νεκταρ
νεκταρ
                       nectar




    I went to the woods because I wanted to live deliberately,
     I wanted to live deep and suck out all the marrow of life,
To put to rout all that was not life and not when I had come to die,
                     Discover that I had not lived.

                       - Henry David Thoreau
…. dedicated to our parents ….
We are scientists. We try to study, understand and explain the nature around and within us. We try to
understand why and how life exists. We try to understand the structure of this cosmos and how it works.
Nurtured in the environment to think and study things critically, this is the language we have been trained
to talk.
But we also worry about what life is and appreciate the beauty, fragility and harmony of this cosmos of
which we are a mere speck of dust. At the same time, we try to live in this and be a part of this cosmos to
the maximum.
We try to express ourselves out thoroughly, to extract this Nectar and pour it on the blank canvas.
We are also artists!

                                                                                  -Amritansh Vats YVEZAE
Art is escapism from melancholy to ecstasy. Art and poetry is an expression which is immensely potent to
envision anything to everything. Rhetoric may be challenged and the need of society may lead to reform
it, while an art is just sublime, and the society instead ponders to decipher what he always could not
measure. The palate is the pursuit of happiness for an artist and his stroke embarks the genesis of a
masterpiece. Consciousness is the least understood phenomena and it plays with our lives, makes us who
we are. Art juxtaposes this deeply lying mystery, and contemplates through our emotions to express it
through colours on the canvas, creating a unique description of you.

                                                                                    - Amit Kumar Ghosh
He adopted, and then adapted to colours. At times, equations become futile to his
                        reasoning, the whole plethora of occurrences outside the realm of science becomes
                        indescribable, and that dilemma sprouted out the need of colours in his existence.
                        However, art is always subjective and doesn’t reconcile with the objective nature of
                        science but his confusion steers him to work on the coarse sheet. His words may be
                        inadequate to justify his perspective, but no doubt, his work does.
                        You can figure him out as developing his art intrinsically, experimenting and exploring
                        various with a brave heart. Having developed a certain level of sophistication, he took
                        to reading about art reforms and history, which only helped to deepen his
                        understanding of formal art, many of these “isms” which he then found already in his
                        works.
Amritansh Vats YVEZAE
a.vts@cbs.ac.in         His interest lies beyond the objects perceivable by our eyes, in a sense to proliferate
                        more out of less. Association of specific colours and figures to some abstract notions
                        may be treated as part of his style.
                        His works range from playful spontaneity to subtlety, pouring out his inner self and
                        philosophies onto the canvas.
                        He founded the CBS Art Club and started the annual open art festival ORIS, with the
                        basic motive of expression via artform.
                        His works are in the personal collection of Prof. Deepak Mathur, Mumbai; Dr. Susan
                        Tase, Mumbai; Ms. Sunita Gaire, New Delhi; Ms Surya Harikrishnan, Manipal and Sir
                        Arnold Wolfendale, England.



                        The vivid use of subtle colours, monochrome and her indigenous artistic intuition
                        amplifies her stroke and lashes of brush. Spontaneity is reflected intricately in her
                        texture of art. In this collection, she has experimented chiefly with impasto and
                        palette knives to explore and develop in diverse styles, her reactions to internal
                        stimuli. Her soul is the sole master of her gallant performance on the canvas. The
                        vibrancy of her heart and brain which is in a continuous innuendo destines out over
                        the stark canvas, and turns it into a spell bounding maze.
                        Her works are in the personal collection of Prof. S. M. Chitre, Mumbai; Mr. Kishore
                        Menon, Mumbai and Sir Arnold Wolfendale, England.
 Renu Redhu
 renu@cbs.ac.in
Wayward couple is they, highly incompatible together yet complementary. They stand
                         on opposite strands but are mutually motivated and inspired. When it comes to art
 Renu Redhu              they synchronise unanimously with minimal level of constraints, and complementarily
    &                    bring out itself harmoniously on the canvas. They say ‘opposites attract’ in love and
 Amritansh Vats YVEZAE   love over canvas via whips of brush renders out a perfect union. One can see the
                         tensions and the coalescence of ideas in the jugalbandi!!


