5. pre production
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This document discusses pre-production for an animation project based on the TV show Game of Thrones. It focuses on creating pixelated characters for Ned Stark and Jaime Lannister. A mock-up of Ned Stark is shown, and the goal is to reach the quality of an example animation. A schedule is outlined over 8 days, beginning with pre-production and ending with adding music in Audition. Potential issues and solutions are addressed, such as running out of time, computer problems, or health and safety concerns.
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Unit 3: Pre Production
This document outlines the pre-production process for an animation project. It includes style sheets, layout mockups, a list of required equipment and locations, contingency planning for potential issues, health and safety considerations, and a proposed 8-day schedule. The style is described as realistic with bold fonts that offer a fantasy feel. Mockups show work-in-progress on animating a Ned Stark character and goals for fluid animation. Potential issues addressed include not having enough time or access to facilities, with backup plans to work at home. Health risks like back strain and eye strain are considered.
5) pre-production
George Wetton is creating a horror-themed video game. For the first color scheme, dark colors like navy blue and gray will be used to match the night setting. The second color scheme incorporates nature colors like green and brown to represent grass, leaves, and wood in a creepy way. Four fonts are considered: Chiller, Copperplate Gothic Bold, HGMarugothicMPRO, and Forte. Two layout designs are shown. Props and locations needed include a torch, crystal, gold table, knife, and forests. Contingency plans address potential issues like not saving work, finding images, meeting deadlines, and forgetting to take screenshots. Health and safety concerns like eye strain, back ache
Presentation3
1) The game concept involves a woman who discovers her reflection is a sentient being trapped in a shadow world within the mirror. The two players work together across dimensions to progress through levels, fight enemies, and find an oracle that can free the reflection.
2) Collectibles and environmental interactions provide context about the characters, and conversations between levels add substance and connection.
3) After defeating bosses in each level and the oracle in a final battle, the two characters are reunited by pulling the reflection from the mirror in a concluding cutscene.
1. initial plans (interactive)(2)
The document discusses a mood board analysis for an initial game planning project. It notes that the images in the mood board show repetition in dark, atmospheric color schemes and genres focused on 2D platformers exploring and collecting. The pixelated graphics also have a 16-bit style. The mood board will influence the final product by providing inspiration for ideas, character sprites, and color schemes from the games analyzed.
3. production experiments (10)
The document describes several experiments the author conducted to practice and improve their pixel art skills. They traced existing character portraits and sprites to experiment with colors and shading. They created character profiles showing portraits, classes, levels, and HP. The author also drew a character riding a horse holding a sword. They used Photoshop and drew with pixels, experimenting with different colors. In a reflection, the author indicates they will draw inspiration from Fire Emblem games for the final product's character designs, art style, and color palettes.
6. production (gaming)
The document describes the process of creating an animated character selection screen and subsequent gameplay scenes for a birds-eye-view game. The creator used the pencil tool to design character faces and options, animate character movement, and create backgrounds of increasing scale and danger that scroll to simulate character movement. Inspiration was drawn from games like Pokemon and Zelda to design pixelated trees and pavement. Each scene was animated by adjusting layers on the timeline to move character parts or scroll backgrounds.
Contextual statement
- The game concept involves a woman who discovers her reflection is a sentient being trapped in a shadow world within the mirror. The two players work together across dimensions to progress through levels, fight enemies, and collect items to find an oracle that can free the reflection.
- There will be boss fights between levels to mark progression. Environmental interactions and dialogue between levels will add substance and help players connect with the characters.
- The final battle involves fighting the oracle over five levels. If defeated, it is freed and the reflection emerges from the mirror in a closing cutscene.
1. initial plans(3)
The document outlines initial plans for a project which include creating a mind map, mood board, and analyzing the mood board. The mood board analysis notes repetition in images collected around similar magazine layouts with names at the top, characters in the center, and texts about video games on the sides. All images are from video game magazines and use bold, colorful text. The mood board will influence the final product by providing inspiration for layout, use of a central character, colors, and fonts.
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Unit 3: Pre Production
This document outlines the pre-production process for an animation project. It includes style sheets, layout mockups, a list of required equipment and locations, contingency planning for potential issues, health and safety considerations, and a proposed 8-day schedule. The style is described as realistic with bold fonts that offer a fantasy feel. Mockups show work-in-progress on animating a Ned Stark character and goals for fluid animation. Potential issues addressed include not having enough time or access to facilities, with backup plans to work at home. Health risks like back strain and eye strain are considered.
5) pre-production
George Wetton is creating a horror-themed video game. For the first color scheme, dark colors like navy blue and gray will be used to match the night setting. The second color scheme incorporates nature colors like green and brown to represent grass, leaves, and wood in a creepy way. Four fonts are considered: Chiller, Copperplate Gothic Bold, HGMarugothicMPRO, and Forte. Two layout designs are shown. Props and locations needed include a torch, crystal, gold table, knife, and forests. Contingency plans address potential issues like not saving work, finding images, meeting deadlines, and forgetting to take screenshots. Health and safety concerns like eye strain, back ache
Presentation3
1) The game concept involves a woman who discovers her reflection is a sentient being trapped in a shadow world within the mirror. The two players work together across dimensions to progress through levels, fight enemies, and find an oracle that can free the reflection.
2) Collectibles and environmental interactions provide context about the characters, and conversations between levels add substance and connection.
3) After defeating bosses in each level and the oracle in a final battle, the two characters are reunited by pulling the reflection from the mirror in a concluding cutscene.
1. initial plans (interactive)(2)
The document discusses a mood board analysis for an initial game planning project. It notes that the images in the mood board show repetition in dark, atmospheric color schemes and genres focused on 2D platformers exploring and collecting. The pixelated graphics also have a 16-bit style. The mood board will influence the final product by providing inspiration for ideas, character sprites, and color schemes from the games analyzed.
