A presentation of the life and works of Russian narrative theorist Vladimir Propp, outlining his ideas on basic narrative structure and character profiling in narrative.
ww2militaria.net | SS Insignia | SS Collar Patch | SS Hat Insigniaww2militaria
Waffen ss collar insignia,ss runes,ss collar patch,ss rank patches,ss insignia,ss unit insignia,
SS collar tab, ss collar patch, waffen ss collar patches, ss rank collar patches, ss patches for sale,ss patches,german ss patches,nazi ss patches,nazi ss patches for sale,ss uniform,ss badges,
SS Collar Patches of Nazi Germany
At the beginning SS uniforms used a variety of insignia, the most standard of which were collar patches to denote rank.
For the lower ranks, the SS specified that a patch showing the wearer's regiment (Standarte) would be worn opposite the badge of rank while the higher SS leaders would continue to wear oakleaf insignia on both collars.
Collar tabs below the rank of Sturmführer were edged in black-and-white twist cord; those of Sturm and Sturmbann leaders used black-and-silver while those of senior leaders were edged in solid silver cord.
By the end of 1933, there were three unit collar insignia patches in existence: the SS runes used by the Leibstandarte, the blank collar patch used by the SS headquarters and command staff, and the numbered SS unit insignia worn by regular SS companies throughout Germany.
In 1934, with the rise of the SS-Verfügungstruppe (SS-VT), the SS runes unit insignia was expanded to these other formatations of the then fledgling military arm of the SS (later to become known as the Waffen-SS). To separate these new military formations from the main Leibstandarte regiment under Dietrich, the SS runes worn by the Verfügungstruppe displayed a small number corresponding to the particular SS-VT regiment of the bearer. In all, there were three possible numbers:
1 for members of the Deutschland Regiment, 2 for Germania personnel, and (from 1938) 3 for members of the Der Führer Regiment
In the wake of the "Röhm-Putsch" in 1934, the SS officially took over the concentration camps from the SA and police. Soon thereafter, camp guards began wearing the Totenkopf ("death's head") on the right collar patch (the jawless Danziger style., to distinguish themselves from the numbered Allgemeine-SS Standarten.
In late 1934, enlisted collar patches changed from black-and-white to black-and-silver edging; all officers now wore silver-piped collar tabs. Around the same time it was stipulated the SS runes unit collar patch was to be worn on the right side of the tunic collar although there were a few exceptions.
In the period leading up to the War and beyond, with the expansion of the ‘military’ aspect of the SS, and the re-assignment of many original members to various new formations, standardization became very hazy and as the war progressed, re-use and lack of resources led to many ofddities.
The ancient jawless Danziger style of Totenkopf was gradually replaced by the 'classic' SS skull, a naturalistic design with grinning jaws; the old form was taken up by the army's newly formed Panzerwaffe.
WW2 underground newspapers on Wikipedia using DBPedia , 12-2-2016, The HagueOlaf Janssen
Presentation about my project (https://en.wikipedia.org/wiki/nl:Wikipedia:Wikiproject/Verzetskranten) describing and interlinking all 1300 Dutch resistance newspapers from WW2 on Wikipedia using DBpedia.
Given during the 6th DBpedia International Community Meeting on 12-2-2016 in The Hague (http://wiki.dbpedia.org/meetings/TheHague2016)
A presentation of the life and works of Russian narrative theorist Vladimir Propp, outlining his ideas on basic narrative structure and character profiling in narrative.
ww2militaria.net | SS Insignia | SS Collar Patch | SS Hat Insigniaww2militaria
Waffen ss collar insignia,ss runes,ss collar patch,ss rank patches,ss insignia,ss unit insignia,
SS collar tab, ss collar patch, waffen ss collar patches, ss rank collar patches, ss patches for sale,ss patches,german ss patches,nazi ss patches,nazi ss patches for sale,ss uniform,ss badges,
SS Collar Patches of Nazi Germany
At the beginning SS uniforms used a variety of insignia, the most standard of which were collar patches to denote rank.
For the lower ranks, the SS specified that a patch showing the wearer's regiment (Standarte) would be worn opposite the badge of rank while the higher SS leaders would continue to wear oakleaf insignia on both collars.
Collar tabs below the rank of Sturmführer were edged in black-and-white twist cord; those of Sturm and Sturmbann leaders used black-and-silver while those of senior leaders were edged in solid silver cord.
By the end of 1933, there were three unit collar insignia patches in existence: the SS runes used by the Leibstandarte, the blank collar patch used by the SS headquarters and command staff, and the numbered SS unit insignia worn by regular SS companies throughout Germany.
In 1934, with the rise of the SS-Verfügungstruppe (SS-VT), the SS runes unit insignia was expanded to these other formatations of the then fledgling military arm of the SS (later to become known as the Waffen-SS). To separate these new military formations from the main Leibstandarte regiment under Dietrich, the SS runes worn by the Verfügungstruppe displayed a small number corresponding to the particular SS-VT regiment of the bearer. In all, there were three possible numbers:
1 for members of the Deutschland Regiment, 2 for Germania personnel, and (from 1938) 3 for members of the Der Führer Regiment
In the wake of the "Röhm-Putsch" in 1934, the SS officially took over the concentration camps from the SA and police. Soon thereafter, camp guards began wearing the Totenkopf ("death's head") on the right collar patch (the jawless Danziger style., to distinguish themselves from the numbered Allgemeine-SS Standarten.
