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How would you improve Amazon Music? As a Product
Manager, what is your
product-based solution focusing on making Amazon
Music more wide-ranging for people from
historically marginalized communities?
Historically marginalized communities are groups
include the disabled, senior citizens, prisoners,
LGBTQ+, low-income individuals, and many more.
Steps on how to answer the question:
· What is your product-based solution focusing on making
Amazon Music being more wide-ranging the specific group?
· The response should focus a problem of the platform.
· Present a specific set of results to solve the challenge.
· Utilize relevant product management frameworks in the
process.
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Cover page
Student name
Student number
Module
Date
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Welcome
Who I am…
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
ABSTRACT
What did I do in a nutshell?
An abstract is a short summary of a longer work.
The abstract concisely reports the aims and outcomes of your
research.
Write the abstract at the very end, when you’ve completed the
rest of the text.
There are four things you need to include:
• Your research problem and objectives
• Your methods
• Your key results or arguments
• Your conclusion
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
2. INTRODUCTION
What is the problem?
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
2a. Reflective Reasoning
• Market research and/or target persona
• Reason why your product would be popular in todays market.
• There is a gap in the market?
• Trending Reasons
• Research data needed!
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
• Issues / problems to be solved
• Ingredients used
• Health /technical benefit
• Production processes
• Mane’s topic
• Nutritional issues or specific
• Health connection
• History
• Etc…
RELIABLE SCIENTIFIC
SOURCES!!
2b. Literature review on:
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
2c/d. Statement of the idea
or concept
• Brief description of the product
• History?
• Sustainability?
• How is connected with the theme and the proposed case study?
• An explanation of the different techniques and why they are
used.
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
2e. Objectives
4 to 6 objectives
Example of objectives (S.M.A.R.T.)
1. Develop an egg dough recipe in 3 weeks with a protein
content of at least 40% of energy
and less than 0.4 g of salt per 100 g of product.
2. Test 10 different alternative meat recipes and select the one
with at least a ratio of 80%
positive feedback for texture and flavour by week 4.
3. Develop a bread buns recipe containing at least 8g of fibre
and no more than 0.2g of salt
per 100g of product by week 8.
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
3. MATERIALS AND
METHODS
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
3a. Ingredients
Why were certain ingredients (the most important!)
chosen?
Characteristics…
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
3b. Trial or Investigation 1
Recipe, main processes and results
Feedbacks
Strengths and weakness analysis
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
For Next Trial or Investigation
After doing research of the mistakes and talking to others, For
my next
Trial I will attempt…………
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Trial or Investigation 2
Results, Feedback, Strengths, weakness etc…..
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
For Next Trial or Investigation
After doing research of the mistakes and talking to others, For
my next
Trial I will attempt…………
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Second, Third and Fourth
After doing research of the mistakes and talking to others, For
my next
Trial I will attempt…………
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
4. RESULT
What did I find out?
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
FINAL Recipe
Ingredients
Quantities
Short description of processes
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Professional feedbacks
(MANE)
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Professional feedbacks
(MANE)
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Nutritional Content
Based on recipe and process
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
5. DISCUSSION
What does it mean?
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Recipe Cost
Graphs, charts, Portion sizes etc.…
Website for prices:
https://www.new-integrale.ch/fr/
https://www.new-integrale.ch/fr/
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Packaging
Material used
Shape
Logo (explain it)
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Food Safety
Based on recipe and process
HACCP
Shelf life and / or preservation method
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Major Competitors (direct)
Comparison
Graphs, charts, demographics etc.…
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
6. Conclusion
What I learned?