3. production experiments (10)
The document describes several experiments the author conducted to practice and improve their pixel art skills. They traced existing character portraits and sprites to experiment with colors and shading. They created character profiles showing portraits, classes, levels, and HP. The author also drew a character riding a horse holding a sword. They used Photoshop and drew with pixels, experimenting with different colors. In a reflection, the author indicates they will draw inspiration from Fire Emblem games for the final product's character designs, art style, and color palettes.
6. production (gaming)
The document describes the process of creating an animated character selection screen and subsequent gameplay scenes for a birds-eye-view game. The creator used the pencil tool to design character faces and options, animate character movement, and create backgrounds of increasing scale and danger that scroll to simulate character movement. Inspiration was drawn from games like Pokemon and Zelda to design pixelated trees and pavement. Each scene was animated by adjusting layers on the timeline to move character parts or scroll backgrounds.
Contextual statement
- The game concept involves a woman who discovers her reflection is a sentient being trapped in a shadow world within the mirror. The two players work together across dimensions to progress through levels, fight enemies, and collect items to find an oracle that can free the reflection.
- There will be boss fights between levels to mark progression. Environmental interactions and dialogue between levels will add substance and help players connect with the characters.
- The final battle involves fighting the oracle over five levels. If defeated, it is freed and the reflection emerges from the mirror in a closing cutscene.
1. initial plans(3)
The document outlines initial plans for a project which include creating a mind map, mood board, and analyzing the mood board. The mood board analysis notes repetition in images collected around similar magazine layouts with names at the top, characters in the center, and texts about video games on the sides. All images are from video game magazines and use bold, colorful text. The mood board will influence the final product by providing inspiration for layout, use of a central character, colors, and fonts.
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Vicky will create a marketing campaign for a film featuring pop figures. She will make a series of posters promoting the film, including individual character posters and group posters. The posters will feature cartoon drawings of pop figures created in Procreate and assembled in Photoshop. The target audience is 15-24 year olds. Vicky has chosen color schemes and fonts for the posters and film logo. She will sketch the pop figures in Procreate using the rotoscoping technique. Vicky has outlined her production schedule, from photographing the pop figures over Easter to assembling the final posters in early May.
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The document outlines Leon Gabbatiss's initial plans for a personal project involving a turn-based tactical RPG video game animation. It includes a mind map with ideas for the genre, inspiration from existing games, and targeting the 11-16 or 12-19 year old age groups. A mood board is also mentioned to influence the final product by gathering inspiration from similar genre games. A proposal provides more details on a fantasy-themed tactical RPG set in medieval times with knights, wizards, villages, and bosses. Products would include a pixel animation, game case cover, character sprites, and music. Photoshop, Premiere Pro, and BeepBox would be used along with paper. The target audience is
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1. initial plans
Luke Young plans to create a 2D side-scrolling game where players control two characters fighting through a village to defeat enemies. The game characters, map, background, and monsters will be drawn in Photoshop. The target audience is 12-18 year olds. Luke's mood board influenced the project by helping him choose character and banner designs. Discarded ideas included banners and extra characters that Luke did not prefer, as well as unused drawings that would be replaced by preferred designs.
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The student created a fishing magazine for a production experiment by including a picture of a man holding a fish, a sea background image, masthead, subheading, and main image in Photoshop. They were inspired by the layout and color scheme of an existing magazine cover. For another experiment, they replicated a Half-Life magazine to learn about designing a video game magazine and improve their magazine cover design skills. They plan to apply elements like layout, color scheme, and design skills from the experiments to their final product.
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The document summarizes research on existing platformer games including Metroid, Touhou Luna Nights, and Sonic Mania. It analyzes common features such as similar genres, pixelated graphics, glimpses of gameplay/character actions, and darker color schemes. The document states the author will take inspiration from these games' ideas, character sprites, and color schemes while trying to be original. The target audience is identified as 13-17 year olds, appealing to both genders, with a focus on story/difficulty for "Belongers" on trendy consoles at an affordable price point.
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7. production reflection
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6. production reflection
Jack Lowes created the main playable character and level for their game. They designed the character as a knight and focused on getting the proportions correct. They also created a magical spear. For the level, they used greys, reds, and browns to texture a castle. They added brickwork and plan to improve the shading and textures. In later updates, they added enemies and improved level design with more shading. For animation, they created a walking cycle but realized they lacked special effects. Sound effects were also not a perfect fit when added to the animation in Premiere.
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The document describes the process of creating an animated fighting game. The key steps were:
1) Designing the characters by using Gorillaz characters as a template.
2) Creating a simple arena using the pencil and paint bucket tools due to time constraints.
3) Adding a character health bar at the top and character portraits made from circles.
4) Placing a timer in the top center like other similar games, made with circles and text.
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5. pre production
Vicky will create a marketing campaign for a film featuring pop figures. She will make a series of posters promoting the film, including individual character posters and group posters. The posters will feature cartoon drawings of pop figures created in Procreate and assembled in Photoshop. The target audience is 15-24 year olds. Vicky has chosen color schemes and fonts for the posters and film logo. She will sketch the pop figures in Procreate using the rotoscoping technique. Vicky has outlined her production schedule, from photographing the pop figures over Easter to assembling the final posters in early May.
