Art Appreciation-Chapter4

•Download as PPT, PDF•

5 likes•11,070 views

A

The document discusses different types and purposes of drawing. It describes drawing as using a marking tool to leave lines or marks on a surface, which can be used to record what is seen or imagined. Various drawing tools and techniques are mentioned, including different kinds of pencils, charcoal, conte crayon, pastels, and liquid media like ink. Examples of drawings from various artists throughout history are also shown and cited.

Drawing Chapter 4

Drawing ,[object Object],[object Object],[object Object]

Leonardo da Vinci. Three Seated Figures and Studies of Machinery. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Guillermo del Toro. Pages from Sketchbook . 2006 Pan's Labyrinth . 2006. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Elizabeth Layton. The Eyes of the Law . 1985. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Vincent van Gogh. Carpenter . c. 1880. 22" × 15". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Vincent van Gogh. Old Man with His Head in His Hands . 1882. 191-1/16" × 12-3/16". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Vincent van Gogh. Self-Portrait with Gray Hat . 1887. 17-1/4" × 14-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Purposes of Drawing ,[object Object],[object Object],[object Object],[object Object]

Michelangelo Buonarotti. Studies for the Libyan Sibyl . c. 1510. 11-3/8" × 8-7/16" (28.9 × 21.4 cm). Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Tools and Techniques ,[object Object]

Drawing Tools and Their Characteristic Lines. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Types of Hatching . Hatching. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Types of Hatching . Crosshatching. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Types of Hatching . Contour hatching. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Charles White (1918–1979). Preacher . 1952. Sheet: 22-13/16" × 29-15/16" × 3/16" (57.9 × 76 × 0.5 cm). Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Dry Media ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Judith Murray. Obsidian. 1988. 17-1/2" × 19-1/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Georges Pierre Seurat. L'Echo . Study for Une Baignade , Asnières. 1883–1884. 31.2 × 24 cm (12-5/16" × 9-7/16"). Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Rosalba Carriera. Portrait of a Girl with a Bussolà . 1725–1730. 13-3/8" × 10-1/2". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Edgar Degas. Le Petit Déjeuner après le Bain ( Jeune Femme S'Essuyant ). c. 1894. 99.7 × 59.7 cm. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Liquid Media ,[object Object]

Vincent van Gogh. The Fountain in the Hospital Garden . 1889. 18-7/8" × 17-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Nancy Spero. Peace . 1968. 19" × 23-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Graphic Novels/Comics ,[object Object]

Windsor McCay. Little Nemo in Slumberland (detail). 4/4/1906. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Gilbert Hernandez. Cover of Fear of Comics . 2000. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Contemporary Approaches ,[object Object]

Julie Mehretu. Back to Gondwanaland . 2000. 8" × 10". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Christine Hiebert. Wall Drawing (Detail). Margarete Roeder Gallery, New York. 2004. Running wall length 36'7", wall height 11'6". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Barry McGee. Untitled. 2006. 10-3/4" × 8-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

More Related Content

What's hot

Mediums and techniques of visual arts

Mediums and techniques of visual arts

Mediums and techniques of visual artsJohn Robin Amoguis

Art Appreciation-Chapter9

Art Appreciation-Chapter9

Art Appreciation-Chapter9alorino

Art Appreciation-Chapter8

Art Appreciation-Chapter8

Art Appreciation-Chapter8alorino

Art Appreciation: Chapter1

Art Appreciation: Chapter1

Art Appreciation: Chapter1alorino

FILIPINO PAINTERS

FILIPINO PAINTERS

FILIPINO PAINTERSPeyt Herrera

Fundamentals of Drawing

Fundamentals of Drawing

Fundamentals of Drawing

Art appreciation

Art appreciation

Art appreciation

Two-Dimensional Fine Art Media

Two-Dimensional Fine Art Media

Two-Dimensional Fine Art Media

Overview of art history

Overview of art history

Overview of art historyDanielle Camino

Visual arts humanities

Visual arts humanities

Visual arts humanitiesangevil66

Art Appreciation-Chapter10

Art Appreciation-Chapter10

Art Appreciation-Chapter10alorino

Art and Appropriation

Art and Appropriation

Art and Appropriation

Lucylle Bianca Cawaling

Mediums of the Visual Arts

Mediums of the Visual Arts

Mediums of the Visual Arts

Kimberly Cassidy Meniano

3d artuploadlessons

Medium of the visual arts

Medium of the visual arts

Medium of the visual artsEric Pazziuagan

Functions of art

Functions of art

Functions of art

vincent john Chatto

Methods of presenting the art subject

Methods of presenting the art subject

Methods of presenting the art subject

Capiz state university

Sculpture powerpoint 1 (1)

