A Case Study about BBC’s Crime Drama NewTricks (GCSE Standard). Settings, Narrative, Camera Shots, Character representations& final analysis. Useable for revision and study.
The setting of a crime drama can reflect the nature of the crimes investigated and reveal aspects of the main characters. A gritty urban setting may depict violent street crimes, while a small town can portray corruption hidden beneath a friendly surface. The setting also influences audience appeal and provides context for the squad room, interview rooms, detectives' homes, and crime labs that frequently feature. Overall, the location helps set the mood and provides insights into both the cases and characters.
This document provides an overview and breakdown of the short film "The Culprit". The film is about two teenage girls who are questioned after a fatal incident at a party. During the interview, inconsistencies emerge in their stories and it's unclear if they are telling the truth or if something more sinister is going on. The film will be 5 minutes long and entered into short film festivals. It is in the crime thriller genre and compares to the film "The Hole" which also features contradictory teen stories during a police investigation. The document then outlines the film's 4 scenes and target 16-25 year old audience. It concludes with a proposed radio trailer featuring creepy music and film soundbites.
This document provides information about the film noir genre and conventions. It discusses key elements of film noir including low-key black-and-white visuals, cynical attitudes, themes of alienation and moral corruption. It also analyzes the use of three-point lighting and bleak settings in the film noir Psycho. Common film noir tropes are described like the "femme fatale" character and how their manipulation of men often leads to crime or murder. Analysis is given of trailers for the films The Glass Key and White Heat, focusing on their mise-en-scene, camerawork, editing, and sound design. The document concludes that a documentary cannot fully incorporate the style of a film
The document describes various camera shots from a horror movie. A tracking shot establishes the dark wooded setting. A cutaway shot introduces two female lead characters, suggesting one will be the victim. A close-up shot shows a mysterious man in a car who may be the suspect. Subsequent shots establish a police car transporting a criminal at a derelict railway, where the tension builds as the light turns red and a car crash occurs, allowing the criminal to escape and the drama to begin.
Crime dramas are a popular genre that can be found in television, novels, films and theater. There are two main types of crime dramas on television - one-off dramas that focus on highly anxiety-inducing crimes like murder, and long-running dramas that build relationships between characters over various sub-plots. Key elements of crime dramas include resolving mysteries, debates around morality and guilt, and power struggles between different law enforcement divisions. Crime dramas also commonly feature teamwork, conflicts between policing styles, and struggles balancing work and personal lives.
Crime films focus on the lives of criminals and their deeds, ranging from realistic portrayals to exaggerated villains. Common conventions include morally upright protagonists investigating crimes like murder in disturbing areas involving drugs and gangs. Subgenres are crime comedies mixing humor with crimes, crime thrillers focusing on protagonists overcoming dramatic criminal situations, and film noir mysteries from the 1940s-1960s. Heist films and mafia films depict organized criminal plans like bank robbery, kidnapping, and violence between crime groups. Famous crime movies include Taken, The Godfather, Pain and Gain, Sin City, Ocean's Eleven, 50 Cent's Get Rich or Die Tryin', and The Italian Job.
The film conforms to many horror/slasher genre conventions through the use of mysterious sounds, a masked killer holding a knife, and dark lighting. It subverts some stereotypes by showing the killer hanging a victim and bringing the body home. While the narrative shifts non-linearly between past and present, it leaves the killer's motives ambiguous and ends on a cliffhanger, setting up potential sequels.
Giovanni is the main character of the thriller storyboard who leads a double life. He is a respected CEO of a large security company but also secretly works as a assassin killing high-profile targets. He is charming and manipulative, inspired by characters from Dexter and The Talented Mr. Ripley. Giovanni lives an outwardly successful life but hides his real work carrying out assassinations in his spare time.
The setting of a crime drama can reflect the nature of the crimes investigated and reveal aspects of the main characters. A gritty urban setting may depict violent street crimes, while a small town can portray corruption hidden beneath a friendly surface. The setting also influences audience appeal and provides context for the squad room, interview rooms, detectives' homes, and crime labs that frequently feature. Overall, the location helps set the mood and provides insights into both the cases and characters.
This document provides an overview and breakdown of the short film "The Culprit". The film is about two teenage girls who are questioned after a fatal incident at a party. During the interview, inconsistencies emerge in their stories and it's unclear if they are telling the truth or if something more sinister is going on. The film will be 5 minutes long and entered into short film festivals. It is in the crime thriller genre and compares to the film "The Hole" which also features contradictory teen stories during a police investigation. The document then outlines the film's 4 scenes and target 16-25 year old audience. It concludes with a proposed radio trailer featuring creepy music and film soundbites.