1. initial plans (11)
The document outlines Leon Gabbatiss's initial plans for a personal project involving a turn-based tactical RPG video game animation. It includes a mind map with ideas for the genre, inspiration from existing games, and targeting the 11-16 or 12-19 year old age groups. A mood board is also mentioned to influence the final product by gathering inspiration from similar genre games. A proposal provides more details on a fantasy-themed tactical RPG set in medieval times with knights, wizards, villages, and bosses. Products would include a pixel animation, game case cover, character sprites, and music. Photoshop, Premiere Pro, and BeepBox would be used along with paper. The target audience is
7. evaluation(3)
The document reflects on the production process of creating a video game, noting strengths like research helping gather ideas, but also areas for improvement such as taking more time planning. It also compares the technical and aesthetic qualities of the game to Super Mario Bros 3, highlighting similarities like both being platformers but differences in color schemes and objectives. Finally, it discusses appealing to the target audience of 12-17 year olds and getting generally positive peer feedback praising the design while also suggesting improvements to character animations.
1. initial plans
Luke Young plans to create a 2D side-scrolling game where players control two characters fighting through a village to defeat enemies. The game characters, map, background, and monsters will be drawn in Photoshop. The target audience is 12-18 year olds. Luke's mood board influenced the project by helping him choose character and banner designs. Discarded ideas included banners and extra characters that Luke did not prefer, as well as unused drawings that would be replaced by preferred designs.
3. production experiments
The student created a fishing magazine for a production experiment by including a picture of a man holding a fish, a sea background image, masthead, subheading, and main image in Photoshop. They were inspired by the layout and color scheme of an existing magazine cover. For another experiment, they replicated a Half-Life magazine to learn about designing a video game magazine and improve their magazine cover design skills. They plan to apply elements like layout, color scheme, and design skills from the experiments to their final product.
2. research (interactive)(1)
The document summarizes research on existing platformer games including Metroid, Touhou Luna Nights, and Sonic Mania. It analyzes common features such as similar genres, pixelated graphics, glimpses of gameplay/character actions, and darker color schemes. The document states the author will take inspiration from these games' ideas, character sprites, and color schemes while trying to be original. The target audience is identified as 13-17 year olds, appealing to both genders, with a focus on story/difficulty for "Belongers" on trendy consoles at an affordable price point.
5. pre production
Vicky will create a marketing campaign for a film featuring pop figures. She will make a series of posters promoting the film, including individual character posters and group posters. The posters will feature cartoon drawings of pop figures created in Procreate and assembled in Photoshop. The target audience is 15-24 year olds. Vicky has chosen color schemes and fonts that suit each character and will sketch the characters in Procreate using rotoscoping. She has created a schedule to develop the film logo, posters, and complete the project by mid-May.
6. production reflection(3)
The document describes the process for creating a magazine cover and double page spread advertising the game Team Fortress 2. Key steps included using Photoshop, adding characters from the game to be the center of attention, experimenting with fonts and layouts, adding a fiery background to fit the Pyro character, and including general game information and design elements like page numbers to make it look authentic.
2. research (14)
The document analyzes existing products in the fantasy turn-based strategy genre. It finds that they commonly use medieval settings and have similar color palettes. They feature prominent characters and locations. Audience research found the target is mostly under 18 who prefer fantasy, turn-based gameplay, and in-depth stories. Interviews revealed a preference for interesting stories and freedom in gameplay. The research will help design a game that appeals to this audience.
7. production reflection
April created a video game project focused on Minecraft. She researched game mechanics and analyzed aspects of Minecraft like the game world, characters, and interface. For her project, she created some pixel art experiments and planned ideas like a Candy Crush-style Minecraft game and a Minecraft dungeon. She practiced pixel art and designed a dungeon where the player fights a zombie boss. She finished her pixel art game, which has a title screen, characters, and sound effects she created. While pixel art was difficult for her, she was glad to complete the project and hopes to improve her skills.
5. pre production(2)
The document provides details on the pre-production planning for a project involving poster, shirt, and jumper designs with an anime/medieval fantasy style and themes. It discusses the font, color schemes, layouts, and potential issues and solutions for each design element. The color schemes and character depictions are chosen to match the medieval fantasy theme. Contingency plans address potential issues like software or hardware crashes, delays from sourcing artists, and health and safety concerns like eye strain or spills.
6. production reflection
Jack Lowes created the main playable character and level for their game. They designed the character as a knight and focused on getting the proportions correct. They also created a magical spear. For the level, they used greys, reds, and browns to texture a castle. They added brickwork and plan to improve the shading and textures. In later updates, they added enemies and improved level design with more shading. For animation, they created a walking cycle but realized they lacked special effects. Sound effects were also not a perfect fit when added to the animation in Premiere.
6. production reflection
The document describes the process of creating an animated fighting game. The key steps were:
1) Designing the characters by using Gorillaz characters as a template.
2) Creating a simple arena using the pencil and paint bucket tools due to time constraints.
3) Adding a character health bar at the top and character portraits made from circles.
4) Placing a timer in the top center like other similar games, made with circles and text.
5) Animating the game using multiple layers on the timeline, moving elements slightly each frame.
7. evaluation(3)
The document summarizes the student's process for creating a magazine cover design project in Photoshop. It covers the research, planning, time management, technical and aesthetic qualities of the design, intended audience, and feedback from peers. The research involved analyzing layouts of similar gaming magazines. Planning helped experiment with design elements. Good time management allowed for completion while leaving time for improvements. The design was technically and aesthetically similar to other gaming magazines but with a unique style and color scheme focused on Team Fortress 2. Feedback praised the colors and topics but suggested improving text readability.
1. initial plans (1)
The document outlines initial plans for a character design project, including a mood board analysis and informal proposal. The mood board showed winter styles, a single playable character, and a dark, aggressive tone suited to male audiences ages 18-35. These ideas would influence the final product. The proposal describes a character concept as an ex-warrior who takes bounties in medieval times. Deliverables would include the warrior character in armor holding a sword and dagger. The target audiences are males 18-35 for graphic content and males 15-17 who may be allowed to play. Magazine articles and DVD cases were rejected as they were less appealing than a video game asset.
