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Joel Griffiths
* “I need sunshine, I need angles” – ‘I need’ by Maverick 
Sabre 
* “All these days seemed to fade away, as I lost faith in 
myself” – ‘I need’ by Maverick Sabre 
* “How I didn’t go out of my mind, only God knows” – ‘I 
need’ by Maverick Sabre 
* “Fading out again” – ‘Bloodstream’ by Ed Sheeran 
* Song title ‘Blk & Blu’ by Chase & Status 
* “I stared up at the sun” – ‘If I lose myself’ by One 
Republic 
* “Which way is right? Which way is wrong?” – ‘Too Close’ 
by Alex Clare 
* “If destiny’s kind, I’ve got the rest on my mind” – ‘For 
Reasons Unknown’ by The Killers 
* “Somewhere between psychotic and iconic” – ‘Furthest 
Thing’ by Drake
“How I didn’t go out of my mind, only God 
knows” 
The word ‘God’ brings a 
religious focus to the lyric. 
It is highly representative of 
the model’s personality and 
circumstances. It is 
instantly hard-hitting for 
the viewer and adds a 
higher degree of seriousness 
to the whole situation. 
The term ‘only God 
knows’ portrays the 
model’s inability to deal 
with his/her current 
situation on his own, it 
tells us that he/she feels 
the highest force possible 
is the only explanation. 
This is a bold statement 
which would cause doubt 
among athiests and more 
sceptical viewers. 
The model’s ‘mind’ is 
another big talking point in 
this scenario, it is unclear 
how trustworthy his mental 
state actually is. This casts 
doubt from a viewer’s 
perspective over the 
validity of the whole 
statement. It also creates 
more depth to the model’s 
personality and background 
in general. 
The introductory word ‘How’ 
portrays the theme of the rest of 
the line which is uncertainty, 
questioning and belief, both by 
the model and the viewer. The 
fact this line starts with a 
question as opposed to a 
statement suggests the model has 
a lower level of self-confidence 
and independence.
“Somewhere between psychotic and iconic” 
The word ‘somewhere’ 
instantly shows the audience 
that the model is indecisive, 
vague and uncertain about 
his situation. This mindset 
heavily influences the viewer 
to take different 
interpretations from the 
image rather than having a 
set view point. 
‘Psychotic and iconic’ are very 
contrasting and portray the idea of 
a completely split personality that 
the model could have. It also 
encourages the viewer to look 
closer for detail which could reveal 
a more ‘psychotic’ or ‘iconic’ 
reality. 
The word ‘psychotic’ 
is sudden and 
shocking as it is not a 
word often used. This 
startles the viewer 
into looking further 
for psychotic 
evidence in the 
picture. 
The fact that in the image the 
model is ‘somewhere between’ 
psychotic and iconic suggests to us 
there is a middle ground that the 
model finds himself in. The 
irregularity of a middle ground 
like this effects the whole mood 
of the image, making it more 
strange and interesting.
* 
*“ 
With Roberts’ work, I really like the way 
she uses black and white to enhance 
mood and atmosphere in her photos. This 
is a theme I feel I can implement into my 
edits, whilst still making them unique and 
linking them back to my lyric.
Composition: The model’s hand 
positioning is dramatically 
smothering the majority of her 
face. This could symbolise her 
attempt to hold her emotions 
inside. This links to the idea of 
‘more to a book than the cover’ 
in that a lot of detail is lost from 
the constraints of our physical 
sight. Her eyes also 
conveniently coincide with ‘the 
rule of thirds’, meaning our 
attention is enhanced on the 
model’s eyes. 
Facial Expression: The model’s expression is 
that of fear and anxiety, portrayed through her 
wide-eyed, paranoid stair. It suggests that 
there is a presence she fears beyond our line of 
view. With her hand covering the majority of 
her face we are only to assume she is frowning 
and trying to suppress an imminent scream. 
Colour Scheme: Although a 
black white portrait, you can 
see a great depth of colour 
in it. The blacks are heavily 
emphasized, especially in 
the background and also in 
the model’s eyes. The dark 
theme creates a twisted and 
dark undertone, making us 
sympathise with the model. 
In contrast, her hand is fairly 
light which symbolises a 
positive force keeping her 
mouth shut. 
Mood/Atmosphere: The 
atmosphere is intense, 
dramatic and 
uncomfortable. It seems to 
be moments before or after 
a shocking event which adds 
to viewer interest. Another 
sense you get is one of 
emotion. Her eyes look as if 
they are watering slightly 
leading to the assumption 
she is in a horrific situation. 