                         He is a skylark sculptor who endows the art with an impulsive attitude. He is
                         flamboyant and frolic, with the way he articulates his art. Occasionally his painting
                         emerges out of the hunger to express realism and feelings on canvas. His works can
                         be out of mere pleasure or sheer need of a social message. With no particular style,
                         he experiments with colours but the sting in the tail is the message he wants you to
                         decipher out.
 Dhruv Ringe
 dhruv@cbs.ac.in


                         His works are basically figurative semi abstract, influenced by human life, mentality
                         and thoughts. He has to still cast his iron as he tends to follow a more traditional
                         approach towards learning art but as of now he mainly portraits faces of the fairer sex
                         with semi abstract objects embedded. He has some works on landscape or real
                         objects also in his quiver. His works can be dealt with understanding of human images
                         and blatant figures.
 Plawan Das
 plawandas@cbs.ac.in
                         His painting is in the personal collection of Prof. N. Vavliov, Russia.



                         He prefers to paint without any prior thought or pre-decided concept and thus avoids
                         getting influenced before putting any thoughts on canvas. The technique develops as
                         per flow and he tends to cease his work only when his complete thoughts are
                         portrayed on the canvas.
                         The result is always an abstract piece of art which is open for interpretation but he
                         always sees some figures coming out of it which are mere players of the drama within
Amit Seta                his mind. Thus, he interprets it as a figurative portrait of a very abstract object – his
amitseta@cbs.ac.in
                         nature and free spirit.
                         He chose the brush for satisfaction and fun to view him in different spheres of life
                         through art. He treats his work as a note of remembrance and a source of great
                         pleasure.
                                                                                               - Amit Kumar Ghosh
Amritansh Vats YVEZAE   Oil and Acrylic on canvas
Untitled 1                               36”x36”
Amritansh Vats YVEZAE   Acrylic on canvas
Untitled 2                       36”x36”
Amritansh Vats YVEZAE   Acrylic on canvas
Untitled 3                       36”x32”
Amritansh Vats YVEZAE   Acrylic on canvas board
Jungle                                 30”x30”
Amritansh Vats YVEZAE   Acrylic on canvas
Escapism                         40”x24”
Amritansh Vats YVEZAE   Oil on canvas
Precipher                    36”x36”
Amritansh Vats YVEZAE   Acrylic on canvas board
Embrace                                18”x14”
Amritansh Vats YVEZAE   Acrylic on canvas board
Untitled 4                             18”x14”
Amritansh Vats YVEZAE   Enamel paint on canvas
Untitled P1                           72”x36”
Amritansh Vats YVEZAE   Acrylic and texture white on canvas board
Untitled P2                                              14”x12”
Amritansh Vats YVEZAE   Acrylic on canvas board
Untitled 5                             14”x12”
Amritansh Vats YVEZAE   Oil on canvas board
CBS logo                           12”x10”
Amritansh Vats YVEZAE   Acrylic on canvas
Hollowness                       30”x24”
Amritansh Vats YVEZAE   Ink on paper
Guitar, etc.                  11”x8”
Renu Redhu    Pencil on paper
Unification            11”x8”
Renu Redhu   Pencil and charcoal on paper
Death                             15”x10”
Renu Redhu   Pencil and charcoal on paper
Untitled 1                        22”x15”
Renu Redhu   Acrylic and charcoal on canvas
Scars                              24”x18”
Renu Redhu   Acrylic on canvas
Untitled 2            72”x24”
Renu Redhu    Acrylic on canvas
Butterflies            36”x36”
Renu Redhu   Acrylic on canvas
Bushes                36”x24”
Renu Redhu   Acrylic on canvas
7h                    30”x30”
Renu Redhu and Amritansh Vats YVEZAE   Acrylic on glass fibre mat/ canvas
Untitled 1                                                       36”x36”
Renu Redhu and Amritansh Vats YVEZAE   Acrylic on canvas
Untitled 2                                      30”x30”
Dhruv Ringe   Acrylic on canvas
Untitled               30”x30”
Dhruv Ringe   Acrylic on canvas
Cubes                  20”x16”
Plawan Das   Acrylic on canvas
Ecstasy               40”x30”
Plawan Das   Acrylic on canvas
Gambling              36”x36”
Plawan Das    Acrylic on canvas
Mathematica            30”x30”
Plawan Das       Acrylic on canvas board
Beautiful Mind                  24”x20”
Amit Seta   Acrylic on canvas board
Rainbow                    20”x16”
Amit Seta       Acrylic on mount board
Sunset at Sea                 30”x20”
We are inexplicably obliged and thankful to

                 Prof. S. M. Chitre,

                  Prof. R. V. Hosur,

                Mr. Kishore Menon,

                 Dr. Uma Ladiawala

                          &

                    CBS Art Club

without whom this show wouldn’t have been possible.
Catalogue Nectar
Catalogue Nectar

