This document discusses copyright issues related to regional campuses and distance education. It covers what types of works are protected by copyright, exceptions, fair use guidelines, the TEACH Act which updates copyright law for online courses, using library resources and images, obtaining permission and open licenses, and sources for further information. Key points include that copyright automatically protects new works, fair use allows limited use of copyrighted works for educational purposes, the TEACH Act specifies requirements for using copyrighted works in online courses, and permission is required to use most images. Contact a librarian or USU General Council with any specific copyright questions.
Learn how copyright supports the rights of both owners and users and strengthen your understanding of how the doctrine of fair use applies to the practice of teaching and learning with digital media, technology, mass media and popular culture.
Learn how copyright supports the rights of both owners and users and strengthen your understanding of how the doctrine of fair use applies to the practice of teaching and learning with digital media, technology, mass media and popular culture.
Intended for Educators and Students. Edited version of a presentation given at the NICE (Northern Illinois Computing Educators) Conference in February, 2009.
Intended for Educators and Students. Edited version of a presentation given at the NICE (Northern Illinois Computing Educators) Conference in February, 2009.
Digital Trends Impacting News CompaniesReid Williams
At the Detroit Media Partnership, we do a significant amount of trend watching and future forecasting — we want our products to meet users in the future, not be chasing after them where they were.
The slides included here come from the biggest, most recent session rallying everyone from the newsroom to marketing to advertising around the digital trends that will gain steam in the coming year. Not only will they affect us—they’ll affect the business partners we support.
So, what are these trends you should be thinking about? Here’s a quick recap:
1. Wearable technology — More and more tech is making its way into our wardrobe. We’re planning for a future that has fewer screens and more feedback data.
2. Ecommerce — Used to be, people were afraid to put a credit card number into a website. Not anymore. Now people can pay with their smartphones. Is your company well positioned to transact with users across digital platforms?
3. The social web — Social media has rapidly become the way many people discover news and new businesses in their neighborhood. Brands have used these networks to broadcast, but they’re only beginning to understand how to participate effectively. Do people tune you out on social channels, or have you figured out their psychological motivations?
4. Smart devices — More and more devices are wi-fi enabled, offering amazing new potential. If your products were connected to the web would that benefit your customers?
5. The environment as technology — It isn’t just devices. Sensors are being built into everything: bridges, buildings, cars, you name it. What advantages can you imagine in making your products part of the Internet of Things?
6. Unbundling — Value is often created in the bundling together of products, but our old bundles — the newspaper, the cable channel package, the record album — are getting broken up. Is your business exposed to unbundling? What could you bundle to create new value?
7. Commoditization — The web is growing like crazy. This means the content and ads out there have more and more competition, and their value is falling. How do you stand out in the ocean that is the Internet?
8. Search — It’s the single most dominant behavior on the web and it continues to evolve. Search will likely move from giving you articles to giving you answers. Is your web presence prepared to evolve as search technology changes?
9. Context and anticipation — More and more, users expect their digital products to know where they are and the specifics of what they want, often without asking. Significant technical advances are making this a reality. How well does your product know its user?
10. Privacy and security — Edward Snowden and the NSA put this on the forefront of the public attention, and concerns over privacy and security will persist, even generating new digital products in the market. Does your product foster users’ desire for privacy or the need to keep their data secure?
A few techniques for everyday Ruby hacking
Touching on the following topics:
DRY Assignment
Ternary operator
Bang bang
Conditional assignment
Parallel assignment
Multiple return
Implied begin
Exception lists
Symbol to Proc
MapReduce
Regex captures
tap
sprintf
case equality
Splat Array
Splat args
blank?
present?
presence
truncate
try
in?
Delegation
delegate
Memoization
memoize
alias_method_chain
class_attribute
HashWithIndifferentAccess
WELD is a digital marketing firm based in Oak Hill, West Virginia. We help companies in adventure travel, health care, law, manufacturing and economic development make a strong connection with their customers.
From Relief 2.0 to Relief Enterprise and B2B. Running the last mile in disaster response and creation of recovery opportunities with dignity, inclusion, generation and distribution of wealth. Enabling disaster survivors as entrepreneurs before they are turned into refugees by the conventional relief system.
Sinsai.info is a platform to empower survivors and activists responded to earthquake disasters. It use Ushahidi technology and CrisisMap as basis. OMSFJ form these same day when Tohoku earthquake come. You can know why such rapid start-up the service in this presentation, and he will share a secret of extreme growing of the project.
This presentation is designed to provide faculty members at the University of Michigan and beyond with the tools and knowledge to recognize copyrighted content, search for and use openly licensed content, license their own content and publish this content as Open Educational Resources
Thinking about resource issues: copyright and open accessAllison Fullard
The presentation was given to an international group of public health academics from African and Asian countries. They are preparing learning content for courses to be delivered in blended learning environments. Thinking about how copyright needs to be re-calibrated for our circumstances in 21st Century. Two publicly shared video clips are embedded into the file.