This document provides information about the film noir genre and conventions. It discusses key elements of film noir including low-key black-and-white visuals, cynical attitudes, themes of alienation and moral corruption. It also analyzes the use of three-point lighting and bleak settings in the film noir Psycho. Common film noir tropes are described like the "femme fatale" character and how their manipulation of men often leads to crime or murder. Analysis is given of trailers for the films The Glass Key and White Heat, focusing on their mise-en-scene, camerawork, editing, and sound design. The document concludes that a documentary cannot fully incorporate the style of a film
The document describes various camera shots from a horror movie. A tracking shot establishes the dark wooded setting. A cutaway shot introduces two female lead characters, suggesting one will be the victim. A close-up shot shows a mysterious man in a car who may be the suspect. Subsequent shots establish a police car transporting a criminal at a derelict railway, where the tension builds as the light turns red and a car crash occurs, allowing the criminal to escape and the drama to begin.
Crime dramas are a popular genre that can be found in television, novels, films and theater. There are two main types of crime dramas on television - one-off dramas that focus on highly anxiety-inducing crimes like murder, and long-running dramas that build relationships between characters over various sub-plots. Key elements of crime dramas include resolving mysteries, debates around morality and guilt, and power struggles between different law enforcement divisions. Crime dramas also commonly feature teamwork, conflicts between policing styles, and struggles balancing work and personal lives.
Crime films focus on the lives of criminals and their deeds, ranging from realistic portrayals to exaggerated villains. Common conventions include morally upright protagonists investigating crimes like murder in disturbing areas involving drugs and gangs. Subgenres are crime comedies mixing humor with crimes, crime thrillers focusing on protagonists overcoming dramatic criminal situations, and film noir mysteries from the 1940s-1960s. Heist films and mafia films depict organized criminal plans like bank robbery, kidnapping, and violence between crime groups. Famous crime movies include Taken, The Godfather, Pain and Gain, Sin City, Ocean's Eleven, 50 Cent's Get Rich or Die Tryin', and The Italian Job.
The film conforms to many horror/slasher genre conventions through the use of mysterious sounds, a masked killer holding a knife, and dark lighting. It subverts some stereotypes by showing the killer hanging a victim and bringing the body home. While the narrative shifts non-linearly between past and present, it leaves the killer's motives ambiguous and ends on a cliffhanger, setting up potential sequels.
Giovanni is the main character of the thriller storyboard who leads a double life. He is a respected CEO of a large security company but also secretly works as a assassin killing high-profile targets. He is charming and manipulative, inspired by characters from Dexter and The Talented Mr. Ripley. Giovanni lives an outwardly successful life but hides his real work carrying out assassinations in his spare time.
The 9-frame analysis summarizes scenes from a film noir called Big Combo. It begins with title cards showing the actor names and film title over a dark city setting with jazz music, establishing the genre. Subsequent frames show a woman being chased and restrained by men in a darkened alley, emphasizing her innocence through lighting. Another frame introduces a man in a hat that may be following the woman or involved with the police, as stories focused on crime and police are common in film noir.
Police Crime Thriller Film Genre History Completeaustv004
This genre includes films that involve solving crimes or committing criminal acts with an aspect of suspense. Police crime thrillers typically feature a male detective as the protagonist trying to solve a complicated murder case, while the antagonist has high status or power in society. Examples of subgenres include film noir, which depicted post-war America in a dark, cynical light, and mystery films, which present an initially inscrutable crime. Modern police crime thrillers like Inside Man and The Dark Knight Rises put unique spins on the conventions of the genre.
Our opening horror film sequence challenges some conventions but maintains others to fit the genre. While filmed during the day in a graveyard, it uses ominous music and shows the killer advancing on the protagonist. Later it switches to black and white, an uncommon but classic technique. The sequence draws from films like Night of the Living Dead in location and music. Camera angles show the killer's perspective to build tension. Though some elements like the daytime setting are unconventional, the killer dresses normally to seem harmless, increasing the scare despite not following typical horror conventions. We include a female protagonist for vulnerability, a common slasher film convention used effectively in Scream.
1) The opening scene shows a car parked off the road with two people walking away from it quickly. There is blood on the windshield of the car and a man inside is seriously injured.
2) The two people walking away are revealed to be two girls, one with red hair. They have no expression on their faces and are focused on walking away from the scene.
3) Close-ups show the injured man has severe facial injuries but only on one side of his face, implying he was assaulted rather than in an accident. Blood is seen on the hand of the red-haired girl, suggesting her involvement in his injuries.
Discussing the Short Film 'The Insane' digalogabob1
The short film 'The Insane' fits conventions of both the slasher and psychological horror genres. It follows John Vincent, a police detective who goes on a killing spree believing he is ridding the streets of cult members. While presented as the hero due to his occupation and mannerisms, clues throughout reveal his deteriorating mental state. The film utilizes techniques like isolated settings, unsettling sounds, and shaky camerawork to build tension according to standard horror movie conventions and misdirect the audience's understanding of John until the end.
The document provides an analysis of various technical elements in the film Halloween. It discusses how iconography like the knife and mask are used to indicate the slasher/horror genre. Characterization follows common stalker/horror tropes like the "final girl" and victims. Cinematography utilizes point-of-view shots from the killer's perspective to build tension. Editing includes quick cuts between scenes to show the unfolding tragic events. Sound design relies on silence and a recurring musical theme to create an ominous atmosphere.