Portfolio
This document contains a portfolio summary by Liam Sims of models and games he created during his course at Barnsley College. It describes his first models created in NewTek Modeller including a chest made with a box and half cylinder. It also mentions an animation project on memory stick and a 3D maze game created in Unity for a college assignment where the player guides a character with a torch through the maze. The final piece is a Lord of the Rings style version of Pong that Liam coded for another college unit.
5.pre production
This document outlines the pre-production planning for a project called "Fools Gold". It discusses choosing a font style, developing a color palette, drafting layout ideas featuring a bard by a fire or a shadow reflection concept. It also lists needed props, costumes and locations as well as contingency planning for issues like lacking resources or locations. Potential health and safety risks around locations are addressed. A schedule is proposed to sketch designs, create them in Photoshop, redesign for merchandise, and tweak designs over 8 days.
2. initial plans
The document discusses initial plans for a game project. The author expresses a preference to create a fashion-based game rather than a video game, as they have little interest or experience with video games. They propose a game with a similar perspective to Doodle Jump where a 2D character collects items of clothing. Alternatively, they suggest a game where a pixel character or car collects clothing at different shops. A mood board is included with images of fashionable cartoon characters in bright, bold colors that could inspire the game's style.
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The document outlines the pre-production plans for creating a game, including using green and red colors for a scary alien character, using a simple font for readability, and dressing male characters in red to symbolize danger. It discusses the software that will be used such as Photoshop and Premier, and includes a contingency plan for issues like losing work or software problems. A schedule is provided that outlines drawing backgrounds and characters over 8 days, with the goal of adding sound and finalizing the game. Potential health and safety issues are also addressed.
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This document contains evaluations from a student named Ethan Andrews of various digital graphic narrative exercises they completed. For a shape task, Ethan liked being able to create an animated picture easily but wanted to try something more complex. For another shape task, Ethan appreciated the increased precision but wanted to try animating an insect or creature. Ethan enjoyed the increased detail possible with rotocoping and wanted to add shading or color differentials. Ethan also provided positive feedback and areas for improvement for additional exercises involving rotocoping, text, comic books, photography, and illustration.
1.development pro forma
Here are the storyboards for the simplified children's version of "The Boy Who Cried Wolf":
Page 1:
- Panel 1: A boy is sitting in a field watching over a flock of sheep. He looks bored.
- Panel 2: The boy gets an idea and shouts "Wolf! Wolf!" while pointing off into the distance.
Page 2:
- Panel 1: The villagers come running up the hill towards the boy.
- Panel 2: The villagers ask "Where's the wolf?" The boy is laughing.
Page 3:
- Panel 1: The next day, the boy shouts "Wolf!" again while laughing.
- Panel 2: The villagers come running again and ask
1.development pro forma
This document contains evaluations from a student named Ethan Andrews of various digital graphic narrative exercises they completed. For a shape task, Ethan liked being able to create an animated picture easily but wanted to try something more complex. For another shape task, Ethan appreciated the increased precision but wanted to try depicting an insect or unusual creature. Ethan enjoyed the precision and color range tools used for rotocoping and wanted to depict a more detailed person. Overall, Ethan aimed to improve their skills and try more complex images with each new exercise.
Production diary
The document provides a weekly summary of the progress made in developing a game over 4 weeks. In week 1, the developer created animations for the loading screen and title screen. They designed pixel art for the dog character and tutorial screen. In week 2, they animated the cat character's mouth movements and completed the first two scenes. They designed characters for scene 2. In week 3, they created backgrounds, added effects, and developed the fight scene. In week 4, they finished the fight scene, added gameplay elements, and created advertisements and packaging for the game. Overall the developer was able to make steady progress and overcome minor issues along the way.
3. Pre-Production (1).pptx
Hannah Wilkinson is planning a pre-production for her short film. She will film scenes at her house in Tadcaster and in her backyard garden. She will also film scenes at Towton along the battlefields walk. Hannah will be the sole crew member and will have two actors, Ellie Wilson and Leo Thompson. Hannah has created storyboards, shot lists, and schedules her two week production between the 6th and 25th of April. She has also addressed potential health and safety issues and obtained permissions for her locations and from her actors.
5. fmp pre production (done)
The document provides details on the pre-production for a short film about knife crime. It includes choosing simple fonts for titles, selecting dark imagery to set the mood, developing two poster layout designs with one chosen for inspiration, creating storyboards for four scenes introducing the main character and revealing the antagonist, listing props, locations and contingency planning, and an 8-day production schedule.
5. fmp pre production
The document provides details for a music video project, including:
1) Style guidelines focusing on earthy colors and scruffy fonts to reflect the folk pop genre and wilderness theme.
2) Layout designs for a magazine spread and CD cover incorporating images, colors, and elements like animal paws to symbolize themes.
3) Storyboards and locations including shots of the artist with animals and in nature to show a connection to the wild.
4) A schedule spanning 8 days to film footage, edit videos, and finalize the project.
3. Pre-Production - Megan.pptx
This document provides a pre-production assessment for an animation project. The creator will work independently from home and college, using available computers, software, and online tools. Over 5 weeks, they will design characters, environments, and animations for a trailer promoting a trading simulation game. Production will involve creating character designs, animating walk cycles, and compiling scenes in Premier Pro. The creator has considered health and safety issues like eye strain and will take regular breaks during screen work.
