The document provides information on artworks created between 1954-1991 by artists such as Carl Andre, Donald Judd, Frank Stella, Robert Morris, Dan Flavin, Sol LeWitt, Jasper Johns, Andy Warhol, Tony Smith and others. It lists the titles, dates, materials, dimensions and locations of their sculptures, installations and other works.
Sol Le Witt Post Minimalism And Jewish IdentityPaige Dansinger
A closer look at artist Sol LeWitt...Jewish Identity in Postminimalism. Including a look at Jews who have contributed to the discourse of art history; as art critics, professors and historians.
Sol Le Witt Post Minimalism And Jewish IdentityPaige Dansinger
A closer look at artist Sol LeWitt...Jewish Identity in Postminimalism. Including a look at Jews who have contributed to the discourse of art history; as art critics, professors and historians.
Para ver los videos de la presentacion es necesario descargar el archivo y abrir la presentacion en power point, Patologia Epilepsia, videos de diferentes estados convulsivos epilepticos, tratamiento, epileptico
Para ver los videos de la presentacion es necesario descargar el archivo y abrir la presentacion en power point, Patologia Epilepsia, videos de diferentes estados convulsivos epilepticos, tratamiento, epileptico
A lecture designed to introduce the basic principles of Modernism and its fragmentation in the 1960s. Its basic emphasis is upon the plurarity of forms of art spawned from reactionary and critical break with Greenberg's notion of 'pure', autonomous disciplines.
(If you want to read my notes, download this presentation).
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
5. ANDRE, Carl
Stile (Element Series), New York 1960 (proposed) / New
York 1975 (made)
Private collection, Installation Museum Kurhaus Kleve.
Photo: Achim Kukulies, Düsseldorf
10. JUDD, Donald
Untitled
1967 (refabricated 1973-75)
Lacquer on galvanized iron, 65.1 x 194.6 x 37.2 cm
MoMA Gift of Philip Johnson (by exchange)
11. JUDD, Donald
Untitled
1967
Blue lacquer on galvanized iron, 14 1/2 x 76 1/2 x 25 1/2 in
The Museum of Contemporary Art, Los Angeles, The Barry Lowen Collection
12. JUDD, Donald
Untitled
1966
Galvanized iron; 7 units, 9 x 40 x 31 in
Private collection
45. ANDRE, Carl
Convex Pyramide
1959-2000
African Walnut
each: 4.4 x 10.1 x 57.8 cm
overall: 192 x 57.8 x 57.8 cm
46. ANDRE, Carl
The way north, south and west (uncarved blocks) Western red
cedar, 4 units: each 30.5 x 30.5 x 91.5 cm; 91.5 x 122.0 x 152.5
cm installed
John Kaldor Family Collection at the Art Gallery of New South
Wales
64. 15 untitled works in concrete, 1980-1984
The fifteen concrete works by Donald Judd that run along the border of Chinati's property (Chinati Foundation, Marfa, TX) were the first works to be installed at
the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the
same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the Dia
Art Foundation
65. JUDD, Donald
15 untitled works in concrete
1980-1984, detail
Chinati Foundation, Marfa, Texas
66. JUDD, Donald
15 untitled works in concrete
1980-1984, detail
Chinati Foundation, Marfa, Texas
67. JUDD, Donald
15 untitled works in concrete
1980-1984, detail
Chinati Foundation, Marfa, Texas
68. JUDD, Donald
Untitled (Menziken 89-6)
1989
Anodized aluminum clear and blue with blue Plexiglas, 100 × 200 × 200 cm
69. JUDD, Donald
Untitled
1991
Painted aluminum, 150 x 750 x 165 cm
Bequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund,
Patricia Cisneros, Doris Fisher, Mimi Haas, Marie-Josée and Henry R. Kravis, and Emily Spiegel, MoMA
70. JUDD, Donald
Untitled, 100 works in mill aluminum
1982-1986, detail
Chinati Foundation, Marfa, Texas
71. JUDD, Donald
Untitled, 100 works in mill aluminum
1982-1986, detail
Chinati Foundation, Marfa, Texas
75. FLAVIN, Dan
Untitled (to Jan and Ron Greenberg)
1972-73
Installation view: Arte Minimal: Coleccion
Panza, Museo nacional centro de arte Reina
Sofia, Madrid, March 24–December 31, 1988
Photo: Raphael Lobato
76. FLAVIN, Dan
Nine works
197-1983
Installation view at The Dan Flavin Art Institute
82. SMITH, Tony
Duck
1962-63
Painted steel, 345.4 x 421.6 x 281.9 cm
The Donald M. Kendall Sculpture Garden at
PepsiCo (Purchase, New York),April 28, 2009
85. KAPOOR, Anish
Cloud Gate 2004
Stainless steel, 33 ft × 66 ft × 42 ft
Millennium Park, Chicago. Courtesy of the City of Chicago and Gladstone Gallery, New York
Photo: Peter J. Schulz, City of Chicago
86. KAPOOR, Anish
Sky Mirror
2006
Stainless steel, 35 ft diameter
presented by Tumi at Rockefeller Center
Organized by Public Art Fund, hosted by Tishman Speyer, on view Sep
19 – Oct 27, 2006
Photo: Seong Kwon Photography
Courtesy: Public Art Fund
91. NETO, Ernesto
It Happens in the Horizon of Events, Garden
2001-07
Lycra tulle, polyamide, stockings, stones and gravel, 8 × 98 × 98‘
Tokyo Opera City Art Gallery, 2007
Photo: Keizo Kioku. Courtesy of the artist
92. NETO, Ernesto
Our Mist into the Mith
2008
Wood, nylon tulle, cotton, spices and sobakawa, 650 x 760 x 930 cm
101. HEIZER, Michael
Rift # 1 of Nine Nevada Depressions (deteriorated)
1968
1.5 ton displacement on the bottom of a dry lake bed
Width: (cm) 4500, Height (cm): 15800,
Depth (cm): 300
Massacre Dry Lake, Nevada
Imageworks, Art, Architecture and Engineering Library, University of
Michigan
102. De MARIA, Walter
The Lightning Field, 1977
Long-term installation in
Western New Mexico
Courtesy Dia Art Foundation, New York. Photo: John Cliett
104. De MARIA, Walter
The Lightning Field Catron Country
1977
Western New Mexico
Photo: Dia Art Foundation
105. De MARIA, Walter
The Broken Kilometer
1979
Long-term installation at
393 West Broadway, New York City. Photo: Jon
Abbott Copyright Dia Art Foundation
106. Christo and Jeanne-Claude
PROJECT 1: Wrapped Coast – One Million Square
Feet, Little Bay, Sydney, Australia, 1968–69
Photo: Harry Shunk
108. LONG, Richard
Silence Circle Big Bend Texas
1990
Photograph, black and white, on paper and typescript, 830 x 1121 mm
Purchased with assistance from the American Fund for the Tate Gallery, courtesy of Edwin C. Cohen and
General Atlantic Partners 1991
110. LONG, Richard
A Circle in Ireland
1975
Photograph, colour on paper, 810 x 1115 mm
ARTIST ROOMS Tate and National Galleries of Scotland. Lent by Anthony d'Offay 2010
111. LONG, Richard
Circle in Africa
1978
Photograph, black and
white, on paper, 820 x 1120
mm
Tate, UK
Purchased 1994
125. HESSE, Eva
Tori
1969
Polyester, resin, and fiberglass on wire mesh, 119.4 x 43.2 x 38.1 cm
Philadelphia Museum of Art, US
126. HESSE, Eva
Test Piece for “Contingent”
1969
Latex over cheesecloth, 365.8 x 111.8 cm
National Gallery of Art, Washington DC
Gift of the Collectors Committee
127. HESSE, Eva
Contingent
1969
Cheesecloth, latex, fibreglass installation (variable), 350.0 x
630.0 x 109.0 cm
