How would you improve Amazon Music? As a Product Manager, what is your
product-based solution focusing on making Amazon Music more wide-ranging for people from
historically marginalized communities?
Historically marginalized communities are groups
include the disabled, senior citizens, prisoners, LGBTQ+, low-income individuals, and many more.
Steps on how to answer the question:
· What is your product-based solution focusing on making Amazon Music being more wide-ranging the specific group?
· The response should focus a problem of the platform.
· Present a specific set of results to solve the challenge.
· Utilize relevant product management frameworks in the process.
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
Cover page
Student name
Student number
Module
Date
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
Welcome
Who I am…
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
ABSTRACT
What did I do in a nutshell?
An abstract is a short summary of a longer work.
The abstract concisely reports the aims and outcomes of your research.
Write the abstract at the very end, when you’ve completed the rest of the text.
There are four things you need to include:
• Your research problem and objectives
• Your methods
• Your key results or arguments
• Your conclusion
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
2. INTRODUCTION
What is the problem?
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
2a. Reflective Reasoning
• Market research and/or target persona
• Reason why your product would be popular in todays market.
• There is a gap in the market?
• Trending Reasons
• Research data needed!
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
• Issues / problems to be solved
• Ingredients used
• Health /technical benefit
• Production processes
• Mane’s topic
• Nutritional issues or specific
• Health connection
• History
• Etc…
RELIABLE SCIENTIFIC
SOURCES!!
2b. Literature review on:
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
2c/d. Statement of the idea
or concept
• Brief description of the product
• History?
• Sustainability?
• How is connected with the theme and the proposed case study?
• An explanation of the different techniques and why they are used.
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret | [email protected] | culinaryarts.ch
2e. Objectives
4 to 6 objectives
Example of objectives (S.M.A.R.T.)
1. Develop an egg dough recipe in 3 weeks with a protein content of at least 40% of energy
and less than 0.4 g of salt per 100 g of product.
2. Test .
When Quality Assurance Meets Innovation in Higher Education - Report launch w...
How would you improve Amazon Music As a Product Manager, what.docx
1. How would you improve Amazon Music? As a Product
Manager, what is your
product-based solution focusing on making Amazon
Music more wide-ranging for people from
historically marginalized communities?
Historically marginalized communities are groups
include the disabled, senior citizens, prisoners,
LGBTQ+, low-income individuals, and many more.
Steps on how to answer the question:
· What is your product-based solution focusing on making
Amazon Music being more wide-ranging the specific group?
· The response should focus a problem of the platform.
· Present a specific set of results to solve the challenge.
· Utilize relevant product management frameworks in the
process.
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Cover page
Student name
Student number
Module
Date
2. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
Welcome
Who I am…
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
ABSTRACT
What did I do in a nutshell?
An abstract is a short summary of a longer work.
The abstract concisely reports the aims and outcomes of your
research.
Write the abstract at the very end, when you’ve completed the
rest of the text.
There are four things you need to include:
• Your research problem and objectives
• Your methods
• Your key results or arguments
• Your conclusion
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
3. 2. INTRODUCTION
What is the problem?
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
2a. Reflective Reasoning
• Market research and/or target persona
• Reason why your product would be popular in todays market.
• There is a gap in the market?
• Trending Reasons
• Research data needed!
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
• Issues / problems to be solved
• Ingredients used
• Health /technical benefit
• Production processes
• Mane’s topic
4. • Nutritional issues or specific
• Health connection
• History
• Etc…
RELIABLE SCIENTIFIC
SOURCES!!
2b. Literature review on:
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
2c/d. Statement of the idea
or concept
• Brief description of the product
• History?
• Sustainability?
• How is connected with the theme and the proposed case study?
• An explanation of the different techniques and why they are
used.
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
5. 2e. Objectives
4 to 6 objectives
Example of objectives (S.M.A.R.T.)
1. Develop an egg dough recipe in 3 weeks with a protein
content of at least 40% of energy
and less than 0.4 g of salt per 100 g of product.
2. Test 10 different alternative meat recipes and select the one
with at least a ratio of 80%
positive feedback for texture and flavour by week 4.
3. Develop a bread buns recipe containing at least 8g of fibre
and no more than 0.2g of salt
per 100g of product by week 8.
