5. Make Your Own Tv Crime Drama
•Download as PPT, PDF•
3 likes•12,265 views
This document provides guidance for planning an original TV crime drama, including developing main characters, plotting the first episode, targeting an audience, differentiating the concept from existing shows, and designing promotional materials like a press photo, website, magazine ad, TV trailer, and opening sequence. Key details are deciding on a criminal, victim, and crime solver; the title, channel, and timeslot; and drawing main characters to illustrate their personalities and relationships central to the crime drama.
Report
Share
Report
Share
Recommended
Crime dramas
Crime dramas are a popular genre that can be found in television, novels, films and theater. There are two main types of crime dramas on television - one-off dramas that focus on highly anxiety-inducing crimes like murder, and long-running dramas that build relationships between characters over various sub-plots. Key elements of crime dramas include resolving mysteries, debates around morality and guilt, and power struggles between different law enforcement divisions. Crime dramas also commonly feature teamwork, conflicts between policing styles, and struggles balancing work and personal lives.
Conventions of a television crime drama (UNFINISHED)
C.S.I. is a long-running American crime drama that focuses on the lives and work of police officers. Each episode tells a story of detectives investigating a crime, such as a murder. The episodes follow a typical narrative structure of an opening teaser introducing the crime, the detectives' quest to solve it while facing problems, and a resolution where the criminal is arrested. The series uses techniques like suspense, clues, and dramatic irony to engage viewers and encourage them to try and solve the crime along with the detectives. Settings, style elements like music and lighting, and character types are all used conventionally for the crime drama genre.
1. What Is a Cime Drama?
Television crime drama is a genre that follows certain conventions including having a plot that centers around solving a crime through characters like detectives, criminals, and victims. Typical episodes also include mysteries, suspense, red herrings and personal drama to engage audiences as the crime is solved. Settings are often in cities or police stations to move the story forward.
Conventions of crime films
Crime films typically involve plots around illegal activities like robbery, weapons, and substance abuse. They often show a failed attempt by police to catch the criminals. Common settings include banks, shops, and gang hideouts. These films use cinematography techniques like low-key lighting, angle changes, and different shot types to add mystery and tension. Background music and sounds are also usually present throughout the movie. Examples given are The Untouchables, Now You See Me, and Ocean's Eleven.
Conventions of TV dramas
The document summarizes common conventions and narrative structures found in different genres of TV drama, including crime drama, medical drama, costume drama, and soap opera drama. It outlines key elements like settings, character types, narratives, and themes that define each genre. Crime dramas focus on law enforcement and solving mysteries, following Todorov's equilibrium model. Medical dramas take place in hospitals and deal with medical crises and relationships between doctors, while costume dramas dramatize history through period-specific settings and characters. Soap operas have continuous, interlinking storylines and cliffhangers between episodes.
2. Who Are The Characters In Crime Drama?
Crime dramas typically feature three main character types - the detectives or police who solve the crimes (leads, pairs, or ensembles), the criminals who commit the crimes (transient characters), and the victims (also transient). These characters are often represented through stereotypes, with criminals and victims frequently portrayed based on traits like gender, race, and class. The narratives also generally rely on clear binary oppositions between good and evil, heroes and villains, with the detectives opposing the criminals. However, some shows make these distinctions less clear for more complex stories.
Barthes’ enigma theory
Barthes suggested that there are five codes used to describe the meanings and interpretations of texts: the hermeneutic/enigma code, proairetic/action code, semantic code, symbolic code, and referential code. The hermeneutic/enigma code refers to unexplained elements that create mystery for the audience. The proairetic/action code builds tension by indicating that future events will occur. The semantic and symbolic codes add extra layers of meaning through references and symbolism. The referential code connects elements of a text to external bodies of knowledge.
Codes and conventions of teen comedies
Teen comedies typically follow common plotlines involving coming of age, first love, rebellion against parents, teen angst, or feelings of alienation. Locations are usually limited to school, homes, and local areas that teenagers frequent, like school and bedrooms. Characters are often stereotyped into familiar high school archetypes like jocks, cheerleaders, nerds, rebels, and outsiders. Serious topics are usually presented in an exaggerated or trivial way to appeal to teenage audiences.
Recommended
Crime dramas
Crime dramas are a popular genre that can be found in television, novels, films and theater. There are two main types of crime dramas on television - one-off dramas that focus on highly anxiety-inducing crimes like murder, and long-running dramas that build relationships between characters over various sub-plots. Key elements of crime dramas include resolving mysteries, debates around morality and guilt, and power struggles between different law enforcement divisions. Crime dramas also commonly feature teamwork, conflicts between policing styles, and struggles balancing work and personal lives.
Conventions of a television crime drama (UNFINISHED)
C.S.I. is a long-running American crime drama that focuses on the lives and work of police officers. Each episode tells a story of detectives investigating a crime, such as a murder. The episodes follow a typical narrative structure of an opening teaser introducing the crime, the detectives' quest to solve it while facing problems, and a resolution where the criminal is arrested. The series uses techniques like suspense, clues, and dramatic irony to engage viewers and encourage them to try and solve the crime along with the detectives. Settings, style elements like music and lighting, and character types are all used conventionally for the crime drama genre.
1. What Is a Cime Drama?
Television crime drama is a genre that follows certain conventions including having a plot that centers around solving a crime through characters like detectives, criminals, and victims. Typical episodes also include mysteries, suspense, red herrings and personal drama to engage audiences as the crime is solved. Settings are often in cities or police stations to move the story forward.
Conventions of crime films
Crime films typically involve plots around illegal activities like robbery, weapons, and substance abuse. They often show a failed attempt by police to catch the criminals. Common settings include banks, shops, and gang hideouts. These films use cinematography techniques like low-key lighting, angle changes, and different shot types to add mystery and tension. Background music and sounds are also usually present throughout the movie. Examples given are The Untouchables, Now You See Me, and Ocean's Eleven.
Conventions of TV dramas
The document summarizes common conventions and narrative structures found in different genres of TV drama, including crime drama, medical drama, costume drama, and soap opera drama. It outlines key elements like settings, character types, narratives, and themes that define each genre. Crime dramas focus on law enforcement and solving mysteries, following Todorov's equilibrium model. Medical dramas take place in hospitals and deal with medical crises and relationships between doctors, while costume dramas dramatize history through period-specific settings and characters. Soap operas have continuous, interlinking storylines and cliffhangers between episodes.