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Personal Reflection
Personal reflection of the whole assessment
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Final conclusion
Whole wrap up of successes and failures
Limitation /recommendations
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
7. References list
Follow the school style guide
C a s s o o b h o y , A . , 2 0 2 0 . H e a l t h B e n e f i t s o
f G r e e k Y o g u r t . [ o n l i n e ] N o u r i s h b y W e b
M D . A v a i l a b l e
a t : < h t t p s : / / w w w . w e b m d . c o m / d i e t / h e a l t
h - b e n e f i t s - g r e e k - y o g u r t >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
C h a u d h u r y , M . , 2 0 2 2 . U A E f a s t - f o o d i n d u
s t r y o n t h r e s h o l d o f f a s t g r o w t h . [ o n l i n e
] K h a l e e j
T i m e s . A v a i l a b l e a t : < h t t p s : / / w w w . k h a l e
e j t i m e s . c o m / b u s i n e s s / u a e - f a s t - f o o d - i n d
u s t r y - o n -
t h r e s h o l d - o f - f a s t - g r o w t h >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
E l l i o t t , B . a n d L i n k , R . , 2 0 2 1 . 1 0 S c i e n c
e - B a c k e d B e n e f i t s o f C h i c k p e a s . [ o n l i n e
] H e a l t h L i n e .
A v a i l a b l e a t : < h t t p s : / / w w w . h e a l t h l i n e . c
o m / n u t r i t i o n / c h i c k p e a s - n u t r i t i o n -
b e n e f i t s # T O C _ T I T L E _ H D R _ 3 >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
E s s a m , S . , G i l l , T . a n d A l d e r s , R . , 2 0 2 2 .
T h e W h i t e M e a t I n d u s t r y i n D u b a i t h r o u g
h a O n e H e a l t h
L e n s . [ o n l i n e ] D o a j . A v a i l a b l e a t : < h t t p s
: / / c u l i n a r y l a r r y . b l o g / 2 0 2 1 / 0 1 / 2 6 / t h e - l a
y e r i n g - o f -
f l a v o u r s / >
[ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] .
J a p a n C e n t r i c . 2 0 2 0 . W h a t i s O n i g i r i ? . [ o
n l i n e ] A v a i l a b l e a t :
< h t t p s : / / w w w . j a p a n c e n t r i c . c o m / w h a t - i s
- o n i g i r i / >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
K e n d a l l , M . , 2 0 2 2 . L o w E n e r g y D e n s i t y F
o o d s a n d R e c i p e s : W i l l T h e y H e l p Y o u F e
e l F u l l w i t h
F e w e r C a l o r i e s ? . [ o n l i n e ] O p t i m i s i n g N u
t r i t i o n . A v a i l a b l e a t :
< h t t p s : / / o p t i m i s i n g n u t r i t i o n . c o m / l o w - e
n e r g y - d e n s i t y -
f o o d s / # : ~ : t e x t = T o % 2 0 p u t % 2 0 i t % 2 0 s i m p
l y % 2 C % 2 0 l o w % 2 0 e n e r g y % 2 0 d e n s i t y % 2 0
f o o d s , g e n e r a l l y
% 2 0 s h o w n % 2 0 a s % 2 0 c a l o r i e s % 2 0 p e r % 2 0
g r a m % 2 0 o f % 2 0 f o o d . >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
59
K w o n g , M . , 2 0 1 0 . S a l t l e v e l s i n U A E f o o d
s p a r k f e a r s . [ o n l i n e ] T h e N a t i o n a l N e w s .
A v a i l a b l e a t :
< h t t p s : / / w w w . t h e n a t i o n a l n e w s . c o m / u a e /
h e a l t h / s a l t - l e v e l s - i n - u a e - f o o d - s p a r k - f e
a r s -
1 . 5 5 4 7 1 4 # : ~ : t e x t = S a l t % 2 0 l e v e l s % 2 0 i n %
2 0 U A E % 2 0 f o o d % 2 0 s p a r k % 2 0 f e a r s . % 2 0 A
, w e r e % 2 0 f o u n d %
2 0 t o % 2 0 b e % 2 0 a m o n g % 2 0 t h e % 2 0 w o r l d % 2
7 s % 2 0 s a l t i e s t . >
[ A c c e s s e d 1 7 J u l y 2 0 2 2 ] .