5. pre production
The document outlines Adele Rolf's pre-production process for a Christmas photography portfolio. It discusses choosing green, red, gold, and white colors along with Castellar and Gabriola fonts that represent Christmas. Test photos focused on particular objects found styles and angles to emulate. Mockups edited photos of people in a winter scene and a dog in a Christmas outfit. A schedule is provided to take practice, on-location, and staged photos over 8 days to develop and edit into a portfolio. Safety, equipment, and contingency plans are also addressed.
Similar to 5. pre production (20)
The Origins of Animation: How To Sculpt Your Claymation Character(s)
The Origins of Animation: How To Sculpt Your Claymation Character(s)
More from Louis Dowson
Theory research pro-forma updated
Here are the references in Harvard style:
1. Tolkien, J.R.R., 2001. Lord of the Rings: Fellowship of the Ring. USA: New Line Cinema.
2. Tolkien, J.R.R., 1954. Lord of the Rings: The Two Towers. USA: United Artists.
3. Tolkien, J.R.R., 1955. Lord of the Rings: The Return of The King. USA: United Artists. Available at: http://www.lordoftherings.net/ [Accessed Date].
4. Davis, E., 2010. Fellowship of the Ring. USA: Houghton Mifflin Harcourt.
Theory meaning pro-forma BETTER
This document discusses various concepts related to media analysis including theory, iconography, narrative structure, and stereotypes. It provides definitions and examples for key terms like denotation vs connotation, linear vs non-linear narratives, and common iconography in genres like westerns, sci-fi, and fantasy. It also examines stereotypes associated with gender, class, age and analyzes a film clip focusing on elements like costume, dialogue, lighting, and music.
Theory audience pro-forma (1)
This document provides audience profiles for three different movies/properties: Iron Man 3, The Lego Movie, and Love Actually.
For Iron Man 3, the primary audience is described as teenagers (16-24), mostly male, from middle to lower social classes who enjoy superhero content. The secondary audience is adults (25-40) who may have grown up with the comics.
The primary audience for The Lego Movie is described as children (6-12) of both genders from middle to lower classes who enjoy playing with Lego. The secondary audience is teenagers and adults (13-40) who likely grew up with Lego.
The audience profile provided for Love Actually describes the primary audience as girls (16
Theory meaning pro-forma
This clip is from Star Wars Episode V: The Empire Strikes Back. It depicts a battle between the Rebel forces and the Galactic Empire on the ice planet Hoth. The costumes clearly distinguish the heroes in green and brown from the villains in black. There is little dialogue as the focus is on the battle between ships, walkers and soldiers. The lighting is dark and grim as befits the cold icy setting. The camera work focuses on the key characters and vehicles involved in the fight. The iconic Imperial March plays, reinforcing the villainy of Darth Vader and the Empire.
Formal proposal
This document provides details for a proposed radio advertisement for Coca Cola. The ad would target English-speaking countries and feature radio as its platform and format. It describes a story where a man hears war sounds and is in pain, but is refreshed after drinking a Coke. The style is meant to be similar to Snickers ads where eating the product makes one feel better. The target audience is people aged 10-40 of various classes and genders who listen to radio and enjoy soft drinks. Legal considerations note the inclusion of war sounds could potentially be seen negatively.
3. formal proposal
This document proposes an advergame promoting Coca Cola targeted at teenagers aged 12-18 in North America and England. The game would be distributed online and on TV and draw inspiration from the art style of The Legend of Zelda games. It would tell a story about how drinking Coke instantly refreshes and rejuvenates the player character like the "you're not you when you're hungry" Snickers ads. The goal is to create a simple, visually appealing game that gets the Coke brand message across to its target teenage audience without any offensive or inappropriate content.
7. evaluation
The document provides an evaluation of the production process for an animation created by the author. It discusses the research, planning, time management, technical qualities, aesthetic qualities, audience appeal, and peer feedback received on the animation. For research, the author notes they had to estimate details for one character due to lack of reference material. For planning, mood boards and character mockups helped but more planning could have improved realism. Time constraints prevented adding more details. Peer feedback praised the sword clashes and character designs but noted the animation needed improvements to be smoother and longer. The author agrees more polish was needed to better convey the story.
6. production reflection (1)
The document describes the process of creating a pixel animation depicting a duel scene between the characters Ned Stark and Jaime Lannister from Game of Thrones. The artist started by creating simple pixel models of the two characters using the paint tool. They then animated the duel sequence using the timeline tool, carefully positioning and moving the characters' swords and arms with the pencil tool to make the fighting look realistic and high speed. The goal was to create a professional-looking animation while keeping the tools simple.
2. research
The product research provided useful examples of existing medieval and fantasy works to help inform the design of the animated sword fight. Questionnaires helped identify what elements audiences enjoy in the genre, such as intense fight scenes, so those aspects could be incorporated. However, interviews revealed some people are not interested in fantasy or action, so the product may not appeal to all. Overall, the research methods helped gain audience insights but had limitations in only reaching a small sample.
4. proposal
This proposal is for a pixel animation called "Game of Pixels" that depicts a duel between Ned Stark and Jaime Lannister from Game of Thrones. The purpose is to entertain fans of the TV show and advertise both the show and a potential pixel video game. The animation will show a medieval sword fight between the two characters in a style reflecting the dark and conflictual tone of battles in Game of Thrones. The target audience is primarily male teenagers ages 14-19 who enjoy fantasy, medieval themes, and the Game of Thrones series. The animation will include some blood but no overly graphic or offensive content.
3. production experiments go t
This document summarizes an animation project the author created in Photoshop. It used tools like the paint brush to create a Minecraft-style sword and add color. The author placed around 100 slides in the animation timeline. Lightning effects were inspired by Star Wars. Fire effects were made to look fluid using the paint brush/pencil tool. The author notes this looks like Minecraft, which won't work for their planned Game of Thrones piece, so changes will be made. For the final project, the author will use the sword style and animation skills learned. Photoshop, pencil tool, and timeline tool will also be used to create the art and assemble the animation.