2. Who Are The Characters In Crime Drama?
Crime dramas typically feature three main character types - the detectives or police who solve the crimes (leads, pairs, or ensembles), the criminals who commit the crimes (transient characters), and the victims (also transient). These characters are often represented through stereotypes, with criminals and victims frequently portrayed based on traits like gender, race, and class. The narratives also generally rely on clear binary oppositions between good and evil, heroes and villains, with the detectives opposing the criminals. However, some shows make these distinctions less clear for more complex stories.
Barthes’ enigma theory
Barthes suggested that there are five codes used to describe the meanings and interpretations of texts: the hermeneutic/enigma code, proairetic/action code, semantic code, symbolic code, and referential code. The hermeneutic/enigma code refers to unexplained elements that create mystery for the audience. The proairetic/action code builds tension by indicating that future events will occur. The semantic and symbolic codes add extra layers of meaning through references and symbolism. The referential code connects elements of a text to external bodies of knowledge.
Codes and conventions of teen comedies
Teen comedies typically follow common plotlines involving coming of age, first love, rebellion against parents, teen angst, or feelings of alienation. Locations are usually limited to school, homes, and local areas that teenagers frequent, like school and bedrooms. Characters are often stereotyped into familiar high school archetypes like jocks, cheerleaders, nerds, rebels, and outsiders. Serious topics are usually presented in an exaggerated or trivial way to appeal to teenage audiences.
Typical conventions of Romance
The document summarizes common elements found in romance genre films. It notes that these films typically follow a "boy meets girl" storyline aimed at a female audience. Key plot points include the introduction of the main characters and hints that they would make a good match, an argument that separates them, and ultimately a reunion and happy ending with symbols of love like wedding bells and flowers. Romance films also commonly include emotional feelings and backstories to engage the audience.
Crime and Gangster film genre
Crime and gangster films typically feature deviant main characters like murderers or criminals who operate outside the law. These characters often display materialism through a focus on expensive possessions and wear iconic suits. The narratives usually involve the rise and fall of the main character and can be disjointed, splitting the story into different parts. Location also plays a key role, with settings commonly in big cities or sleazy bars and nightclubs contrasting with low-income neighborhoods.
Sunrise: A Tale of Two Humans (1927) Micro elements analysis
The document discusses the 1927 film Sunrise by German director F.W. Murnau. It analyzes how the film blends elements of German expressionism and American realism through its production, style, and techniques. Specifically, it examines the famous marsh sequence which uses the studio set, lighting, framing, editing, and montage to express the characters' psychological states in a way that feels both stylistically expressive and grounded in realism. The document argues that Murnau's nuanced combination of these approaches creates a film that is difficult to strictly classify and allows audiences to grasp the story and characters on multiple levels.
Target audience for thriller films Ryan Quinn
This document discusses the target audience for thriller films. It notes that the target age range is typically 15-50 years old as thrillers can appeal to a wide age range. It also notes that while thrillers traditionally appeal more to males due to their action focus, including relationships can make them more appealing to women. Additionally, it states that films with more action and violence typically target working to middle-class males. The document concludes that to appeal to both genders and a variety of classes and races, the film will need to consider typical thriller conventions like action and suspense while including a diverse cast.
Horror Genre Iconography
This document discusses common elements of horror films including typical synopses involving revenge, hauntings, demons, and serial killers. It notes that horror films often take place in abandoned buildings at night and feature props like weapons and masks. Common characters include victims, villains like serial killers, "stupid" teenagers, and possessed children. The camera work aims to induce fear through techniques like high and low angles, point-of-view shots, handheld footage, and disturbing sounds.
Conventions of crime comedies
Crime comedy films employ conventions such as trivializing violence and death through humor, using witty dialogue during illegal or dangerous activities, and including properties related to crime. Violence is played for laughs through clever comments or the context of the scene. Character deaths are also made humorous by how or when they occur. Witty quips and comedic dialogue are used even during fights or dangerous situations. Knowledge gaps create ironic close calls and tension between characters.
Codes and Conventions - Psychological Thriller
The document discusses conventions and codes of the psychological thriller genre. It provides definitions of psychological thriller and outlines some common themes such as reality, perception, mind, existence/purpose, obsession, and identity. It then discusses several codes and conventions used in psychological thrillers, including costume and makeup, props, running water, vast landscapes, confined spaces, and shadows. Examples are given of how each convention is used to build tension, suspense, and unease.
Semantics and syntactics
This document outlines the generic conventions of a thriller film. It discusses the semantics and syntactics that audiences expect to see. For semantics, it describes common thriller characters (mysterious with dark pasts), locations (dark, murky cities), props (guns, blood), music (mysterious, dark soundtrack), and shooting style (mix of fast and slow camerawork). For syntactics, it provides an example of how these semantics come together in a film like "Max Payne," where the protagonist seeks revenge for his family's murder in a dark city using guns.
Analysing the opening of this is england
This film opening uses a series of quick cuts between scenes from 1980s England to establish the time period and culture without providing any narrative context. It shows skinheads, rock stars performing, housing projects, and riots to immerse viewers in the aesthetics of 1980s life in England. While it does not reveal the plot or main characters, the opening utilizes enigma codes like a talking puppet to engage audiences and make them want to understand the context of the scenes. The title sequence lasts around 5 seconds and fades in/out to resolve without explanation and leave viewers with questions about what the film will be about.
Comedy Genre Conventions
This document outlines several conventions of comedy genre films. Comedies are typically set in suburban areas like schools and bars that are happy and sunny. They use natural lighting and a range of shots. Common visual styles include modern colors and props like beer and drugs. The narrative follows multiple protagonists dealing with disruption, attempting repair, and achieving a new equilibrium. Character types include idiot protagonists, villains, and people who seem good but betray the group. Themes include good vs bad, idiocy, drinking, and friendship.
Codes and conventions of a teen drama film
Common themes in teen drama films include rebellion, sexuality, sex, drugs, and mental health as they reflect issues that teenagers often grapple with. Popular music genres used include dance/pop, rap/trap/grime, indie/acoustic, and rock to portray different moods and scenes. Character archetypes seen frequently are the love interest, best friend, antagonist, and wise adult mentor figure. Examples discussed include films like The Breakfast Club, Get Real, American Pie, and The Perks of Being a Wallflower.
TV Drama Codes and Conventions
The document discusses TV drama codes and conventions by comparing the openings of several TV dramas. It analyzes the openings of Neighbours, Hollyoaks, Press, and Killing Eve. Some key elements discussed include title sequences, recaps of previous episodes, themes, characters, and tone set by dramatic scenes, music, and imagery. The document also discusses genre conventions like technical codes, characters, narratives, and challenging genres. It provides examples of how some shows reference or draw from other media through intertextuality.
