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MARIELLE SAMAYOA ESCOBAR
MASTER IN COLLECTIVE HOUSING PORTFOLIO
MARIELLE SAMAYOA ESCOBAR
MASTER IN COLLECTIVE HOUSING PORTFOLIO
DURATION
January 14th - September 16th, 2019
DIRECTORS
Dr. José María de la Puerta and Andrea Deplazes
COORDINATOR + MANAGER
Rosario Segado
LOCATION
Madrid, Spain
Zurich, Switzerland
CONTACT
e-mail: info@mchmaster.com
phone:+34 910 674 860
Escuela Técnica Superior de Arquitectura de Madrid
Avda. Juan Herrera 4. 28040, Madrid. Spain
MCH EDITION 2019
The Master of Architecture in Collective Housing, MCH, is a
postgraduate full-time international professional program of
advanced architecture design in cities and housing presented by
Universidad Politécnica of Madrid (UPM) and Swiss Federal
Institute of Technology (ETH). After ten editions, it is rated as one
of the best architecture master’s programs by architects and experts.
4
Schedule of Contents
SHOWN IN CHRONOLOGICAL ORDER
JANUARY
FEBRUARY
MARCH
APRIL
MAY
JUNE
JULY
W03
WORKSHOP 02
pg 28-41
WORKSHOP 04
pg 68-83
WORKS
pg
WORKSHOP 06
pg 104-117
Hrvoje Njiric
AL Jacob van Rijs
Andrea Deplazes
Dietma
W03
AL
ZURICH TRIP
SPE
SPECIALTY 02
pg 42-51
LC + EH
SPECIALTY 04
pg 132-145
UD + L
5
WORKSHOP 01
pg 6-17
Andrés Cánovas + Atxu Amann
WORKSHOP 03
pg 52-67
SHOP 05
84 -91
WORKSHOP 07
pg 118-131
Anne Lacaton
Alison Brooks
ar Eberle
ECIALTY 01
pg 18-27
E + S
EASTER HOLIDAYS
SPECIALTY 03
pg 92-103
C + T
6
DURATION
5 days
PROJECT LOCATION
Madrid, Spain
ASSISTANT PROFESSORS
Gabriel Wajnerman [Plural Arquitectos]
GROUP MEMBERS
Ravin AbouRjeily - Lebanon
Elena Sanfeliu - Spain
Marielle Samayoa - Guatemala
WORKSHOP 01
7
Alone But Connected
LED BY: ANDRÉS CÁNOVAS + ATXU AMANN
[AMANN-CÁNOVAS-MARURI]
This workshop was based on the notion of modern day’s living
situation, in which living alone has become more common. “It is a
free choice; far from loneliness and neglect it may reflect the degree
of progress of a society in relation to the exercise of individual
freedom and ability of emancipation and autonomy.” The workshop
consisted of choosing a person from Angelica Dass’s Pantone and
giving it a personality. Bearing in mind the distinct personalities
of all 19 characters, the first phase’s task was to diagram the
personalities in accordance to the use of spaces. The oxymoron of
living alone yet connected was constantly employed to design the
first possible architectural building, constrained in a 4-meter-deep
and 50-meter-long site. For the second phase of this workshop,
a radical move was to be made: completely pass on your group’s
work to another group and then inherit another group’s work. With
new material at hand, the challenge was to take the architecture
further to its final phase, where an audio-visual was to be made that
portrayed the concept, the architecture and location, without being
explicit about design and more about the concept; a video outside
of the architecture.
Pantone, by Angélica Dass
Elena Sanfeliu
Marielle Samayoa
Ravin Abourjeily
WORSHOP 1- Canovas + Amann
SPACE VS. SOCIABILITY SPACE VS. NATUREAGE VS. NEED OF SPACE
FAVORITE SPACE [vs. possible orientation] TIME SPENT INSIDE %hours/day TIME SPENT OUTSIDE %/hours/day
Living Space
Meditation/Studio
Bathroom
Bedroom
Outdoor
Objects in tension
Fighting Shapes
Dynamic forms
Complex forms
Residual Space
MidGround
UNROLLING COMPLEXITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPTS
Objects in tension
Fighting Shapes
Dynamic forms
Complex forms
Residual Space
MidGround
XITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPTS
UNROLLING COMPLEXITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPT
8
19 LONELY CHARACTERS AND THEIR DOMESTIC DISTINCTIONS
AGE VS NEED OF SPACE SPACE VS SOCIABILITY SPACE VS NATURE
Voids
Hanging boxes
Long deep patios
What is ground floor?
Contrasting architectural elements
New Strategies for Obtaining light
Wat is exterior? What is inside? What is outside?
