This document provides information on conceptual artworks created in the 1960s and 1970s by various artists including Joseph Kosuth, Mel Ramsden, John Baldessari, John Latham, Robert Barry, Lawrence Weiner, Keith Arnatt, On Kawara, Dan Graham, Bruce Nauman, Marcel Broodthaers, and Victor Burgin. It lists the titles, materials, dimensions and dates of conceptual pieces that explored language, information, perception and time through means such as photography, film, printed text and installation.

1. Arte Conceitual

2. Joseph Kosuth

4. One and Three Lamps

5. Four words four colors. 1965

6. "Art as idea as idea", 1965

7. Clock (One and Five), English/Latin Version 1965

8. Language Must Speak for Itself - 1991

11. "Mapas de Lenguaje, en su
totalidad o en una parte", 2008

14. Mel Ramsden
Two Black Squares
1965
Enamel paint on wood
Object: 331 x 329 x 38 mm
support: 331 x 329 mm

15. Black Painting 1966

16. Secret painting 1967 – 1968
oil on canvas and Photostat

17. 1000 % Abstract, 1968

18. Guaranteed Painting, 1967-1968

20. Secret Painting

22. John Baldessari
I am Making Art
1971
Video (black and white, sound)
18:40 min.

24. Nose Ears

25. Pure Beauty, 1967-68

28. The Pencil Story, 1972 - 1973

29. What Is Painting, 1967-68

30. Tips for Artists Who Want to Sell

31. Thread, 1986

32. Portrait. self, No. as
Control . más 11
Alterations by Retouching
and Airbrushing, 1974

33. Hitch-hiker (Splattered Blue), 1995

34. Beethoven's
Trumpet (With Ear),
Opus 127, 2007

35. John Latham
Film Star
1960
Books, plaster and metal on canvas
Object: 1600 x 1981 x 228 mm

36. Film Star
1960
Books, plaster and metal on
canvas
Object: 1600 x 1981 x 228 mm

37. Belief System
1959
Books, plaster, metal, light bulb and paint
on canvas on board
Displayed: 1225 x 965 x 280 mm

38. One-Second Drawing (17” 2002) (Time Signature 5:1)
1972
Acrylic and enamel on wood
271 x 369 x 26 mm

39. Time Base Roller
1972
Steel, canvas, acrylic paint, ink and motor
1850 x 6370 x 660 mm

40. Time Base Roller
1972
Steel, canvas, acrylic paint, ink and motor
1850 x 6370 x 660 mm

41. Full Stop
1961
Acrylic paint on canvas
Support: 3015 x 2580 x 40
mm

42. Observer IV
1960
Plaster, resin, books, wire, metal and spray paint on canvas and
board
Object: 2440 x 1830 x 380

43. Five Sisters Bing
1976
Books
Object: 190 x 622 x 457 mm

44. Flat Time I-IO
From (5 photo etchings)
2004
Photo-etching on paper
Image: 598 x 803 mm
support: 792 x 997 mm
plate: 605 x 807 mm

45. The N-U Niddrie Heart 1991
6 assemblages
Glass, books, paper,
plaster, electrical wire, light
bulbs, metal fittings and
sand
Dimensions variable

46. God is Great

47. Robert Barry
Silver Sides
1966
Colored pencil on colored paper
(19.1 x 49.5 cm)

48. Untitled
August 1967
Synthetic polymer paint on
canvas on wood, in four parts
Each wood square (7.6 x 7.6
cm), overall (152.4 x 152.4 cm)

49. 25 plates from Untitled (Xerox
Book)
1968
Offset lithographs
27 x 21.2 cm

50. Basic Format for Outside
Sculpture (Finding a Grid
among Randomly Located
Trees...)
1968
Felt-tip pen and colored ink
on graph paper
21.6 x 28.3 cm

51. Untitled
1968
Stainless steel and nylon
monofilament
Overall dimensions
variable

52. Word Building

58. Untitled (Answer...Quiz)
1969
Transfer type and pencil on transparentized graph paper

59. Lawrence Weiner
Untitled
1965
Watercolor, colored pencil, and pencil on graph paper
35.6 x 27.9 cm

60. Untitled
1966
Gouache, acrylic, metallic paint,
and felt-tip pen on graph paper
30.2 x 40.3 cm

61. SPHERES OF INFLUENCE
1990
Gouache, graphite, ink and
type on paper
Support: 435 x 355 mm

62. SPHERES OF INFLUENCE
1990
Gouache, graphite, ink and
type on paper
Support: 435 x 355 mm

64. Reduced, 1970 paint on wall

67. TO SEE AND BE SEEN, 1972.

68. FIRE AND BRIMSTONE
SET IN A HOLLOW
FORMED BY HAND
1988
Vinyl wall text
Overall display
dimensions variable

69. Keith Arnatt

70. Self-Burial (Television Interference Project)
1969
9 photographs, black and white, on paper
mounted on board
Image (x 9 @): 467 x 467 mm
frame (x 9 @): 477 x 477 mm
overall (variable): 1619 x 1619 mm

71. Portrait of the Artist as a Shadow of his Former
Self
1969–72
Photograph, colour, Cibachrome print, on
paper
Support: 915 x 915 mm

72. Walking the Dog
1976–9
Medium
Photograph, gelatin silver print on paper
Dimensions
Unconfirmed: 390 x 305 mm

73. Walking the Dog
1976–9
Medium
Photograph, gelatin silver print on paper
Dimensions
Unconfirmed: 390 x 305 mm

74. Walking the Dog
1976–9
Medium
Photograph, gelatin silver print on paper
Dimensions
Unconfirmed: 390 x 305 mm

75. 1220400 – 0000000
1970
Typewritten text and ink on
paper with collage additions