Sculpture powerpoint 1 (1)

Sculpture powerpoint 1 (1)

Jennifer Cahoon

ARTS - Mediums of the Visual Arts: Painting, Sculpture and Architecture

ARTS - Mediums of the Visual Arts: Painting, Sculpture and Architecture

ARTS - Mediums of the Visual Arts: Painting, Sculpture and Architecture

What is Art?

What's hot (20)

Mediums and techniques of visual arts

Mediums and techniques of visual arts

Mediums and techniques of visual arts

Art Appreciation-Chapter9

Art Appreciation-Chapter9

Art Appreciation-Chapter9

Art Appreciation-Chapter8

Art Appreciation-Chapter8

Art Appreciation-Chapter8

Art Appreciation: Chapter1

Art Appreciation: Chapter1

Art Appreciation: Chapter1

FILIPINO PAINTERS

FILIPINO PAINTERS

FILIPINO PAINTERS

Fundamentals of Drawing

Fundamentals of Drawing

Fundamentals of Drawing

Art appreciation

Art appreciation

Art appreciation

Two-Dimensional Fine Art Media

Two-Dimensional Fine Art Media

Two-Dimensional Fine Art Media

Overview of art history

Overview of art history

Overview of art history

Visual arts humanities

Visual arts humanities

Visual arts humanities

Art Appreciation-Chapter10

Art Appreciation-Chapter10

Art Appreciation-Chapter10

Art and Appropriation

Art and Appropriation

Art and Appropriation

Mediums of the Visual Arts

Mediums of the Visual Arts

Mediums of the Visual Arts

3d art

Medium of the visual arts

Medium of the visual arts

Medium of the visual arts

Functions of art

Functions of art

Functions of art

Methods of presenting the art subject

Methods of presenting the art subject

Methods of presenting the art subject

Sculpture powerpoint 1 (1)

Sculpture powerpoint 1 (1)

Sculpture powerpoint 1 (1)

ARTS - Mediums of the Visual Arts: Painting, Sculpture and Architecture

ARTS - Mediums of the Visual Arts: Painting, Sculpture and Architecture

ARTS - Mediums of the Visual Arts: Painting, Sculpture and Architecture

What is Art?

More from alorino

Filtersalorino

Design Elements-Photo Design AI

Design Elements-Photo Design AI

Design Elements-Photo Design AIalorino

Photo Design-Chapter 5-Intent

Photo Design-Chapter 5-Intent

Photo Design-Chapter 5-Intentalorino

Chapter22-Art Appreciation

Chapter22-Art Appreciation

Chapter22-Art Appreciationalorino

Art Appreciation-Chapter21-Early 20th Century

Art Appreciation-Chapter21-Early 20th Century

Art Appreciation-Chapter21-Early 20th Centuryalorino

Collage Project-Art Appreciation_San Jac

Collage Project-Art Appreciation_San Jac

Collage Project-Art Appreciation_San Jacalorino

Making A Difference

Making A Difference

Making A Differencealorino

film-Portraitsalorino

film-Shutter Speed and Motion

film-Shutter Speed and Motion

film-Shutter Speed and Motionalorino

Chapter 3_Balorino

film-Point of View

film-Point of View

film-Point of Viewalorino

ilm-Abstract & Minimal

ilm-Abstract & Minimal

ilm-Abstract & Minimalalorino

film-On Camera Filters

film-On Camera Filters

film-On Camera Filtersalorino

film-Depth of Field

film-Depth of Field

film-Depth of Fieldalorino

film-Equivalent Exposures

film-Equivalent Exposures

film-Equivalent Exposuresalorino

film-How to Make an Exposure

film-How to Make an Exposure

film-How to Make an Exposurealorino

film-How a Camera Works

film-How a Camera Works

film-How a Camera Worksalorino

film-Anatomy of film camera

film-Anatomy of film camera

film-Anatomy of film cameraalorino

Art Appreciation-Chapter22

Art Appreciation-Chapter22

Art Appreciation-Chapter22alorino

Art Appreciation-Chapter20

Art Appreciation-Chapter20

Art Appreciation-Chapter20alorino

More from alorino (20)