The music video tells a story through a series of scenes: a woman emerges alone in a forest raising questions; a car searches for someone at night; the woman experiences a shocking memory in black and white. Subsequent scenes show the woman running in fear from an unknown pursuer and being hit by an approaching car. At the end, she gains power by throwing a Molotov cocktail at her attacker. The repetition of the song title suggests the woman is now worse off than when she first entered the forest.
Two teenagers, Molly and Jack, set out to film a supposed criminal's hangout for online fame. They encounter much more danger than expected, with multiple close calls with the criminal. They are eventually caught and the footage cuts out, with their disappearances remaining a cold case. The film proposal describes a found footage horror film told from the camera footage the teens filmed, following their reckless decision and its terrifying consequences as a warning to teenagers.
Shield for murder opening sequence analysisdeez12130569
The opening sequence of the film establishes it as a classic noir film set in 1940s LA. It begins with a man getting out of a taxi as ominous music plays, suggesting something sinister will happen. Through shot reverse shots, we see the detective loading his gun as he watches the man. The man is then shot and killed, indicating murder will be a key theme. Iconic noir elements like the man's trench coat and hat and the dark, shadowy alley setting are introduced. The detective claims self-defense, saying the victim owed money, but a witness from a window may expose the truth.
Helen Lyle is a student who investigates urban myths for a school project. She ignores warnings and ventures into a dangerous neighborhood to research the Candyman legend. Her obsession with the project leads her to summon Candyman, putting herself in danger. Candyman is a killer who appears when summoned five times in a mirror and slaughters his victims. He takes an interest in Helen and tempts her with the promise of immortality if she dies. The film uses point of view shots and ominous choir music to create an eerie atmosphere and give the audience a sense of vulnerability.
Film Opening Sequence Analysis Report Sheet Pulp FictionMegan Hughes
The document analyzes the opening title sequence of the film "Pulp Fiction" in relation to various cinematography techniques, visual elements, genre conventions, narrative elements, editing techniques, and title design. It notes the use of close-ups, medium shots, two shots, over the shoulder shots, POV shots, establishing shots, changing camera angles, tracking, zooming, natural lighting, diegetic and non-diegetic sound, and cutaways in the sequence. It also discusses how the sequence establishes the setting, time period, and misleadingly portrays the genre through character interactions before revealing it is a crime drama through the introduction of a gun. The analysis provides no title credits within the sequence.
The document provides an analysis of the opening shots of a thriller film called "DrIvE". It summarizes that the opening establishes an antagonist holding someone restrained in a chair at gunpoint. Subsequent shots show blood dripping, implying the restrained man is injured. Text then reveals the name of an actor in the film. Flashforwards between the antagonist and protagonist build tension. Shots of the antagonist calmly driving away while the protagonist is missing amplify the power dynamic. The opening concludes with the protagonist in the trunk of the car while tense music plays, leaving the audience worried for their fate.
1. Crimewatch is a BBC television program that reconstructs unsolved crimes to gain information from the public, while Road Wars documents police response to increasing criminal violence.
2. Existing Road Wars stories include boys stealing a motorbike without realizing police are watching via helicopter, and a drug bust by Devon and Cornwall's experts in door entry.
3. Police Interceptors profiles an Essex police interception unit and uncovered a huge drugs haul during a routine traffic stop for no insurance.
The document discusses the codes and conventions of slasher films. It describes how slasher films typically involve a psychotic masked killer stalking and murdering a group of teenagers. The killer often has supernatural abilities that allow them to survive attacks and return in sequels. Common weapons used by the killer include knives, axes, and power tools. Character archetypes include "the final girl" who usually defeats the killer, as well as stereotypical characters like jocks, nerds, and token black guys. Settings are usually places frequented by teenagers like schools, camps, or suburban neighborhoods.
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
This document provides guidance on planning essay responses for media exams. It advises students to [1] carefully choose the essay question that they can best answer and support with evidence, [2] take 10 minutes to plan their response to generate and organize ideas, and [3] structure their plan around the exam criteria, including context, examples, theories, and linking different points. Sample planning processes are outlined, and students are given time to practice planning a response with peer feedback.
The document discusses practices that make places great to work and provides a case study of the Aditya Birla Group. The Aditya Birla Group is a $28 billion conglomerate operating in 20 countries across 17 businesses. It achieved over 90% course completion rates through its 24/7 learning support, higher than the 30-40% benchmark. Aditya Birla Group was recognized as India's Best Employer in 2007 for its consistent people practices.
This document provides guidance for planning an original TV crime drama, including developing main characters, plotting the first episode, targeting an audience, differentiating the concept from existing shows, and designing promotional materials like a press photo, website, magazine ad, TV trailer, and opening sequence. Key details are deciding on a criminal, victim, and crime solver; the title, channel, and timeslot; and drawing main characters to illustrate their personalities and relationships central to the crime drama.