Catalogue Nectar

  • 1.
  • 3.
    νεκταρ nectar I went to the woods because I wanted to live deliberately, I wanted to live deep and suck out all the marrow of life, To put to rout all that was not life and not when I had come to die, Discover that I had not lived. - Henry David Thoreau
  • 5.
    …. dedicated toour parents ….
  • 6.
    We are scientists.We try to study, understand and explain the nature around and within us. We try to understand why and how life exists. We try to understand the structure of this cosmos and how it works. Nurtured in the environment to think and study things critically, this is the language we have been trained to talk. But we also worry about what life is and appreciate the beauty, fragility and harmony of this cosmos of which we are a mere speck of dust. At the same time, we try to live in this and be a part of this cosmos to the maximum. We try to express ourselves out thoroughly, to extract this Nectar and pour it on the blank canvas. We are also artists! -Amritansh Vats YVEZAE
  • 7.
    Art is escapismfrom melancholy to ecstasy. Art and poetry is an expression which is immensely potent to envision anything to everything. Rhetoric may be challenged and the need of society may lead to reform it, while an art is just sublime, and the society instead ponders to decipher what he always could not measure. The palate is the pursuit of happiness for an artist and his stroke embarks the genesis of a masterpiece. Consciousness is the least understood phenomena and it plays with our lives, makes us who we are. Art juxtaposes this deeply lying mystery, and contemplates through our emotions to express it through colours on the canvas, creating a unique description of you. - Amit Kumar Ghosh
  • 8.
    He adopted, andthen adapted to colours. At times, equations become futile to his reasoning, the whole plethora of occurrences outside the realm of science becomes indescribable, and that dilemma sprouted out the need of colours in his existence. However, art is always subjective and doesn’t reconcile with the objective nature of science but his confusion steers him to work on the coarse sheet. His words may be inadequate to justify his perspective, but no doubt, his work does. You can figure him out as developing his art intrinsically, experimenting and exploring various with a brave heart. Having developed a certain level of sophistication, he took to reading about art reforms and history, which only helped to deepen his understanding of formal art, many of these “isms” which he then found already in his works. Amritansh Vats YVEZAE a.vts@cbs.ac.in His interest lies beyond the objects perceivable by our eyes, in a sense to proliferate more out of less. Association of specific colours and figures to some abstract notions may be treated as part of his style. His works range from playful spontaneity to subtlety, pouring out his inner self and philosophies onto the canvas. He founded the CBS Art Club and started the annual open art festival ORIS, with the basic motive of expression via artform. His works are in the personal collection of Prof. Deepak Mathur, Mumbai; Dr. Susan Tase, Mumbai; Ms. Sunita Gaire, New Delhi; Ms Surya Harikrishnan, Manipal and Sir Arnold Wolfendale, England. The vivid use of subtle colours, monochrome and her indigenous artistic intuition amplifies her stroke and lashes of brush. Spontaneity is reflected intricately in her texture of art. In this collection, she has experimented chiefly with impasto and palette knives to explore and develop in diverse styles, her reactions to internal stimuli. Her soul is the sole master of her gallant performance on the canvas. The vibrancy of her heart and brain which is in a continuous innuendo destines out over the stark canvas, and turns it into a spell bounding maze. Her works are in the personal collection of Prof. S. M. Chitre, Mumbai; Mr. Kishore Menon, Mumbai and Sir Arnold Wolfendale, England. Renu Redhu renu@cbs.ac.in
  • 9.