Crime genre characteristics
This document discusses the conventions used in crime genre films to portray criminals and crimes. It notes that crime films are typically set in urban locations like the "bad part of town" and feature props like guns, money, and cigarettes to indicate the crime scene. The lighting is usually dark to highlight the dark themes, and the sound incorporates dramatic music to build suspense as well as realistic sound effects during violent scenes. The camera work includes shot reverse shot and establishing shots, while the editing uses fast cuts during fights and chases to expand time and build suspense. Criminals in these films are often based on stereotypes like tall men dressed in dark colors who smoke and carry guns and money.
Research into drama film genre!
This document provides an overview of the drama film genre. It discusses that drama films are meant to elicit emotion from audiences through realistic characters dealing with personal conflicts. It outlines several conventions of drama films including portraying a character's journey. The document also examines several subgenres of drama like crime drama, historical drama, and romantic drama. Finally, it surveys the history of drama films from the early 1900s to modern day, noting influential films and directors that have shaped the genre.
Todorov’s narrative theory
The document outlines Todorov's narrative theory, which states that most stories follow the same five-step pattern or plot structure. The five steps are: 1) Equilibrium, where characters are content, 2) A Disruption, which disturbs the happiness, 3) Realization, where the problem is recognized, 4) Restored Order, where characters try to repair the damage, and 5) Equilibrium Again, where the problem is resolved and normality resumes. The document provides examples from The Simpsons Movie to illustrate each step of the narrative theory.
Codes and conventions of drama
This document outlines some typical codes and conventions of teen drama films, including:
- Dull lighting and close-ups are commonly used in mise-en-scene.
- Props like alcohol, drugs, guns and knives are frequently featured.
- Main characters usually focus on a central troubled teen, their love interest, and an antagonist.
- Gritty settings like council estates, flats, and schools are portrayed.
- Costumes show worn, torn clothing.
- Examples of influential teen dramas are listed, along with typical actors in the genre.
- Trailers often narrate a disrupted equilibrium that the main character must resolve.
Black panther AL media Studies C1SB
The document provides context about the Black Panther film and franchise. It discusses that Black Panther was the 17th film in the Marvel Cinematic Universe, the highest-grossing film franchise. It then covers the comic book origins of the Black Panther character and notes that plans for a Black Panther movie date back 20 years. Finally, it summarizes the plot of the Black Panther film, which shows the fictional African kingdom of Wakanda and its king T'Challa having to fight opponents who oppose him becoming king after his father's death.
Narrative theory in halloween (1978)
The document analyzes the 1978 horror film Halloween using several narrative theories. It finds that the film's plot does not fully align with the expected structures outlined by Todorov, Propp, Levi-Strauss, Bordwell and Thompson, or Classic Hollywood Narrative. Specifically, it notes that the opening violates Todorov's model, key character roles from Propp are missing, and the "goal" is never truly achieved as outlined by CHN. However, it does identify some binary oppositions consistent with Levi-Strauss and character roles aligned with Propp within the film's narrative.
Codes and conventions of period drama
Period dramas are films set in past time periods that rely on accurate costumes, sets, and locations to portray the era authentically. They often adapt classic novels or are based on historical figures and events. The plots typically center around love, family, and relationships between protagonists and antagonists, and commonly critique the social norms of the time depicted.
Introduction to Film Genre
This document discusses film genres and how they are classified. It notes that films are classified by their makers, marketers, reviewers and rating boards, and that these classifications shape how audiences encounter and understand films. Genres group films to create expectations and familiarity for audiences. The document discusses how genres are fluid systems of learned conventions and expectations, not fixed sets of elements, and how filmmakers and audiences both actively engage in meaning making within genres.
4. How Are Crime Dramas Made?
Crime dramas are made and marketed by television institutions like the BBC and commercial broadcasters. They schedule many crime dramas in prime-time slots between 7-11pm to target large family and adult audiences. Public service broadcasters like the BBC aim to entertain audiences of all types, while commercial channels focus on mainstream groups to attract advertisers. Crime dramas are heavily marketed using trailers, websites, magazine articles, and publicity photos to capitalize on the "CSI effect" and popularity of shows like CSI that increased demand for forensic crime genres.
3. Who Watches Crime Dramas and Why?
TV crime dramas target specific audiences through demographic and psychographic profiles to satisfy uses and gratifications. Sub-genres like police procedurals and forensics shows use repetition of crime drama elements while adding variations to keep audiences engaged for diversion, information, identity exploration, and companionship. Hybrid genres blend crime drama with other genres like science fiction to satisfy additional uses through a mix of typical crime and atypical elements.
More Related Content
What's hot
Typical conventions of Romance
The document summarizes common elements found in romance genre films. It notes that these films typically follow a "boy meets girl" storyline aimed at a female audience. Key plot points include the introduction of the main characters and hints that they would make a good match, an argument that separates them, and ultimately a reunion and happy ending with symbols of love like wedding bells and flowers. Romance films also commonly include emotional feelings and backstories to engage the audience.
Crime and Gangster film genre
Crime and gangster films typically feature deviant main characters like murderers or criminals who operate outside the law. These characters often display materialism through a focus on expensive possessions and wear iconic suits. The narratives usually involve the rise and fall of the main character and can be disjointed, splitting the story into different parts. Location also plays a key role, with settings commonly in big cities or sleazy bars and nightclubs contrasting with low-income neighborhoods.
Sunrise: A Tale of Two Humans (1927) Micro elements analysis
The document discusses the 1927 film Sunrise by German director F.W. Murnau. It analyzes how the film blends elements of German expressionism and American realism through its production, style, and techniques. Specifically, it examines the famous marsh sequence which uses the studio set, lighting, framing, editing, and montage to express the characters' psychological states in a way that feels both stylistically expressive and grounded in realism. The document argues that Murnau's nuanced combination of these approaches creates a film that is difficult to strictly classify and allows audiences to grasp the story and characters on multiple levels.
Target audience for thriller films Ryan Quinn
This document discusses the target audience for thriller films. It notes that the target age range is typically 15-50 years old as thrillers can appeal to a wide age range. It also notes that while thrillers traditionally appeal more to males due to their action focus, including relationships can make them more appealing to women. Additionally, it states that films with more action and violence typically target working to middle-class males. The document concludes that to appeal to both genders and a variety of classes and races, the film will need to consider typical thriller conventions like action and suspense while including a diverse cast.
Horror Genre Iconography
This document discusses common elements of horror films including typical synopses involving revenge, hauntings, demons, and serial killers. It notes that horror films often take place in abandoned buildings at night and feature props like weapons and masks. Common characters include victims, villains like serial killers, "stupid" teenagers, and possessed children. The camera work aims to induce fear through techniques like high and low angles, point-of-view shots, handheld footage, and disturbing sounds.