Lighting: Hard lighting is used 
in this image to highlight the 
strong emotion portrayed by 
the model’s facial expression. 
It also creates a focal point 
that we can assume she’s 
looking at, this creates a 
range of questions in the 
viewer’s head and increases 
our general curiosity. The 
lighting also creates strong 
contrast between the jet-black 
background with the 
much whiter face and hand.
Kyle Thompson (January 11, 1992) is a 
photographer from Chicago, Illinois. His style, as 
he describes it, is surreal conceptual 
photography; the creation of a surreal world in 
order to depict concepts. He has a fascination 
with abandoned houses and empty forests, 
locations where the majority of his photographs 
take place. He specializes in self-portraiture. He 
has no formal education in photography. 
* 
When looking at a lot of 
Thompson’s photography, I 
noticed that he actually 
has a lot of deeper 
meanings to interpret from 
his work. I thought this 
theme would link into my 
Maverick Sabre lyric really 
well as I could use deeper 
Religious imagery in my 
edits as well.
* 
Subject: Model (Rob) 
Set: Run-down area. Possibly under 
bridge, next to abandoned building, 
over-looking city, woodland area 
etc. 
Composition: The framing will see 
his full body and close ups shots. 
but the camera will be fairly close 
in. The back-drop of the image is 
will vary from woodland areas to 
in-city views. 
Shot types: Long shots and close 
ups. 
Camera Angle: Varied. 
Lighting: Natural. 
Clothing: Black to match distressed 
theme. 
Camera Settings: Slow shutter 
speed. Smaller aperture. 
Props: None. 
“How I didn’t go out of my mind, only God 
knows” 
I feel these images in particular 
will influence my shoot. 
Equipment: 
- Camera 
- Tri-pod
Shoot Thumbnails With this image I felt I had a 
good base with strong contrast, 
but there was still room for 
improvement whilst editing. 
The composition also went very 
well with my chosen lyric. 
I really liked the way I was 
able to catch a defining 
siluette, which convinced 
me to use this one out of 
the few I had. It also had a 
nice natural-man-made split 
which I felt would be nice 
to edit. 
Although nice, I didn’t like the 
idea of using these images because 
they showed too much of the 
school grounds which took away 
from the effectiveness.
Shoot Thumbnails 
I chose to use this image in 
what was an all in all 
unsuccessful shoot, because 
of my lack of concentration 
on my ‘ISO’ settings. 
However this was one of the 
least grainy ones and I was 
able relate it to my lyric. 
Unfortunately, the majority of the other photos I tried 
to capture were unusable because they were too grainy. 
This was an inconvenient mistake as it lost me a lot of 
time and I had to re-shoot. In future to prevent 
problems like this I will make sure I’m more careful in 
the planning stage of the shoots, especially when I go 
somewhere other than the school.
Edit 1
Final Image I feel with this edit I was able 
to achieve what I intended: A 
lost, uncertain character 
striving answers. Rob’s hand 
positioning meant I was able to 
successfully convey my religious 
undertone, which instantly 
connotes further meaning from 
the audience. The addition of 
strong natural lighting from the 
sun on the model also has 
connotation of a more powerful 
force, because we are unable to 
see what he is looking at. My 
mistake of having the wrong 
‘ISO’ settings in this 
circumstances was for the 
better. I feel they fit the mood 
and atmosphere of the image, 
creating a sense of the unknown 
about the scenario in which the 
model is in. Obviously the 
grainy effect could be seen as a 
big flaw, something which I will 
have to rectify next time I am 
out shooting. 
“How I didn’t go out of my mind, 
only God knows”
Edit 2
Final Image 
Overall, I was pleased with the outcome of this 
final piece. I was most pleased with my ability 
to capture intensity in Rob’s facial expression. 
The mood and atmosphere is drastically 
enhanced by the piercing focal point created 
by his eye, which appears to be looking 
straight at the audience all the time. The 
composition of the photo was another 
effective aspect as Rob looks as if he is hiding 
behind a tree, thus connoting a scared, 
insecure interpretation of his personality. This 
being an effect I desperately wanted to 
emphasise. As a possible improvement I would 
have got more of the tree’s bark in shot, this 
would have made the ‘hiding’ element more 
noticeable without any explanation to go with 
the picture. 