In late 1934, enlisted collar patches changed from black-and-white to black-and-silver edging; all officers now wore silver-piped collar tabs. Around the same time it was stipulated the SS runes unit collar patch was to be worn on the right side of the tunic collar although there were a few exceptions.
In the period leading up to the War and beyond, with the expansion of the ‘military’ aspect of the SS, and the re-assignment of many original members to various new formations, standardization became very hazy and as the war progressed, re-use and lack of resources led to many ofddities.
The ancient jawless Danziger style of Totenkopf was gradually replaced by the 'classic' SS skull, a naturalistic design with grinning jaws; the old form was taken up by the army's newly formed Panzerwaffe.
WW2 underground newspapers on Wikipedia using DBPedia , 12-2-2016, The HagueOlaf Janssen
Presentation about my project (https://en.wikipedia.org/wiki/nl:Wikipedia:Wikiproject/Verzetskranten) describing and interlinking all 1300 Dutch resistance newspapers from WW2 on Wikipedia using DBpedia.
Given during the 6th DBpedia International Community Meeting on 12-2-2016 in The Hague (http://wiki.dbpedia.org/meetings/TheHague2016)
We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
This is a presentation by Dada Robert in a Your Skill Boost masterclass organised by the Excellence Foundation for South Sudan (EFSS) on Saturday, the 25th and Sunday, the 26th of May 2024.
He discussed the concept of quality improvement, emphasizing its applicability to various aspects of life, including personal, project, and program improvements. He defined quality as doing the right thing at the right time in the right way to achieve the best possible results and discussed the concept of the "gap" between what we know and what we do, and how this gap represents the areas we need to improve. He explained the scientific approach to quality improvement, which involves systematic performance analysis, testing and learning, and implementing change ideas. He also highlighted the importance of client focus and a team approach to quality improvement.
2. Peggy Carter
Peggy Carters job is working in British officer representing the
‘Strategic Scientific Reserve’ during WW2.
We chose to research into this specifc character due to the
uniform used.
Therefore, she has a uniform to demonstrate this. At the time,
women didn't have much power- specifically in such high demand
jobs that typically use males. This allows her character to show
authority and earn respect. The uniform itself is clearly shown to
be from the war times, due to the colour and fit. In comparison to
another male within the same sector, her uniform is much more
fitted, in the style of 'peplum' and she is wearing a long skirt.
Which adds feminism to her character, complimenting her
makeup look. We'll incorporate this into our character by adding
uniform for the same conventions.
From the Captain American Franchise
Uniform
3. Makeup & Hair
Her makeup is very minimum ‘Fresh’ and ‘natural’ looking, apart from the red lipstick
and strong brow. She demonstrates the typical 1920’s-30’s wartime woman through
this look, due to the fashion at that time – when makeup started to develop. This goes
against the stereotypical look for a woman in a thriller, as they are normally wearing
less powerful looking makeup, but more of it. The red lipstick is used a lot in many
thrillers, to portray power of the woman. This is a convention that we will use.
Again, the hair is the typical pin-up ‘short’ style of that
era. Normally, with women they are shown to have
hair down, specifically if shown as the victim. We felt
that by adding conventions from fashion at the time it
helps to add verisimilitude.
4. Performance
The costume that the character was put into helped to
add into her performance, which is a convention we
will be aiming to use.
Despite her gender and the stereotypes attached to it
in accordance to her job. She is very strong willed,
which is displayed by the respect she is given and how
effective her workforce is. For example, she doesn't
hesitate to use violence against a male when he
undermines her.
The use of weapons is also used greatly to build power
for this character. The gun is held strongly and
professionally, as she is trained through her workforce
in training soldiers for war. This adds power and
authority to her character, even though she isn’t the
antagonist.
5. Amy Dunne
From ‘Gone Girl’
We decided to research into this character due to her casual
appearance and how she is used to build an antagonist
nature. These consist of jeans, t-shirts, natural makeup and
hair.
Everything about this character is casual and the typical
portray of an everyday woman in western cultures. This
compliments the theme of thrillers, as they try to be as real
as possible in order to obtain a bigger message. This is done
successfully through this character as she adds
verisimilitude into the narrative, allowing the audience to
relate to her and therefore, feel different emotions when she
is revealed as the antagonist.
6. HannaFrom the film ‘Hanna’ – A Young Assassin
We chose to research into this character due to her age and how
costume is used in different situations. For the young age of this
character, she is portrayed as innocent. However, with the use of
thriller conventions – she is strongly highlighted as a antagonist.
The costume is used to demonstrate this. There are many
variations in the costume, such as the one shown at the side –
her ‘survival’ costume, a casual teenager outfit and a more
feminine outfit of a dress. When she is seen in her more casual,
typical teenage girl outfit, she is portrayed as much more
innocent. She does not wear any makeup, has natural hair and
does not carry any weapons. However, this is always contrasted
by her vicious actions. Of which portrays her antagonist role.