Conventions of crime comedies
Crime comedy films employ conventions such as trivializing violence and death through humor, using witty dialogue during illegal or dangerous activities, and including properties related to crime. Violence is played for laughs through clever comments or the context of the scene. Character deaths are also made humorous by how or when they occur. Witty quips and comedic dialogue are used even during fights or dangerous situations. Knowledge gaps create ironic close calls and tension between characters.
Codes and Conventions - Psychological Thriller
The document discusses conventions and codes of the psychological thriller genre. It provides definitions of psychological thriller and outlines some common themes such as reality, perception, mind, existence/purpose, obsession, and identity. It then discusses several codes and conventions used in psychological thrillers, including costume and makeup, props, running water, vast landscapes, confined spaces, and shadows. Examples are given of how each convention is used to build tension, suspense, and unease.
Semantics and syntactics
This document outlines the generic conventions of a thriller film. It discusses the semantics and syntactics that audiences expect to see. For semantics, it describes common thriller characters (mysterious with dark pasts), locations (dark, murky cities), props (guns, blood), music (mysterious, dark soundtrack), and shooting style (mix of fast and slow camerawork). For syntactics, it provides an example of how these semantics come together in a film like "Max Payne," where the protagonist seeks revenge for his family's murder in a dark city using guns.
Analysing the opening of this is england
This film opening uses a series of quick cuts between scenes from 1980s England to establish the time period and culture without providing any narrative context. It shows skinheads, rock stars performing, housing projects, and riots to immerse viewers in the aesthetics of 1980s life in England. While it does not reveal the plot or main characters, the opening utilizes enigma codes like a talking puppet to engage audiences and make them want to understand the context of the scenes. The title sequence lasts around 5 seconds and fades in/out to resolve without explanation and leave viewers with questions about what the film will be about.
Comedy Genre Conventions
This document outlines several conventions of comedy genre films. Comedies are typically set in suburban areas like schools and bars that are happy and sunny. They use natural lighting and a range of shots. Common visual styles include modern colors and props like beer and drugs. The narrative follows multiple protagonists dealing with disruption, attempting repair, and achieving a new equilibrium. Character types include idiot protagonists, villains, and people who seem good but betray the group. Themes include good vs bad, idiocy, drinking, and friendship.
Codes and conventions of a teen drama film
Common themes in teen drama films include rebellion, sexuality, sex, drugs, and mental health as they reflect issues that teenagers often grapple with. Popular music genres used include dance/pop, rap/trap/grime, indie/acoustic, and rock to portray different moods and scenes. Character archetypes seen frequently are the love interest, best friend, antagonist, and wise adult mentor figure. Examples discussed include films like The Breakfast Club, Get Real, American Pie, and The Perks of Being a Wallflower.
TV Drama Codes and Conventions
The document discusses TV drama codes and conventions by comparing the openings of several TV dramas. It analyzes the openings of Neighbours, Hollyoaks, Press, and Killing Eve. Some key elements discussed include title sequences, recaps of previous episodes, themes, characters, and tone set by dramatic scenes, music, and imagery. The document also discusses genre conventions like technical codes, characters, narratives, and challenging genres. It provides examples of how some shows reference or draw from other media through intertextuality.
Crime genre characteristics
This document discusses the conventions used in crime genre films to portray criminals and crimes. It notes that crime films are typically set in urban locations like the "bad part of town" and feature props like guns, money, and cigarettes to indicate the crime scene. The lighting is usually dark to highlight the dark themes, and the sound incorporates dramatic music to build suspense as well as realistic sound effects during violent scenes. The camera work includes shot reverse shot and establishing shots, while the editing uses fast cuts during fights and chases to expand time and build suspense. Criminals in these films are often based on stereotypes like tall men dressed in dark colors who smoke and carry guns and money.
Research into drama film genre!
This document provides an overview of the drama film genre. It discusses that drama films are meant to elicit emotion from audiences through realistic characters dealing with personal conflicts. It outlines several conventions of drama films including portraying a character's journey. The document also examines several subgenres of drama like crime drama, historical drama, and romantic drama. Finally, it surveys the history of drama films from the early 1900s to modern day, noting influential films and directors that have shaped the genre.
Todorov’s narrative theory
The document outlines Todorov's narrative theory, which states that most stories follow the same five-step pattern or plot structure. The five steps are: 1) Equilibrium, where characters are content, 2) A Disruption, which disturbs the happiness, 3) Realization, where the problem is recognized, 4) Restored Order, where characters try to repair the damage, and 5) Equilibrium Again, where the problem is resolved and normality resumes. The document provides examples from The Simpsons Movie to illustrate each step of the narrative theory.
Codes and conventions of drama
This document outlines some typical codes and conventions of teen drama films, including:
- Dull lighting and close-ups are commonly used in mise-en-scene.
- Props like alcohol, drugs, guns and knives are frequently featured.
- Main characters usually focus on a central troubled teen, their love interest, and an antagonist.
- Gritty settings like council estates, flats, and schools are portrayed.
- Costumes show worn, torn clothing.
- Examples of influential teen dramas are listed, along with typical actors in the genre.
- Trailers often narrate a disrupted equilibrium that the main character must resolve.
Black panther AL media Studies C1SB
The document provides context about the Black Panther film and franchise. It discusses that Black Panther was the 17th film in the Marvel Cinematic Universe, the highest-grossing film franchise. It then covers the comic book origins of the Black Panther character and notes that plans for a Black Panther movie date back 20 years. Finally, it summarizes the plot of the Black Panther film, which shows the fictional African kingdom of Wakanda and its king T'Challa having to fight opponents who oppose him becoming king after his father's death.
Narrative theory in halloween (1978)
The document analyzes the 1978 horror film Halloween using several narrative theories. It finds that the film's plot does not fully align with the expected structures outlined by Todorov, Propp, Levi-Strauss, Bordwell and Thompson, or Classic Hollywood Narrative. Specifically, it notes that the opening violates Todorov's model, key character roles from Propp are missing, and the "goal" is never truly achieved as outlined by CHN. However, it does identify some binary oppositions consistent with Levi-Strauss and character roles aligned with Propp within the film's narrative.
Codes and conventions of period drama
Period dramas are films set in past time periods that rely on accurate costumes, sets, and locations to portray the era authentically. They often adapt classic novels or are based on historical figures and events. The plots typically center around love, family, and relationships between protagonists and antagonists, and commonly critique the social norms of the time depicted.
