Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
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As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
2. In what ways does your media product use, develop or challenge forms and conventions of real media
products?
When making our media product ‘Vengeance’ we used, developed and challenge forms and conventions of real
media products. We met the conventions of a typical political thriller yet challenged them through our
development in order to for our audience to receive area’s they are familiar with but give them some variation
as well.
During the research process each of us looked at previous media products to help us achieve our political
thriller. With this in mind I analysed the use of camera, mise en scene, sound and editing, this helped me
understand the typical codes and conventions . One of the openings I analysed was ‘The Bourne Ultimatum’
and found that the titles used were on a black screen with white writing and placed in the centre of the screen.
When looking at other thrillers I found that a lot have used their titles in the same way which is why we
decided to use this generic convention in our own product.
I also found that strong characters appear to be
dressed smartly and presented well for example
James Bond in ‘Casino Royale’ He is always has
a suite on and is cleanly shaven. This compares to our actress who like James Bond is always wearing a suite
and looks presentable and smart therefore he shows a similar mise en scene. Not only this but we placed him
in the centre of the screen to show his importance in the film. This develops the generic conventions as our
male protagonist is presented stereotypically.
See 0.35
See 0.21
3. • We have not just developed forms, but subverted the forms and conventions of real media products. We
included flashbacks into our opening to add to the intensity of the thriller. To make sure the flashbacks
were clear to the audience we decided they should go in black and white. The openings we looked at did
not have flashbacks, therefore it subverts expectations of an opening . Even though we decided to
challenge the conventions it creates suspense and keeps the audience intrigued.
See 1.39
The choices we made during the editing and film process
always comes back to our genre (Political Thriller). In many
aspects we have developed forms to give the audience
awareness and familiarity that’s why we looked at other
opening to give us idea’s and concepts . This shows through
the camera, editing, sound and mise en scene. For example
one of the political conventions was different locations
therefore we thought The Houses of Parliament would be
perfect because it is relevant to politics and it is such an iconic
building.
See 1.48
I believe by subverting some conventions it
adds to the intensity of the genre.
Audience responded positively towards
this because there are still elements they
are familiar with for example presenting
gender stereotypically. Personally I think
from researching real media products we
have been able to achieve this. We could
have chosen to do terrorism as main
theme to make it more political, but
overall I think we have successfully
developed and challenged forms and
conventions.
4. How does your media product represent particular social groups?
Throughout our opening we considered the representation of characters in terms of age, class, gender and race. Our first
scene shows that we have presented gender in a very stereotypical way [ see 0.11] with the male in the centre of our
screens and the wife on the left, who is slouching a little which connotes that males are deemed to be more important in
our opening.
This is reinforced by through the mise en scene as he is wearing a dark blue suite
and a white shirt which connotes masculinity and power. The use of setting and
also Influences this idea which makes him more important within the scene, through
the use of the desk and apple mac computer. Compare to his wife who is just
standing in the foreground, off centre highlights her lack of importance within the
opening.
We considered race when creating our opening. The protagonist is white British
which would be atypical because stereotypically it is normally men from different
cultures who are against the Prime Minister. From doing this we were hoping to
engage a different range of audience as they wouldn’t expect to see a British male
from upper class to be against the Prime Minister of his country. This idea is
reinforced by the close up again connoting his importance. By subverting social
ideology it makes the plot more believable as the would be able to relate to our
male protagonist.
We have presented the audience with a stereotypical representation of a house wife. This
is reinforced through mise en scene once again as she is dressed in a baggy red jumper
which connotes love and also danger , if the film continued this is what we would see. The
audience can not connect with her as she is always side on this highlights her lack of
importance in the opening yet juxtaposes with the on going of the opening.
5. We used an establishing shot of the Westminster Station sign [see 1.30] in
London because it is so well known to the world. Not only this but it fits in
well with our genre (Political Thriller), giving the opening a sense of realism.
The audience can relate to this as they are being presented with such an
iconic part of London which continues into the next shot.