Filters

Design Elements-Photo Design AI

Design Elements-Photo Design AI

Design Elements-Photo Design AI

Photo Design-Chapter 5-Intent

Photo Design-Chapter 5-Intent

Photo Design-Chapter 5-Intent

Chapter22-Art Appreciation

Chapter22-Art Appreciation

Chapter22-Art Appreciation

Art Appreciation-Chapter21-Early 20th Century

Art Appreciation-Chapter21-Early 20th Century

Art Appreciation-Chapter21-Early 20th Century

Collage Project-Art Appreciation_San Jac

Collage Project-Art Appreciation_San Jac

Collage Project-Art Appreciation_San Jac

Making A Difference

Making A Difference

Making A Difference

film-Portraits

film-Shutter Speed and Motion

film-Shutter Speed and Motion

film-Shutter Speed and Motion

Chapter 3_B

film-Point of View

film-Point of View

film-Point of View

ilm-Abstract & Minimal

ilm-Abstract & Minimal

ilm-Abstract & Minimal

film-On Camera Filters

film-On Camera Filters

film-On Camera Filters

film-Depth of Field

film-Depth of Field

film-Depth of Field

film-Equivalent Exposures

film-Equivalent Exposures

film-Equivalent Exposures

film-How to Make an Exposure

film-How to Make an Exposure

film-How to Make an Exposure

film-How a Camera Works

film-How a Camera Works

film-How a Camera Works

film-Anatomy of film camera

film-Anatomy of film camera

film-Anatomy of film camera

Art Appreciation-Chapter22

Art Appreciation-Chapter22

Art Appreciation-Chapter22

Art Appreciation-Chapter20

Art Appreciation-Chapter20

Art Appreciation-Chapter20

Recently uploaded

Model Attribute Check Company Auto Property

Model Attribute Check Company Auto Property

Model Attribute Check Company Auto Property

Chapter 3 - Islamic Banking Products and Services.pptx

Chapter 3 - Islamic Banking Products and Services.pptx

Chapter 3 - Islamic Banking Products and Services.pptx

Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia

The approach at University of Liverpool.pptx

The approach at University of Liverpool.pptx

The approach at University of Liverpool.pptx

The Challenger.pdf DNHS Official Publication

The Challenger.pdf DNHS Official Publication

The Challenger.pdf DNHS Official Publication

Delapenabediema

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46

MysoreMuleSoftMeetup

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46 Event Link:- https://meetups.mulesoft.com/events/details/mulesoft-mysore-presents-exploring-gemini-ai-and-integration-with-mulesoft/ Agenda ● Java 17 Upgrade Overview ● Why and by when do customers need to upgrade to Java 17? ● Is there any immediate impact to upgrading to Mule Runtime 4.6 and beyond? ● Which MuleSoft products are in scope? For Upcoming Meetups Join Mysore Meetup Group - https://meetups.mulesoft.com/mysore/ YouTube:- youtube.com/@mulesoftmysore Mysore WhatsApp group:- https://chat.whatsapp.com/EhqtHtCC75vCAX7gaO842N Speaker:- Shubham Chaurasia - https://www.linkedin.com/in/shubhamchaurasia1/ Priya Shaw - https://www.linkedin.com/in/priya-shaw Organizers:- Shubham Chaurasia - https://www.linkedin.com/in/shubhamchaurasia1/ Giridhar Meka - https://www.linkedin.com/in/giridharmeka Priya Shaw - https://www.linkedin.com/in/priya-shaw Shyam Raj Prasad- https://www.linkedin.com/in/shyam-raj-prasad/

Acetabularia Information For Class 9 .docx

Acetabularia Information For Class 9 .docx

Acetabularia Information For Class 9 .docx

STRAND 3 HYGIENIC PRACTICES.pptx GRADE 7 CBC

STRAND 3 HYGIENIC PRACTICES.pptx GRADE 7 CBC

STRAND 3 HYGIENIC PRACTICES.pptx GRADE 7 CBC

Synthetic Fiber Construction in lab .pptx

Synthetic Fiber Construction in lab .pptx

Synthetic Fiber Construction in lab .pptx

Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.

Digital Artifact 1 - 10VCD Environments Unit

Digital Artifact 1 - 10VCD Environments Unit

Digital Artifact 1 - 10VCD Environments Unit

JEE1_This_section_contains_FOUR_ questions

JEE1_This_section_contains_FOUR_ questions

JEE1_This_section_contains_FOUR_ questions

BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...

BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...

BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...

Nguyen Thanh Tu Collection

Operation Blue Star - Saka Neela Tara

Operation Blue Star - Saka Neela Tara

Operation Blue Star - Saka Neela Tara

Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup. The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.

A Strategic Approach: GenAI in Education

A Strategic Approach: GenAI in Education

A Strategic Approach: GenAI in Education

Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction. This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.

The Diamonds of 2023-2024 in the IGRA collection

The Diamonds of 2023-2024 in the IGRA collection

The Diamonds of 2023-2024 in the IGRA collection

Israel Genealogy Research Association

Multithreading_in_C++ - std::thread, race condition

Multithreading_in_C++ - std::thread, race condition

Multithreading_in_C++ - std::thread, race condition

Mohammed Sikander

Introduction to AI for Nonprofits with Tapp Network

Introduction to AI for Nonprofits with Tapp Network

Introduction to AI for Nonprofits with Tapp Network

The basics of sentences session 5pptx.pptx

The basics of sentences session 5pptx.pptx

The basics of sentences session 5pptx.pptx

CACJapan - GROUP Presentation 1- Wk 4.pdf

CACJapan - GROUP Presentation 1- Wk 4.pdf

CACJapan - GROUP Presentation 1- Wk 4.pdf

camakaiclarkmusic

Digital Artifact 2 - Investigating Pavilion Designs

Digital Artifact 2 - Investigating Pavilion Designs

Digital Artifact 2 - Investigating Pavilion Designs

Azure Interview Questions and Answers PDF By ScholarHat

Azure Interview Questions and Answers PDF By ScholarHat

Azure Interview Questions and Answers PDF By ScholarHat

Recently uploaded (20)

Model Attribute Check Company Auto Property

Model Attribute Check Company Auto Property

Model Attribute Check Company Auto Property

Chapter 3 - Islamic Banking Products and Services.pptx

Chapter 3 - Islamic Banking Products and Services.pptx

Chapter 3 - Islamic Banking Products and Services.pptx

The approach at University of Liverpool.pptx

The approach at University of Liverpool.pptx

The approach at University of Liverpool.pptx

The Challenger.pdf DNHS Official Publication

The Challenger.pdf DNHS Official Publication

The Challenger.pdf DNHS Official Publication

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46

Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46

Acetabularia Information For Class 9 .docx

Acetabularia Information For Class 9 .docx

Acetabularia Information For Class 9 .docx

STRAND 3 HYGIENIC PRACTICES.pptx GRADE 7 CBC

STRAND 3 HYGIENIC PRACTICES.pptx GRADE 7 CBC

STRAND 3 HYGIENIC PRACTICES.pptx GRADE 7 CBC

Synthetic Fiber Construction in lab .pptx

Synthetic Fiber Construction in lab .pptx

Synthetic Fiber Construction in lab .pptx

Digital Artifact 1 - 10VCD Environments Unit

Digital Artifact 1 - 10VCD Environments Unit

Digital Artifact 1 - 10VCD Environments Unit

JEE1_This_section_contains_FOUR_ questions

JEE1_This_section_contains_FOUR_ questions

JEE1_This_section_contains_FOUR_ questions

BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...

BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...

BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...

Operation Blue Star - Saka Neela Tara

Operation Blue Star - Saka Neela Tara

Operation Blue Star - Saka Neela Tara

A Strategic Approach: GenAI in Education

A Strategic Approach: GenAI in Education

A Strategic Approach: GenAI in Education

The Diamonds of 2023-2024 in the IGRA collection

The Diamonds of 2023-2024 in the IGRA collection

The Diamonds of 2023-2024 in the IGRA collection

Multithreading_in_C++ - std::thread, race condition

Multithreading_in_C++ - std::thread, race condition

Multithreading_in_C++ - std::thread, race condition

Introduction to AI for Nonprofits with Tapp Network

Introduction to AI for Nonprofits with Tapp Network

Introduction to AI for Nonprofits with Tapp Network

The basics of sentences session 5pptx.pptx

The basics of sentences session 5pptx.pptx

The basics of sentences session 5pptx.pptx

CACJapan - GROUP Presentation 1- Wk 4.pdf

CACJapan - GROUP Presentation 1- Wk 4.pdf

CACJapan - GROUP Presentation 1- Wk 4.pdf

Digital Artifact 2 - Investigating Pavilion Designs

Digital Artifact 2 - Investigating Pavilion Designs

Digital Artifact 2 - Investigating Pavilion Designs

Azure Interview Questions and Answers PDF By ScholarHat

Azure Interview Questions and Answers PDF By ScholarHat

Azure Interview Questions and Answers PDF By ScholarHat

Art Appreciation-Chapter4

1. Drawing Chapter 4

2.