This document provides an analysis and commentary on two responses to exam questions about media representation and film production/distribution. For question one, about representation in a film clip, the response discusses mise-en-scène, editing, and sound to analyze how age and innocence are represented. For question two, about funding and distribution for independent and Hollywood films, the response compares Warp Films and Working Title, discussing funding models, technology impacts, and distribution strategies. The commentary evaluates both responses as strong, with good use of examples and terminology to back up explanations and arguments.
OCR A level media Q1b genre example answer A gradehasnmedia
The student discusses their horror teaser trailer and how it relates to genre conventions. The trailer is set in the woods and uses techniques like handheld camera work and cross-cutting to create tension. While adhering to horror tropes like an isolated setting and darkness, the trailer subverts expectations by featuring a female psycho killer instead of the typical male role. Editing techniques like changes in pace and symbolic shots of blood and hanging were used to unsettle the audience. The open ending leaves viewers wanting more, demonstrating how the trailer effectively engaged with its target horror genre audience.
This document outlines the top 10 HR best practices that can help achieve organizational goals. These include delighting employees with unexpected rewards, using open feedback mechanisms to capture employee ideas, highlighting top performers, sharing knowledge across the organization, implementing a fair performance evaluation system, using 360 degree feedback, tying bonuses to individual and team performance, adopting an open book management style of sharing company information, and creating a safe, healthy and happy workplace. The overall goal of these practices is to motivate employees, encourage innovation, and align employees with the company's strategic objectives.
The 9-frame analysis summarizes scenes from a film noir called Big Combo. It begins with title cards showing the actor names and film title over a dark city setting with jazz music, establishing the genre. Subsequent frames show a woman being chased and restrained by men in a darkened alley, emphasizing her innocence through lighting. Another frame introduces a man in a hat that may be following the woman or involved with the police, as stories focused on crime and police are common in film noir.
Police Crime Thriller Film Genre History Completeaustv004
This genre includes films that involve solving crimes or committing criminal acts with an aspect of suspense. Police crime thrillers typically feature a male detective as the protagonist trying to solve a complicated murder case, while the antagonist has high status or power in society. Examples of subgenres include film noir, which depicted post-war America in a dark, cynical light, and mystery films, which present an initially inscrutable crime. Modern police crime thrillers like Inside Man and The Dark Knight Rises put unique spins on the conventions of the genre.
Our opening horror film sequence challenges some conventions but maintains others to fit the genre. While filmed during the day in a graveyard, it uses ominous music and shows the killer advancing on the protagonist. Later it switches to black and white, an uncommon but classic technique. The sequence draws from films like Night of the Living Dead in location and music. Camera angles show the killer's perspective to build tension. Though some elements like the daytime setting are unconventional, the killer dresses normally to seem harmless, increasing the scare despite not following typical horror conventions. We include a female protagonist for vulnerability, a common slasher film convention used effectively in Scream.
1) The opening scene shows a car parked off the road with two people walking away from it quickly. There is blood on the windshield of the car and a man inside is seriously injured.
2) The two people walking away are revealed to be two girls, one with red hair. They have no expression on their faces and are focused on walking away from the scene.
3) Close-ups show the injured man has severe facial injuries but only on one side of his face, implying he was assaulted rather than in an accident. Blood is seen on the hand of the red-haired girl, suggesting her involvement in his injuries.
Discussing the Short Film 'The Insane' digalogabob1
The short film 'The Insane' fits conventions of both the slasher and psychological horror genres. It follows John Vincent, a police detective who goes on a killing spree believing he is ridding the streets of cult members. While presented as the hero due to his occupation and mannerisms, clues throughout reveal his deteriorating mental state. The film utilizes techniques like isolated settings, unsettling sounds, and shaky camerawork to build tension according to standard horror movie conventions and misdirect the audience's understanding of John until the end.
The document provides an analysis of various technical elements in the film Halloween. It discusses how iconography like the knife and mask are used to indicate the slasher/horror genre. Characterization follows common stalker/horror tropes like the "final girl" and victims. Cinematography utilizes point-of-view shots from the killer's perspective to build tension. Editing includes quick cuts between scenes to show the unfolding tragic events. Sound design relies on silence and a recurring musical theme to create an ominous atmosphere.
The music video tells a story through a series of scenes: a woman emerges alone in a forest raising questions; a car searches for someone at night; the woman experiences a shocking memory in black and white. Subsequent scenes show the woman running in fear from an unknown pursuer and being hit by an approaching car. At the end, she gains power by throwing a Molotov cocktail at her attacker. The repetition of the song title suggests the woman is now worse off than when she first entered the forest.
Two teenagers, Molly and Jack, set out to film a supposed criminal's hangout for online fame. They encounter much more danger than expected, with multiple close calls with the criminal. They are eventually caught and the footage cuts out, with their disappearances remaining a cold case. The film proposal describes a found footage horror film told from the camera footage the teens filmed, following their reckless decision and its terrifying consequences as a warning to teenagers.