Our protagonist targets a wide range of audience’s because of the way we presented him. A business man in his late
20’s , we were targeting mostly middle to upper class as our opening as linked to politics and traditionally it is those
who are upper/middle class who are interested in that. He dominates most scenes in our opening being placed in the
centre reinforcing his importance. Therefore the audience are able to connect with him and engage in what he is
doing within it.
6. What kind of media institution might distribute your media product and why?
Before deciding which media institution would be best for distributing our media product I look at existing films with
the same genre as ours and then researched them in more detail finding what media institution distributed theirs.
Firstly I looked at ‘Enemy Of The State’ and found that they had been distributed by ‘Touchstone Pictures’.
The title has been placed in the centre with bold, capitalised white
writing so it is clear for people to see.
Will Smith has been centralised and made bigger than the
other character on the poster suggesting he has more
importance.
Mise en scene, he is wearing a suite symbolising business ,
professional . Linking it to the title , it could infer that he is a lawyer
or something with high pay.
The picture looks like it has been taken through a surveillance
Camera which could infer that someone is after them and
following them.
Touchstone Pictures is an American film
studio, owned by The Walt Disney
Company. However it releases film that
have more mature themes and darker
tones.
7. Another film we looked at was ‘Spy Game’ which was distributed by ‘Universal Studio’s Inc’
Universal Studios Inc (Also known
as Universal Pictures is an
American motion picture studio
owned by Comast. It is one of the
longest lived motion pictures
located outside of Hollywood.
Again the title has been centralised with Bold, white capitalised writing so
It is clear and easy to read. Behind is a red banner symbolising danger or
blood.
Much like ‘Enemy Of The State’ Robert Redford has been centralised and
has been positioned at the top of the poster which could infer he has higher
Importance within the film.
Brad Pitt is presented to the
audience in a much darker
light. This could infer he is in
some sort of danger.
Mise En Scene, although it is not clear on what the characters are
wearing they both look well presented and Brad Pitt is wearing sun
glasses, making it hard for the audience to connect with him.
8. Although both films have similar features to our film ‘Vengeance’ I feel that our product would be best suited to
‘Touchstone Pictures’ as they distribute their products through the cinema’s, this way we gain a bigger range of
audiences. Therefore ‘Vengeance’ would have the potential to make more money.
By challenging and developing generic factors of a typical ‘Political Thriller’ it may attract different audiences who
may not normally watch thrillers. By creating a ‘Political Thriller’ it will hopefully attract businessmen/ women
because of the iconic location that are presented to them throughout the opening making them relate to it.
From look at ‘The Enemy Of The State’ our mise en scene is quite similar to theirs and work well within the Political
Thriller genre. This is because we have used typical conventions such as the locations and costume choices, but
have also challenged them to make sure it is not cliché.
After doing the research on different media institutions I have come to the conclusion that ‘Vengeance’ our film will
be best suited to be distributed by ‘Touchstone Pictures’ rather that ‘Universal Studios’., as they target more
mature themes with darker tones which I believe would benefit our opening more.
9. Who would be the audience for you media product?
The audience we were aiming towards is 15+ but before we decided on this the group and I decided to research the
‘BBFC’ in order to help us understand what we could and couldn’t include if we were going to make our film a 15.
We also included questions in our survey to determine which aged audiences we’re going to want to watch it the
most. LOOK AT QUESTIONNAIRE AND TALK ABOUT MORE! Many other films with the same genre as ours such as
‘Enemy Of The State’ have been rated 15 by the BBFC.
From our Preliminary Task survey we found that our opening would attract mainly males and as has links to the
business world such as the locations (Westminster, London) this is understandable. As we have challenged and
developed generic factors of a typical Political Thriller it has broadened our audience range and makes it more
intriguing for our audience.
The audience is being put in the male protagonists position as he is the most central character and you get and
insight into his thoughts and feelings, this adds to the suspense of the opening as you don’t find out what the
protagonist is planning for the Prime Minister.
