This document provides guidance on writing an artist's statement or statement of purpose for art school applications. It discusses including information about your artistic style, objectives, inspiration, and future goals. The document recommends structuring the statement in three paragraphs that introduce yourself, provide more details about your work and process, and discuss your aspirations and how the school can help you achieve them. It emphasizes being honest, specific, and tailored to each individual school through research. Overall, the document aims to help applicants concisely yet effectively communicate their passion and vision for art to admissions committees.
Presentation at the HEA-funded workshop 'Rendering explicit the implicit: Promoting and balancing effective learning and employability within the undergraduate curriculum'.
The workshop aimed to act as a conduit for the dissemination of relevant research, good practice and innovation in (1) sociology students’ understandings of their employability and the implications for higher education policy and practice (2) how to balance both effective learning and employability within the undergraduate sociology curriculum.
This presentation is part of a related blog post that provides an overview of the event: http://bit.ly/1gepkbc
For further details of the HEA's work on employability and global citizenship in the Social Sciences, please see: http://bit.ly/17n8Knj
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First created in 2011, I shared this with the network as a compilation of all the things I have learned working with them and working on my own Worksearch.
Shravan Shetty, Career Coach Interviews Shatarupa Bhattacharyya, A young Theatre Maker resident in Bangalore. Shatarupa stumbled into the theatre a decade ago in 2009, when she made her stage debut in a production of Mother Courage and Her Children. Since then, she has acted in more than a dozen productions in Bengaluru and Hyderabad, with directors like Mohan Maharishi, Satyabrata Rout, and Vijay Padaki, among others. She made her co-directorial debut last year with a production of Rabindranath Tagore’s Chitraa. She has finished her Ph.D. in Development Studies from the National Institute of Advanced Studies, Bengaluru, for which she studied local festivals in the Sundarbans.
Presentation at the HEA-funded workshop 'Rendering explicit the implicit: Promoting and balancing effective learning and employability within the undergraduate curriculum'.
The workshop aimed to act as a conduit for the dissemination of relevant research, good practice and innovation in (1) sociology students’ understandings of their employability and the implications for higher education policy and practice (2) how to balance both effective learning and employability within the undergraduate sociology curriculum.
This presentation is part of a related blog post that provides an overview of the event: http://bit.ly/1gepkbc
For further details of the HEA's work on employability and global citizenship in the Social Sciences, please see: http://bit.ly/17n8Knj
WIP_101 Things I learned in Worksearch 2.0Aaron Downes
First created in 2011, I shared this with the network as a compilation of all the things I have learned working with them and working on my own Worksearch.
Shravan Shetty, Career Coach Interviews Shatarupa Bhattacharyya, A young Theatre Maker resident in Bangalore. Shatarupa stumbled into the theatre a decade ago in 2009, when she made her stage debut in a production of Mother Courage and Her Children. Since then, she has acted in more than a dozen productions in Bengaluru and Hyderabad, with directors like Mohan Maharishi, Satyabrata Rout, and Vijay Padaki, among others. She made her co-directorial debut last year with a production of Rabindranath Tagore’s Chitraa. She has finished her Ph.D. in Development Studies from the National Institute of Advanced Studies, Bengaluru, for which she studied local festivals in the Sundarbans.
In case you need Topics for your How to Essay, you can choose from the list we provide. However, topics can be not enough, then you can address to our writing service at any time.
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This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
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For more information, visit-www.vavaclasses.com
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This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
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1. Around 500 words discussing your:
*style, purpose, approach, objectives
*subjects, inspiration, themes, obstacles
*how you hope to continue your work/education
2. Some schools have a specific question to answer
Some ask for an ARTIST’S STATEMENT
or
STATEMENT OF PURPOSE
3. PARSONS’ Essay topic:
In a brief written composition (500 words maximum),
explain what you make,
how you make it,
and why you make it?
Where do you expect your creative abilities and academic study to take you
after you finish your education at Parsons?
Most specific questions are like this and realistically they ARE a kind of
ARTIST’S STATEMENTS
6. First paragraph - INTRO
WHO ARE YOU AND WHAT DO YOU WANT TO DO
Begin with a simple statement of introduction.
Briefly explain what you want to major in.
Support that statement with your objectives, goals, and aspirations.
IF YOU ARE NOT SURE-
say that you are not sure and that you want to explore
7. Second paragraph - BODY
GIVE MORE INSIGHT INTO WHO YOU ARE
Keep it simple,
but informative
and tell the truth.