Shield for murder opening sequence analysisdeez12130569
The opening sequence of the film establishes it as a classic noir film set in 1940s LA. It begins with a man getting out of a taxi as ominous music plays, suggesting something sinister will happen. Through shot reverse shots, we see the detective loading his gun as he watches the man. The man is then shot and killed, indicating murder will be a key theme. Iconic noir elements like the man's trench coat and hat and the dark, shadowy alley setting are introduced. The detective claims self-defense, saying the victim owed money, but a witness from a window may expose the truth.
Helen Lyle is a student who investigates urban myths for a school project. She ignores warnings and ventures into a dangerous neighborhood to research the Candyman legend. Her obsession with the project leads her to summon Candyman, putting herself in danger. Candyman is a killer who appears when summoned five times in a mirror and slaughters his victims. He takes an interest in Helen and tempts her with the promise of immortality if she dies. The film uses point of view shots and ominous choir music to create an eerie atmosphere and give the audience a sense of vulnerability.
Film Opening Sequence Analysis Report Sheet Pulp FictionMegan Hughes
The document analyzes the opening title sequence of the film "Pulp Fiction" in relation to various cinematography techniques, visual elements, genre conventions, narrative elements, editing techniques, and title design. It notes the use of close-ups, medium shots, two shots, over the shoulder shots, POV shots, establishing shots, changing camera angles, tracking, zooming, natural lighting, diegetic and non-diegetic sound, and cutaways in the sequence. It also discusses how the sequence establishes the setting, time period, and misleadingly portrays the genre through character interactions before revealing it is a crime drama through the introduction of a gun. The analysis provides no title credits within the sequence.
The document provides an analysis of the opening shots of a thriller film called "DrIvE". It summarizes that the opening establishes an antagonist holding someone restrained in a chair at gunpoint. Subsequent shots show blood dripping, implying the restrained man is injured. Text then reveals the name of an actor in the film. Flashforwards between the antagonist and protagonist build tension. Shots of the antagonist calmly driving away while the protagonist is missing amplify the power dynamic. The opening concludes with the protagonist in the trunk of the car while tense music plays, leaving the audience worried for their fate.
1. Crimewatch is a BBC television program that reconstructs unsolved crimes to gain information from the public, while Road Wars documents police response to increasing criminal violence.
2. Existing Road Wars stories include boys stealing a motorbike without realizing police are watching via helicopter, and a drug bust by Devon and Cornwall's experts in door entry.
3. Police Interceptors profiles an Essex police interception unit and uncovered a huge drugs haul during a routine traffic stop for no insurance.
The document discusses the codes and conventions of slasher films. It describes how slasher films typically involve a psychotic masked killer stalking and murdering a group of teenagers. The killer often has supernatural abilities that allow them to survive attacks and return in sequels. Common weapons used by the killer include knives, axes, and power tools. Character archetypes include "the final girl" who usually defeats the killer, as well as stereotypical characters like jocks, nerds, and token black guys. Settings are usually places frequented by teenagers like schools, camps, or suburban neighborhoods.
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
This document provides guidance on planning essay responses for media exams. It advises students to [1] carefully choose the essay question that they can best answer and support with evidence, [2] take 10 minutes to plan their response to generate and organize ideas, and [3] structure their plan around the exam criteria, including context, examples, theories, and linking different points. Sample planning processes are outlined, and students are given time to practice planning a response with peer feedback.
The document discusses practices that make places great to work and provides a case study of the Aditya Birla Group. The Aditya Birla Group is a $28 billion conglomerate operating in 20 countries across 17 businesses. It achieved over 90% course completion rates through its 24/7 learning support, higher than the 30-40% benchmark. Aditya Birla Group was recognized as India's Best Employer in 2007 for its consistent people practices.
This document provides guidance for planning an original TV crime drama, including developing main characters, plotting the first episode, targeting an audience, differentiating the concept from existing shows, and designing promotional materials like a press photo, website, magazine ad, TV trailer, and opening sequence. Key details are deciding on a criminal, victim, and crime solver; the title, channel, and timeslot; and drawing main characters to illustrate their personalities and relationships central to the crime drama.
This document provides an analysis and commentary on two responses to exam questions about media representation and film production/distribution. For question one, about representation in a film clip, the response discusses mise-en-scène, editing, and sound to analyze how age and innocence are represented. For question two, about funding and distribution for independent and Hollywood films, the response compares Warp Films and Working Title, discussing funding models, technology impacts, and distribution strategies. The commentary evaluates both responses as strong, with good use of examples and terminology to back up explanations and arguments.
OCR A level media Q1b genre example answer A gradehasnmedia
The student discusses their horror teaser trailer and how it relates to genre conventions. The trailer is set in the woods and uses techniques like handheld camera work and cross-cutting to create tension. While adhering to horror tropes like an isolated setting and darkness, the trailer subverts expectations by featuring a female psycho killer instead of the typical male role. Editing techniques like changes in pace and symbolic shots of blood and hanging were used to unsettle the audience. The open ending leaves viewers wanting more, demonstrating how the trailer effectively engaged with its target horror genre audience.
