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8 FACTORS IN
       LISTENING
    COMPREHENSION
- From H. D. Brown’s Teaching by Principles

              Slides by Daniel Beck
            (aka SamuraiTheologian)
         samuraitheologian@gmail.com
INTRODUCTION

      There are a number of special
 characteristics of spoken language that
  need to be taken into consideration.
Brown cites 8 factors that can make the
   listening process difcult. They are
 adapted from several sources (Dunkel,
1991; Flowerdew & Miller, 2005; Richards,
             1983; Ur, 1984).
Clustering
1. CLUSTERING

    In spoken language, due to memory
  limitations and our predisposition for
“chunking,” or clustering, we break down
 speech into smaller groups of words. In
     teaching listening comprehension,
 therefore, you need to help students to
pick out manageable clusters of words …
Redundancy
2. REDUNDANCY

   Spoken language has a good deal of
   redundancy (rephrasing, repetition,
 elaboration, and insertions of “I mean”
  and “you know.”). Learners can train
   themselves to prot from it by rst
becoming aware of it and by looking for
              the its signals.
Reduced Forms
3. REDUCED FORMS


Spoken language has many reduced forms
 and sentence fragments. Reduction can
 be phonological (didju?), morphological
   (I’ll), syntactic, or pragmatic (Mom!
                    Phone!).
Performance
 Variables
4. PERFORMANCE
      VARIABLES


In spoken language, hesitations, false
 starts, pauses, and corrections are
   common. There are also many
  ungrammatical forms and dialect
             differences.
Colloquial
Language



Howzit?
5. COLLOQUIAL
         LANGUAGE


 Idioms, slang, reduced forms, and shared
cultural knowledge are all part of spoken
language. Learners are usually exposed to
    “textbook English” and need help.
Rate of Delivery
6. RATE OF DELIVERY

  The number and length of pauses are
  more crucial to comprehension than
    sheer speed (Richards 1983). Still,
learners need to be able to comprehend
  language delivered at varying rates of
 speed and, at times, delivered with few
                 pauses.
Stress, rhythm,
   and intonation
7. STRESS, RHYTHM,
 AND INTONATION


English is a stress-timed language. Also,
intonation patterns are signicant for
  interpreting questions, statements,
emphasis, sarcasm, endearment, insult,
         solicitation, praise, etc.
Interaction
8. INTERACTION

 The spoken word is subject to rules of
   interaction: negotiation, clarication,
  attending signals, turn-taking, and topic
       nomination, maintenance, and
 termination. To learn to listen is also to
learn to respond and to continue a chain
        of listening and responding.
8 FACTORS IN LISTENING
        COMPREHENSION


1. Clustering      5. Colloquial
                     Language
2. Redundancy
                   6. Rate of delivery
3. Reduced Forms
                   7. Stress, Rhythm,
4. Performance       and Intonation
  Variables
                   8. Interaction
8 FACTORS IN
       LISTENING
    COMPREHENSION
- From H. D. Brown’s Teaching by Principles

              Slides by Daniel Beck
            (aka SamuraiTheologian)
         samuraitheologian@gmail.com

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Brown - 8 Factors in Listening Comprehension

  • 1. 8 FACTORS IN LISTENING COMPREHENSION - From H. D. Brown’s Teaching by Principles Slides by Daniel Beck (aka SamuraiTheologian) samuraitheologian@gmail.com
  • 2. INTRODUCTION There are a number of special characteristics of spoken language that need to be taken into consideration. Brown cites 8 factors that can make the listening process difcult. They are adapted from several sources (Dunkel, 1991; Flowerdew & Miller, 2005; Richards, 1983; Ur, 1984).
  • 4. 1. CLUSTERING In spoken language, due to memory limitations and our predisposition for “chunking,” or clustering, we break down speech into smaller groups of words. In teaching listening comprehension, therefore, you need to help students to pick out manageable clusters of words …
  • 6. 2. REDUNDANCY Spoken language has a good deal of redundancy (rephrasing, repetition, elaboration, and insertions of “I mean” and “you know.”). Learners can train themselves to prot from it by rst becoming aware of it and by looking for the its signals.
  • 8. 3. REDUCED FORMS Spoken language has many reduced forms and sentence fragments. Reduction can be phonological (didju?), morphological (I’ll), syntactic, or pragmatic (Mom! Phone!).
  • 10. 4. PERFORMANCE VARIABLES In spoken language, hesitations, false starts, pauses, and corrections are common. There are also many ungrammatical forms and dialect differences.
  • 12. 5. COLLOQUIAL LANGUAGE Idioms, slang, reduced forms, and shared cultural knowledge are all part of spoken language. Learners are usually exposed to “textbook English” and need help.
  • 14. 6. RATE OF DELIVERY The number and length of pauses are more crucial to comprehension than sheer speed (Richards 1983). Still, learners need to be able to comprehend language delivered at varying rates of speed and, at times, delivered with few pauses.
  • 15. Stress, rhythm, and intonation
  • 16. 7. STRESS, RHYTHM, AND INTONATION English is a stress-timed language. Also, intonation patterns are signicant for interpreting questions, statements, emphasis, sarcasm, endearment, insult, solicitation, praise, etc.
  • 18. 8. INTERACTION The spoken word is subject to rules of interaction: negotiation, clarication, attending signals, turn-taking, and topic nomination, maintenance, and termination. To learn to listen is also to learn to respond and to continue a chain of listening and responding.
  • 19. 8 FACTORS IN LISTENING COMPREHENSION 1. Clustering 5. Colloquial Language 2. Redundancy 6. Rate of delivery 3. Reduced Forms 7. Stress, Rhythm, 4. Performance and Intonation Variables 8. Interaction
  • 20. 8 FACTORS IN LISTENING COMPREHENSION - From H. D. Brown’s Teaching by Principles Slides by Daniel Beck (aka SamuraiTheologian) samuraitheologian@gmail.com

Editor's Notes