“How I didn’t go out of my mind, only God knows”
Edit 3
Final Edit This was all in all a decent outcome. I was able 
firstly to create a sillueting effect which was 
unique and also linking in with my inspired 
lyric. It is also very diverse or open to 
interpretation, I feel it could have a number of 
meanings; anything from a confused man at 
the end of his rope, to a man summoning the 
courage to do something about his 
circumstances. The backdrop which features 
some trees is also particularly effective as it 
suggests a lost aspect, or alternatively it could 
make reference to the contrast between the 
metallic fence and wildlife. The one aspect 
that lets this photo down in my opinion is the 
addition of the school grounds in the 
background. It doesn’t really fit with my lyric 
and was careless composition. This is 
something I will take more care of in future. 
“How I didn’t go out of my mind, only God 
knows”
Edit 4
Final Edit 
This was a very simplistic but 
effective final outcome in the 
end. I was able to emphasize my 
focus on drastic contrast in the 
white back-drop and the dark 
foreground. Although seemingly 
insignificant, I felt the white sky 
made good use of negative 
space, as there isn’t a defined 
focal point and this leaves 
openness to interpretation. The 
composition is also particularly 
effective because it shows Rob’s 
hands in a praying position and 
his eyes closed looking into the 
sky. These simple details link 
heavily to my inspired lyric and 
add more depth to the image 
with its religious under-tone. A 
possible improvement could be 
the addition of a prop, for 
example a Bible, which would 
relate it to my lyric even more. 
“How I didn’t go out of 
my mind, only God 
knows”
* 
Subject: Model (Rob) dressed in a 
mixture of iconic and psychotic clothes 
in a variety of positions to portray my 
lyric. 
Set: alleyway in Bristol. 
Composition: Varied. Some shots will 
feature Rob running, and some will be 
full body portraits. However clothing 
will be important in most pictures. 
Shot types: Mixed. 
Camera Angle: high, low and mid 
(dependant on which shot is of model 
is taken) 
Clothing: Smart shoes and trousers. 
Glasses, but ripped white T-shirt. 
Camera Settings: Slow shutter speed, 
large aperture etc. 
Props: None. 
“Somewhere between psychotic 
and iconic” 
These images in 
particular will 
influence my shoot.
Shoot Thumbnails 
I felt this photo had a very psychotic edge 
which made it more effective and gave it the 
edge on some of the others. I also felt the eye-contact 
with the viewer made the facial 
expression much more powerful and 
expressive. 
This was a particularly interesting 
image for me because of the 
anger that his body positioning 
portrays. It is very realistic and 
links in well with my chosen lyric. 
This photo told a 
good story so I felt 
it would be good to 
analyse as well as 
edit.
Editing Steps
Final Edit 
I had mixed feelings about 
this edit. On the one hand 
I was able to portray the 
psychotic nature of the 
model’s persona, with eye 
contact. There is an 
evident focal point which 
instantly draws the 
viewer’s attention, it has 
an effect that also makes 
you fear him and wonder 
what he plans to do. His 
glasses give him an added 
sense of power and 
authority, which could be 
seen as dangerous in the 
wrong hands. However the 
addition of a ‘shape blur’ 
ruined it slightly. In 
hindsight, the best option 
would have been to stick 
with the less blurry 
version as it followed 
inspiration from my lyric 
better. 
“Somewhere between psychotic and 
iconic”
Editing Steps
Final edit 
I was happy with this edit 
overall. It conveys my lyric quite 
well in my opinion as it has both 
aspects of it. We see two sides 
of the persona one of which 
being important with glasses, 
shoes and suit trousers but then 
this contrast very well and 
confuses us when we see him 
carrying a bin with a ripped top. 
This type of contrast 
automatically implies a lot of 
questions about his situation 
which adds to the interest in the 
image. Another detail I added 
was the in-colour shoes which 
just adds to the iconic emphasis 
I tried to convey. I feel that the 
insignificance of a standard, 
fairly run down road in Bristol 
actually adds a mysterious 
atmosphere to the whole thing 
and keeps people questioning. “Somewhere between psychotic 
and iconic”
Final Edit 
“Somewhere between psychotic and iconic” 
This was an interesting final 
edit. I was able to use fast 
shutter speed to catch the 
persona in a violent, 
threatening, energetic 
position. This connotes fear 
from the viewer, and also 
makes you wonder about what 
brought about this scenario. 
