Andy WarholColor & Shape<br />Andy Warhol (American, 1928-1987)<br />Camouflage, 1987<br />screen prints on Lenox Museum B...
Shapes are enclosed objects and can be created by line, color and value changes that define their edges.<br />Shapescan be...
Shape<br />Shape is considered to be a two-dimensional element, while three-dimensional elements have volume or mass.<br /...
What is positive and negative space?<br />Andy Warhol (American, 1928-1987)<br />Space Fruit: Still Lifes (Cantaloupes I),...
Identify and describe the shapes.<br />Are they organic or geometric?<br />How are the shapes’ edges defined?<br />Identif...
Andy Warhol (American, 1928-1987)<br />Space Fruit: Still Lifes (Pears), 1979<br />screen print on Lenox Museum Board<br /...
Andy Warhol (American, 1928-1987) <br />Grapes, 1979<br />screen print on Strathmore Bristol Series 500 paper  <br />40 x ...
Andy Warhol (American, 1928-1987)<br />Skulls, 1979 <br />Screen print on Lenox Museum Board 30 x 40 in. <br />The Andy Wa...
Color Theory<br />Why is color theory important?<br />
Monochromatic<br />Uses shades or tints from the same hue<br />Andy Warhol (American, 1928-1987) <br />Sunset, 1972 <br />...
Neutral Colors<br />Neutral colors or earth tones are not seen on most color wheels. Black, gray, whites are neutral. Brow...
 Complementary colors
 All three primaries together (plus some black or white)</li></li></ul><li>Analogous<br />Any three colors which are side ...
Complementary<br />Two colors that are the direct opposite of each other, such as red and green and blue-purple and yellow...
Andy Warhol <br />(American, 1928-1987) <br />Flowers, 1970 <br />Screen print on paper <br />36 x 36 in. <br />The Andy W...
Andy Warhol <br />(American, 1928-1987)<br />Camouflage, 1986acrylic and silkscreen <br />ink on linen<br />40 x 40 in. <b...
Tint and Shade<br />Andy Warhol (American, 1928-1987) <br />Flowers, 1970 <br />Screen print on paper  <br />36 x 36 in. <...
Temperature<br />Color temperate can help enhance the mood of an image.<br />Andy Warhol (American, 1928-1987) Vesuvius, 1...
ColorVariations<br />Andy Warhol (American, 1928-1987)<br />Camouflage, 1986<br />acrylic and silkscreen ink on linen<br /...
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Teoría del color AW

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La teoría del color por Andy Warhol

