente la historia de su experiencia de aprendizaje. Igual que en cualquier historia, debe haber siempre un principio, una parte central y un final. En la otra cara, puede agregar un gráfico que proporcione una prueba de lo que ha aprendido. No dude en usar más de una diapositiva para reflexionar sobre el proceso. También resulta útil agregar algunos vídeos sobre el proceso.
  2. Notas para el moderador: ¿Qué pasos tomará como resultado de esta experiencia de aprendizaje? ¿Ha aprendido de las experiencias fallidas? ¿Qué hará diferente la próxima vez? ¿Que consejo dará a otros usuarios para que puedan aprender de su experiencia? ¿Cómo puede compartir lo que ha aprendido con una audiencia real? Algunos ejemplos de los pasos siguientes pueden ser: Después de realizar mi primera presentación convincente, estoy pensando en unirme al equipo de debate. Después de realizar la primera película, estoy pensando en introducirla en nuestro festival de películas de la escuela o el festival de cine local. Después de conectar con este experto de la profesión, me gustaría hacer una investigación en ese campo porque me parece algo interesante para mí. Este SmartArt le permite agregar imágenes y texto para describir el proceso. Si una imagen vale más que mil palabras, las imágenes y palabras le ayudarán a comunicar esta reflexión de aprendizaje perfectamente. Siempre puede hacer clic en Insertar > SmartArt para cambiar este gráfico o seleccionar el gráfico y hacer clic en el menú contextual de Diseño para cambiar los colores. No dude en usar más de una diapositiva para compartir los pasos siguientes. También resulta útil agregar algún contenido de vídeo para explicar el mensaje.
  3. Notas para el moderador: ¿Qué pensó al principio? ¿Qué obstáculos encontró sobre la marcha? ¿Cómo superó esos obstáculos? ¿Qué imágenes puede agregar para apoyar el proceso? Este SmartArt le permite agregar imágenes y texto para describir el proceso. Si una imagen vale más que mil palabras, las imágenes y palabras le ayudarán a comunicar esta reflexión de aprendizaje perfectamente. Siempre puede hacer clic en Insertar > SmartArt para cambiar este gráfico o seleccionar el gráfico y hacer clic en el menú contextual de Diseño para cambiar los colores. No dude en usar más de una diapositiva para reflexionar sobre el proceso. También resulta útil agregar algunos vídeos sobre el proceso.
  4. Notas para el moderador: ¿Qué pensó al principio? ¿Qué obstáculos encontró sobre la marcha? ¿Cómo superó esos obstáculos? ¿Qué imágenes puede agregar para apoyar el proceso? Este SmartArt le permite agregar imágenes y texto para describir el proceso. Si una imagen vale más que mil palabras, las imágenes y palabras le ayudarán a comunicar esta reflexión de aprendizaje perfectamente. Siempre puede hacer clic en Insertar > SmartArt para cambiar este gráfico o seleccionar el gráfico y hacer clic en el menú contextual de Diseño para cambiar los colores. No dude en usar más de una diapositiva para reflexionar sobre el proceso. También resulta útil agregar algunos vídeos sobre el proceso.
  5. Notas para el moderador: Descripción de lo que ha aprendido con sus propias palabras en un lado. Incluya información sobre el tema También será útil incluir aquí más información sobre el tema. Cuente la historia de su experiencia de aprendizaje. Igual que en cualquier historia, debe haber siempre un principio, una parte central y un final. En la otra cara, puede agregar un gráfico que proporcione una prueba de lo que ha aprendido. No dude en usar más de una diapositiva para reflexionar sobre el proceso. También resulta útil agregar algunos vídeos sobre el proceso.
  6. Notas para el moderador: Descripción de lo que ha aprendido con sus propias palabras en un lado. Incluya información sobre el tema También será útil incluir aquí más información sobre el tema. Cuente la historia de su experiencia de aprendizaje. Igual que en cualquier historia, debe haber siempre un principio, una parte central y un final. En la otra cara, puede agregar un gráfico que proporcione una prueba de lo que ha aprendido. No dude en usar más de una diapositiva para reflexionar sobre el proceso. También resulta útil agregar algunos vídeos sobre el proceso.
  7. Notas para el moderador: Descripción de lo que ha aprendido con sus propias palabras en un lado. Incluya información sobre el tema También será útil incluir aquí más información sobre el tema. Cuente la historia de su experiencia de aprendizaje. Igual que en cualquier historia, debe haber siempre un principio, una parte central y un final. En la otra cara, puede agregar un gráfico que proporcione una prueba de lo que ha aprendido. No dude en usar más de una diapositiva para reflexionar sobre el proceso. También resulta útil agregar algunos vídeos sobre el proceso.
  8. Notas para el moderador: ¿Qué fue importante sobre esta experiencia de aprendizaje? ¿Cómo es relevante para el curso, usted mismo, o la sociedad o comunidad? ¿Por qué es importante? Este SmartArt le permite agregar imágenes y texto para describir el proceso. Si una imagen vale más que mil palabras, las imágenes y palabras le ayudarán a comunicar esta reflexión de aprendizaje perfectamente. Siempre puede hacer clic en Insertar > SmartArt para cambiar este gráfico o seleccionar el gráfico y hacer clic en el menú contextual de Diseño para cambiar los colores.
  9. Notas para el moderador: ¿Qué fue importante sobre esta experiencia de aprendizaje? ¿Cómo es relevante para el curso, usted mismo, o la sociedad o comunidad? ¿Por qué es importante? Este SmartArt le permite agregar imágenes y texto para describir el proceso. Si una imagen vale más que mil palabras, las imágenes y palabras le ayudarán a comunicar esta reflexión de aprendizaje perfectamente. Siempre puede hacer clic en Insertar > SmartArt para cambiar este gráfico o seleccionar el gráfico y hacer clic en el menú contextual de Diseño para cambiar los colores.