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
[email protected] | culinaryarts.ch
3. MATERIALS AND
METHODS
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3a. Ingredients
Why were certain ingredients (the most important!)
chosen?
Characteristics…
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3b. Trial or Investigation 1
Recipe, main processes and results
Feedbacks
Strengths and weakness analysis
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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For Next Trial or Investigation
After doing research of the mistakes and talking to others, For
my next
Trial I will attempt…………
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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Trial or Investigation 2
Results, Feedback, Strengths, weakness etc…..
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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7. For Next Trial or Investigation
After doing research of the mistakes and talking to others, For
my next
Trial I will attempt…………
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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Second, Third and Fourth
After doing research of the mistakes and talking to others, For
my next
Trial I will attempt…………
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4. RESULT
What did I find out?
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FINAL Recipe
Ingredients
Quantities
8. Short description of processes
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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Professional feedbacks
(MANE)
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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Professional feedbacks
(MANE)
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Nutritional Content
Based on recipe and process
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5. DISCUSSION
What does it mean?
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Recipe Cost
Graphs, charts, Portion sizes etc.…
Website for prices:
https://www.new-integrale.ch/fr/
https://www.new-integrale.ch/fr/
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Packaging
Material used
Shape
Logo (explain it)
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Food Safety
Based on recipe and process
HACCP
Shelf life and / or preservation method
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Major Competitors (direct)
Comparison
Graphs, charts, demographics etc.…
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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6. Conclusion
What I learned?
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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Personal Reflection
Personal reflection of the whole assessment
Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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Final conclusion
Whole wrap up of successes and failures
Limitation /recommendations
11. Culinary Arts Academy Switzerland | Lucerne | Le Bouveret |
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7. References list
Follow the school style guide
12.
13.
14. C a s s o o b h o y , A . , 2 0 2 0 . H e a l t h B e n e f i t s o
f G r e e k Y o g u r t . [ o n l i n e ] N o u r i s h b y W e b
M D . A v a i l a b l e
a t : < h t t p s : / / w w w . w e b m d . c o m / d i e t / h e a l t
h - b e n e f i t s - g r e e k - y o g u r t >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
C h a u d h u r y , M . , 2 0 2 2 . U A E f a s t - f o o d i n d u
s t r y o n t h r e s h o l d o f f a s t g r o w t h . [ o n l i n e
] K h a l e e j
T i m e s . A v a i l a b l e a t : < h t t p s : / / w w w . k h a l e
e j t i m e s . c o m / b u s i n e s s / u a e - f a s t - f o o d - i n d
u s t r y - o n -
t h r e s h o l d - o f - f a s t - g r o w t h >
15. [ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
E l l i o t t , B . a n d L i n k , R . , 2 0 2 1 . 1 0 S c i e n c
e - B a c k e d B e n e f i t s o f C h i c k p e a s . [ o n l i n e
] H e a l t h L i n e .
A v a i l a b l e a t : < h t t p s : / / w w w . h e a l t h l i n e . c
o m / n u t r i t i o n / c h i c k p e a s - n u t r i t i o n -
b e n e f i t s # T O C _ T I T L E _ H D R _ 3 >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
E s s a m , S . , G i l l , T . a n d A l d e r s , R . , 2 0 2 2 .
T h e W h i t e M e a t I n d u s t r y i n D u b a i t h r o u g
h a O n e H e a l t h
L e n s . [ o n l i n e ] D o a j . A v a i l a b l e a t : < h t t p s
: / / c u l i n a r y l a r r y . b l o g / 2 0 2 1 / 0 1 / 2 6 / t h e - l a
y e r i n g - o f -
f l a v o u r s / >
[ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] .