N u r s i n g A n s w e r . 2 0 2 0 . O b e s i t y I n T h e U n
i t e d A r a b E m i r a t e s . [ o n l i n e ] A v a i l a b l e a
t :
< h t t p s : / / n u r s i n g a n s w e r s . n e t / e s s a y s / o b e
s i t y - i n - t h e - u n i t e d - a r a b - e m i r a t e s - h e a l t
h -
e s s a y . p h p # : ~ : t e x t = T h e r e % 2 0 a r e % 2 0 t h r e
e % 2 0 m a i n % 2 0 c a u s e s % 2 0 o f % 2 0 o b e s i t y %
2 0 i n , a s % 2 0 d e e p
- f r i e d % 2 0 c h i c k e n % 2 C % 2 0 F r e n c h % 2 0 f r i
e s % 2 C % 2 0 b u r g e r s % 2 0 a n d % 2 0 p i z z a s . >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
N u t r i t i o n A u s t r a l i a . 2 0 2 1 . F i b e r . [ o n l i n
e ] A v a i l a b l e a t : < h t t p s : / / n u t r i t i o n a u s t r a
l i a . o r g / f a c t -
s h e e t s / f i b r e - 2 / >
[ A c c e s s e d 1 5 A u g u s t 2 0 2 2 ] .
P a l s d o t t i r , H . , 2 0 2 1 . 1 5 F o o d s T h a t A r e I
n c r e d i b l y F i l l i n g . [ o n l i n e ] H e a l t h L i n e .
A v a i l a b l e a t :
< h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n /
1 5 - i n c r e d i b l y - f i l l i n g - f o o d s >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
P a l s d o t t i r , H . , 2 0 2 1 . S a l t : I s I t H e a l t h y
o r U n h e a l t h y ? . [ o n l i n e ] H e a l t h L i n e . A v a
i l a b l e a t :
< h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n /
s a l t - g o o d - o r - b a d >
[ A c c e s s e d 1 7 J u l y 2 0 2 2 ] .
P e r r i n , C . , 2 0 1 3 . H o w t o l a y e r f l a v o r . [ o
n l i n e ] S h e K n o w s . A v a i l a b l e a t :
< h t t p s : / / w w w . s h e k n o w s . c o m / f o o d - a n d - r
e c i p e s / a r t i c l e s / 9 8 6 3 7 7 / h o w - t o - l a y e r - f l
a v o r / >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
60
R a m a n , R . a n d S n y d e r , C . , 2 0 2 1 . 1 0 H e a l t
h B e n e f i t s o f M a n g o . [ o n l i n e ] H e a l t h L i n
e . A v a i l a b l e a t :
< h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n /
m a n g o >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
S a s e e n d r a n , S . , 2 0 1 6 . H y p e r m a r k e t s i n D
u b a i t o c u t s a l t i n i n - h o u s e f o o d i t e m s . [ o
n l i n e ] G u l f
N e w s . A v a i l a b l e a t : < h t t p s : / / g u l f n e w s . c
o m / u a e / h e a l t h / h y p e r m a r k e t s - i n - d u b a i - t
o - c u t - s a l t - i n -
i n - h o u s e - f o o d - i t e m s - 1 . 1 9 0 8 2 4 9 >
[ A c c e s s e d 1 7 J u l y 2 0 2 2 ] .
S h a r o n , 2 0 2 0 . W h a t a r e h e a l t h y c o o k i n g
m e t h o d s ? . [ o n l i n e ] F o o d s a n d F i t . A v a i l a
b l e a t :
< h t t p s : / / f o o d s a n d f i t . c o m / w h a t - a r e - h e a l
t h y - c o o k i n g - m e t h o d s / >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
S h u b r o o k , N . , n . d . W h y i s t h e J a p a n e s e d i
e t s o h e a l t h y ? . [ o n l i n e ] B B C G o o d F o o d .