Introduction to Film Genre
This document discusses film genres and how they are classified. It notes that films are classified by their makers, marketers, reviewers and rating boards, and that these classifications shape how audiences encounter and understand films. Genres group films to create expectations and familiarity for audiences. The document discusses how genres are fluid systems of learned conventions and expectations, not fixed sets of elements, and how filmmakers and audiences both actively engage in meaning making within genres.
What's hot (20)
Sunrise: A Tale of Two Humans (1927) Micro elements analysis
Sunrise: A Tale of Two Humans (1927) Micro elements analysis
Viewers also liked
4. How Are Crime Dramas Made?
Crime dramas are made and marketed by television institutions like the BBC and commercial broadcasters. They schedule many crime dramas in prime-time slots between 7-11pm to target large family and adult audiences. Public service broadcasters like the BBC aim to entertain audiences of all types, while commercial channels focus on mainstream groups to attract advertisers. Crime dramas are heavily marketed using trailers, websites, magazine articles, and publicity photos to capitalize on the "CSI effect" and popularity of shows like CSI that increased demand for forensic crime genres.
3. Who Watches Crime Dramas and Why?
TV crime dramas target specific audiences through demographic and psychographic profiles to satisfy uses and gratifications. Sub-genres like police procedurals and forensics shows use repetition of crime drama elements while adding variations to keep audiences engaged for diversion, information, identity exploration, and companionship. Hybrid genres blend crime drama with other genres like science fiction to satisfy additional uses through a mix of typical crime and atypical elements.
Task 6 evaluation
This document summarizes Desiree Simmons' evaluation of a group film project. It discusses the techniques used in the film such as split screen and point-of-view camera. Preproduction elements like storyboards and location photos helped plan the horror genre film. Strengths included good collaboration and transitions, while weaknesses were uncut background sound and props not matching between scenes. Feedback praised the tension, transitions, and jumps in perspective but noted to cut background sound. Targets for future improvements included removing excess sound during editing, avoiding drawn-out scenes, and holding the camera steadier.
Making a Murderer | Documenting a Flawed Justice System
Netflix’s documentary Making a Murderer is the latest true crime spectacle. Following HBO’s miniseries The Jinx and the investigative podcast Serial Season 1, Netflix’s 10-episode docuseries was bound to catch the attention those who want an inside look at crime investigations.
Tv crime drama charcters ad
This document discusses typical character types found in crime drama television shows. It outlines the main characters like the hero, heroine, anti-hero cop, officers of the law, victims, suspects, and criminals. It also discusses Vladimir Propp's character archetypes of the hero, villain, dispatcher, donor, and princess. The document provides examples of how these types apply to specific shows and asks students to consider statements about representation of gender in the genre. It assigns homework for students to research characters in a crime drama TV show of their choice.
GCSE Media Crime Drama - Case Study - New Tricks
A Case Study about BBC’s Crime Drama NewTricks (GCSE Standard). Settings, Narrative, Camera Shots, Character representations& final analysis. Useable for revision and study.
Lesson1
This document provides an overview of the television crime drama genre. It defines television crime drama as a genre that follows certain conventions, such as being set on television and focusing on crimes and their investigation. It discusses examples that would and would not qualify as television crime dramas. The document also explores subgenres within television crime drama like police procedurals and forensic shows. It outlines typical elements of television crime dramas like characters, plots, settings and how they use techniques like mysteries, suspense and red herrings to engage audiences. Finally, it discusses concepts like mise-en-scene and how visual elements are used to convey meaning and set mood in crime drama.
Evaluation web tools
The document discusses various web tools used in an evaluation, including Giphy to create gifs, Prezi for presentations, Padlet to create information blocks, Survey Monkey for gathering audience feedback in graphs and diagrams, and Goconqr to make mind maps and flow charts. Giphy and Prezi were easy to use but Giphy sometimes had technical issues. Padlet could not embed gifs or videos. Survey Monkey surveys could not be filled on phones. Goconqr maps could not be highly customized.
Nuevas formas de interacción de los usuarios en Medellín con la televisión in...
Este documento describe la historia y estado actual de la televisión interactiva en Medellín, Colombia. Los autores investigan las nuevas formas de interacción de los usuarios con la televisión interactiva, identifican al usuario objetivo (familias de clase media), y proponen diseñar nuevas interfaces que hagan de la televisión interactiva un medio más enriquecedor, entretenido y educativo. El objetivo final es proponer nuevas formas novedosas de interacción que aprovechen mejor las posibilidades de este medio.
Informes de RSC & Sostenibilidad
Gestionamos los informes anuales de 90 empresas de todo el
mundo, gracias a nuestros expertos lingüistas, con gran experiencia
y alta formación, y a tecnologías lingüísticas para elaborar
informes anuales que logran transmitir el mensaje de nuestros
clientes. Mediante una gestión del proyecto personalizada, cumplimos
hasta los plazos más ajustados.
Self Energy Miguel Matias 21 Jan 2011
O enfoque deste Workshop está na demonstração das oportunidades de intervenção que resultam da actual conjuntura no âmbito da CERTIFICAÇÃO ENERGÉTICA E DA QUALIDADE DO AR EM EDIFÍCIOS, dando relevo à Descentralização da Produção de Recursos Renováveis à Escala do Edificado e debatendo a integração dos novos conceitos “utilizador-produtor”, “redes inteligentes e bi-direccionais” e “armazenamento descentralizado de recursos” à escala urbana.
O Workshop é dirigido a todos os decisores que influenciam a qualidade de construção do meio edificado.
A inscrição para o Workshop é gratuita sendo pre-inscrição individual e obrigatoria.
M2M: Gear Up For Internet of Everything (IOE)
Dr. Mazlan Abbas gave a presentation on the Internet of Things. He discussed how more and more everyday objects will be connected to the internet and be able to send and receive data. He provided his contact information for those interested in learning more about how the growing network of connected devices will impact various industries. The presentation aimed to prepare attendees for the coming changes with the rise of the Internet of Everything.
Clase 10 LDBS
Este documento trata sobre las fuentes de campos magnéticos. Explica la ley de Biot-Savart, que establece que los campos magnéticos son producidos por cargas eléctricas en movimiento o corrientes eléctricas. También describe cómo se calcula el campo magnético creado por diferentes configuraciones como alambres rectos, espiras circulares y solenoides. Finalmente, presenta algunos problemas de aplicación de estas leyes y fórmulas.
The QR Question: QR Codes in Academic Libraries
The document discusses the use of QR codes in academic libraries. It provides an overview of what QR codes are and how they can function as hyperlinks to webpages and other information. The document then discusses different ways libraries have implemented QR codes, such as linking to library resources and mobile sites. It also covers some potential issues with QR code usage, such as accessibility, the digital divide, and whether the intended audience would use them. Overall, the document serves to explore how libraries are using QR codes and provide some best practices to consider when implementing them.