This document outlines the top 10 HR best practices that can help achieve organizational goals. These include delighting employees with unexpected rewards, using open feedback mechanisms to capture employee ideas, highlighting top performers, sharing knowledge across the organization, implementing a fair performance evaluation system, using 360 degree feedback, tying bonuses to individual and team performance, adopting an open book management style of sharing company information, and creating a safe, healthy and happy workplace. The overall goal of these practices is to motivate employees, encourage innovation, and align employees with the company's strategic objectives.
The document provides an example case study on the topic of coffee production and deforestation in the Amazon rainforest. It outlines the problem of thousands of acres of rainforest being burned to grow coffee trees. It then summarizes key points from several websites that were researched on this topic, finding that vast amounts of primary forest have been cleared for coffee cultivation, leading to rampant deforestation and impacts to wildlife habitats and migration routes. Potential solutions discussed include crop rotation, replanting forests, and promoting conservation and shade-grown coffee methods to help reduce environmental impacts.
This document analyzes the genre elements used in the trailer for the movie Prisoners. It notes that the trailer sets up an everyday family situation in winter to draw the viewer in, then uses ominous music and visual clues like an RV parking to indicate something will go wrong, establishing it as a thriller. As the girls go missing, mystery is built through anonymous visual clues and the focus on a potential suspect, common crime and thriller techniques. Interrogation scenes and a detective in action further point to crime and action genres. Dramatic shots like the chained suspect also evoke the drama genre used in the film. Overall, the trailer effectively employs conventions from thriller, crime, and drama genres to intrigue viewers about what happened to the
DCI Kennedy is a detective in London who solves cases in unconventional ways. Each episode features a new murder for Kennedy to investigate while also dealing with personal issues. Kennedy's colleagues respect his work but question his methods. The 10-episode series follows Kennedy and his partner as they investigate various crimes around London and deal with the intersections of Kennedy's work and home life.
The document discusses the 1994 film Léon: The Professional, analyzing its characters, themes, and stylistic elements that are common in the thriller genre. It examines the stereotypical characters such as Leon and Mathilda, as well as themes of revenge, corruption, love, and crime. The document also analyzes the film's narrative techniques, iconography involving weapons, and audiovisual style using shots like close-ups.
This document discusses the key elements and conventions of the crime and mystery genre in film. It notes that crime fiction typically involves murders, detectives investigating crimes, and criminals being arrested or punished. Common characteristics of the genre include urban settings where crimes can be easily committed and covered up, titles that reference detectives or crimes, characters like criminals, victims, police, and families, mysteries for audiences to try and solve, the use of lighting, music, and props like weapons. The narrative typically follows a crime disruption, recognition, attempted repair, and new equilibrium.
This pitch proposes a comedy thriller film called "Left" that follows a conflicted student who gets lured into a blackmail plot involving death and strawberry milkshakes. The plot involves the student's peer being kidnapped from a coffee shop, leaving only her phone behind. Feeling guilty, the student withholds the phone and allows himself to be blackmailed in an attempt to win back the love of his life. The film promises scandal, romance, intrigue, and mind-bending plot twists in the tradition of classic crime thrillers. It aims to appeal to a young adult demographic with its mix of edgy romance, action, villains, and teenage angst alongside blind love and comedy.
Seven is a 1995 crime thriller directed by David Fincher and starring Morgan Freeman and Brad Pitt. It follows detectives Somerset and Mills as they investigate a series of murders based on the seven deadly sins. The experienced Somerset and headstrong Mills have differing investigative styles but develop their partnership over the course of the case. John Doe is the unknown killer who turns himself in and is revealed to have committed the murders out of envy for Mills. The film subverts crime movie conventions by giving the killer a symbolic motive beyond senseless violence.
Conventions of a television crime drama (UNFINISHED)Shelby Brown
C.S.I. is a long-running American crime drama that focuses on the lives and work of police officers. Each episode tells a story of detectives investigating a crime, such as a murder. The episodes follow a typical narrative structure of an opening teaser introducing the crime, the detectives' quest to solve it while facing problems, and a resolution where the criminal is arrested. The series uses techniques like suspense, clues, and dramatic irony to engage viewers and encourage them to try and solve the crime along with the detectives. Settings, style elements like music and lighting, and character types are all used conventionally for the crime drama genre.
PR3 - Critical Responses to Media Products AssignmentEwan Gregory
The document provides an analysis of the 1994 film Léon: The Professional, directed by Luc Besson. It summarizes the film's plot, characters, and key scenes. It analyzes the film using approaches like narrative theory, representation, semiotics, and genre. The analysis discusses how establishing shots introduce the setting of New York City. It examines the introduction of the three main characters - Léon, Mathilda, and the antagonist Norman Stansfield - through shots that reveal their characteristics. It analyzes how editing, sound, color, and symbolism are used to convey meaning and create tension. It also summarizes how the film's narrative fits the three-act structure.