A v a i l a b l e a t :
< h t t p s : / / w w w . b b c g o o d f o o d . c o m / h o w t o / g
u i d e / w h y - j a p a n e s e - d i e t - s o - h e a l t h y >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
S t a t i s t a . 2 0 2 1 . U n i t e d A r a b E m i r a t e s : H o
w o f t e n d o y o u e a t f a s t f o o d ( a n y q u i c k s e
r v i c e
r e s t a u r a n t ) i n a n y g i v e n w e e k ( o n a v e r a g
e ) ? . [ o n l i n e ] A v a i l a b l e a t :
< h t t p s : / / w w w . s t a t i s t a . c o m / s t a t i s t i c s / 9
2 1 4 1 6 / u n i t e d - a r a b - e m i r a t e s - a v e r a g e - f a
s t - f o o d -
c o n s u m p t i o n - p e r - w e e k / >
[ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] .
S z a l a y , J . a n d M c K e l v i e , C . , 2 0 2 1 . W h a t i
s p r o t e i n ? . [ o n l i n e ] L i v e S c i e n c e . A v a i l a
b l e a t :
< h t t p s : / / w w w . l i v e s c i e n c e . c o m / 5 3 0 4 4 - p r
o t e i n . h t m l > [ A c c e s s e d 1 5 A u g u s t 2 0 2 2 ] .
T a s t e A t l a s . n . d . U r u c h i m a i . [ o n l i n e ] A v
a i l a b l e a t : < h t t p s : / / w w w . t a s t e a t l a s . c o m
/ u r u c h i m a i >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
61
T o p l i s , S . , n . d . I s C h i c k e n R e a l l y t h e B e s
t S o u r c e o f P r o t e i n ? . [ o n l i n e ] M u s c l e F o
o d . A v a i l a b l e a t :
< h t t p s : / / w w w . m u s c l e f o o d . c o m / b e s t - p r o
t e i n - s o u r c e s >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
Y o u r D u b a i G u i d e . 2 0 1 8 . D u b a i P o p u l a t i o
n D e m o g r a p h y : N a t i o n a l i t y , R e l i g i o n , E
x p a t s . [ o n l i n e ]
A v a i l a b l e a t : < h t t p s : / / y o u r d u b a i g u i d e . c
o m / d u b a i - p o p u l a t i o n - d e m o g r a p h y - n a t i o
n a l i t y - r e l i g i o n -
e x p a t s / >
[ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] .
62
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How would you improve Amazon Music As a Product Manager, what.docx

  • 1. How would you improve Amazon Music? As a Product Manager, what is your product-based solution focusing on making Amazon Music more wide-ranging for people from historically marginalized communities? Historically marginalized communities are groups include the disabled, senior citizens, prisoners, LGBTQ+, low-income individuals, and many more. Steps on how to answer the question: · What is your product-based solution focusing on making Amazon Music being more wide-ranging the specific group? · The response should focus a problem of the platform. · Present a specific set of results to solve the challenge. · Utilize relevant product management frameworks in the process. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Cover page Student name Student number Module Date
  • 2. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Welcome Who I am… Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch ABSTRACT What did I do in a nutshell? An abstract is a short summary of a longer work. The abstract concisely reports the aims and outcomes of your research. Write the abstract at the very end, when you’ve completed the rest of the text. There are four things you need to include: • Your research problem and objectives • Your methods • Your key results or arguments • Your conclusion Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
  • 3. 2. INTRODUCTION What is the problem? Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 2a. Reflective Reasoning • Market research and/or target persona • Reason why your product would be popular in todays market. • There is a gap in the market? • Trending Reasons • Research data needed! Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch • Issues / problems to be solved • Ingredients used • Health /technical benefit • Production processes • Mane’s topic
  • 4. • Nutritional issues or specific • Health connection • History • Etc… RELIABLE SCIENTIFIC SOURCES!! 2b. Literature review on: Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 2c/d. Statement of the idea or concept • Brief description of the product • History? • Sustainability? • How is connected with the theme and the proposed case study? • An explanation of the different techniques and why they are used. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
  • 5. 2e. Objectives 4 to 6 objectives Example of objectives (S.M.A.R.T.) 1. Develop an egg dough recipe in 3 weeks with a protein content of at least 40% of energy and less than 0.4 g of salt per 100 g of product. 2. Test 10 different alternative meat recipes and select the one with at least a ratio of 80% positive feedback for texture and flavour by week 4. 3. Develop a bread buns recipe containing at least 8g of fibre and no more than 0.2g of salt per 100g of product by week 8. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 3. MATERIALS AND METHODS Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 3a. Ingredients Why were certain ingredients (the most important!) chosen? Characteristics…
  • 6. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 3b. Trial or Investigation 1 Recipe, main processes and results Feedbacks Strengths and weakness analysis Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch For Next Trial or Investigation After doing research of the mistakes and talking to others, For my next Trial I will attempt………… Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Trial or Investigation 2 Results, Feedback, Strengths, weakness etc….. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
  • 7. For Next Trial or Investigation After doing research of the mistakes and talking to others, For my next Trial I will attempt………… Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Second, Third and Fourth After doing research of the mistakes and talking to others, For my next Trial I will attempt………… Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 4. RESULT What did I find out? Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch FINAL Recipe Ingredients Quantities
  • 8. Short description of processes Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Professional feedbacks (MANE) Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Professional feedbacks (MANE) Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Nutritional Content Based on recipe and process Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 5. DISCUSSION What does it mean?