BEC Inteligencia - Trade Web Report
Marcia Silva trabalha no atendimento comercial da Becinteligencia. Ela pode ser contatada por e-mail ou telefone para fornecer atendimento aos clientes. Sua área de atuação é o atendimento comercial.
Interactivo
Este documento presenta una guía de recursos y entidades para la orientación académica, profesional e información juvenil en Málaga. La guía incluye seis secciones principales con múltiples recursos en cada una: A) recursos para la orientación académica, B) recursos para la orientación profesional e inserción laboral, C) recursos transversales y de acción tutorial, D) recursos para estudiantes universitarios, E) recursos de aprendizaje permanente y F) recursos de información juvenil y para adultos. La guía
Drupal en-do-majeur-conférence-jdll-lyon-2011-slideshare
Conférence Drupal aux Journées du Logiciel Libre - Lyon 2011
Clase3No.2 Arquitectura de la Información
El documento habla sobre la arquitectura de la información y cómo organizar sitios web. Explica que la arquitectura de la información usa herramientas de varias disciplinas para organizar y etiquetar datos para transformarlos en información útil para los usuarios. También resume definiciones de expertos en el tema como Peter Morville, Louis Rosenfeld y Nathan Shedroff.
Viewers also liked (19)
Making a Murderer | Documenting a Flawed Justice System
Making a Murderer | Documenting a Flawed Justice System
Nuevas formas de interacción de los usuarios en Medellín con la televisión in...
Nuevas formas de interacción de los usuarios en Medellín con la televisión in...
Drupal en-do-majeur-conférence-jdll-lyon-2011-slideshare
Drupal en-do-majeur-conférence-jdll-lyon-2011-slideshare
Similar to 5. Make Your Own Tv Crime Drama
Production Evaluation
AS Media Studies Product Evaluation for a chosen genre opening sequence, with a maximum runtime of 2mins.
Trailers – lesson 3
The document provides a lesson plan on analyzing film trailers. It begins by defining different types of trailers like teaser and full trailers. It discusses conventions used in trailers like logos, music, voiceovers, intertitles and representation. Students are instructed to analyze a Sex and the City teaser trailer as an example, identifying the techniques used to appeal to the target audience such as shots of New York City and representations of the main characters. Students are then assigned a task to analyze a trailer of their choice and discuss how it appeals to its target audience.
As resit evaluation
The document provides an analysis of a horror film opening sequence created by the authors. It begins with an overview of the typical horror plot used in the sequence involving a psychopathic killer. It then discusses how the sequence uses and develops conventions like filming in an attic to convey danger. The killer has multiple personalities based on the seven deadly sins to add complexity. While conventions are not challenged, sticking to generic norms is intended to appeal to broad audiences.
As resit evaluation
The document provides an analysis of a horror film opening sequence created by the authors. It begins with an overview of the typical horror plot used in the sequence involving a psychopathic killer. It then discusses how the sequence uses and develops conventions like filming in an attic to convey danger. The killer has multiple personalities based on the seven deadly sins which provides depth. While conventions are not challenged, sticking to generic norms is intended to appeal to broad audiences.
As resit evaluation
The document provides an analysis of a horror film opening sequence created by the authors. It begins with an overview of the typical horror plot used in the sequence involving a psychopathic killer. It then discusses how the sequence uses and develops conventions like filming in an attic to convey danger. The killer has multiple personalities based on the seven deadly sins which provides depth. While conventions are not challenged, sticking to generic norms is intended to appeal to broad audiences.
2012 genre
This document discusses genre in media. It defines genre as a type or category of media that shares similar characteristics. Genres are identified by their codes and conventions, such as characters, settings, narratives, and ideologies. Audiences enjoy genres because of their familiarity and ability to predict elements, while producers benefit from the commercial success of proven genres. However, genres avoid becoming boring by combining familiar and unexpected elements in each new text. The document also discusses genre hybrids that combine conventions of multiple genres.
Opening to film and TV RESEARCH.pptx
The document provides an analysis of openings to various films and TV shows. It summarizes the opening scenes of Star Wars: A New Hope, Top Boy (Netflix series), and You (Netflix series). For each, it describes key elements that are established such as setting, characters, and genre. It also analyzes techniques used like sound design, juxtaposition, and narration. The document then discusses the target audience for an opening scene it is analyzing, noting it would appeal to inquisitive and sensitive London teenagers who can relate to the character's struggles.
R6SOS Pitch Presentation
This document provides details about adapting the Tom Clancy's Rainbow Six Siege video game into a television show. It discusses the gameplay and premise of the video game, which involves special agents from around the world competing in 5v5 matches to complete objectives. The adaptation would follow a season format, with each episode introducing characters and their backstories before culminating in a mission against terrorists. It targets two main audiences - fans of the video game aged 15-25 interested in action, and older fans aged 30-40 more interested in character development. Producing the show faces budget constraints but opportunities to appeal to niche fans and portray counterterrorism groups in a positive light.
Research in Genre- Thriller
The document discusses the genre of thrillers. It defines thrillers as films with exciting plots and suspense. There are many subgenres of thrillers, including crime thrillers and supernatural thrillers. Thrillers typically involve a protagonist hero opposing an antagonist villain aiming to harm them. The plots of thrillers are unpredictable and build tension through a climax and often a twist ending. Elements like isolated settings, unsettling music scores, and cryptic film posters further the suspenseful and mysterious nature of the thriller genre.
Detailed research
The trailer for Gangster Squad effectively targets its intended audience through its use of intense violence, family themes, and historical context. It shows mainly action shots to engage adrenaline-seeking viewers aged 15-23. Similarly, the Legend trailer appeals to this demographic through its quick pacing, ambiguous violence, and exploration of family loyalty themes. Both films' trailers convey the crime genre well and target audiences through historical facts without revealing full plots. Warner Bros is responsible for producing and distributing both gangster films, with a history of successful crime genres films.
As media studies evaluation
The document summarizes the process of creating a political thriller media product for a media studies evaluation. It discusses how the group used and challenged conventions of the genre through elements like characters, locations, editing, and more. Research of similar films helped inform these creative choices. The document also reflects on what was learned through the process, like improved filming and editing skills, the importance of planning and organization, and how the final product better represents the genre than the initial work.
As Media Studies Evaluation
This document summarizes Hannah Dunsdon's media studies evaluation of her group's media product "Vengeance." It discusses how the product used and developed conventions of real political thriller films through elements like camera work, mise-en-scene, editing, and locations. It also examines how the product represented social groups through the stereotypical portrayal of gender and the protagonist's race and class. Finally, it considers which media institution might distribute the product and who the target audience would be based on the genre and survey responses.