The body positioning is very 
effective because it seems as 
though he is going to punch the 
door as hard as he can, this 
aggressive attitude heavily 
contradicts the smart shoes 
and trousers, leading to the 
assumption he actually is stuck 
between his psychotic and 
iconic personas. By increasing 
the edit’s brightness, it adds a 
sort of ‘cold light of day’ 
sobering feel to it. It puts into 
perspective his insanity for the 
viewer, especially in a long 
shot. 
Comparative 
image by Henri 
Cartier 
Bresson.
Editing Steps
Final Edit This edit was very focused on 
getting the lyric’s message 
across. His body language 
insinuates someone who is 
questioning why he has been 
treated unfairly or alternatively 
he could be seen as a 
threatening character who is 
angry. The black glasses portray 
an attitude that he doesn’t 
believe anyone really knows 
him and that he is very 
secretive. His open stance 
could show his acceptance and 
that he doesn’t care what 
others think, maybe this could 
be a more arrogant side to his 
character. The effect of having 
a black and white filter, is that 
the image we see looks closer 
to reality than one which is 
bright and white which has a 
“Somewhere between fake effect. 
psychotic and iconic”
*
As photography entry project
As photography entry project
As photography entry project
As photography entry project
As photography entry project
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As photography entry project

  • 2. * “I need sunshine, I need angles” – ‘I need’ by Maverick Sabre * “All these days seemed to fade away, as I lost faith in myself” – ‘I need’ by Maverick Sabre * “How I didn’t go out of my mind, only God knows” – ‘I need’ by Maverick Sabre * “Fading out again” – ‘Bloodstream’ by Ed Sheeran * Song title ‘Blk & Blu’ by Chase & Status * “I stared up at the sun” – ‘If I lose myself’ by One Republic * “Which way is right? Which way is wrong?” – ‘Too Close’ by Alex Clare * “If destiny’s kind, I’ve got the rest on my mind” – ‘For Reasons Unknown’ by The Killers * “Somewhere between psychotic and iconic” – ‘Furthest Thing’ by Drake
  • 3. “How I didn’t go out of my mind, only God knows” The word ‘God’ brings a religious focus to the lyric. It is highly representative of the model’s personality and circumstances. It is instantly hard-hitting for the viewer and adds a higher degree of seriousness to the whole situation. The term ‘only God knows’ portrays the model’s inability to deal with his/her current situation on his own, it tells us that he/she feels the highest force possible is the only explanation. This is a bold statement which would cause doubt among athiests and more sceptical viewers. The model’s ‘mind’ is another big talking point in this scenario, it is unclear how trustworthy his mental state actually is. This casts doubt from a viewer’s perspective over the validity of the whole statement. It also creates more depth to the model’s personality and background in general. The introductory word ‘How’ portrays the theme of the rest of the line which is uncertainty, questioning and belief, both by the model and the viewer. The fact this line starts with a question as opposed to a statement suggests the model has a lower level of self-confidence and independence.
  • 4. “Somewhere between psychotic and iconic” The word ‘somewhere’ instantly shows the audience that the model is indecisive, vague and uncertain about his situation. This mindset heavily influences the viewer to take different interpretations from the image rather than having a set view point. ‘Psychotic and iconic’ are very contrasting and portray the idea of a completely split personality that the model could have. It also encourages the viewer to look closer for detail which could reveal a more ‘psychotic’ or ‘iconic’ reality. The word ‘psychotic’ is sudden and shocking as it is not a word often used. This startles the viewer into looking further for psychotic evidence in the picture. The fact that in the image the model is ‘somewhere between’ psychotic and iconic suggests to us there is a middle ground that the model finds himself in. The irregularity of a middle ground like this effects the whole mood of the image, making it more strange and interesting.
  • 5. * *“ With Roberts’ work, I really like the way she uses black and white to enhance mood and atmosphere in her photos. This is a theme I feel I can implement into my edits, whilst still making them unique and linking them back to my lyric.