  • 9. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Recipe Cost Graphs, charts, Portion sizes etc.… Website for prices: https://www.new-integrale.ch/fr/ https://www.new-integrale.ch/fr/ Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Packaging Material used Shape Logo (explain it) Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Food Safety Based on recipe and process HACCP Shelf life and / or preservation method
  • 10. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Major Competitors (direct) Comparison Graphs, charts, demographics etc.… Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 6. Conclusion What I learned? Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Personal Reflection Personal reflection of the whole assessment Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch Final conclusion Whole wrap up of successes and failures Limitation /recommendations
  • 11. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch 7. References list Follow the school style guide
  • 12.
  • 13.
  • 14. C a s s o o b h o y , A . , 2 0 2 0 . H e a l t h B e n e f i t s o f G r e e k Y o g u r t . [ o n l i n e ] N o u r i s h b y W e b M D . A v a i l a b l e a t : < h t t p s : / / w w w . w e b m d . c o m / d i e t / h e a l t h - b e n e f i t s - g r e e k - y o g u r t > [ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] . C h a u d h u r y , M . , 2 0 2 2 . U A E f a s t - f o o d i n d u s t r y o n t h r e s h o l d o f f a s t g r o w t h . [ o n l i n e ] K h a l e e j T i m e s . A v a i l a b l e a t : < h t t p s : / / w w w . k h a l e e j t i m e s . c o m / b u s i n e s s / u a e - f a s t - f o o d - i n d u s t r y - o n - t h r e s h o l d - o f - f a s t - g r o w t h >
  • 15. [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] . E l l i o t t , B . a n d L i n k , R . , 2 0 2 1 . 1 0 S c i e n c e - B a c k e d B e n e f i t s o f C h i c k p e a s . [ o n l i n e ] H e a l t h L i n e . A v a i l a b l e a t : < h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n / c h i c k p e a s - n u t r i t i o n - b e n e f i t s # T O C _ T I T L E _ H D R _ 3 > [ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] . E s s a m , S . , G i l l , T . a n d A l d e r s , R . , 2 0 2 2 . T h e W h i t e M e a t I n d u s t r y i n D u b a i t h r o u g h a O n e H e a l t h L e n s . [ o n l i n e ] D o a j . A v a i l a b l e a t : < h t t p s : / / c u l i n a r y l a r r y . b l o g / 2 0 2 1 / 0 1 / 2 6 / t h e - l a y e r i n g - o f - f l a v o u r s / > [ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] . J a p a n C e n t r i c . 2 0 2 0 . W h a t i s O n i g i r i ? . [ o n l i n e ] A v a i l a b l e a t : < h t t p s : / / w w w . j a p a n c e n t r i c . c o m / w h a t - i s - o n i g i r i / > [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] . K e n d a l l , M . , 2 0 2 2 . L o w E n e r g y D e n s i t y F o o d s a n d R e c i p e s : W i l l T h e y H e l p Y o u F e e l F u l l w i t h F e w e r C a l o r i e s ? . [ o n l i n e ] O p t i m i s i n g N u t r i t i o n . A v a i l a b l e a t : < h t t p s : / / o p t i m i s i n g n u t r i t i o n . c o m / l o w - e n e r g y - d e n s i t y - f o o d s / # : ~ : t e x t = T o % 2 0 p u t % 2 0 i t % 2 0 s i m p l y % 2 C % 2 0 l o w % 2 0 e n e r g y % 2 0 d e n s i t y % 2 0 f o o d s , g e n e r a l l y % 2 0 s h o w n % 2 0 a s % 2 0 c a l o r i e s % 2 0 p e r % 2 0