As media studies evaluation
The document summarizes the process of creating a political thriller media product for a media studies evaluation. It discusses how the group used and challenged conventions of the genre through elements like characters, locations, editing, and more. Research of other political thrillers helped inform their creative choices. The document also reflects on what was learned through the process, from organizing shoots to understanding how different shots create meaning and moving from planning to finished product.
As media studies evaluation
The document summarizes the process of creating a political thriller media product for a media studies evaluation. It discusses how the group used and challenged conventions of the genre through elements like characters, locations, editing, and more. Research of similar films helped inform these creative choices. The document also reflects on what was learned through the process, like improved filming and editing skills, the importance of planning and organization, and how the final product better represents the genre than the initial work.
As media studies evaluation2
This document summarizes Hannah Dunsdon's media studies evaluation of her group's media product "Vengeance." It discusses how the product used and developed conventions of real political thriller films through elements like camera work, mise-en-scene, editing, and locations. It also examines how the product represented social groups through the stereotypical portrayal of gender and the protagonist's race and class. Finally, it considers which media institution might distribute the product and who the target audience would be based on the genre and survey responses.
Evaluation
The document evaluates the student's media product, a crime thriller film. It follows conventions of the genre, such as a character being kidnapped early on. It challenges conventions by introducing the antagonists early rather than halfway through like in Se7en. The film represents teenage male characters stereotypically and their social class is not important to the plot. The film could be distributed by an independent British film company due to its low budget. The target audience is males aged 16-30 and the BBFC rating would be 15 rather than 18 like similar films due to less graphic violence.
Film campaign
A film campaign is used to promote and advertise a film through various platforms like magazine covers, posters, trailers and interviews. The Inception film campaign consisted of teaser posters that hinted at the thriller genre without revealing much. Character posters and the full theatrical poster then revealed more about the cast and plot. Magazine covers on Empire and Total Film promoted the film further. Teaser and official trailers pieced together clues from the posters to generate interest. Interviews with the cast and director provided insight into the film. Together these elements created a recognizable brand and built hype for the film's release.
Media Evaluation
The document provides an evaluation of a media product that is a thriller film opening sequence. It summarizes the key conventions and techniques used in the opening sequence to develop tension and represent the target teenage audience. Conventions included atmospheric music, isolated landscape shots, quick editing during action scenes, and a point-of-view shot from the "killer" character. The sequence aims to attract 15-24 year old males by including attractive females, horror scenes, and an immersive soundtrack. Through this process, the student learned how to use editing software and the importance of pre-production planning for a media project.
Media Evaluation 1
The document provides an evaluation of a media product that is a thriller film opening sequence. It summarizes the key conventions and techniques used in the opening sequence to develop tension and represent the target teenage audience. Conventions included atmospheric music, isolated landscape shots, quick editing during action scenes, and a point-of-view shot from the "killer" to build tension. The sequence aims to attract 15-24 year old males by including attractive females, horror scenes, and an atmospheric soundtrack.
Media A2 Research
The document discusses various conventions of movie trailers, including:
1) Trailers typically start slow and build in pace by showing action-packed moments or chase scenes to engage viewers.
2) They showcase the best parts of the movie to entice audiences while withholding major plot details.
3) Trailers include the movie title, release date, names of stars and directors, and logos of production studios to provide key information to viewers.
The summary highlights some of the key techniques trailers employ to attract audiences, such as building suspense through pacing and revealing select exciting moments without giving away the full story. It also notes the inclusion of credits and release details to inform potential viewers.
Similar to 5. Make Your Own Tv Crime Drama (20)
More from latymermedia
Disclosure pres
Disclosure are an electronic music duo from London composed of two brothers. They are credited with helping revive British dance music culture. Across their marketing, Disclosure uses an iconic motif of a sketched face over their own faces that has become their recognizable brand image. This visual motif is consistently used across their albums, website, merchandise, and music videos to create a clear brand identity for the duo.
Rihanna case study
Rihanna has recently embraced her Barbadian roots through her album "Anti" and uses her large platform to promote causes like HIV/AIDS awareness. While her music was previously in an American accent, she now sings in her native accent. She is seen as rebellious, fun, talented, outspoken, and confident. Throughout her career, Rihanna has been the constant focal image in her marketing, making her recognizable alone. Fashion is also a major part of her image, having appeared in high fashion magazines and collaborated with designers. Her album covers and images further portray her as independent and stylish. On social media, Rihanna shares her passions, opinions, and cultural identity, sometimes through controversial
Rihanna
Rihanna is known for her creative and confident personality as shown through her quotes emphasizing her independence and risk-taking attitude. She has a trendy and original style shown through her social media where she posts controversial content, cementing her image as a life of the party who keeps audiences entertained.
Album Cover Conventions
This document discusses conventions for album cover design and how the designers of the album "LIGHTS" by MiraJax incorporated these conventions in their design. Key conventions included featuring the artist name prominently on the front cover as well as a central image of the artist. Track lists and other information like the record label are typically placed on the back panel. For the LIGHTS album cover, there is a central image of MiraJax on the front with the artist and album title also featured. The track list and other details are positioned on the back panel following convention. A visual motif of split screens and neon lights is continued throughout the front and inside panels to create synergy across the design.
Album cover conventions
The document discusses album cover design conventions and how they were used or challenged for a debut album. Half of the artist's face is used on either side of the cover as an abstract focal image. The artist name is larger than the album name to promote the artist. The track listing uses a font matching the artist title for synergy. Inside panels include label information and a consistent design flows throughout while maintaining visual interest.
Andrew Goodwin Music Video Theory
Music videos demonstrate the genre of the song through visual elements like dance routines. There is a relationship between the lyrics, music, and visuals with the visuals amplifying and illustrating the song. Record labels demand close ups of the artist, iconography, and visual motifs to promote the artist. Music videos also make frequent reference to voyeurism and looking at the female body.
Social group Unlawful
The document discusses how a media product portrays young, independent women. It analyzes the opening sequence of the character Stacey. Specifically, it notes that (1) her outfit conveys femininity but also danger, (2) she is shown looking through mysterious photos and having multiple phones/identities, suggesting she has something to hide, and (3) shots of her getting ready connote traditional femininity through objects like jewelry and makeup. The analysis seeks to portray Stacey as a strong, independent woman without relying on stereotypes about women always seeking relationships.