J a p a n C e n t r i c . 2 0 2 0 . W h a t i s O n i g i r i ? . [ o
n l i n e ] A v a i l a b l e a t :
< h t t p s : / / w w w . j a p a n c e n t r i c . c o m / w h a t - i s
- o n i g i r i / >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
K e n d a l l , M . , 2 0 2 2 . L o w E n e r g y D e n s i t y F
o o d s a n d R e c i p e s : W i l l T h e y H e l p Y o u F e
e l F u l l w i t h
F e w e r C a l o r i e s ? . [ o n l i n e ] O p t i m i s i n g N u
t r i t i o n . A v a i l a b l e a t :
< h t t p s : / / o p t i m i s i n g n u t r i t i o n . c o m / l o w - e
n e r g y - d e n s i t y -
f o o d s / # : ~ : t e x t = T o % 2 0 p u t % 2 0 i t % 2 0 s i m p
l y % 2 C % 2 0 l o w % 2 0 e n e r g y % 2 0 d e n s i t y % 2 0
f o o d s , g e n e r a l l y
% 2 0 s h o w n % 2 0 a s % 2 0 c a l o r i e s % 2 0 p e r % 2 0
16. g r a m % 2 0 o f % 2 0 f o o d . >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
59
K w o n g , M . , 2 0 1 0 . S a l t l e v e l s i n U A E f o o d
s p a r k f e a r s . [ o n l i n e ] T h e N a t i o n a l N e w s .
A v a i l a b l e a t :
< h t t p s : / / w w w . t h e n a t i o n a l n e w s . c o m / u a e /
h e a l t h / s a l t - l e v e l s - i n - u a e - f o o d - s p a r k - f e
a r s -
1 . 5 5 4 7 1 4 # : ~ : t e x t = S a l t % 2 0 l e v e l s % 2 0 i n %
2 0 U A E % 2 0 f o o d % 2 0 s p a r k % 2 0 f e a r s . % 2 0 A
, w e r e % 2 0 f o u n d %
2 0 t o % 2 0 b e % 2 0 a m o n g % 2 0 t h e % 2 0 w o r l d % 2
7 s % 2 0 s a l t i e s t . >
[ A c c e s s e d 1 7 J u l y 2 0 2 2 ] .
N u r s i n g A n s w e r . 2 0 2 0 . O b e s i t y I n T h e U n
i t e d A r a b E m i r a t e s . [ o n l i n e ] A v a i l a b l e a
t :
< h t t p s : / / n u r s i n g a n s w e r s . n e t / e s s a y s / o b e
s i t y - i n - t h e - u n i t e d - a r a b - e m i r a t e s - h e a l t
h -
e s s a y . p h p # : ~ : t e x t = T h e r e % 2 0 a r e % 2 0 t h r e
e % 2 0 m a i n % 2 0 c a u s e s % 2 0 o f % 2 0 o b e s i t y %
2 0 i n , a s % 2 0 d e e p
- f r i e d % 2 0 c h i c k e n % 2 C % 2 0 F r e n c h % 2 0 f r i
e s % 2 C % 2 0 b u r g e r s % 2 0 a n d % 2 0 p i z z a s . >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
N u t r i t i o n A u s t r a l i a . 2 0 2 1 . F i b e r . [ o n l i n
e ] A v a i l a b l e a t : < h t t p s : / / n u t r i t i o n a u s t r a
l i a . o r g / f a c t -
17. s h e e t s / f i b r e - 2 / >
[ A c c e s s e d 1 5 A u g u s t 2 0 2 2 ] .
P a l s d o t t i r , H . , 2 0 2 1 . 1 5 F o o d s T h a t A r e I
n c r e d i b l y F i l l i n g . [ o n l i n e ] H e a l t h L i n e .
A v a i l a b l e a t :
< h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n /
1 5 - i n c r e d i b l y - f i l l i n g - f o o d s >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
P a l s d o t t i r , H . , 2 0 2 1 . S a l t : I s I t H e a l t h y
o r U n h e a l t h y ? . [ o n l i n e ] H e a l t h L i n e . A v a
i l a b l e a t :
< h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n /
s a l t - g o o d - o r - b a d >
[ A c c e s s e d 1 7 J u l y 2 0 2 2 ] .