3. Leonardo da Vinci. Three Seated Figures and Studies of Machinery. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

4. Guillermo del Toro. Pages from Sketchbook . 2006 Pan's Labyrinth . 2006. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

5. Elizabeth Layton. The Eyes of the Law . 1985. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

6. Vincent van Gogh. Carpenter . c. 1880. 22" × 15". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

7. Vincent van Gogh. Old Man with His Head in His Hands . 1882. 191-1/16" × 12-3/16". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

8. Vincent van Gogh. Self-Portrait with Gray Hat . 1887. 17-1/4" × 14-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

9.

10. Michelangelo Buonarotti. Studies for the Libyan Sibyl . c. 1510. 11-3/8" × 8-7/16" (28.9 × 21.4 cm). Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

11.

12. Drawing Tools and Their Characteristic Lines. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

13. Types of Hatching . Hatching. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

14. Types of Hatching . Crosshatching. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

15. Types of Hatching . Contour hatching. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

16. Charles White (1918–1979). Preacher . 1952. Sheet: 22-13/16" × 29-15/16" × 3/16" (57.9 × 76 × 0.5 cm). Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

17.

18. Judith Murray. Obsidian. 1988. 17-1/2" × 19-1/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

19. Georges Pierre Seurat. L'Echo . Study for Une Baignade , Asnières. 1883–1884. 31.2 × 24 cm (12-5/16" × 9-7/16"). Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

20. Rosalba Carriera. Portrait of a Girl with a Bussolà . 1725–1730. 13-3/8" × 10-1/2". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

21. Edgar Degas. Le Petit Déjeuner après le Bain ( Jeune Femme S'Essuyant ). c. 1894. 99.7 × 59.7 cm. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

22.

23. Vincent van Gogh. The Fountain in the Hospital Garden . 1889. 18-7/8" × 17-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

24. Nancy Spero. Peace . 1968. 19" × 23-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

25.

26.

27. Windsor McCay. Little Nemo in Slumberland (detail). 4/4/1906. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

28. Gilbert Hernandez. Cover of Fear of Comics . 2000. Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

29.

30.

31. Julie Mehretu. Back to Gondwanaland . 2000. 8" × 10". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

32. Christine Hiebert. Wall Drawing (Detail). Margarete Roeder Gallery, New York. 2004. Running wall length 36'7", wall height 11'6". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

33. Barry McGee. Untitled. 2006. 10-3/4" × 8-3/4". Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Editor's Notes

Ashmolean Museum, Oxford, England, U.K.
© MMVI. New Line Productions, Inc. All rights reserved. Photo appears courtesy of New Line Cinema/Time Warner.
Spencer Museum of Art: Gift of Don Almbert and the Artist.
Kröller-Müller, Otterlo, Netherlands.
Amsterdam, Van Gogh Museum (Vincent van Gogh Foundation).
Amsterdam, Van Gogh Museum (Vincent van Gogh Foundation).
The Metropolitan Museum of Art, Purchase, Joseph Pulitzer Bequest, 1924. (24.197.2) Photograph © 1995 The Metropolitan Museum of Art/Art Resource, NY.
Collection of Whitney Museum of American Art, New York. Purchase. 52.25. Photo by Geoffrey Clements, New York © 2001: Whitney Museum of American Art.
Courtesy of the artist and Howard and Terry Walters, Summit, NJ.
Bequest of Edith Malvina K. Wetmore.Yale University Art Gallery, New Haven, Connecticut, USA.
Cameraphoto/Art Resource, N.Y.
© 2002. Courtesy Christie’s Images, New York.
Amsterdam, Van Gogh Museum (Vincent van Gogh Foundation)
New York Herald, 4 April 1906.
Credit
Courtesy Fantagraphics Books. © Gilbert Hernandez, 2007.
Collection A & J Gordts-Vanthournout, Belgium.
Courtesy of the artist.
Gallery Paule Anglim, San Francisco.