In this class, we follow the development of modern art.

2. Gustave COURBET
Portrait of the Artist (Man with a Pipe)
c. 1848-49
Oil on canvas
17 3/4 x 14 5/8 in
Musee Fabre, Montpellier

3. Paul CÉZANNE
Man with a Pipe
c. 1892-96
oil on canvas
73 cm x 60 cm
The Courtauld Gallery,
London

4. Pablo PICASSO
Man with a Pipe
1915
Oil on canvas
51 1/4 x 35 1/4 in.

5. Pablo PICASSO
Spanish (1881–1973)
1911
Oil on canvas
35 11/16 x 27 15/16 in

6. René MAGRITTE (Belgium, 1898-1967)
The Treachery of Images (This is Not a Pipe)
1929
Oil on canvas, 23 3/4 x 31 15/16 inches

7. Damien HIRST
Crematorium
1996
Fibreglass, cigarettes, cigarette packaging, tobacco packaging, cigarette papers, matche
tissues, candy wrappers, swizzle sticks, drug paraphernalia and ash
23 x 96 x 96 inches

8. Nicolas Poussin, Landscape with a Calm, 1650-1, oil on canvas, 38 3/16 x 51 9/16 in.

10. how did we get here?

11. Titian, Venus of Urbino, 1538, oil on canvas

12. E.V. Day,
Flesh for Fantasy
1999, 4 blowup lovedolls and
stainless steel surgical wire
The pink vinyl flesh of two girls
and two boys is shredded into
fragments of varying degrees of
recognition and strewn through
out a room into what I hope will
be an explosive orgy. The
fragments are hung with
stainless steel steel surgical
wire, normally used for stitching
human bones. The wires are
connected to turn buckles in a
heart shaped configuration in
the floor, and shoot out
chaotically to the ceiling. "Flesh
for Fantasy" is situated in a
room with four entrances that
allows the viewer to pass
through and around the
installation from all directions.

13. key points
• moving past realist modes of representation (post-
photographic)
• art and commerce become completely enmeshed
• constant cross-pollination between elite and popular
culture
• development of self-reflective capacity
• critical perspectives on the treatment of women and non-
whites in previous art
• awareness of the power of representation to shape belief

14. photography becomes
big business
Gaspard Félix Tournachon, “Nadar”

15. Nadar's studio on the boulevard de
Capucines, Paris

16. Before there were selfies,
there were cartes-de-visite!

17. on the right:
Jackson Pollock, The Moon Woman, 1942
oil on canvas, 69 x 43 1/16 inches

18. Roy LICHTENSTEIN
M-Maybe, 1965
oil on canvas
60 x 60 inches

19. Robert Rauschenberg
Pilgrim, 1960

20. Eva HESSE
Ringaround Arosie
1965
Pencil, acetone, varnish,
enamel paint, ink and cloth-
covered electrical wire on
papier-mâché and masonite
26 3/8 x 16 1/2 x 4 ½ inches

21. ARTS 392
Ed Ruscha
Cold Beer Beautiful Girls
1993
84 x 60 1/8 inches

22. One cannot validly be for or against any particular body of art in
toto. One can only be for good or superior art as against bad or
inferior art. One is not for Chinese, or Western, or representational
art as a whole, but only for what is good in it. Experience itself—
and experience is the only court of appeal in art—has shown that
there is both good and bad in abstract art. And it has also revealed
that the good in one kind of art is always, at bottom, more like the
good in all other kinds of art than it is like the bad in its own kind.
Underneath all apparent differences, a good Mondrian or a good
Pollock has more in common with a good Vermeer than a bad Dali
has. A bad Dali has far more in common, not only with a bad
Maxfield Parrish, but with a bad abstract painting.