P e r r i n , C . , 2 0 1 3 . H o w t o l a y e r f l a v o r . [ o
n l i n e ] S h e K n o w s . A v a i l a b l e a t :
< h t t p s : / / w w w . s h e k n o w s . c o m / f o o d - a n d - r
e c i p e s / a r t i c l e s / 9 8 6 3 7 7 / h o w - t o - l a y e r - f l
a v o r / >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
60
R a m a n , R . a n d S n y d e r , C . , 2 0 2 1 . 1 0 H e a l t
h B e n e f i t s o f M a n g o . [ o n l i n e ] H e a l t h L i n
e . A v a i l a b l e a t :
< h t t p s : / / w w w . h e a l t h l i n e . c o m / n u t r i t i o n /
m a n g o >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
S a s e e n d r a n , S . , 2 0 1 6 . H y p e r m a r k e t s i n D
18. u b a i t o c u t s a l t i n i n - h o u s e f o o d i t e m s . [ o
n l i n e ] G u l f
N e w s . A v a i l a b l e a t : < h t t p s : / / g u l f n e w s . c
o m / u a e / h e a l t h / h y p e r m a r k e t s - i n - d u b a i - t
o - c u t - s a l t - i n -
i n - h o u s e - f o o d - i t e m s - 1 . 1 9 0 8 2 4 9 >
[ A c c e s s e d 1 7 J u l y 2 0 2 2 ] .
S h a r o n , 2 0 2 0 . W h a t a r e h e a l t h y c o o k i n g
m e t h o d s ? . [ o n l i n e ] F o o d s a n d F i t . A v a i l a
b l e a t :
< h t t p s : / / f o o d s a n d f i t . c o m / w h a t - a r e - h e a l
t h y - c o o k i n g - m e t h o d s / >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
S h u b r o o k , N . , n . d . W h y i s t h e J a p a n e s e d i
e t s o h e a l t h y ? . [ o n l i n e ] B B C G o o d F o o d .
A v a i l a b l e a t :
< h t t p s : / / w w w . b b c g o o d f o o d . c o m / h o w t o / g
u i d e / w h y - j a p a n e s e - d i e t - s o - h e a l t h y >
[ A c c e s s e d 2 5 A u g u s t 2 0 2 2 ] .
S t a t i s t a . 2 0 2 1 . U n i t e d A r a b E m i r a t e s : H o
w o f t e n d o y o u e a t f a s t f o o d ( a n y q u i c k s e
r v i c e
r e s t a u r a n t ) i n a n y g i v e n w e e k ( o n a v e r a g
e ) ? . [ o n l i n e ] A v a i l a b l e a t :
< h t t p s : / / w w w . s t a t i s t a . c o m / s t a t i s t i c s / 9
2 1 4 1 6 / u n i t e d - a r a b - e m i r a t e s - a v e r a g e - f a
s t - f o o d -
c o n s u m p t i o n - p e r - w e e k / >
[ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] .
S z a l a y , J . a n d M c K e l v i e , C . , 2 0 2 1 . W h a t i
s p r o t e i n ? . [ o n l i n e ] L i v e S c i e n c e . A v a i l a
b l e a t :
19. < h t t p s : / / w w w . l i v e s c i e n c e . c o m / 5 3 0 4 4 - p r
o t e i n . h t m l > [ A c c e s s e d 1 5 A u g u s t 2 0 2 2 ] .
T a s t e A t l a s . n . d . U r u c h i m a i . [ o n l i n e ] A v
a i l a b l e a t : < h t t p s : / / w w w . t a s t e a t l a s . c o m
/ u r u c h i m a i >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
61
T o p l i s , S . , n . d . I s C h i c k e n R e a l l y t h e B e s
t S o u r c e o f P r o t e i n ? . [ o n l i n e ] M u s c l e F o
o d . A v a i l a b l e a t :
< h t t p s : / / w w w . m u s c l e f o o d . c o m / b e s t - p r o
t e i n - s o u r c e s >
[ A c c e s s e d 2 2 A u g u s t 2 0 2 2 ] .
Y o u r D u b a i G u i d e . 2 0 1 8 . D u b a i P o p u l a t i o
n D e m o g r a p h y : N a t i o n a l i t y , R e l i g i o n , E
x p a t s . [ o n l i n e ]
A v a i l a b l e a t : < h t t p s : / / y o u r d u b a i g u i d e . c
o m / d u b a i - p o p u l a t i o n - d e m o g r a p h y - n a t i o
n a l i t y - r e l i g i o n -
e x p a t s / >
[ A c c e s s e d 2 4 A u g u s t 2 0 2 2 ] .
62