Lucid City - Website Conventions
The document discusses conventions for websites of dance artists and how the website for Lucid City followed many of these conventions. It describes including common pages and elements such as a landing page, banner, menu bar, news, about, gallery, videos, music, tour, store, and contact pages. It also discusses maintaining a consistent style and color scheme across pages and creating synergy between the website and album. The document emphasizes the importance of including opportunities for interactivity and participation through social media links, a music player, videos, a competition, and newsletter sign-up.
Synergy throughout Pilgrim’s Marketing Campaign
The band Pilgrim used consistent branding across their website, album cover, and music video to effectively anchor their brand. This included using the same band logo and a color scheme of blue, grey, and white. Additionally, a blue lace texture was applied to both the album digipack cover and website to convey a welcoming feel and match the color palette while also representing the female bassist. The consistent visual elements helped make the brand recognizable for fans across multiple platforms.
Technologies used for filming consequences
The document discusses the filming equipment used to shoot the movie Consequences, including:
1. A Canon Legria HV30 mini DV camera that shoots HD video and is lightweight, easy to use, and allows footage review; its disadvantages include a narrow lens angle and battery charging only in-camera.
2. A tripod that kept shots steady but had a stiff pan motion at times, requiring some handheld shots.
3. A shotgun microphone that provided good sound quality but also picked up background noise.
4. An ARRI lighting kit that allowed lighting control and continuity but whose lights got very hot.
Distributors
The document compares potential film distributors for Michael's new romantic comedy film, including Fox Searchlight, Momentum Pictures, Universal Pictures, Revolver, and Entertainment Film Distributors. It notes each distributor's specialty genres and some example films. The document recommends Universal Pictures as they have experience distributing similar teen romantic comedies and can reach a global 16-24 year old audience through their international distribution arm.
New Media in Our Website Homepage
The document discusses how a band's website was created using Wix. It describes several interactive features that were easily added through Wix's pre-existing options, such as a changing banner, automatic audio playback, and social media hyperlinks. However, adding commenting capabilities and a Twitter stream required inserting HTML code since those specific features were not provided by Wix. The document outlines how Wix allowed for an interactive site but some customization was needed through HTML.
Links between lyrics and visuals in our music
This document analyzes the links between lyrics and visuals in a music video. It discusses how gestures and actions in the video either reinforce or create disjuncture with the accompanying lyrics. In several instances, the visuals literally illustrate the lyrics. However, in other cases there is irony or distance created between the performance and hospital settings of the video. The document examines how specific gestures or moments amplify key lyrics and messages or draw attention to important concepts in the song.
Location Reccie Brick Lane Photos
Reccie Brick Lane en Londres para tomar fotos. La calle está llena de tiendas y restaurantes étnicos y atrae a muchos turistas. Planeo pasar el día explorando la zona y capturando imágenes que capturen la diversidad y la cultura del área.
He Wasn't There Lyric Analysis
The song lyrics describe a relationship where the singer's partner was often absent and let her down, but she remained committed to him. Over time, despite his faults and mistakes, she learned to be strong on her own and their bond grew stronger so that now she is glad she stayed with him. The lyrics express how through both the good and bad, her partner taught her life lessons and their love for each other remains.
The Defiance (band) presentation - (Shobnam/Aidan/Raagavi/Daniel)
Shobnam, Daniel, Aidan and Raagavi are the names of four individuals mentioned in the document. No other context or details are provided about these individuals or what they may have in common. The document simply lists four names but provides no other information.
Sam Evaluation question 2
This document analyzes the representation of social groups in the characters presented in a film sequence. It describes the characteristics of the two agents, protagonist, and conventional protagonist in action sci-fi movies. It notes that the Asian agent breaks conventions by being Indian, and discusses how the sequence lacks female characters but includes a positive portrayal of the Indian agent, though he is ultimately killed by the white protagonist. The document also examines decisions made in casting and the implications for representations of gender, race and British-Asian culture.
How does your media product represent particular social groups
The document analyzes the representation of social groups in the author's short film sequence. It describes the characters as two white male agents, one Asian male agent, and one white male protagonist. It notes that the protagonist and agents fit conventional representations in action/sci-fi films but that the inclusion of an Indian agent breaks from the genre's lack of Asian representation. The document also discusses how gender and race are portrayed, with an all-male cast engaging in stereotypically masculine behaviors and the Indian character ultimately being killed by the white protagonist.
Rakhi Audience profiles
The document outlines several potential audience profiles for a film exploring British teen culture through a gritty black comedy genre. The core audience is described as female aged 16-24, mainly British, interested in similar films and genres, and who would relate to the lead character. A secondary audience includes similar aged British males who may empathize with characters or be intrigued by the protagonist. Another secondary audience is parents interested in reminiscing about their own youth. The film aims to portray modern British culture and appeal to a national British audience, while recognizing black comedy is a niche genre.
More from latymermedia (20)
The Defiance (band) presentation - (Shobnam/Aidan/Raagavi/Daniel)
The Defiance (band) presentation - (Shobnam/Aidan/Raagavi/Daniel)
How does your media product represent particular social groups
How does your media product represent particular social groups
Recently uploaded
Barbie Movie Review - The Astras.pdfffff
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
Eternal IPTV distinguishes itself from other IPTV services through its extensive library of content and superior streaming quality.
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
原版纸张【微信：741003700 】【(osu毕业证书)美国俄勒冈州立大学毕业证，双学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Learn about Steve Greisen's dedication to capture the spirit of his subjects in his documentaries with honesty and integrity.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
Follow us on: Pinterest
Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Know about the five famous artists who have transitioned to Big Band Music from Swing Music. Here is a glimpse of their work and contributions.
DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Top IPTV UK Providers of A Comprehensive Review.pdf
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
定制(uow毕业证书)卧龙岗大学毕业证文凭学位证书原版一模一样
原版一模一样【微信：741003700 】【(uow毕业证书)卧龙岗大学毕业证文凭学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
原版纸张【微信：741003700 】【(nyu毕业证书)美国纽约大学毕业证、文凭毕业证】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
原版制作(Mercer毕业证书)摩斯大学毕业证在读证明一模一样
学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Recently uploaded (20)
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
240529_Teleprotection Global Market Report 2024.pdf
240529_Teleprotection Global Market Report 2024.pdf
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Top IPTV UK Providers of A Comprehensive Review.pdf
Top IPTV UK Providers of A Comprehensive Review.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
5. Make Your Own Tv Crime Drama
- 1. Plan your own TV crime drama
- 2. First ideas The criminal(s) The victim(s) The crime- solver(s) The crime
- 3. Adding detail The criminal(s) The title The scheduling – channel, time The location(s) The sub-genre Other characters The victim(s) The main crime- solver(s) The crime