8. Possible ideas for the BODY:
-why you want to pursue the concentration you have selected
-how you make decisions and get ideas for your work
-how and why you select materials, techniques, themes
-What aspect of art/design do you have the strongest desire to learn more
about?
9. Third paragraph CONCLUSION
FUTURE THINKING and ASPIRATIONS
What you plan to do with your major?
How your current work relates to your future plans?
What you want to continue to learn?
What do you want to learn at college that you have no experience with?
Discuss how college
can help you
gain more:
experience,
knowledge,
and skills
10. You could tailor the third paragraph for each school you are applying to.
RESEARCH IS KEY - KNOWING THE SCHOOL IS CRUCIAL
11. In what ways can this school help you learn more/ gain more experience,
What resources are available at that school that you find appealing?
Refer to:
specific courses,
programs,
aspects of the location of the school
resources in the community
12. What ways would you contribute to their school specifically?
Be creative but also show that you have RESEARCHED the school.
13. Of course when referring to a specific school
BE SURE you are writing the correct name of the school.
14. CLOSING STATEMENT IDEAS
What expectations do you have for your college experience?
What role do you hope to play in society after you have your degree?
What ways do you hope to grow from your experience in college?
How you would grow from a specific school’s program.
15. Be brave: say nice things about yourself but try not to seem arrogant.
17. Be specific, avoid being vague, cliché’, or too rhetorical.
And of course, USE SPELL CHECK
18. -Write about an
artist or designer
or any creative
person that you
aspire to be like
or
-Talk about a
specific piece or
series of work that
you put serious
thought into.
Describe the
process
Don’t feel like you have enough to write about yourself?
19. HONESTY IS THE BEST POLICY
Being honest can help you write about something that might not be easy to put
in words.
Also your art might be something that is very personal to you, but being honest
might make you stand out.
20. Other topics to include:
-Your education (some of your art
classes in or out of school)
-Any art experience you have
-If you have won any awards
-Any way you have exhibited your work
-Any community art involvement
BUT keep somewhat current.
21. Create credibility by highlighting your achievements,
not providing a full resume or your whole life’s story.
22. WHO OR WHAT INSPIRES YOU?
Specific artists or designers
A teacher
A class
but also EXPLAIN what about that artist, teacher, or class Influenced
you and or your work
23. Have there been people or issues that have been barriers for you In your
pursuit to studying art?
Then briefly describe how you reacted to those obstacles.
24. Think about how you would describe your work to someone
who didn't know you.
What you are aiming to achieve in your work?
How does your work connect to your outlook on life?
How has your life experience influenced your work?
25. If there are other things that inspire you
beside art, what is it and how does it
inspire you? ie, music, poetry, outdoors,
travel, science, history, technology?
BUT
If you can't explain it briefly,
avoid adding the reference.
26. IMPORTANT------------THIS IS NOT YOUR LIFE STORY!
Tell the story about what led up to your art ONLY if it's short, compelling,
and really really relevant.
27. Read your statement out loud.
Listen to the way the words flow.
Notice places where you'd like the sound or rhythm to be different.
Take note of sentences that seem too long and then shorten them.
28. It can often be difficult to explain something visual in words –
As with anything in life, drawing, basketball, playing an instrument,
PRACTICE makes it easier.
You're unlikely to produce a polished artist's statement
the first time you try, so be prepared to rework it several times.
29. Show your art and your artist’s statement to friends, friends' friends, an art teacher,
and maybe even a stranger or two.
If you have to explain yourself, do a rewrite and eliminate the confusion.
You might want to ask your
Parents, but do keep in mind
that even if your parents
have an artistic background
their ideas might differ
from yours.
30. Find someone who writes or edits, or ask an English teacher to read it and ask
for their feedback.
Many times, a little rearranging is all that's necessary to make your statement a
clean clear read.
Another set of eyes can see things your spell check passed by.
31. PORTFOLIO
Be sure to read the instructions from the admissions website for each school
Most want digital photos of 15 pieces loaded to SLIDEROOM.com
Some request that 6-8 pieces are DRAWING FROM OBSERVATION
Some allow other work like videos of installations or performance pieces
Some just want to see your best work 10-20 pieces
For some schools and some majors they will be specific about what they want
RISD,
PARSONS,
COOPER UNION,
ART CENTER,
FIT (some majors),
are some of the schools who will have specific
requests for portfolio requirements.
BE SURE TO FOLLOW THE INSTRUCTIONS
32. start looking atstart looking at
school websitesschool websites
to learn what they offerto learn what they offer
and what interests you.and what interests you.
Start building your portfolioStart building your portfolio
start drafting your essaystart drafting your essay