1. communication methods pro forma(1)-2
This document provides a summary of advertising standards codes (ASA Codes) for the creation of marketing communications. It lists 13 codes with brief descriptions of each. Code 1 is about compliance with laws and decency. Code 2 ensures marketing communications are clearly labeled as advertisements. Code 3 prohibits misleading advertisements. Code 4 prohibits harmful or offensive content. Code 5 prohibits promoting dangerous behaviors to children. Code 6 requires permission to use people's images. Code 13 regulates health and nutrition claims about food and supplements.
Louis evaluation
This document discusses the production of a graphic design, radio, and video game advertisement assignments. For the graphic design assignment, the author created a poster advertising Coca-Cola Life that featured a can in a river with a green valley in the background. They found the simplicity and colors effective. For the radio assignment, the author created an advertisement featuring war sounds transitioning to a refreshed man after drinking Coke. They felt it would have worked better as a TV ad. For the video game assignment, the author animated Link from Zelda offering Ganon a Coke, which causes Ganon to transform into Princess Zelda, taking inspiration from Snickers ads.
1. initial plans
Louis Dowson has created a mood board and initial plans for an animated pixel art project based on Game of Thrones. The mood board focuses exclusively on Game of Thrones imagery to inspire a fight scene from season one. Most images use darker colors and similar fonts to the show. The mood board will influence the pixel character designs, animations, colors, and fonts used in the final project to achieve a professional look similar to an official Game of Thrones product. The initial proposal is for an advertisement animating the Ned Stark and Jaime fight as a trailer for a new Game of Thrones pixel game, targeting 15-20 year old fans of the show. Graphic novel and poster ideas were discounted in favor of the more
7. fmp evaluation
Louis Dowson evaluated their final major project (FMP) for a production process course. Their research included analyzing existing posters and magazines to inform their product design. Strengths included comprehensive research that helped determine an anime poster and gaming magazine would appeal to their target audience of 12-20 year olds. Weaknesses included insufficient research on magazines. Planning was strengthened by mind maps and mood boards focusing on posters, but lacked planning for the magazine. Time management challenges led to rushed work. The anime poster features Naruto looking sad with faded images of loved ones behind him on a grassy background. The gaming magazine cover features Skyrim's main character with information about interior articles. Both pieces effectively target their intended anime and gaming fan audiences
Unit 5 proposal
The document proposes a podcast that will compare the games Battlefield 1 and Call of Duty: Infinite Warfare. The podcast will be aimed at gamers ages 14 and older and will discuss these popular games as well as critique game developers who produce lazy games. It will focus on big computer games and also possibly Dark Souls 3. The podcast aims to educate listeners about issues like game developers cloning games and using money grab tactics. It does not believe the content will offend any groups but may upset fans of games it critiques. It will use names of games but plans to be different enough from other products to avoid copyright issues.
Unit 4 proposal
This proposal outlines a game called "Dark Pixels" that aims to entertain players while evoking emotions like dread and hope through an atmospheric 8-bit fantasy horror genre. The game follows a chosen undead who must break a curse of hollowing by fighting bosses. Players face many difficult enemies throughout a world ravaged by the curse. The target audience is 15-25 year olds of any gender or social status who enjoy games. Most research and planning will focus on the game environment. The game avoids offensive material and names are borrowed from Dark Souls, but no direct copyright infringement is intended since there is no existing Dark Souls pixel game.
4. proposal unit 3
This proposal outlines an animated pixel art video depicting a duel between Ned Stark and Jaime Lannister from Game of Thrones. The animation aims to entertain teenagers aged 14-19, especially male fans of medieval fantasy and violence in Game of Thrones. While the animation will feature some blood from the duel, it will not include gratuitous gore. Legal use of the Game of Thrones characters and setting is considered, with the goal of avoiding seriously offensive content while recognizing some may still take offense.
Unit 6
This proposal outlines a gaming magazine aimed at gamers ages 12-19. The magazine will provide news, reviews of classic and upcoming games, and tips/guides to help gamers progress in games. It will cover topics like DLC, Shadow of War, and why companies should remake classic games. The goal is to inform and entertain readers about gaming in an accessible and accurate manner. Legal considerations include using character/game names but avoiding offensive or controversial content that could upset readers or social groups. While some similarity to existing magazines is inevitable, the proposal aims to sufficiently differentiate this magazine to avoid copyright issues.
4. fmp proposal
This proposal is for a Naruto poster meant to appeal to anime fans aged 12-20. The poster will feature Naruto prominently in the center performing his signature move, surrounded by friends Sakura and Sasuke. Other characters will be placed around them or in the background set against a Naruto landscape. Research including surveys and interviews informed poster design preferences. The poster will not include offensive content and solely feature characters and imagery from the Naruto anime/manga to promote the series for fans in a collector's poster format. Legal and ethical considerations were made to avoid copyright infringement by differentiating the proposed design from existing Naruto posters.
More from Louis Dowson (20)
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Charging and Fueling Infrastructure Grant: Round 2 by Brandt Hertenstein
Brandt Hertenstein, Program Manager of the Electrification Coalition gave this presentation at the Forth and Electrification Coalition CFI Grant Program - Overview and Technical Assistance webinar on June 12, 2024.
一比一原版(WashU文凭证书)圣路易斯华盛顿大学毕业证如何办理
一模一样【微信：176555708】【(WashU文凭证书)圣路易斯华盛顿大学毕业证成绩单Offer】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
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三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
快速办理(napier毕业证书)英国龙比亚大学毕业证在读证明一模一样
学校原件一模一样【微信：741003700 】《(napier毕业证书)英国龙比亚大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Charging Fueling & Infrastructure (CFI) Program Resources by Cat Plein
Cat Plein, Development & Communications Director of Forth, gave this presentation at the Forth and Electrification Coalition CFI Grant Program - Overview and Technical Assistance webinar on June 12, 2024.