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Teoría del color AW

  1. 1. Andy WarholColor & Shape<br />Andy Warhol (American, 1928-1987)<br />Camouflage, 1987<br />screen prints on Lenox Museum Board,38 x 38 in. <br />The Andy Warhol Museum, PittsburghFounding Collection, <br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© AWF<br />
  2. 2. Shapes are enclosed objects and can be created by line, color and value changes that define their edges.<br />Shapescan be: <br />organic (irregular shapes found in nature) also called “natural” <br /> geometric(shapes with strong lines and angles such as circles, triangles, and squares).<br />
  3. 3. Shape<br />Shape is considered to be a two-dimensional element, while three-dimensional elements have volume or mass.<br />Andy Warhol (American, 1928-1987)<br />Skulls, 1979 <br />Screen print on Lenox Museum Board 30 x 40 in. <br />The Andy Warhol Museum, Pittsburgh <br />Founding Collection, Contribution Dia Center for the Arts. © AWF<br />
  4. 4. What is positive and negative space?<br />Andy Warhol (American, 1928-1987)<br />Space Fruit: Still Lifes (Cantaloupes I), 1979<br />screen print on Lenox Museum Board<br />30 x 40 in. <br />The Andy Warhol Museum, PittsburghFounding Collection, Contribution Dia Center for the Arts© AWF<br />Why is it important to consider both positive and negative space when creating your composition?<br />
  5. 5. Identify and describe the shapes.<br />Are they organic or geometric?<br />How are the shapes’ edges defined?<br />Identify the dominant shapes in each composition.<br />Andy Warhol (American, 1928-1987)<br />Space Fruit: Still Lifes, 1979<br />screen print on Lenox Museum Board, 30 x 40 in. each <br />The Andy Warhol Museum, PittsburghFounding Collection <br />Contribution Dia Center for the Arts© AWF<br />
  6. 6. Andy Warhol (American, 1928-1987)<br />Space Fruit: Still Lifes (Pears), 1979<br />screen print on Lenox Museum Board<br />30 x 40 in. <br />The Andy Warhol Museum, PittsburghFounding Collection<br />Contribution Dia Center for the Arts© AWF<br />Andy Warhol’s Printing Process:<br />Warhol would print the background color and the shapes first, then the photographic image of fruit, finishing with hand drawn layer.<br />
  7. 7. Andy Warhol (American, 1928-1987) <br />Grapes, 1979<br />screen print on Strathmore Bristol Series 500 paper <br />40 x 30 in. <br />The Andy Warhol Museum, Pittsburgh, Founding Collection<br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF<br />
  8. 8. Andy Warhol (American, 1928-1987)<br />Skulls, 1979 <br />Screen print on Lenox Museum Board 30 x 40 in. <br />The Andy Warhol Museum, Pittsburgh, Founding Collection<br />Contribution Dia Center for the Arts. © AWF<br />
  9. 9. Color Theory<br />Why is color theory important?<br />
  10. 10. Monochromatic<br />Uses shades or tints from the same hue<br />Andy Warhol (American, 1928-1987) <br />Sunset, 1972 <br />Screen print on Paper<br />34 x 34 in.<br />The Andy Warhol Museum, Pittsburgh, Founding Collection Contribution Dia Center for the Arts© AWF<br />
  11. 11. Neutral Colors<br />Neutral colors or earth tones are not seen on most color wheels. Black, gray, whites are neutral. Browns, beiges and tans are sometimes neutral too. Neutral colors can be made by mixing: <br /><ul><li> Black and white
  12. 12. Complementary colors
  13. 13. All three primaries together (plus some black or white)</li></li></ul><li>Analogous<br />Any three colors which are side by side on a 12 part color wheel, such as yellow-green, yellow, and yellow-orange. Usually one of the three colors predominates. <br />Andy Warhol <br />(American, 1928-1987)<br />Cologne Cathedral, 1985<br />Screen prints with diamond dust on Lenox Museum Board<br />39 3/8 x 31 1/2 in. <br />The Andy Warhol Museum <br />PittsburghFounding Collection <br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© AWF<br />Andy Warhol <br />(American, 1928-1987)<br />Camouflage, 1987<br />Screen prints on Lenox Museum Board<br />38 x 38 in. <br />The Andy Warhol Museum <br />PittsburghFounding Collection<br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© AWF<br />
  14. 14. Complementary<br />Two colors that are the direct opposite of each other, such as red and green and blue-purple and yellow-orange. Complementary colors create the most contrast and balance in design. <br />Andy Warhol (American, 1928-1987)Flowers, 1970, screen print on paper, 36 x 36 in. The Andy Warhol Museum, PittsburghFounding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF<br />Space Fruit: Still Lifes (Pears), 1979screen print on Lenox Museum Board30 x 40 in. The Andy Warhol Museum, PittsburghFounding Collection, Contribution Dia Center for the Arts© AWF<br />
  15. 15. Andy Warhol <br />(American, 1928-1987) <br />Flowers, 1970 <br />Screen print on paper <br />36 x 36 in. <br />The Andy Warhol Museum, Pittsburgh, <br />Founding Collection <br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF<br />Analogous with Complementary emphasis<br />Andy Warhol <br />(American, 1928-1987)<br />Sunset, 1972 <br />Screen print on Paper<br />34” x 34” <br />The Andy Warhol Museum, Pittsburgh, <br />Founding Collection Contribution Dia Center for the Arts© AWF<br />
  16. 16. Andy Warhol <br />(American, 1928-1987)<br />Camouflage, 1986acrylic and silkscreen <br />ink on linen<br />40 x 40 in. <br />The Andy Warhol Museum, Pittsburgh, Founding Collection,<br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc. <br />© AWF<br /> <br />Andy Warhol <br />(American, 1928-1987)<br />Camouflage, 1986acrylic and silkscreen <br />ink on linen<br />40 x 40 in. <br />The Andy Warhol Museum, Pittsburgh, Founding Collection,<br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc. <br />© AWF<br />Value<br />
  17. 17. Tint and Shade<br />Andy Warhol (American, 1928-1987) <br />Flowers, 1970 <br />Screen print on paper <br />36 x 36 in. <br />The Andy Warhol Museum, Pittsburgh Founding Collection, <br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF<br />Andy Warhol (American, 1928-1987)<br />Camouflage, 1987<br />Screen prints on Lenox Museum Board<br />38 x 38 in. <br />The Andy Warhol Museum, Pittsburgh, Founding Collection<br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF<br />
  18. 18. Temperature<br />Color temperate can help enhance the mood of an image.<br />Andy Warhol (American, 1928-1987) Vesuvius, 1985screen print on Arches 88 paper, 31 7/16 x 39 1/4 in. The Andy Warhol Museum, PittsburghFounding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© AWF<br />
  19. 19. ColorVariations<br />Andy Warhol (American, 1928-1987)<br />Camouflage, 1986<br />acrylic and silkscreen ink on linen<br />40 x 40 in. each <br />The Andy Warhol Museum, Pittsburgh,Founding Collection, <br />Contribution The Andy Warhol Foundation for the Visual Arts, Inc. <br />© AWF<br />
  20. 20. Test your knowledge<br />Andy Warhol (American, 1928-1987)<br />Space Fruit: Still Lifes, 1979, <br />screen print on Lenox Museum Board<br />30 x 40 in. each <br />The Andy Warhol Museum, PittsburghFounding Collection<br />Contribution Dia Center for the Arts© AWF<br />

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