National Gallery of Australia Purchased 1973 Courtesy The
Estate of Eva Hesse, Galerie Hauser & Wirth, Zurich
132. SERRA, Richard (left to right)
1. Shovel Plate Prop 1969 - Plate, 99.1cm x 2m x 2.5 cm, Photograph by Peter Moore
2. Close Pin Prop 1969 - Pole, 2.5 m; 8.9 cm diam.; tube, 101.9 cm long 15.2 cm diam., Solomon R. Guggenheim
Museum, NY, Panza Collection
3. Wall Plate Prop 1969 - Two plates: 88.9 x 88.9 cm; 101.6 x101.6 cm, Collection the artist
4. Right Angle Prop 1969 - Plate: 182.9 x 182.9 x 1.3 cm, angle: 91.4 x 61 x 86.4 cm, Solomon R. Guggenheim
Museum, NY, funds by The Theidoron Foundation
141. SERRA, Richard
2-2-1: To Dickie and Tina
1969, 1994
Lead, 1320 x 3490 x 1320 mm
Tate
Purchased with assistance from the American Fund
for the Tate Gallery 1997
142. SERRA, Richard
Circuit II
1972-86
Hot-rolled steel, four plates, each 304.5 x 609 x 2.6 cm
The Museum of Modern Art, New York. Enid A. Haupt and S. I. Newhouse, Jr. Funds, 1986
148. SERRA, Richard
"7“
Almost 80-foot high, 7 steel plates - each 78 feet
high and 8 feet wide - arranged in a heptagonal or
seven-sided shape
It was unveiled in 2011 and is the tallest artwork
ever created by Serra
It celebrates the spiritual and scientific
significance of the number 7 in Islamic culture
Museum of islamic Art, Doha, Qatar
161. SERRA, Richard
Two Forged Rounds for Buster Keaton, 1991
Forged steel, 2 elements: 162.6 x 226.1 cm
162. SERRA, Richard
Intersection II
1992-93
Weatherproof steel, four identical conical sections,
two sections 400 x 1570 along the chord x 5.4 cm
thick; two sections 400 cm x 1550 cm along the
chord x 5.4 cm
163. SERRA, Richard
Intersection II
1992-93
Weatherproof steel, four identical conical sections,
two sections 400 x 1570 along the chord x 5.4 cm
thick; two sections 400 cm x 1550 cm along the chord
x 5.4 cm
164. SERRA, Richard
Torqued Torus Inversion and Sequence, 2006
Weatherproof steel, two torqued toruses, each overall: 3.9 x 11 x 17.9 m, plate: 5.1 cm thick
Collection the artist
165. SERRA, Richard
Betwixt the Torus and the Sphere (detail), 2001
Weatherproof steel, three spherical sections, three torus sections, 360.7 x 1143 x 810.3cm
Photo by Rob McKeever
169. SERRA, Richard
Installation by the American artist Richard Serra at the Guggenheim. Photograph: Vincent West/Reuters
170. SERRA, Richard
Double Torqued Ellipse
Weatherproof steel, Outer ellipse, overall: 4×10.2×8.3 m, inner ellipse, overall: 4×8×2.5 m, plates: 5.1
cm thick
Dia Foundation, New York. Gift of Louise and Leonard Riggio. Photographed by Dirk Reinartz. Courtesy
of the artist and Gagosian Gallery
172. SERRA, Richard
Torqued Ellipse IV
1998
Weatherproof steel, 373.4 x 807.7 x 990.6 cm
The Museum of Modern Art, New York. Fractional
and promised gift of Leon and Debra Black,
1999. (c) 2007 Richard Serra / Artists Rights
Society (ARS), New York
Photo: Lorenz Kienzle
176. SERRA, Richard
Exhibition copy of "Pacific Judson Murphy" (1978)
Paintstick on Belgian linen by Richard Serra two parts: 285 x 442 cm and 285 x 272 cm Private collection Photo: Ian
Reeves, S. F. Museum Of Modern Art
182. SANDBACK, Fred
Untitled (from Ten Vertical Constructions)
1977
Two-part vertical construction, red (variation)
Dia Art Foundation
Photo: Nic Tenwiggenhorn
203. NAUMAN, Bruce
Untitled (Three Large Animals)
1989
Aluminium and wire, 1200 x 3000 x 3000 mm
Tate
Presented by the Froehlich Foundation,
Stuttgart 2000