This document analyzes and summarizes two films, Leon the Professional and Pulp Fiction, using various critical lenses. For Leon the Professional, it examines the narrative structure, genre conventions, representations of characters, and style. It finds that while it includes some action/thriller elements, it subverts expectations for the genre. For Pulp Fiction, it analyzes the nonlinear narrative and identifies various postmodern references, intertextuality, pastiche, and self-referentiality. Both films are found to incorporate genre conventions while also being original through unconventional elements.
Pr3 critical responses to media productsLouiseMaher18
This document provides a summary and analysis of the narratives of three films: Leon (1994), Lucy (2014), and Pulp Fiction (1994). It summarizes the key elements of each film's narrative structure, including the exposition, inciting incident, rising action, climax, falling action, and denouement. It also analyzes aspects of each film like representation, symbolism, and genre conventions. For Pulp Fiction specifically, it discusses Quentin Tarantino's use of a nonlinear narrative and postmodern narrative techniques.
The document provides a summary and analysis of the 1994 film Leon: The Professional. It discusses the film's genre as an action thriller, narrative about a hitman named Leon who is hired to kill people until a 12-year old girl named Mathilda comes into his life. It analyzes the film's semiotics around how the producer and audience may have interpreted different meanings. It also provides key details about the film including its director, cast, year of release, and plot synopsis.
Crime drama originated in the 1940s-1950s during the era of film noir. It evolved from popular crime fiction in newspapers and magazines in the late 19th century. Crime drama and mystery remained popular genres in the mid-20th century as seen with the success of films like Chinatown. Common narratives involve a detective or group like the Criminal Minds characters solving a mystery by unveiling clues throughout an investigation. The genre typically depicts a battle between good and evil or law and crime, with the criminals ultimately caught by the end.
The film Léon: The Professional is a 1994 French thriller directed by Luc Besson. It stars Jean Reno as Léon, a professional hitman, and Gary Oldman as the corrupt DEA agent Stansfield. Léon takes in 12-year-old Mathilda after her family is killed by Stansfield. Mathilda develops feelings for Léon and becomes his protégé, learning how to fight and use guns. They work together to seek revenge on Stansfield for Mathilda's family. The film contains many thriller genre conventions like stereotypical characters, themes of crime, revenge, and corruption, and an urban setting with guns and violence.
This document provides a detailed summary and analysis of the 1994 film Leon: The Professional. It discusses the film's narrative structure using a three-act structure. It summarizes the plot of the film, which involves an assassin named Leon taking in a 12-year-old girl named Mathilda after her family is murdered. Leon trains Mathilda to be an assassin so she can get revenge. The document then analyzes aspects of the film like its setting in New York City, its unconventional characters like Leon and Mathilda, and how it establishes the action thriller genre.
This genre includes films that involve solving crimes or committing criminal acts with an aspect of suspense. Police crime thrillers typically feature a male detective as the protagonist trying to solve a complicated murder case, while the antagonist has high status or power in society. Examples of subgenres include film noir, which depicted post-war America in a dark, cynical light, and mystery films, which present an initially inscrutable crime. Modern police crime thrillers like Inside Man and The Dark Knight Rises put new spins on conventions while appealing to broader audiences.
This document provides a summary of a film trailer about detectives investigating the murder of an actress in 1950s London. The trailer introduces the main characters, including the detectives Foreman and Murray who have been investigating a serial killer dubbed the "Moonlight Murderer". The story follows their investigation into the brutal murder of actress Alena and the secrets they uncover about her past. The trailer teases several plot points, including the detectives discovering that Alena's husband is missing and suspecting his involvement. It describes key locations that will be shown, including Alena's dressing room where she was killed and the attic where the detectives ultimately find the husband's dead body.
The document provides an overview of a short film called "The Culprit" made by Katherine, Molly, Kieran and Tomo. The film follows two teenage girls who are questioned after a fatal incident at a party. Flashbacks reveal inconsistencies in their stories, leaving it unclear if they are telling the truth or if something more sinister occurred. The 5-minute film will be entered into short film festivals and posted on YouTube. It is a crime thriller genre meant to showcase the filmmakers' individual skills through collaborative work.
Crime dramas are a popular genre that can be seen in television shows, novels, films, and theater. There are two main types of crime drama shows - one-off episodes that focus on highly anxiety-inducing crimes like murder, and long-running shows that build relationships between characters over various subplots. Key elements of crime dramas include resolving mysteries, debates around morality and guilt, and power struggles between different law enforcement divisions. Crime drama shows can also explore teamwork, conflicts in policing approaches, and sacrifices in detectives' personal lives.
The document discusses the plot of a horror film called "The Walk". It will follow the stock plot of a serial killer stalking and slaying victims. The story will involve a stereotypical teenage girl named Sharon who becomes the target of the villain played by Adina. In Act 1, everything seems normal until an unsettling shift in sound occurs. In Act 2, the villain stalks Sharon in the woods to the sound of spooky music. Act 3 culminates in Sharon's brutal attack and murder by the villain, ending with a disturbing shot from her point of view. The film aims to establish disequilibrium and portray the victim as weak through her screams.