    Wayward couple isthey, highly incompatible together yet complementary. They stand on opposite strands but are mutually motivated and inspired. When it comes to art Renu Redhu they synchronise unanimously with minimal level of constraints, and complementarily & bring out itself harmoniously on the canvas. They say ‘opposites attract’ in love and Amritansh Vats YVEZAE love over canvas via whips of brush renders out a perfect union. One can see the tensions and the coalescence of ideas in the jugalbandi!! He is a skylark sculptor who endows the art with an impulsive attitude. He is flamboyant and frolic, with the way he articulates his art. Occasionally his painting emerges out of the hunger to express realism and feelings on canvas. His works can be out of mere pleasure or sheer need of a social message. With no particular style, he experiments with colours but the sting in the tail is the message he wants you to decipher out. Dhruv Ringe dhruv@cbs.ac.in His works are basically figurative semi abstract, influenced by human life, mentality and thoughts. He has to still cast his iron as he tends to follow a more traditional approach towards learning art but as of now he mainly portraits faces of the fairer sex with semi abstract objects embedded. He has some works on landscape or real objects also in his quiver. His works can be dealt with understanding of human images and blatant figures. Plawan Das plawandas@cbs.ac.in His painting is in the personal collection of Prof. N. Vavliov, Russia. He prefers to paint without any prior thought or pre-decided concept and thus avoids getting influenced before putting any thoughts on canvas. The technique develops as per flow and he tends to cease his work only when his complete thoughts are portrayed on the canvas. The result is always an abstract piece of art which is open for interpretation but he always sees some figures coming out of it which are mere players of the drama within Amit Seta his mind. Thus, he interprets it as a figurative portrait of a very abstract object – his amitseta@cbs.ac.in nature and free spirit. He chose the brush for satisfaction and fun to view him in different spheres of life through art. He treats his work as a note of remembrance and a source of great pleasure. - Amit Kumar Ghosh
  • 10.
    Amritansh Vats YVEZAE Oil and Acrylic on canvas Untitled 1 36”x36”
  • 11.
    Amritansh Vats YVEZAE Acrylic on canvas Untitled 2 36”x36”
  • 12.
    Amritansh Vats YVEZAE Acrylic on canvas Untitled 3 36”x32”
  • 13.
    Amritansh Vats YVEZAE Acrylic on canvas board Jungle 30”x30”
  • 14.
    Amritansh Vats YVEZAE Acrylic on canvas Escapism 40”x24”
  • 15.
    Amritansh Vats YVEZAE Oil on canvas Precipher 36”x36”
  • 16.
    Amritansh Vats YVEZAE Acrylic on canvas board Embrace 18”x14”
  • 17.
    Amritansh Vats YVEZAE Acrylic on canvas board Untitled 4 18”x14”
  • 18.
    Amritansh Vats YVEZAE Enamel paint on canvas Untitled P1 72”x36”
  • 19.
    Amritansh Vats YVEZAE Acrylic and texture white on canvas board Untitled P2 14”x12”
  • 20.
    Amritansh Vats YVEZAE Acrylic on canvas board Untitled 5 14”x12”
  • 21.
    Amritansh Vats YVEZAE Oil on canvas board CBS logo 12”x10”
  • 22.
    Amritansh Vats YVEZAE Acrylic on canvas Hollowness 30”x24”
  • 23.
    Amritansh Vats YVEZAE Ink on paper Guitar, etc. 11”x8”
  • 24.
    Renu Redhu Pencil on paper Unification 11”x8”
  • 25.
    Renu Redhu Pencil and charcoal on paper Death 15”x10”
  • 26.
    Renu Redhu Pencil and charcoal on paper Untitled 1 22”x15”
  • 27.
    Renu Redhu Acrylic and charcoal on canvas Scars 24”x18”
  • 28.
    Renu Redhu Acrylic on canvas Untitled 2 72”x24”
  • 29.
    Renu Redhu Acrylic on canvas Butterflies 36”x36”
  • 30.
    Renu Redhu Acrylic on canvas Bushes 36”x24”
  • 31.
    Renu Redhu Acrylic on canvas 7h 30”x30”
  • 32.
    Renu Redhu andAmritansh Vats YVEZAE Acrylic on glass fibre mat/ canvas Untitled 1 36”x36”
  • 33.
    Renu Redhu andAmritansh Vats YVEZAE Acrylic on canvas Untitled 2 30”x30”
  • 34.
    Dhruv Ringe Acrylic on canvas Untitled 30”x30”
  • 35.
    Dhruv Ringe Acrylic on canvas Cubes 20”x16”
  • 36.
    Plawan Das Acrylic on canvas Ecstasy 40”x30”
  • 37.
    Plawan Das Acrylic on canvas Gambling 36”x36”
  • 38.
    Plawan Das Acrylic on canvas Mathematica 30”x30”
  • 39.
    Plawan Das Acrylic on canvas board Beautiful Mind 24”x20”
  • 40.
    Amit Seta Acrylic on canvas board Rainbow 20”x16”
  • 41.
    Amit Seta Acrylic on mount board Sunset at Sea 30”x20”
  • 42.
    We are inexplicablyobliged and thankful to Prof. S. M. Chitre, Prof. R. V. Hosur, Mr. Kishore Menon, Dr. Uma Ladiawala & CBS Art Club without whom this show wouldn’t have been possible.