76. Pictures from a Rubbish Tip
1988–9
Medium
Photograph, colour, on paper
Dimensions
Support: 506 x 608 mm

77. Pictures from a Rubbish Tip
1988–9
Medium
Photograph, colour, on paper
Dimensions
Support: 506 x 608 mm

78. On Kawara
canvases from the 'Today
Series' (1966 - 2014)

84. I Got Up...
1970
Stamped ink on twenty-eight postcards

85. I Am Still Alive
1970
Ballpoint pen on
four telegrams
14.9 x 21 cm

88. John Hilliard
Camera Recording its Own Condition (7
Apertures, 10 Speeds, 2 Mirrors)
1971
70 photographs, black and white, on card on
Perspex
Image: 2174 x 1832 mm
(upper panel: 1075 x 1832 mm , bottom
panel: 1075 x 1832 mm)

89. Sixty Seconds of Light
1970
12 photographs, black and white, on paper
Image: 400 x 6001 mm

90. Langdale Fell, Motion
Frozen/Frozen Motion
1979
Photograph, black and
white, on board and
transfer lettering
Framed: 746 x 1041 x 31
mm

91. ‘Facade’ and ‘Flight of Happiness’
1982
Photograph, colour, on paper and board
Image: 407 x 699 mm
image: 178 x 470 mm
image: 165 x 470 mm

92. Cause of Death,1974

94. Gazing At The Mirror

95. Colour Less

96. Dan Graham
Two Correlated Rotations
1970–2
Film, 2 projections, black and white and
sound, photographs and typescript on
paper
Overall display dimensions variable

97. Side Effect/Common Drug
1966
Gelatin silver print
115.7 x 75.5 cm

98. Sunset to Sunrise
1969
Super 8mm film
transferred to 16mm
film (color, silent)
4:20 min. loop

104. Time Delay Room 1974

105. Performer/Audience/Mirror
1975
Video (black and white, sound)

106. Bruce Nauman
Composite Photo of Two Messes on the Studio Floor
1967
Gelatin silver print
102.9 x 312.4 cm

107. Art Make-Up: No. 1 White, No. 2 Pink, No. 3
Green, No. 4 Black
1967 – 1968
16mm film transferred to video (color,
sound)
40 min

108. Bouncing Two Balls Between the Floor
and Ceiling with Changing Rhythms
1967 – 1968
16mm film transferred to video (black
and white, sound)
10 min

109. Playing a Note on the Violin While I
Walk Around the Studio
1967 – 1968
16mm film transferred to video (black
and white, sound)
10 min

110. a
From Studies for Holograms (a-e)
1970
Screenprint on paper
Image: 517 x 662 mm
frame: 692 x 692 x 25 mm

111. b
From Studies for Holograms (a-e)
1970
Screenprint on paper
Image: 513 x 662 mm

112. [title not known]
From Frankfurt Portfolio
1990
Lithograph on paper
Unconfirmed: 485 x 325 mm

113. Good Boy Bad Boy
1985
Video, 2 monitors, colour and audio (mono)
Duration: 60 min., 52 sec.

114. MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop
(Fat Chance John Cage)
2001
Video, 7 projections, colour and sound (mono)
Duration: 5hours, 45min
Overall display dimensions variable

115. Marcel Broodthaers
I Return to Matter, I Rediscover the Tradition of the
Primitives, Painting with Egg, Painting with Egg
Je retourne à la matière, je retrouve la tradition des
primitifs, peinture à l'oeuf, peinture à l'oeuf
1966
Wooden box, egg shells, printed paper and metal
Object: 257 x 257 x 76 mm

116. Rebus
Rébus
1973
Lithograph on paper
Image: 700 x 500 mm

117. The Farm Animals
Les Animaux de la ferme
1974
Lithograph on paper
Image: 819 x 603 mm

118. Paintings
Peintures
1973
Oil paint on 9 canvases
Support, each: 800 x 1000 x
18 mm
frame: 800 x 1000 mm
displayed: 2640 x 3240 mm

119. Mademoiselle Rivière and Monsieur Bertin
1975
9 photographs, black and white, on paper on board
Frame: 1010 x 905 x 57 mm
support: 839 x 735 mm

120. Comedy
Comédie
1974
Lithograph on paper
Image: 635 x 457 mm

121. Maria
1966
Dress, hanger, and eggshells
glued to shopping bag, on
painted canvas

122. Four Eggs
1966
Eggshells and paint on canvas

123. Casserole and Closed Mussels
Casserole et moules fermées
1964
Mussel shells, pigment, polyester resin and iron
casserole with wooden handles
Object: 305 x 279 x 248 mm

124. A Railway Robbery
Ein Eisenbahnüberfall
1972
Lithograph on paper
Image: 841 x 559 mm

125. Street René Magritte
Street (Rue René
Magritte Straat)
1968
Screenprinted vacuum-formed
plastic

126. "Fémur d'homme belge"
and "Fémur de la femme
francaise" (1964/65)

128. Victor Burgin
25 feet two hours
1969
Card file with 26 cards with typescript and 25
photographs, black and white on paper
Unconfirmed: 150 x 220 x 105 mm

129. Office at Night, 1986

131. Sensation. Contradiction. Logic”, 1974

132. [no title]
From Fiction Film
1991
Screenprint on paper
Image: 756 x 951 mm
frame: 795 x 991 x 23mm

133. [no title]
From Fiction Film
1991
Screenprint on paper
Image: 756 x 951 mm
frame: 795 x 991 x 23mm

134. [no title]
From Fiction Film
1991
Screenprint on paper
Image: 756 x 951 mm
frame: 795 x 991 x 23mm