Analysing Artist Models
Level 2/3



Analysing and Using the
       ‘Artist Model’
Antonio Tapies




Barry McGee      Jean Michel Basquiat
Cy Twombly, ‘Coronation of
                               Sesostris.’
Cy Twombly, Crossing
Antonio Tapies




                 Homenatge a joan prats, lithography
                 Antonio Tapies
 Barry McGee
Using artist models, compare and annotate, similarities & differences:
Use headings like:

Subject Matter
Content
Media
Technique
Composition
Colours
Light
Style
Compare & Contrast




William Sutton, 1950,
‘Nor’wester in the
Cemetry,’ oil on canvas,
152.0 x 183.0 cm
Compare & contrast: Create a word bank using key words




 Smither, 1969-70, cross for Rita Angus   Hotere, 34
EXPLICIT ARTIST MODEL




  Stanley Palmer
Stanley Palmer
Implicit




Colin McCahon
Implicit


‘Four Waterfalls’
1964, pva on
board, mounted on
board, 63x63 cm




Colin
McCahon
Explicit




Charles Heaphy, Off Point Jackson, Cook Strait, Part 1, 1848




Charles Heaphy, Main Entrance to Queen Charlotte Sound, 1848
Explicit




Gregory O’Brien, 1867, Otago Harbour & Peninsula,
Implicit/Explicit




Michel Smither (1969-70) Cross For Rita Angus, oil on board, 77X76
Implicit




 McCahon, Red & Black Landscape,
 1959, enamel paint & sand on
 hardboard, 673mm x 441mm
Draw this Gregory O’Brien landscape.




Gregory O’Brien, 1848, Dunedin Harbour from Flagstaff.
Draw this McCahon landscape. Annotate using formal art terms to describe elements.




  Colin McCahon, 1958, commercial oil-based paint 8 unstretched canvas panels .
Compare & Contrast, Note similarities & differences




Use formal language:
Composition
Form
Tone
Colour
Artist intentions
Level 3 Analysis page
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2006

Analysing and using 'the artist model'