This document summarizes and analyzes still shots from three thriller films: I Am Legend, The Call, and The Silence of the Lambs. For I Am Legend, it describes shots that introduce the lone protagonist in a post-apocalyptic world and show his vulnerability. For The Call, it analyzes shots that convey the fear and helplessness of a kidnapped girl and the power dynamic between her and her abductor. For The Silence of the Lambs, it discusses shots that establish the danger of Hannibal Lecter and the unsettling interaction between him and Clarice.
Similar to GCSE Media Crime Drama - Case Study - New Tricks (20)
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
How to Make a Field Mandatory in Odoo 17Celine George
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This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
2. PLOT & GENRE
New Tricks is a British crime drama that follows the work of the fictional Unsolved
Crime and Open Case Squad (UCOS) of the Metropolitan Police Service. Originally
led by Detective Superintendent Sandra Pullman, it is made up of retired police
officers that have been recruited to reinvestigate unsolved crimes. The series title is
taken from the proverb “You can’t teach an old dog New Tricks
Genre: Crime Drama
Sub Genre: Comedy
but they are having to deal
with a new police force which
does not always appreciate their
old style policing
3. AUDIENCE
Aimed at an older audience of both genders. This has been
achieved by using actors and cases from a time that the target
audience would remember.
The sometimes unorthodox way they solve cases interests the
audience. The unconventional female dominance and the inclusion
of red herrings and plot twists keep the audiences interest.
4. CHARACTERS
Heroin Cop: DCI Sandra Pullman & Sasha Miller
Both are assigned Head of the UCOS team.
Female. They challenge the predominantly male
‘lead roles’ and play the central role in driving the
Narrative.
They both dress appropriately and use their roles to lead
the team into success. They are both good cops and their
binary opposite are the ‘bad’ people within society.
5. THE BAD TE MPE RE D BUT BRIL L IANT
DE TE CTIVE : GE RRY STANDING
He often flirts with female suspects and witnesses, usually to great
effect. He was an old-style policeman, not afraid to circumvent the rules
to get a result. He is rumored to have been corrupt - or at least a bit
dodgy.
A ’Jack the Lad', Gerry is an old-school police officer. He was a top
'thief-taker', who passionately enjoyed catching criminals- but nevertheless
he mixed easily with them. As a result, allegations of corruption arose,
which he angrily denies.
Although he is now a grandfather, he maintains his devil-may-care
lifestyle, but insists that he is "a naughty boy, not a bastard"
6. THE QUIRK Y DE TE CTIVE : DAN GRIFFIN
He is a reserved character who can nevertheless provide
surprising insights. His aloof manner rubs the team up the wrong
way in his first case.
His quiet nature and reserved character caused the other
characters to push him out of the group. He hides his private life
and uses unconventional techniques to solve crimes, for example
telling his disabled teenage daughter Holly about the cases. They use
these quirks to create ‘Verisimilitude’ in the development of
complex character relationships with his co-workers.
7. GRUMPY SUPE RIOR OFFICE R:
D. A. C STRICK L AND
Deputy Assistant Commissioner Robert Strickland is the team's boss. A
political animal who enjoys basking in reflected glory of UCOS's clean up rate, his
choice of cases is influenced by a desire to make his department look good. Despite
this, he is a strong supporter of the UCOS team, and has used his influence to protect
them when necessary.
Despite the fact that he is considered a somewhat self-serving officer, he has
nonetheless been quite supportive of their actions.
Though he will still discipline the team when they blatantly break the rules, he is
willing to accept their actions if a result is achieved. E.g. Strickland even subtly gave
Brian a chance to explain himself when he was forced to fire Brian, and it was only
when Brian made clear that he stood by his actions that Strickland finally told him to
go.
8. SETTINGS
Interview Room
London Streets
Squad Unit room
Bosses Office
Council Estates
Victims and Criminals Homes/Hideouts
The Crime Scene
9. NARRATIVE
The New Tricks Narrative is a Flexi-Narrative
The Narrative includes an ongoing story line but has closed Narratives within each episode.
However, at the end of a series or special episodes all Narratives and Cases will close. Then
a new Narrative will start up again next episode and continue through the series, as well as the
cases closing in each episode.
Some episodes have carried on to 2 episodes e.g. Series 10 The Rock Part 1 & 2
20. SO WHY IS IT A CRIME DRAMA
?....
This particular crime drama begins with an opening teaser. We see someone
attacked but we don’t see the perpetrator. This sets up a question: What happened
here? It’s a mystery and another name for this is enigma.
The enigma code sets up a riddle for the viewers to solve. The hero go on a quest
and receive clues to solve the case.
New Tricks use techniques such as : Cliffhangers, Red herrings, enigma codes and
dramatic irony to create story lines which interest the audience and create drama.