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MEDIUMS
OF VISUAL
ARTS
Preparad by:
Kimberly Cassidy M. Meniano
BBTE IT III-4D
Medium
- an agency or means of doing something.
- the intervening substance through which
impressions are conveyed to the senses or
a force acts on objects at a distance.
SCULPTURE
Stone is durable: it resist weather, fire,
and all ordinary hazards, it is heavy,
expensive and breaks easily.
Of the metals, the one most commonly
used traditionally was bronze
A. Stone and Bronze
Praxiteles
Hermes and
Dionysus
(ca. 350 B.C.)
Parian marble
King of Judah
(twelfth century)
Stone
Usually carvings in ivory are
small, the reasons being
the great expense of ivory
and the difficulty of
securing it in large pieces.
The color of ivory is a rich,
creamy yellow. Like wood,
ivory cracks.
B. Ivory
Snake Goddess
(Minoan, ca. 1500 B.C.)
Gold and ivory.
The term terra cotta
means “baked earth”.
Terra cotta is made
by firing clay, as in
pottery. It is usually
painted and covered
with a heavy glaze.
C. Terra Cotta
Lohan
Chinese, Liao Dynasty
Pottery
PAINTINGS
The vehicle is oil and the surface is usually
canvas, though other various surfaces may
be used. The special advantage of oil is
that is stays moist for a long time. The
rough surface of a text is so thick that each
stroke shows clearly.
A. Oil
Vincent Van Gogh
Self-Portrait in a
Straw Hat
(1988-1989)
Oil on canvas, on
wood.
In water color, the pigments are mixed with
water and applied in a fine, white paper.
The paper shines through the paint and
makes the color brilliant. It is difficult to
produce warm, rich tones in water color.
B. Water Color
In fresco painting a wall is prepared with
successive coats of plaster. Designs are
prepared in advance in a large sheets of
paper, each sheets accounting for a section
of the wall.
It is accordingly a medium of a broad, bold
outlines, usually with great simplification
of form.
C. Fresco
Jose Clemente Orozco
Modern Migration
of the Spirit
(1932-1934)
Fresco
Wax was used by the
Egyptians for portraits
painted on mummy
cases. There were
several different ways
of preparing the wax,
but in general the color
was mixed in warm
wax and burned it.
D. Encaustic
Portrait of a Boy
Fayum, Lower Egypt
Encaustic on wood
panel.
In pastel, pigments in the
form of powders are
compressed lightly in a
sticks. Its color are
brilliant, and it is a
very flexible medium,
one in which very rich
and varied effects may
be produced.
E. Pastel
Edgar Degas
Ballet Scene (1907)
Pastel
Mosaic, stained glass, and tapestry are
usually classed with painting, though the
medium is not pigment. A picture im
mosaic is made by putting all together
small pieces of colored glass or stone,
called “tesserae”.
F. Mosaic
Theodora and Her Attendants
(ca. A.D. 525)
Mosaic
Like the mosaic, the stained-glass window is
a kind of patchwork it is made by
combining many small pieces of colored
glass which are held together by bands of
lead.
In a large window, the lead is reinforced by
heavy iron bars that make very heavy
black lines in the picture.
G. Stained Glass
Tapestries are large
fabrics in which a
design is woven by
hand. Being of very
firm texture, they
shut out the cold and
helped to preserve
the heat from the fire
place.
G. Tapestry
The Hunt of the
Unicorn
French or Flemish
Tapestry
Stop! Let’s Review.
Identify what medium is used in the following
paintings.
Encaustic
Fresco
Oil
Pastel
DRAWINGS
Drawings and prints are of special interest
to the student, both for their intrinsic
value and because they are comparatively
inexpensive.
In them, even the person of small means can
afford original works often by important
artists.
One of the most common because of its
general utility especially for making rapid
notes. The French artist Ingres made
many delicate and crisp pencil portraits as
one means of support while he was living
in Rome.
Pencil
Silverpoint
A drawing made with a gold or silver
wire on a specially prepared paper, is
often very pale in tone and has little
vitality but is very delicate and warmly
shadowy.
Ink
Makes a clear, crisp, often sketchy and
spontaneous line; often ink is combines
with wash.
Bister
A brown pigment made by mixing the
soot from burning wood with a little
binder.
Charcoal
One of the oldest mediums for drawing.
The charcoal is made by roasting wood
in a closed vessel. This medium is
capable of a great variety of tones from
the darkest to the very light.
Chalk
Another medium that has been used
from the earliest times. It is found in
white, black, and red. The red was
especially desired for figure sketches.
Prints
An engraving is in many ways the opposite
of a woodcut. In the woodcut, the parts
that are to be black are left standing, and
the remainder of the block is cut away.
In engraving, the lines of the dewsign are
cut into a metal plate; these lines are then
filled with ink andtransferred from the
plate to the paper.
A. Engraving
Martin Schongauer
The Annunciation
Engraving
Etching differs in engraving in the way the
lines are made.
In etching, the plate is covered with a
coating of a thin, waxlike material called a
“ground”.
B. Etching
Paul Klee
Why Does He Run?
Etching
Francisco Goya
Pobrecitas
Etching
The lithography is the most recent of the
four common types of print. It was
discovered just before 1800, whereas
woodcuts, engraving and etchings go back
to the fifteenth and sixteenth century.
The design is drawn on a heavy greasy
crayon on a specially prepared stone, and
ink impressions are made from it.
C. Lithography
George Bellows
Dempsey and
Firpo
(1924)
Lithograph
Checking your understanding 
1. What are the different mediums for
scuplture?