  • 16. g r a m % 2 0 o f % 2 0 f o o d . > [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] . 59 K w o n g , M . , 2 0 1 0 . S a l t l e v e l s i n U A E f o o d s p a r k f e a r s . [ o n l i n e ] T h e N a t i o n a l N e w s . A v a i l a b l e a t : < h t t p s : / / w w w . t h e n a t i o n a l n e w s . c o m / u a e / h e a l t h / s a l t - l e v e l s - i n - u a e - f o o d - s p a r k - f e a r s - 1 . 5 5 4 7 1 4 # : ~ : t e x t = S a l t % 2 0 l e v e l s % 2 0 i n % 2 0 U A E % 2 0 f o o d % 2 0 s p a r k % 2 0 f e a r s . % 2 0 A , w e r e % 2 0 f o u n d % 2 0 t o % 2 0 b e % 2 0 a m o n g % 2 0 t h e % 2 0 w o r l d % 2 7 s % 2 0 s a l t i e s t . > [ A c c e s s e d 1 7 J u l y 2 0 2 2 ] . N u r s i n g A n s w e r . 2 0 2 0 . O b e s i t y I n T h e U n i t e d A r a b E m i r a t e s . [ o n l i n e ] A v a i l a b l e a t : < h t t p s : / / n u r s i n g a n s w e r s . n e t / e s s a y s / o b e s i t y - i n - t h e - u n i t e d - a r a b - e m i r a t e s - h e a l t h - e s s a y . p h p # : ~ : t e x t = T h e r e % 2 0 a r e % 2 0 t h r e e % 2 0 m a i n % 2 0 c a u s e s % 2 0 o f % 2 0 o b e s i t y % 2 0 i n , a s % 2 0 d e e p - f r i e d % 2 0 c h i c k e n % 2 C % 2 0 F r e n c h % 2 0 f r i e s % 2 C % 2 0 b u r g e r s % 2 0 a n d % 2 0 p i z z a s . > [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] . N u t r i t i o n A u s t r a l i a . 2 0 2 1 . F i b e r . [ o n l i n e ] A v a i l a b l e a t : < h t t p s : / / n u t r i t i o n a u s t r a l i a . o r g / f a c t -
  • 17. s h e e t s / f i b r e - 2 / > [ A c c e s s e d 1 5 A u g u s t 2 0 2 2 ] . P a l s d o t t i r , H . , 2 0 2 1 . 1 5 F o o d s T h a t A r e I n c r e d i b l y F i l l i n g . [ o n l i n e ] H e a l t h L i n e . A v a i l a b l e a t : < h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n / 1 5 - i n c r e d i b l y - f i l l i n g - f o o d s > [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] . P a l s d o t t i r , H . , 2 0 2 1 . S a l t : I s I t H e a l t h y o r U n h e a l t h y ? . [ o n l i n e ] H e a l t h L i n e . A v a i l a b l e a t : < h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n / s a l t - g o o d - o r - b a d > [ A c c e s s e d 1 7 J u l y 2 0 2 2 ] . P e r r i n , C . , 2 0 1 3 . H o w t o l a y e r f l a v o r . [ o n l i n e ] S h e K n o w s . A v a i l a b l e a t : < h t t p s : / / w w w . s h e k n o w s . c o m / f o o d - a n d - r e c i p e s / a r t i c l e s / 9 8 6 3 7 7 / h o w - t o - l a y e r - f l a v o r / > [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] . 60 R a m a n , R . a n d S n y d e r , C . , 2 0 2 1 . 1 0 H e a l t h B e n e f i t s o f M a n g o . [ o n l i n e ] H e a l t h L i n e . A v a i l a b l e a t : < h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n / m a n g o > [ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] . S a s e e n d r a n , S . , 2 0 1 6 . H y p e r m a r k e t s i n D