10.
11.
12. How did you attract/address you audience?
Stereotypically, by having a male
protagonist, it allows us to attract
particular social group for
example males. Meaning they are
able to connect with him and his
emotions.
The close up, it allows the
audience to identify the
protagonists emotions and
feelings. Not only this but we
are able to see clearly his facial
expressions which has been
influenced by the typical
generic conventions of a
thriller.
By calling our thriller ‘Vengeance’ we
have created suspense as the
audience does not know why or what
the vengeance is about.
We decided to include flashbacks in
our opening and by editing them to
be black and white it is clear and
intriguing to the audience we are
targeting.
By choosing to dress the male
protagonist smartly in suite and tie,
it will once again attract the male sex
as the colour blue connotes
masculinity and power.
The locations we decided to
use in our opening are very
iconic to the business world
therefore would attract
business men/women
because they are able to
relate to our opening.
13. What have you learnt about technologies from the process of constructing this product?
Throughout the process of filming and editing our political thriller, I have learnt a variety of skills and
techniques when it comes to use of equipment and using Adobe Premiere Pro. This shows massively when
you look back at our continuity task and animatic. For one more time and effort was put into our film opening
and we took into consideration each and every shot.
At the beginning of the course, I knew absolutely nothing except how turn on a camera so this process has
been a huge learning curve for me. I now know how to use a camera effectively and produce shots that create
meaning. I found the movement of the camera quite difficult at first but through practising and re shooting
shots I now feel comfortable shooting moving shots [see 1.44]. Furthermore I learnt how important framing
was as it was important not to cut off any body parts when shooting an extreme close up unless it was your
intent to not include a part of the body. For example in our close up of the protagonist it took a couple of
shots to get his whole head in the shot otherwise it would have looked silly. [see 0.10] where an effective
close up was used.
I really enjoyed the editing side, I learnt how to use Adobe Premiere Pro with the help of my teachers, peers
and by looking it up on the internet. When editing one day Melissa and I came across a problem we realised
after the London shoot that ticket we zoomed in on said ‘child’ rather than adult which would have broken the
realism of the final product. We tried to edit it so the ‘child’ is blurred out, we really struggled doing it but
with the help of the teachers and looking it up we managed to do it. However in the end we didn’t use the
shot in the final cut but that didn’t matter because we now know how to do it for future purposes. Using this
software it enabled me to learn how to use effects to make our media product better for example [ see 0.32]
fades for the title.
14. Looking back at your Preliminary Task, what do you feel you have learnt in the progression from it to the full project?
Looking back to the preliminary task I have learnt that the research and planning is just as important if not
more than the filming and editing process . In our continuity task we did not have a specific genre in mind,
therefore when the time came to start making decisions about the final project we sat down as a group
and discussed the possible genres we could use for our thriller. From there we research various genres and
the codes and conventions within them. When we first started filming we had a completely different genre
in mind, it started off a psychological thriller but we felt it was to cliché. So we went back and researched
‘political thrillers’.
Not only this but organisation was key to the process and progression.
During the continuity task we had previously filmed some shots in one of
the drama rooms and when we went back the next day to film a bit more
the room was occupied, therefore we weren’t able to use it. When it came
to filming the opening we made sure we much more organised.
Furthermore I didn’t realise how important the storyboard, seeing it
visually in the animatic helped us see what was good and what needed
changing and what worked effectively. It helped us to work out the lengths
of the shots and the transitions, although our final product has changed a
great deal from our animatic it really helped us to produce a better quality
film opening.
I think that, my filming has improved throughout and that there is so many
different shots and angles that you have to think about when making a film.
I feel that within our opening there is a variety of different shots compared
to our continuity task. That is a result of feeling a lot more confident on how
different shots can create different meanings.
I feel that our product is a reflection on how much we have learnt individually and as a group and that we can
take what we have learnt into next year. We have met the codes and conventions of a political thriller and also
challenge them to make our opening as engaging and exciting as possible.