Different types of lighting and sound
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This document discusses different types of lighting and sound techniques used in filmmaking. It describes various lighting setups like ambient light, back light, and color gels that can be used to illuminate scenes or distort lighting for artistic purposes. It also discusses sound bridging, parallel/contrapointal sound, diegetic sound from within the scene, and non-diegetic sound added during editing. The document provides definitions and examples of these various cinematic lighting and sound techniques.
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This document provides information on genres, production elements, camera techniques, editing transitions, lighting styles, and sound elements used in filmmaking. It defines genres like action, drama, horror, and science fiction. It describes camera shots, angles, and movements. It explains editing transitions such as cuts, fades, and wipes. It outlines lighting techniques including three-point lighting and high/low key lighting. It defines diegetic and non-diegetic sound as well as other sound elements.
Codes and Conventions of Music Videos
The document discusses several key conventions and techniques used in music videos, including:
1) Technical conventions like camera angles, shots, editing, and sound are used to convey meaning.
2) Symbolic techniques use facial expressions and gestures to show meanings beyond what is seen.
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This document discusses key aspects of sound in media texts. It identifies diegetic and non-diegetic sounds, and explains that diegetic sounds originate from within the story world while non-diegetic sounds come from outside. Sound effects, music, voice-overs, and the relationships between sound and image like parallel and contrapuntal sound are examined. Sound bridges are also discussed as a technique to link two scenes together.
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This document outlines various production elements of film including camera techniques, acting, mise-en-scene, editing, lighting, and sound. It provides details on different types of shots and camera angles that can be used. Acting is discussed in terms of body language, facial expressions, and voice. Mise-en-scene refers to the visual elements within each shot. Editing involves assembling shots into a coherent narrative through techniques like continuity, juxtaposition, and transitions. Lighting and sound are also important production elements that help set mood and meaning.
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The document introduces key concepts about sound in media. It divides sound into two categories: diegetic sound that comes from within the world of the film, like dialogue and ambient noise, and non-diegetic sound that does not have a visible on-screen source, like theme music. Sound helps create meaning by enhancing emotion, conveying character psychology, and setting location and period. Key terminology includes soundtrack, theme music, sound effects, ambient sound, dialogue, voiceover, sound bridges, parallel sound, and contrapuntal sound.
Presentationtech
The document defines and describes various filmmaking techniques including shots, lighting styles, sound types, editing transitions, camera movements, and scripting. It provides definitions and examples of techniques like establishing shots, close-ups, diegetic and non-diegetic sound, foley work, cuts, dissolves, dolly shots, pans, scripts, and more. These techniques are fundamental building blocks that filmmakers use to construct scenes, convey meaning, and tell visual stories.
Cinematography
This document discusses various techniques of cinematography including quality, framing, scale, and movement. It covers topics such as color, lighting, depth of field, exposure, racking focus, aspect ratio, angles, lenses, and more. Cinematography aims to achieve the desired photographic images through composition, lighting, camerawork, and special effects to tell a story.
Sound - AS Media
There are two main categories of sound in film - diegetic and non-diegetic. Diegetic sound has a source visible on screen like dialogue or ambient noise, while non-diegetic sound like theme music does not. Sound helps create meaning by enhancing emotion, revealing character psychology, and setting atmosphere through location, period, and continuity between scenes. Key sound terminology includes soundtrack, theme music, sound effects, ambient noise, dialogue, voiceover, and techniques like sound bridges, parallel sound, and contrapuntal sound.
Genre Research
This document discusses various techniques used in genre drama films and television shows. It covers different types of camera shots like close-ups, long shots, and high angle shots that are used to emphasize emotions, show surroundings, and imply perspective. It also discusses lighting, color, and sound techniques like diegetic and non-diegetic sound. Finally, it discusses editing techniques such as opening with character faces, showing character observations and reactions, and highlighting character vulnerabilities.
Sound
The document defines and describes various types of sound that can be used in television and film production. It discusses diegetic sounds that come from the world of the story versus non-diegetic sounds added for emphasis or mood. It also covers ambient sounds, sound bridges, motifs, voiceovers, soundtracks, scores, dialogue, synchronous versus asynchronous sounds, sound effects, mixing, perspective, incidental music, themes, and direct address. The overall framework provided suggests writing about the type of sound used, why that editing choice was made, describing the specific sound or song, and how it impacted representations.
MUSIC VIDEO.pptx
The document discusses various codes and conventions used in music videos. It explains that narrative music videos typically reflect the lyrics of the song through a visual story. It then defines different types of shots (e.g. closeup, wide shot), angles (e.g. low angle, high angle), lighting techniques, and elements of mise-en-scene that are commonly used to tell the story and represent the meaning of songs in music videos. Examples of two popular music videos are also briefly described.
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The document provides production notes for a trailer. It describes choosing instrumental sections from the TI song "Yeah Ya Know" to use for the trailer's soundtrack due to its lyrics and rhythm fitting well. Sound effects were also used for buildups and an ambulance scene. The trailer's taglines, framing, editing, filming locations, and ancillary tasks like a poster and magazine are also mentioned. The initial planned institution was changed last minute to "Monkey Productions" due to time constraints.
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Different types of lighting and sound
- 1. Different types of lighting and sound By Solyanna Keflom
- 3. Ambient Light • The general (and often undesirable) Illumination surrounding the shooting or projection area; not exactly the same as Available Light or Natural Light
- 4. Back Light • Back Light separates subject from background, saints from sinners, and one pro from another. Angle: toward the lens from above and behind the subject, or above, behind, and slightly to the side of it, high enough to cut lens Flare. It is especially helpful for video images that may suffer loss- of-edge contrast.
- 5. Colour Distortion, Colouring Light • Gels not only correct the colour of light sources relative to one another or the film, they can also be used to distort light for dramatic or artistic purposes.
- 6. Composition, Mise-en-scene An arrangement of visual elements in the Frame; the path followed by the eye while viewing an image. Film and video composition exists in time and may change during the shot as well as through the cut or dissolve between shots.
- 7. Eye Line Where the subject looks: Profile, close to the lens, at the lens, up, down or anywhere else, affects the Intensity, Mood, and credibility of the scene and the lighting.
- 8. SOUND BRIDGES • Often the sound from one scene will continue into or over the next scene – the images we see change but the sound is still from the previous scenes. More often, we hear the sound from the next sequence BEFORE we see the relevant images.
- 9. PARALLEL AND CONTRAPUNTAL SOUND • When watching a film, the sound we hear usually complements what we see – happy sounds for happy images, exciting music for exciting scenes – sad music at sad moments
- 10. DIEGETIC SOUND • This is literally sounds with the frame of the scene that you are watching e.g. dialogue
- 11. NON-DIEGETIC SOUND • Sound that is usually added on after the scene is already done i.e. backing track. This is usually done during editing after the scene has been completed.
- 12. Courtesy of… Slides 1-5: http://www.lowel.com/edu/glossary/ • Slides 8-12 • http://www.scribd.com/doc/8332956/Sound- in-Film