23. in a commercial culture?
where does art fit in…

24. Stuart DAVIS
Lucky Strike
1921
Oil on canvas
33 1/4 x 18 inches
© Art Resource / Scala Archive

25. Stuart DAVIS
Odol
1924
Oil on cardboard
24 x 18 inches
© Art Resource / Scala Archives

26. Stuart DAVIS
Premiere
1957
Oil on canvas
58 x 50 inches
© Estates of Stuart Davis / Licensed by
VAGA, New York, NY

27. Ray Johnson,
James Dean, (Lucky
Strike), 1957
collage on cardboard
panel, 18 by 13.4” inches

28. Ray Johnson, Mailing to Gerald Ayres (The Luckies) (1958-60)

29. Edward HOPPER, Gas, 1940, oil on canvas, 26 1/4 x 40 ¼ inches

30. Ed Ruscha, Standard Station, oil on canvas, 20.5 x 39 inches ,1966

31. Ed RUSCHA, Burning Gas Station. oil on canvas 20 1/2 x 39, 1966.

32. Ed Ruscha, The Los Angeles County
Museum on Fire, 1965–68
Oil on canvas. 53 1/2 x 133 1/2 in.
Hirshhorn Museum and Sculpture Garden,
Smithsonian

33. Jasper JOHNS, Painted Bronze. 1960. Oil on bronze.5 1/2 x 8 x 4 3/4"

34. Andy Warhol, Campbell's Soup Cans,1962.
Synthetic polymer paint on thirty-two canvases, Each canvas 20 x 16"

35. Haim STEINBACH
ultra red #2, 1986.
Wood, plastic laminates,
four lava lamps, nine
enamel pots, and six
digital clocks
67 × 76 × 19 inches
Solomon R.
Guggenheim Museum,
New York
© Haim Steinbach.
Photo: David Heald

36. Haim Steinbach
supremely black,
1985
wood, formica,
ceramic pitchers,
cardboard detergent
boxes
29 x 66 x 13 inches

37. Christo
Wrapped Can
(detail) 1958
Group of two cans, one wrapped, each: 5 x
4 1/8”
Fabric, rope, lacquer, paint, sand and two
cans
Photo: Wolfgang Volz
© 1958 Christo

38. Christo
Wrapped Bottle
1958
8 x 3" (20.3 x 7.6 cm)
Fabric, rope, lacquer, paint, sand and bottle
Photo: Hugo Doetsch
© 1958 Christo

39. Christo
Wrapped Cans
1958
D: 4 1/8”
H: 4 3/4 to 5 1/2”
Fabric, rope, lacquer,
paint, sand and five cans
Photo: Wolfgang Volz
© 1958 Christo

40. Christo
Shelves
1958
35 1/2 x 11 7/8 x 7" (90 x 30 x 18 cm)
Fabric, rope, lacquer, paint, sand, nine
cans, wooden shelf, glass and steel
wire mesh
Photo: Eeva-Inkeri
© 1958 Christo

41. Jeff Koons
New Shelton Wet/Dry Doubledecker
1981
Vacuum cleaners, plexiglass, and
fluorescent lights
8' 5/8" x 28" x 28"

42. CHRISTO
Wrapped Museum (Project for the Museum of Contemporary Art, Chicago)
Scale model 1969
Photo: Michel Boulet
© 1969 Christo

43. Christo and Jeanne-Claude
Wrapped Museum of
Contemporary Art, Chicago
1968-69
Photo: Harry Shunk
© 1969 Christo

44. Christo and Jeanne-Claude
Wrapped Museum of
Contemporary Art, Chicago
1968-69
Photo: Harry Shunk
© 1969 Christo

45. Christo and Jeanne-Claude
Wrapped Museum of Contemporary Art, Chicago, 1968-69
Photo: Harry Shunk
© 1969 Christo

46. Christo and Jeanne-Claude
Wrapped Museum of
Contemporary Art, Chicago,
1968-69
Photo: Harry Shunk
© 1969 Christo

47. Christo and
Jeanne-Claude
Running Fence,
Sonoma and Marin
Counties,
California, 1972-76
Photo: Wolfgang
Volz
© 1976 Christo

48. Christo and Jeanne-Claude
Running Fence, Sonoma and Marin Counties, California, 1972-76
Photo: Jeanne-Claude
© 1976 Christo

49. Tom SACHS
Hermés Value
Meal
1997
cardboard, thermal
adhesive
15.35" x 7.87" x 7.87"

50. Sylvie FLEURY
(Gold) Cage LKW
2003
Brass
230 x 230 x 230 cm
Edition unique

51. Hans Haacke. U.S. Isolation Box Granada, 1983, 1984.