  • 6. Composition: The model’s hand positioning is dramatically smothering the majority of her face. This could symbolise her attempt to hold her emotions inside. This links to the idea of ‘more to a book than the cover’ in that a lot of detail is lost from the constraints of our physical sight. Her eyes also conveniently coincide with ‘the rule of thirds’, meaning our attention is enhanced on the model’s eyes. Facial Expression: The model’s expression is that of fear and anxiety, portrayed through her wide-eyed, paranoid stair. It suggests that there is a presence she fears beyond our line of view. With her hand covering the majority of her face we are only to assume she is frowning and trying to suppress an imminent scream. Colour Scheme: Although a black white portrait, you can see a great depth of colour in it. The blacks are heavily emphasized, especially in the background and also in the model’s eyes. The dark theme creates a twisted and dark undertone, making us sympathise with the model. In contrast, her hand is fairly light which symbolises a positive force keeping her mouth shut. Mood/Atmosphere: The atmosphere is intense, dramatic and uncomfortable. It seems to be moments before or after a shocking event which adds to viewer interest. Another sense you get is one of emotion. Her eyes look as if they are watering slightly leading to the assumption she is in a horrific situation. Lighting: Hard lighting is used in this image to highlight the strong emotion portrayed by the model’s facial expression. It also creates a focal point that we can assume she’s looking at, this creates a range of questions in the viewer’s head and increases our general curiosity. The lighting also creates strong contrast between the jet-black background with the much whiter face and hand.
  • 7. Kyle Thompson (January 11, 1992) is a photographer from Chicago, Illinois. His style, as he describes it, is surreal conceptual photography; the creation of a surreal world in order to depict concepts. He has a fascination with abandoned houses and empty forests, locations where the majority of his photographs take place. He specializes in self-portraiture. He has no formal education in photography. * When looking at a lot of Thompson’s photography, I noticed that he actually has a lot of deeper meanings to interpret from his work. I thought this theme would link into my Maverick Sabre lyric really well as I could use deeper Religious imagery in my edits as well.
  • 8. * Subject: Model (Rob) Set: Run-down area. Possibly under bridge, next to abandoned building, over-looking city, woodland area etc. Composition: The framing will see his full body and close ups shots. but the camera will be fairly close in. The back-drop of the image is will vary from woodland areas to in-city views. Shot types: Long shots and close ups. Camera Angle: Varied. Lighting: Natural. Clothing: Black to match distressed theme. Camera Settings: Slow shutter speed. Smaller aperture. Props: None. “How I didn’t go out of my mind, only God knows” I feel these images in particular will influence my shoot. Equipment: - Camera - Tri-pod
  • 9. Shoot Thumbnails With this image I felt I had a good base with strong contrast, but there was still room for improvement whilst editing. The composition also went very well with my chosen lyric. I really liked the way I was able to catch a defining siluette, which convinced me to use this one out of the few I had. It also had a nice natural-man-made split which I felt would be nice to edit. Although nice, I didn’t like the idea of using these images because they showed too much of the school grounds which took away from the effectiveness.
  • 10. Shoot Thumbnails I chose to use this image in what was an all in all unsuccessful shoot, because of my lack of concentration on my ‘ISO’ settings. However this was one of the least grainy ones and I was able relate it to my lyric. Unfortunately, the majority of the other photos I tried to capture were unusable because they were too grainy. This was an inconvenient mistake as it lost me a lot of time and I had to re-shoot. In future to prevent problems like this I will make sure I’m more careful in the planning stage of the shoots, especially when I go somewhere other than the school.
  • 12. Final Image I feel with this edit I was able to achieve what I intended: A lost, uncertain character striving answers. Rob’s hand positioning meant I was able to successfully convey my religious undertone, which instantly connotes further meaning from the audience. The addition of strong natural lighting from the sun on the model also has connotation of a more powerful force, because we are unable to see what he is looking at. My mistake of having the wrong ‘ISO’ settings in this circumstances was for the better. I feel they fit the mood and atmosphere of the image, creating a sense of the unknown about the scenario in which the model is in. Obviously the grainy effect could be seen as a big flaw, something which I will have to rectify next time I am out shooting. “How I didn’t go out of my mind, only God knows”
  • 14. Final Image Overall, I was pleased with the outcome of this final piece. I was most pleased with my ability to capture intensity in Rob’s facial expression. The mood and atmosphere is drastically enhanced by the piercing focal point created by his eye, which appears to be looking straight at the audience all the time. The composition of the photo was another effective aspect as Rob looks as if he is hiding behind a tree, thus connoting a scared, insecure interpretation of his personality. This being an effect I desperately wanted to emphasise. As a possible improvement I would have got more of the tree’s bark in shot, this would have made the ‘hiding’ element more noticeable without any explanation to go with the picture. “How I didn’t go out of my mind, only God knows”