  • 18. u b a i t o c u t s a l t i n i n - h o u s e f o o d i t e m s . [ o n l i n e ] G u l f N e w s . A v a i l a b l e a t : < h t t p s : / / g u l f n e w s . c o m / u a e / h e a l t h / h y p e r m a r k e t s - i n - d u b a i - t o - c u t - s a l t - i n - i n - h o u s e - f o o d - i t e m s - 1 . 1 9 0 8 2 4 9 > [ A c c e s s e d 1 7 J u l y 2 0 2 2 ] . S h a r o n , 2 0 2 0 . W h a t a r e h e a l t h y c o o k i n g m e t h o d s ? . [ o n l i n e ] F o o d s a n d F i t . A v a i l a b l e a t : < h t t p s : / / f o o d s a n d f i t . c o m / w h a t - a r e - h e a l t h y - c o o k i n g - m e t h o d s / > [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] . S h u b r o o k , N . , n . d . W h y i s t h e J a p a n e s e d i e t s o h e a l t h y ? . [ o n l i n e ] B B C G o o d F o o d . A v a i l a b l e a t : < h t t p s : / / w w w . b b c g o o d f o o d . c o m / h o w t o / g u i d e / w h y - j a p a n e s e - d i e t - s o - h e a l t h y > [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] . S t a t i s t a . 2 0 2 1 . U n i t e d A r a b E m i r a t e s : H o w o f t e n d o y o u e a t f a s t f o o d ( a n y q u i c k s e r v i c e r e s t a u r a n t ) i n a n y g i v e n w e e k ( o n a v e r a g e ) ? . [ o n l i n e ] A v a i l a b l e a t : < h t t p s : / / w w w . s t a t i s t a . c o m / s t a t i s t i c s / 9 2 1 4 1 6 / u n i t e d - a r a b - e m i r a t e s - a v e r a g e - f a s t - f o o d - c o n s u m p t i o n - p e r - w e e k / > [ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] . S z a l a y , J . a n d M c K e l v i e , C . , 2 0 2 1 . W h a t i s p r o t e i n ? . [ o n l i n e ] L i v e S c i e n c e . A v a i l a b l e a t :
  • 19. < h t t p s : / / w w w . l i v e s c i e n c e . c o m / 5 3 0 4 4 - p r o t e i n . h t m l > [ A c c e s s e d 1 5 A u g u s t 2 0 2 2 ] . T a s t e A t l a s . n . d . U r u c h i m a i . [ o n l i n e ] A v a i l a b l e a t : < h t t p s : / / w w w . t a s t e a t l a s . c o m / u r u c h i m a i > [ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] . 61 T o p l i s , S . , n . d . I s C h i c k e n R e a l l y t h e B e s t S o u r c e o f P r o t e i n ? . [ o n l i n e ] M u s c l e F o o d . A v a i l a b l e a t : < h t t p s : / / w w w . m u s c l e f o o d . c o m / b e s t - p r o t e i n - s o u r c e s > [ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] . Y o u r D u b a i G u i d e . 2 0 1 8 . D u b a i P o p u l a t i o n D e m o g r a p h y : N a t i o n a l i t y , R e l i g i o n , E x p a t s . [ o n l i n e ] A v a i l a b l e a t : < h t t p s : / / y o u r d u b a i g u i d e . c o m / d u b a i - p o p u l a t i o n - d e m o g r a p h y - n a t i o n a l i t y - r e l i g i o n - e x p a t s / > [ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] . 62