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Copyright: Regional Campuses and Distance Education
1. Copyright Issues for Regional Campuses and Distance Education Britt Fagerheim Coordinator of Library Services for Regional Campuses and Distance Education britt.fagerheim@usu.edu 435-797-2643
2. What is Covered by Copyright? Copyright is automatically granted at the time a new work is created, including works of literature, music, photography and images, and other creative works. Registration or attaching a copyright notice to a work is not required. Copyright grants the exclusive rights to (or authorizes others to) reproduce the work, display the work, and create derivative works.
3. What is Covered by Copyright A work is under copyright for 70 years after the death of the author. Exception: Works created or published before 1923 (in the U.S.) are in the public domain. Exception: Works produced by the U.S. government are not under copyright. Luckily, copyright law includes the principal of “fair use”.
4. Fair Use Limited use of copyrighted material without permission of holder, for limited purposes. Typically fair use covers using selections of copyrighted material in the classroom for educational purposes. Four factors to consider: Purpose and character of the use (commercial use or nonprofit/educational use) Nature of the copyrighted work, i.e. fiction or non-fiction, published or unpublished
5. Fair Use Four factors cont: Amount and substantiality of the portion of the work used in relation to work as a whole Effect of the use upon the potential market for or value of the copyrighted work See Fair Use checklists (i.e. http://lib.byu.edu/departs/copyright/overview/Checklist_for_Fair_Use.pdf)
6. TEACH Act Update to copyright law to cover transmission and displays of copyrighted material. Applies to online courses and distance education. Materials covered under the TEACH act must be: an integral part of the class experience (not supplemental materials such as textbooks or course packets) controlled by or under the supervision of the instructor analogous to the type of performance or display that would take place in a live classroom setting.
7. TEACH Act Specific requirements of the TEACH act include: “reasonable” efforts must be made to prevent retention and dissemination of copyrighted works Materials should only be available to currently enrolled students Students must be informed that the materials they access are protected by copyright. The educational institution must have a policy on the use of copyrighted materials and provide copyright resources for faculty. Covers digital copies of print or video
8. Library E-Journals Library e-journals and database content: okay to link directly to content in the database or journal, but typically cannot place material into Blackboard or course site. Look for “durable link” or “permanent link” on the record in the database. See http://libguides.usu.edu/rcde_faculty or ask a librarian if you have any questions.
9. Course Readers USU Bookstore Academic Publishing takes care of copyright clearance and binding for course packets. Cost of course packs covers copyright fees. Students can have course packs sent to them. For information: 435-797-2742 or academic.pub@gmail.com or Heidi.harris@usu.edu (435.797.1671)
10. Course Reserves Staff will scan photocopies of previous tests, course notes, print journal articles, book chapters, and other materials. Instructor is responsible for copyright clearance. Guide for Course Reserves. Contact Cindy Sherman: cindy.sherman@usu.edu, 435-797-6998
11. Author’s Rights and Open Access Learn more about movements in scholarly communications for author’s rights and open access: SPARC: Resources for Authors Create Change (Assoc. of Research Libraries) USU Digital Commons
12. Images Assume all images are under copyright. It is not sufficient to merely provide an acknowledgement for a photo or image. Look for a “terms of use” or copyright information on the site and suggested credit information (i.e. http://www.si.edu/copyright) For classroom use, apply fair use rules.
13. Images on Websites Size and resolution of image is a factor, i.e. small or thumbnail images. Use public domain material. Obtain written permission to use image Use images with a statement of permissible use or open license (Creative Commons).
14. Creative Commons A way for creators to specify the copyright restrictions for their works. Most often found on websites and images online. Licenses include Attribution, Share Alike, and/or Noncommercial, with or without allowing Derivatives.
15. Sources Getting Permission: How to License and Clear Copyrighted Materials Online and Off (e-book from Merrill-Cazier Library) BYU Copyright Licensing Office http://www.lib.byu.edu/departs/copyright/ Copyright Basics (2007). University of Michigan. http://www.copyright.umich.edu/basics.html
16. Sources TEACH Act, Penn State (2009). http://tlt.its.psu.edu/dmd/teachact/teachactFAQ.html Hoon, P. (2007). Know Your Copy Rights FAQ. Association of Research Libraries. http://www.knowyourcopyrights.org/resourcesfac/faq/
17. Specific Questions? Contact a librarian 435-797-2643 1-800-525-7178 library.help@usu.edu Library Research Guide: Copyright Contact USU General Council 435-797-1156