  • 16. Final Edit This was all in all a decent outcome. I was able firstly to create a sillueting effect which was unique and also linking in with my inspired lyric. It is also very diverse or open to interpretation, I feel it could have a number of meanings; anything from a confused man at the end of his rope, to a man summoning the courage to do something about his circumstances. The backdrop which features some trees is also particularly effective as it suggests a lost aspect, or alternatively it could make reference to the contrast between the metallic fence and wildlife. The one aspect that lets this photo down in my opinion is the addition of the school grounds in the background. It doesn’t really fit with my lyric and was careless composition. This is something I will take more care of in future. “How I didn’t go out of my mind, only God knows”
  • 18. Final Edit This was a very simplistic but effective final outcome in the end. I was able to emphasize my focus on drastic contrast in the white back-drop and the dark foreground. Although seemingly insignificant, I felt the white sky made good use of negative space, as there isn’t a defined focal point and this leaves openness to interpretation. The composition is also particularly effective because it shows Rob’s hands in a praying position and his eyes closed looking into the sky. These simple details link heavily to my inspired lyric and add more depth to the image with its religious under-tone. A possible improvement could be the addition of a prop, for example a Bible, which would relate it to my lyric even more. “How I didn’t go out of my mind, only God knows”
  • 19. * Subject: Model (Rob) dressed in a mixture of iconic and psychotic clothes in a variety of positions to portray my lyric. Set: alleyway in Bristol. Composition: Varied. Some shots will feature Rob running, and some will be full body portraits. However clothing will be important in most pictures. Shot types: Mixed. Camera Angle: high, low and mid (dependant on which shot is of model is taken) Clothing: Smart shoes and trousers. Glasses, but ripped white T-shirt. Camera Settings: Slow shutter speed, large aperture etc. Props: None. “Somewhere between psychotic and iconic” These images in particular will influence my shoot.
  • 20. Shoot Thumbnails I felt this photo had a very psychotic edge which made it more effective and gave it the edge on some of the others. I also felt the eye-contact with the viewer made the facial expression much more powerful and expressive. This was a particularly interesting image for me because of the anger that his body positioning portrays. It is very realistic and links in well with my chosen lyric. This photo told a good story so I felt it would be good to analyse as well as edit.
  • 22. Final Edit I had mixed feelings about this edit. On the one hand I was able to portray the psychotic nature of the model’s persona, with eye contact. There is an evident focal point which instantly draws the viewer’s attention, it has an effect that also makes you fear him and wonder what he plans to do. His glasses give him an added sense of power and authority, which could be seen as dangerous in the wrong hands. However the addition of a ‘shape blur’ ruined it slightly. In hindsight, the best option would have been to stick with the less blurry version as it followed inspiration from my lyric better. “Somewhere between psychotic and iconic”
  • 24. Final edit I was happy with this edit overall. It conveys my lyric quite well in my opinion as it has both aspects of it. We see two sides of the persona one of which being important with glasses, shoes and suit trousers but then this contrast very well and confuses us when we see him carrying a bin with a ripped top. This type of contrast automatically implies a lot of questions about his situation which adds to the interest in the image. Another detail I added was the in-colour shoes which just adds to the iconic emphasis I tried to convey. I feel that the insignificance of a standard, fairly run down road in Bristol actually adds a mysterious atmosphere to the whole thing and keeps people questioning. “Somewhere between psychotic and iconic”
  • 25.
  • 26. Final Edit “Somewhere between psychotic and iconic” This was an interesting final edit. I was able to use fast shutter speed to catch the persona in a violent, threatening, energetic position. This connotes fear from the viewer, and also makes you wonder about what brought about this scenario. The body positioning is very effective because it seems as though he is going to punch the door as hard as he can, this aggressive attitude heavily contradicts the smart shoes and trousers, leading to the assumption he actually is stuck between his psychotic and iconic personas. By increasing the edit’s brightness, it adds a sort of ‘cold light of day’ sobering feel to it. It puts into perspective his insanity for the viewer, especially in a long shot. Comparative image by Henri Cartier Bresson.
  • 28. Final Edit This edit was very focused on getting the lyric’s message across. His body language insinuates someone who is questioning why he has been treated unfairly or alternatively he could be seen as a threatening character who is angry. The black glasses portray an attitude that he doesn’t believe anyone really knows him and that he is very secretive. His open stance could show his acceptance and that he doesn’t care what others think, maybe this could be a more arrogant side to his character. The effect of having a black and white filter, is that the image we see looks closer to reality than one which is bright and white which has a “Somewhere between fake effect. psychotic and iconic”
  • 29. *