2. List down the different mediums for
painting.
3. Name at least three mediums for
drawing.
4. State the three mediums for prints.
Thanks 

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Mediums of the Visual Arts

  • 1. MEDIUMS OF VISUAL ARTS Preparad by: Kimberly Cassidy M. Meniano BBTE IT III-4D
  • 2. Medium - an agency or means of doing something. - the intervening substance through which impressions are conveyed to the senses or a force acts on objects at a distance.
  • 3. SCULPTURE Stone is durable: it resist weather, fire, and all ordinary hazards, it is heavy, expensive and breaks easily. Of the metals, the one most commonly used traditionally was bronze A. Stone and Bronze
  • 4. Praxiteles Hermes and Dionysus (ca. 350 B.C.) Parian marble King of Judah (twelfth century) Stone
  • 5. Usually carvings in ivory are small, the reasons being the great expense of ivory and the difficulty of securing it in large pieces. The color of ivory is a rich, creamy yellow. Like wood, ivory cracks. B. Ivory Snake Goddess (Minoan, ca. 1500 B.C.) Gold and ivory.
  • 6. The term terra cotta means “baked earth”. Terra cotta is made by firing clay, as in pottery. It is usually painted and covered with a heavy glaze. C. Terra Cotta Lohan Chinese, Liao Dynasty Pottery
  • 7. PAINTINGS The vehicle is oil and the surface is usually canvas, though other various surfaces may be used. The special advantage of oil is that is stays moist for a long time. The rough surface of a text is so thick that each stroke shows clearly. A. Oil
  • 8. Vincent Van Gogh Self-Portrait in a Straw Hat (1988-1989) Oil on canvas, on wood.
  • 9. In water color, the pigments are mixed with water and applied in a fine, white paper. The paper shines through the paint and makes the color brilliant. It is difficult to produce warm, rich tones in water color. B. Water Color
  • 10. In fresco painting a wall is prepared with successive coats of plaster. Designs are prepared in advance in a large sheets of paper, each sheets accounting for a section of the wall. It is accordingly a medium of a broad, bold outlines, usually with great simplification of form. C. Fresco
  • 11. Jose Clemente Orozco Modern Migration of the Spirit (1932-1934) Fresco
  • 12. Wax was used by the Egyptians for portraits painted on mummy cases. There were several different ways of preparing the wax, but in general the color was mixed in warm wax and burned it. D. Encaustic Portrait of a Boy Fayum, Lower Egypt Encaustic on wood panel.
  • 13. In pastel, pigments in the form of powders are compressed lightly in a sticks. Its color are brilliant, and it is a very flexible medium, one in which very rich and varied effects may be produced. E. Pastel Edgar Degas Ballet Scene (1907) Pastel
  • 14. Mosaic, stained glass, and tapestry are usually classed with painting, though the medium is not pigment. A picture im mosaic is made by putting all together small pieces of colored glass or stone, called “tesserae”. F. Mosaic
  • 15. Theodora and Her Attendants (ca. A.D. 525) Mosaic
  • 16. Like the mosaic, the stained-glass window is a kind of patchwork it is made by combining many small pieces of colored glass which are held together by bands of lead. In a large window, the lead is reinforced by heavy iron bars that make very heavy black lines in the picture. G. Stained Glass
  • 17. Tapestries are large fabrics in which a design is woven by hand. Being of very firm texture, they shut out the cold and helped to preserve the heat from the fire place. G. Tapestry The Hunt of the Unicorn French or Flemish Tapestry
  • 18. Stop! Let’s Review. Identify what medium is used in the following paintings. Encaustic Fresco Oil Pastel
  • 19. DRAWINGS Drawings and prints are of special interest to the student, both for their intrinsic value and because they are comparatively inexpensive. In them, even the person of small means can afford original works often by important artists.
  • 20. One of the most common because of its general utility especially for making rapid notes. The French artist Ingres made many delicate and crisp pencil portraits as one means of support while he was living in Rome. Pencil
  • 21. Silverpoint A drawing made with a gold or silver wire on a specially prepared paper, is often very pale in tone and has little vitality but is very delicate and warmly shadowy.
  • 22. Ink Makes a clear, crisp, often sketchy and spontaneous line; often ink is combines with wash. Bister A brown pigment made by mixing the soot from burning wood with a little binder.
  • 23. Charcoal One of the oldest mediums for drawing. The charcoal is made by roasting wood in a closed vessel. This medium is capable of a great variety of tones from the darkest to the very light.
  • 24. Chalk Another medium that has been used from the earliest times. It is found in white, black, and red. The red was especially desired for figure sketches.
  • 25. Prints An engraving is in many ways the opposite of a woodcut. In the woodcut, the parts that are to be black are left standing, and the remainder of the block is cut away. In engraving, the lines of the dewsign are cut into a metal plate; these lines are then filled with ink andtransferred from the plate to the paper. A. Engraving
  • 27. Etching differs in engraving in the way the lines are made. In etching, the plate is covered with a coating of a thin, waxlike material called a “ground”. B. Etching
  • 28. Paul Klee Why Does He Run? Etching Francisco Goya Pobrecitas Etching
  • 29. The lithography is the most recent of the four common types of print. It was discovered just before 1800, whereas woodcuts, engraving and etchings go back to the fifteenth and sixteenth century. The design is drawn on a heavy greasy crayon on a specially prepared stone, and ink impressions are made from it. C. Lithography
  • 31. Checking your understanding  1. What are the different mediums for scuplture? 2. List down the different mediums for painting. 3. Name at least three mediums for drawing. 4. State the three mediums for prints.