Impressionism
Characteristics
• Avant-garde artists
• Interested in the quick, transient, fleeting effect
  of light on a surface
• Shadows have color
• Interested in how time of day or season controls
  appearance of object
• Landscapes (Monet), figures (Renoir, Degas,
  Morisot, Cassatt), still-lifes
Figure 29-20 CLAUDE MONET, Impression: Sunrise, 1872. Oil on canvas, 1’ 7 1/2” x 2’
                      1 1/2”. Musée Marmottan, Paris.
Figure 29-21 CLAUDE MONET, Saint-Lazare Train Station, 1877. Oil on canvas, 2’
                  5 3/4” x 3’ 5”. Musée d’Orsay, Paris.
Figure 29-22 GUSTAVE CAILLEBOTTE, Paris: A Rainy Day, 1877. Oil on canvas,
   approx. 6’ 9” x 9’ 9”. The Art Institute of Chicago, Chicago, Worcester Fund.
Caillebotte
Fig. 29-20
Figure 29-23 CAMILLE PISSARRO, La Place du Théâtre Français, 1898. Oil on
  canvas, 2’ 4 1/2” x 3’ 1/2”. Los Angeles County Museum of Art, Los Angeles
Figure 29-24 HIPPOLYTE JOUVIN, The Pont Neuf, Paris, ca. 1860–1865. Albumen
                            stereograph.
Figure 29-25 PIERRE-AUGUSTE RENOIR, Le Moulin de la Galette, 1876. Oil on
                 canvas, approx. 4’ 3” x 5’ 8”. Louvre, Paris.
Figure 29-26 ÉDOUARD MANET, A Bar at the Folies-Bergère, 1882. Oil on canvas,
          approx. 3’ 1” x 4’ 3”. Courtauld Institute of Art Gallery, London.
Figure 29-27 EDGAR DEGAS, Ballet Rehearsal, 1874. Oil on canvas, 1’ 11” x 2’ 9”.
              Glasgow Museum, Glasgow (The Burrell Collection).
Fig. 29-26
Figure 29-28 BERTHE MORISOT, Villa at the Seaside, 1874. Oil on canvas, approx.
          1’ 7 3/4” x 2’ 1/8". Norton Simon Art Foundation, Los Angeles.
Figure 29-29 CLAUDE MONET,
 Rouen Cathedral: The Portal (in Sun),
  1894. Oil on canvas, 3’ 3 1/4” x 2’ 1
7/8”. Metropolitan Museum of Art, New
 York (Theodore M. Davis Collection,
bequest of Theodore M. Davis, 1915).
Figure 29-30 EDGAR DEGAS, The Tub, 1886. Pastel, 1’ 11 1/2” x 2’ 8 3/8”. Musée
                           d’Orsay, Paris.
Figure 29-31 MARY CASSATT, The
Bath, ca. 1892. Oil on canvas, 3’ 3” x
  2’ 2”. The Art Institute of Chicago,
 Chicago (Robert A. Walker Fund).
Figure 29-32 HENRI DE TOULOUSE-LAUTREC, At the Moulin Rouge, 1892–
  1895. Oil on canvas, approx. 4’ x 4’ 7”. The Art Institute of Chicago, Chicago
Figure 29-33 JAMES
      ABBOTT MCNEILL
WHISTLER, Nocturne in Black
and Gold (The Falling Rocket),
  ca. 1875. Oil on panel, 1’ 11
    5/8” x 1’ 6 1/2”. Detroit
Institute of Arts, Detroit (gift of
      Dexter M. Ferry Jr.).

19 b imp pics

  • 1.
  • 2.
    Characteristics • Avant-garde artists •Interested in the quick, transient, fleeting effect of light on a surface • Shadows have color • Interested in how time of day or season controls appearance of object • Landscapes (Monet), figures (Renoir, Degas, Morisot, Cassatt), still-lifes
  • 3.
    Figure 29-20 CLAUDEMONET, Impression: Sunrise, 1872. Oil on canvas, 1’ 7 1/2” x 2’ 1 1/2”. Musée Marmottan, Paris.
  • 4.
    Figure 29-21 CLAUDEMONET, Saint-Lazare Train Station, 1877. Oil on canvas, 2’ 5 3/4” x 3’ 5”. Musée d’Orsay, Paris.
  • 5.
    Figure 29-22 GUSTAVECAILLEBOTTE, Paris: A Rainy Day, 1877. Oil on canvas, approx. 6’ 9” x 9’ 9”. The Art Institute of Chicago, Chicago, Worcester Fund.
  • 6.
  • 7.
  • 8.
    Figure 29-23 CAMILLEPISSARRO, La Place du Théâtre Français, 1898. Oil on canvas, 2’ 4 1/2” x 3’ 1/2”. Los Angeles County Museum of Art, Los Angeles
  • 9.
    Figure 29-24 HIPPOLYTEJOUVIN, The Pont Neuf, Paris, ca. 1860–1865. Albumen stereograph.
  • 10.
    Figure 29-25 PIERRE-AUGUSTERENOIR, Le Moulin de la Galette, 1876. Oil on canvas, approx. 4’ 3” x 5’ 8”. Louvre, Paris.
  • 11.
    Figure 29-26 ÉDOUARDMANET, A Bar at the Folies-Bergère, 1882. Oil on canvas, approx. 3’ 1” x 4’ 3”. Courtauld Institute of Art Gallery, London.
  • 12.
    Figure 29-27 EDGARDEGAS, Ballet Rehearsal, 1874. Oil on canvas, 1’ 11” x 2’ 9”. Glasgow Museum, Glasgow (The Burrell Collection).
  • 13.
  • 14.
    Figure 29-28 BERTHEMORISOT, Villa at the Seaside, 1874. Oil on canvas, approx. 1’ 7 3/4” x 2’ 1/8". Norton Simon Art Foundation, Los Angeles.
  • 15.
    Figure 29-29 CLAUDEMONET, Rouen Cathedral: The Portal (in Sun), 1894. Oil on canvas, 3’ 3 1/4” x 2’ 1 7/8”. Metropolitan Museum of Art, New York (Theodore M. Davis Collection, bequest of Theodore M. Davis, 1915).
  • 16.
    Figure 29-30 EDGARDEGAS, The Tub, 1886. Pastel, 1’ 11 1/2” x 2’ 8 3/8”. Musée d’Orsay, Paris.
  • 17.
    Figure 29-31 MARYCASSATT, The Bath, ca. 1892. Oil on canvas, 3’ 3” x 2’ 2”. The Art Institute of Chicago, Chicago (Robert A. Walker Fund).
  • 18.
    Figure 29-32 HENRIDE TOULOUSE-LAUTREC, At the Moulin Rouge, 1892– 1895. Oil on canvas, approx. 4’ x 4’ 7”. The Art Institute of Chicago, Chicago
  • 19.
    Figure 29-33 JAMES ABBOTT MCNEILL WHISTLER, Nocturne in Black and Gold (The Falling Rocket), ca. 1875. Oil on panel, 1’ 11 5/8” x 1’ 6 1/2”. Detroit Institute of Arts, Detroit (gift of Dexter M. Ferry Jr.).