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学校原件一模一样【微信：741003700 】《(Exeter毕业证书)埃克塞特大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
AadiShakti Projects ( Asp Cranes ) Raipur
Welcome to ASP Cranes, your trusted partner for crane solutions in Raipur, Chhattisgarh! With years of experience and a commitment to excellence, we offer a comprehensive range of crane services tailored to meet your lifting and material handling needs.
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At ASP Cranes, customer satisfaction is our top priority. We are dedicated to delivering reliable, cost-effective, and innovative crane solutions that exceed expectations. Contact us today to learn more about our services and how we can support your project in Raipur, Chhattisgarh, and beyond. Let ASP Cranes be your trusted partner for all your crane needs!
EV Charging at Multifamily Properties by Kevin Donnelly
Kevin Donnelly gave this presentation at the Forth Addressing The Challenges of Charging at Multi-Family Housing webinar on June 11, 2024.
Charging Fueling & Infrastructure (CFI) Program by Kevin Miller
Kevin Miller, Senior Advisor, Business Models of the Joint Office of Energy and Transportation gave this presentation at the Forth and Electrification Coalition CFI Grant Program - Overview and Technical Assistance webinar on June 12, 2024.
EV Charging at MFH Properties by Whitaker Jamieson
Whitaker Jamieson, Senior Specialist at Forth, gave this presentation at the Forth Addressing The Challenges of Charging at Multi-Family Housing webinar on June 11, 2024.
一比一原版(UMich毕业证)密歇根大学|安娜堡分校毕业证如何办理
UMich毕业证成绩单【微信95270640】（密歇根大学|安娜堡分校毕业证成绩单本科学历）Q微信95270640(补办UMich学位文凭证书)密歇根大学|安娜堡分校留信网学历认证怎么办理密歇根大学|安娜堡分校毕业证成绩单精仿本科学位证书硕士文凭证书认证Seneca College diplomaoffer,Transcript办理硕士学位证书造假密歇根大学|安娜堡分校假文凭学位证书制作UMich本科毕业证书硕士学位证书精仿密歇根大学|安娜堡分校学历认证成绩单修改制作，办理真实认证、留信认证、使馆公证、购买成绩单，购买假文凭，购买假学位证，制造假国外大学文凭、毕业公证、毕业证明书、录取通知书、Offer、在读证明、雅思托福成绩单、假文凭、假毕业证、请假条、国际驾照、网上存档可查！
文凭办理流程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：微信95270640我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。
7完成交易删除客户资料
高精端提供以下服务：
一：密歇根大学|安娜堡分校密歇根大学|安娜堡分校毕业证假文凭全套材料从防伪到印刷水印底纹到钢印烫金
二：真实使馆认证（留学人员回国证明）使馆存档
三：真实教育部认证教育部存档教育部留服网站可查
四：留信认证留学生信息网站可查
五：与学校颁发的相关证件1:1纸质尺寸制定（定期向各大院校毕业生购买最新版本毕,业证成绩单保证您拿到的是鲁昂大学内部最新版本毕业证成绩单微信95270640）
A.为什么留学生需要操作留信认证?
留信认证全称全国留学生信息服务网认证,隶属于北京中科院。①留信认证门槛条件更低,费用更美丽,并且包过,完单周期短,效率高②留信认证虽然不能去国企,但是一般的公司都没有问题,因为国内很多公司连基本的留学生学历认证都不了解。这对于留学生来说,这就比自己光拿一个证书更有说服力,因为留学学历可以在留信网站上进行查询!
B.为什么我们提供的毕业证成绩单具有使用价值？
查询留服认证是国内鉴别留学生海外学历的唯一途径但认证只是个体行为不是所有留学生都操作所以没有办理认证的留学生的学历在国内也是查询不到的他们也仅仅只有一张文凭。所以这时候我们提供的和学校颁发的一模一样的毕业证成绩单就有了使用价值。他们熟识起来还成了无话不谈的好朋友可惜快乐的时光总是太短太匆忙有一次当他们在楼下捉迷藏时一根长竹竿居然穿越安全网从高空砸下不偏不倚重重地砸在小伙伴阿新稚嫩的肩上父亲再也不让山娃上工地玩了有一天因为过于思念小伙伴山娃还偷偷地跑到工地上去找去唤无奈小伙伴们全不知去向当山娃折好只纸鹤让父亲转交阿新时父亲哽咽了摆摆手说阿新早回老家疗伤去了当山娃追问缘何不留在城里疗伤时父亲沉默了好久才幽幽地说城里开支大没不
Dahua Security Camera System Guide esetia
Dahua provides a comprehensive guide on how to install their security camera systems. Learn about the different types of cameras and system components, as well as the installation process.
Catalytic Converter theft prevention - NYC.pptx
Understanding Catalytic Converter Theft:
What is a Catalytic Converter?: Learn about the function of catalytic converters in vehicles and why they are targeted by thieves.
Why are They Stolen?: Discover the valuable metals inside catalytic converters (such as platinum, palladium, and rhodium) that make them attractive to criminals.
Steps to Prevent Catalytic Converter Theft:
Parking Strategies: Tips on where and how to park your vehicle to reduce the risk of theft, such as parking in well-lit areas or secure garages.
Protective Devices: Overview of various anti-theft devices available, including catalytic converter locks, shields, and alarms.
