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THE NEW REALISM IN
CONTEMPORARY ART
Photo-realism, [aka Super-realism
or Hyper Realism]
Audrey
Flack
Duane Hanson
Robert Cottingham
Franz Gertsch
(b Mörigen, Switzerland, 8 Mar 1930)
Wayne Thiebaud
Pop Art
Claes Oldenburg
Minimalism
Pop Art
Magritte
Chardin
Ingres
James Peale
1749-1831
William Michael Harnett
1848-1892
Charles Sheeler
1883-1965
Malcolm Morley, English (b. 1931)
S.S. Rotterdam
photo-silkscreen with color overlay
40 15/16" x 30 1/8"
RobertBechtle:
’71 Buick (1972; New York, Guggenheim)
Chuck Close:
Self-portrait (1968; Minneapolis, MN,
Walker A. Cent.)
Richard Estes:
Central Savings, 1975,
oil on canvas, Nelson-Atkins
Museum of Art, Kansas City
Duane Hanson:
Tourists (polyester and
fibreglass polychromed in
oil, with accessories, life-
size, 1970; Edinburgh,
N.G. Mod. A.),
George Segal [Am. Pop Sculptor, 1924-2000]
Three Figures on Four Benches,
Cuyahoga County Justice Center
bronze with white patina, 1979
John De Andrea (American, b. 1941)
Tara, 2002 bronze, painted
54 x 13 x 28 inches
Duane Hanson:
Football Players (1969;
Aachen, Neue Gal.).
Marilyn Levine
Canadian, born 1935
Brown Boots, Leather Laces
clay and leather, 1973
Fumio Yoshimura, 1926-2002
A bunch of five daffodils
Wood, 20.7 x 0 in. / 52.7 x 0 cm
John De Andrea:
Clothed Artist and Model (1976;
New York, O. K. Harris Gal
Richard Estes
(b Kewanee, IL,
14 May 1932)
Double Self-portrait (1976;
New York, MOMA)
Solomon Guggenheim
Museum (1979; New
York, Guggenheim)
Close Chuck
(b Monroe, WA, 5 July 1940)
Big Nude (1967–8; artist’s coll)
Self Portrait, 1999
Color Silkscreen, edition of 80.
65.5 x 54 inches
Audrey Flack
(b New York, 30 May 1931)
Buddha, 1975, Gray Border series
Oil over acrylic on wet sanded canvas,
70x96" - Saint Louis Art Museum
Leonardo’s Lady (1.88×2.03 m, 1975; New
York, MOMA)
Don Eddy
(b Long Beach, CA, 4 Nov 1944)
New Shoes for H
(1973; Cleveland, OH,
Mus. A.)
Red Mercedes 1972
24 x 31 inches
John (Louis)
De Andrea
(b Denver, CO,
24 Nov 1941)
Polychromed polyvinyl, mixed media
Duane Hanson
(b Alexandria, MN, 17 Jan
1925; d Boca Raton,
FL, 6 Jan 1996)
Housewife, 1970
autobody filler,
fibreglass and mixed
media, with
accessories
life size
Malcolm Morley
(b London, 1931)
Train Wreck (1975;
Vienna, Mus. 20.
Jhts),
SS France 1974.
Oil on canvas with
objects on two
panels, oil on
aluminium. 204,5 x
153,7 x 7,6 cm.
Private collection
Damien Hirst
Two Pills
2004
oil on canvas,
60 x 40 inches
Courtesy
Gagosian
Gallery
Damien Hirst Hospital 2004
oil on canvas, 78 x 136-1/2 inches
Courtesy Gagosian Gallery
Saville Jenny
(b Cambridge, 7 May 1970)
Plan, 1993, oil on canvas, 9' X 7'
Painting and the Return of Beauty
Barnett Newman: Who's Afraid of Red, Yellow and Blue IV, 1969-1970
Robert Smithson (1938-1973)
Non-site (Palisades–Edgewater, N.J.), 1968
Painted aluminum, enamel, and stone, 56 x 26 x 36 in.
(142.3 x 66 x 91.5 cm), plus map and description of site
Donald Judd
Untitled, 100 works in mill
aluminum
1982-1986, detail
Chinati Foundation, Marfa,
Texas
Kara Walker
[African-American,
born in 1969]
Student Non-violent
CoordinatingCommittee
(SNCC)
Installationview
Kara Walker,
1999
Miriam
Schapiro
[b.1923]
Mary
Cassatt
and Me,
1976.
Spray
paint,
paper and
fabric on
paper.
30 x 22"
Judy
Chicago
[American
b.1939]
True Blonde (1999)
True Blonde Draped (1999)
Lisa Yuskavage (American, 1963)
Patrick Heron
[British Abstract Painter,
1920-1999]
Rumbold Vertical Three: Orange Disc
in Scarlet with Green : July 1970
oil on canvas
78 x 48 in / 198.1 x 121.9 cm,
Waddington Galleries
Robert Mapplethorpe
(American, 1946-1989)
Alex Katz
(b New York, 24 July 1927)
Late Spring, 1960
Elizabeth Peyton
(b Danbury, CT,
20 Dec 1965)
Piotr On The Couch, 1997
Gary Hume
(b Tenterden, Kent, 1962)
Peter Doig
(b Edinburgh,
17 April 1959)
Night Fishing, 1993, 200x249in /508x632.5 cm, Victoria Miro
Luc
Tuymans
(b Mortsel,
Belgium, 14
July 1958)
Gas Chamber 500×700 mm, 1986;
Amsterdam, Mus. Overholland
Diagnostische Blick IV, 1992
Private Collection

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23334216 9-new-formulations-of-realism-and-beauty-in-contemporary-painting

Editor's Notes

  1. Eddy, Don American painter and printmaker. He studied at the University of Hawaii in Honolulu (BFA, 1967, MFA, 1969) and came to prominence in the early 1970s as an exponent of Photorealism , producing airbrushed paintings based on photographs of automobiles (e.g. Untitled , 1971; Aachen, Neue Gal.), the displays in shop windows or still-lifes, as in New Shoes for H (1973; Cleveland, OH, Mus. A.). He treated similar subjects in screenprints and in colour lithographs such as Red Mercedes (1972; see 1973 exh. cat., p. 35). Rather than basing a painting or print on a single photograph, as was the case with other photorealists, Eddy would work from as many as 40 photographs to ensure a consistently sharp focus for his often spatially complex images.