This document discusses technology-based art and digital art. It begins by explaining the origins of computer-generated art in the 1960s and provides examples of early digital artworks. It then covers the development of digital art in the Philippines and institutions that provide training. The document discusses how digital art has become widely accessible through mobile phones and computers, allowing anyone to create and share art. It highlights different apps and programs used for mobile phone art and computer-generated images. Finally, it discusses digital photography and image manipulation.
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Digital/Computer Paintings as a Modern- day Igbo Artists’ vehicle for creatin...ikennaaghanya
Revolutions come in many varieties. Some tear down established notions destructively, while others consist of forging new paradigms through constructive means such as an ideological or technological innovation that fundamentally alters an individual or group’s creative path. But all have their place in history. This paper charts a course of change in art and art styles, as been practiced by some modern-day Igbo artists. It follows the meandering path that has been influenced by technological advances that have in turn influenced art culture and practices in technique. In particular, this paper examines how the modern-day processes of digital art have attempted to broaden the modern-day Igbo artist’s knowledge base, and has influenced new ways of doing old things. Together these ideas have impacted modern-day art by creating a fertile landscape allowing an artist’s inquisitive tendency to take root and uniquely flourish. The aim of this paper is to analyze the various digital paintings produced by three modern-day Igbo artists (Ikenna Aghanya, Okechukwu Johnson and Chidi Onwuekwe) and in turn examine how the use of the computer, as an art tool has affected their creative process. The paper will also look at the functions of this medium as it pertains to each of the decorative paintings done by these artists.
Digital/Computer Paintings as a Modern- day Igbo Artists’ vehicle for creatin...ikennaaghanya
Revolutions come in many varieties. Some tear down established notions destructively, while others consist of forging new paradigms through constructive means such as an ideological or technological innovation that fundamentally alters an individual or group’s creative path. But all have their place in history. This paper charts a course of change in art and art styles, as been practiced by some modern-day Igbo artists. It follows the meandering path that has been influenced by technological advances that have in turn influenced art culture and practices in technique. In particular, this paper examines how the modern-day processes of digital art have attempted to broaden the modern-day Igbo artist’s knowledge base, and has influenced new ways of doing old things. Together these ideas have impacted modern-day art by creating a fertile landscape allowing an artist’s inquisitive tendency to take root and uniquely flourish. The aim of this paper is to analyze the various digital paintings produced by three modern-day Igbo artists (Ikenna Aghanya, Okechukwu Johnson and Chidi Onwuekwe) and in turn examine how the use of the computer, as an art tool has affected their creative process. The paper will also look at the functions of this medium as it pertains to each of the decorative paintings done by these artists.
With digital art starting to dominate the art industry, it’s safe to assume that some artists may have numerous art pieces, complete and incomplete that need to be organised and saved securely, especially in the case of something happening to the artist. His friends and family may not know where all these art pieces are or what the artist in question would like to do with them.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
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Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
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Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
3. COMPUTER/DIGITAL ARTS
» 1960s
» not ARTISTs but ENGINEERs
and SCIENTISTs
» potential of artistic expression
through the application of scientific
and mathematical principles
4. COMPUTER/DIGITAL ARTS
» strong scientific or mathematical look
and feel to the creations of many digital
artists
» traditional subjects like human beings,
landscapes, animals, and still-life
elements are simply incorporated as part
of those forms and patterns – rather than
as the main focus
13. The Philippine Scene
» 1960s-1990s computer-generated
works were primarily geared toward
illustrating for international comic
books
» then, animators for some of the major
film production companies in the US,
as well as animated television series
produced in different countries
14. The Philippine Scene
» concept of computer-generated
works as means of serious artistic
expression gained ground among
the younger generation of local
artists
» today, digital works are already
accepted and recognized as fine art
15. The Philippine Scene
Institutions offering training courses
» First Academy of Computer Arts
» Philippine Center for Creative Imaging (PCCI)
» Technical Education and Skills development
Authority (TESDA)
Through scholarships given by the:
» Animation Council of the Philippines (ACPI)
Career opportunities:
» advertising, animation design, multimedia
communication and web development
16. Digital Art in the Hands of Everyone
» invaded every aspect of modern life
» develop into forms and devices that
could be mass produced, mass
distributed, and widely accessible to
everyone
» anyone with a computer device can
now capture and edit images and videos;
create, manipulate, and share works of
art; and even compose music
17. Digital Art in the Hands of Everyone
You can be – and
probably already are – a
digital artist in your own
artist in your own right
18. » invaded every aspect of modern life
» develop into forms and devices that
could be mass produced, mass
distributed, and widely accessible to
everyone
» anyone with a computer device can
now capture and edit images and videos;
create, manipulate, and share works of
art; and even compose music
21. Mobile Phone Art
» it evolved from mere communication
into a creative device
» photographs can be manipulated with
many special effects
» it is all on a touch of a finger
23. Mobile Phone Art
SPECIAL FEATURES
Frames, borders and banners,
filters, cropping in different shapes,
automatic collage or color change,
stickers, bubbles; wrap, skew
tunnel, fish eye, negative, etc.
34. Computer-generated Images
» create original images from scratch,
make own illustrations using specialized
programs for image generation and
manipulation
» designed to run on desktop computer
computers and laptops
» some are scaled-down versions
developed for tablets or android phones