Etching and Marking: The benefits of etching your vehicle’s VIN on the catalytic converter or using a catalytic converter marking kit to make it traceable and less appealing to thieves.
Surveillance and Monitoring: Recommendations for using security cameras and motion-sensor lights to deter thieves.
Statistics and Insights:
Theft Rates by Borough: Analysis of data to determine which borough in NYC experiences the highest rate of catalytic converter thefts.
Recent Trends: Current trends and patterns in catalytic converter thefts to help you stay aware of emerging hotspots and tactics used by thieves.
Benefits of This Presentation:
Awareness: Increase your awareness about catalytic converter theft and its impact on vehicle owners.
Practical Tips: Gain actionable insights and tips to effectively prevent catalytic converter theft.
Local Insights: Understand the specific risks in different NYC boroughs, helping you take targeted preventive measures.
This presentation aims to equip you with the knowledge and tools needed to protect your vehicle from catalytic converter theft, ensuring you are prepared and proactive in safeguarding your property.
Here's Why Every Semi-Truck Should Have ELDs
Implementing ELDs or Electronic Logging Devices is slowly but surely becoming the norm in fleet management. Why? Well, integrating ELDs and associated connected vehicle solutions like fleet tracking devices lets businesses and their in-house fleet managers reap several benefits. Check out the post below to learn more.
Expanding Access to Affordable At-Home EV Charging by Vanessa Warheit
Vanessa Warheit, Co-Founder of EV Charging for All, gave this presentation at the Forth Addressing The Challenges of Charging at Multi-Family Housing webinar on June 11, 2024.
一比一原版(Columbia文凭证书)哥伦比亚大学毕业证如何办理
一模一样【微信：176555708】【(Columbia文凭证书)哥伦比亚大学毕业证成绩单Offer】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
原版制作(澳洲WSU毕业证书)西悉尼大学毕业证文凭证书一模一样
学校原件一模一样【微信：741003700 】《(澳洲WSU毕业证书)西悉尼大学毕业证文凭证书》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
按照学校原版(UniSA文凭证书)南澳大学毕业证快速办理
咨询办理【(UniSA毕业证书)南澳大学毕业证】【176555708微信号】未毕业成绩单、外壳、offer、留信学历认证（永久存档真实可查）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路），我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
→ 【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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5. pre production
- 2. Style sheet Game of thrones doesn’t really have any specific colour scheme, it’s more realistic with it’s colours, the font is bold and serious, while offering a fantasy feel to it, it stand out and strikes as being unique and probably adult, I am focusing on two character in general, Ned Stark and Jaime Lannister, Ned Stark wears brown, and blue whereas Jaime wears gold and red. This picture again really shows the bleakness and lack of colour which in my mind symbolises a more serious and real show, it shows the reality and hardships of how life in a feudal medieval time would be and this is why it stands out in the happy and unrealistic shows we get today.
- 3. Layout 1 This is my my mock of Ned Stark pixelated, it isn’t perfect but I will improve it so it reaches a standard suitable to go into my final piece when I reach this point I will have t accurately animate it which will be the difficult part, I plan to be patient and use the most of my time making it look the best it possibly can so I don’t finish with a product that looks unfinished/poor
- 4. Layout 2 This is what I eventually want mine to sort of look like, it has solid animation and makes the character look real and fluid, this is key in an animation if you want it to look right, so I really need to get this bit right or it surely won’t look as intended, it requires a lot of skill to be able to do something like this however so I doubt I’ll be able to make it THIS good.
- 5. Props & Locations Equipment/Tools Locations needed Photoshop. York College: Sim Balk Ln, Bishopthorpe, York YO23 2BB Computer. HG4 1HB, Spring bank Road, Spring bank house, Ripon. Audition. Headset. Microphone. Powerpoint. Internet.
- 6. Contingency Planning Potential Issue Solution If I can’t animate or make the characters well enough. Instead of making my characters from looking at actual pictures of them I will have to copy already made pixel characters which will make it a lot easier. I run out of time. I will have to do work at home if I run out of time at college. If can’t get into college. I will do work at home, and I will email the work I complete to my tutor. Fire at college that burns it down. I will do work at home, and email the work I complete to my tutor Work gets deleted. I have back ups on my emails.
- 7. Health and Safety Potential Issue How will the issue be avoided? Position of the chair/ back strain. If my chair is in a awkward position or if I’m sat in an awkward position my back could hurt a lot which would be bad, I will sit upright. An electric shock. Don’t stick fingers in sockets, or mess with plugs. Trip hazard with wires. Keep wires safely tucked away under desk to assure no one trips over them and severely hurts themselves. Eye strain. Looking too long at a computer can cause serious eye strain, to avoid this take breaks often to let your eyes rest. Falling backwards on your chair. If you fall backwards on your chair you could really hurt yourself, to avoid this make sure you’re sit firmly on your chair. Fire hazards. If there is a fire you evacuate outside.
- 8. Schedule Day Plan of Action Resources Required Day 1 Finish Pre-Production. Powerpoint, Computer. Day 2 Start creating pixel characters. Photoshop, Computer . Day 3 Continue Pixel characters. Photoshop, Computer. Day 4 Finish off pixel characters. Photoshop, Computer.. Day 5 Start animating characters. Photoshop, Computer. Day 6 Continue animating characters. Photoshop, Computer. Day 7 Finish animating characters. Photoshop, Computer. Day 8 Finishing touches in audition to add music. Audition, Computer.
Editor's Notes
- Explore colours, fonts and image styles similar to what you want to produce. Discuss all three elements in relation to why you chose them and where you may use them in your project. Go over as many pages as you need to
- Mock up of a potential design using the colours and fonts established in your style sheet and sourced images
- Mock up of a potential design using the colours and fonts established in your style sheet and sourced images