OBJECTS IN
TENSION
FIGHTING
SHAPES
RESIDUAL SPACE
WORKSHOP 01
Elena Sanfeliu
Marielle Samayoa
Ravin Abourjeily
WORSHOP 1- Canovas + Amann
FAVORITE SPACE [vs. possible orientation] TIME SPENT INSIDE %hours/day TIME SPENT OUTSIDE %/hours/day
Living Space
Meditation/Studio
Bathroom
Bedroom
Outdoor
UNROLLING COMPLEXITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPT
Objects in tension
Fighting Shapes
Dynamic forms
Complex forms
Residual Space
MidGround
UNROLLING COMPLEXITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPTS
Objects in tension
Fighting Shapes
Dynamic forms
Complex forms
Residual Space
MidGround
9
FAVORITE SPACE
TIME SPENT INSIDE
% HOURS/DAY
TIME SPENT OUTSIDE
% HOURS/DAY
Unrolling complexity and conflict to understand spatial concepts
DYNAMIC
FORMS
COMPLEX
FORMS
MIDGROUND
CÁNOVAS-AMANN
Living
Space
Studio
Bathroom
Bedroom
Outdoor
10
Architecture morphology from personality diagrams
WORKSHOP 01
11
Redesigning Group’s 2 Section
Alone yet connected through patio
spaces and the clothes hanged to
dry, exposed to neighbors. A current
domestic practice.
Exploration of exposing objects
instead, to find a connection with the
outside world. Living as art.
CÁNOVAS-AMANN
12
VIDEO: HANGING LONELY PIECES
SNIPPETS AND CONCEPTS
WORKSHOP 01
13
We are shadows, walking and living in a lonely world. Where we
eat alone, run alone, communicate alone, visit museums alone, sit in
our bedrooms alone, play instruments alone, watch television alone.
Everything we do, we do alone.
Yet we all want to be seen for who we really are. In a colorful world we
feel black and white. In a black and white world, we want to be color.
How can we then stay connected? Transparency is the answer.
CÁNOVAS-AMANN
14
LOCATION: ADJACENT TO CAIXA FORUM
IN A CULTURAL SITE WITH TRANSPARENCY AND REFLECTION
WORKSHOP 01
15CÁNOVAS-AMANN
16
EXPOSING DOMESTICITY...
WORKSHOP 01
17
WITH THE ART OF SIMPLY BEING
THE END
CÁNOVAS-AMANN
18
DURATION
2 weeks of design work
PROJECT LOCATION
Norilsk, Russia (chosen)
JURY
Emiliano López [Emiliano López Mónica Rivera Arquitectos]
Roger Tudó [H Arquitectes]
GROUP MEMBERS
Yolanda de Rueda - México
Karla Ortiz - México
Marielle Samayoa - Guatemala
SPECIALTY 01 E+S
19
The complexity of this project relied on the thermodynamics
and thermal comfort on living in the northern-most city
in the world. Located in Norilsk, Russia one of the main
challenges relied on the fact that it is a permafrost region,
hence building underground to search for ground insulation
was not an option. Trying to rely solely on passive strategies,
this project first comprehends and analyzes thermodynamic
activities in Norilsk, such as ice-swimming and the use of
an indoor stove/bed berth named izba; and how they affect
the body. Like a Matryoshka, the concept is quite similar
in which the layers of skin and layers of materials are
controlling human temperature and therefore comfort levels.
The project is divided then in distinct layers that become
habitable and provide different atmospheres depending on the
activity employed. The only technological heating technique
is radiant floor and wall heating cores that work as central
heaters for the dwelling while wood helps as insulator. There
is an exterior layer, enclosed by ETFE, where comfort is
managed by a heated pool that warms the air and by the snow
covering and insulating the entire building, creating an ideal
living space for this ultra-frigid location.
LED BY: JAVIER GARCÍA-GERMÁN
[TAAS—TOTEM ARQUITECTOS ASOCIADOS]
Energy and Sustainability
Permafrost ZoneNorilsk
20
The city was created for a
huge metallurgical complex
that was built in the 1930s
and where hundreds
of thousands of gulag
prisioners worked. Sadly,
many also died.
Inhabitants of the city find
themselves lacking vegetation
during the 9 month winter.
Green oases are created in
their apartments, defying the
harsh climate and industrial
environment.
Located 400 km North of the
Arctic Circle, Norilsk has no
ground connections with the
rest of the world.
When the weather is better,
inhabitants travel to the
tundra to enjoy the virgin
areas. Though near the city,
these are mostly dead or in
danger because of the toxic
gases that flow into the
atmosphere.
Construction of new
quarters have been
abandoned after the fall of
the USSR. Buildings have
become frozen.
People of Norlisk protect
themselves from the toxic
smoke, especially during the
summer. Because of the low
temperatures, exercise is
important. Ice swimming is a
common winter activity and
many ice-games olympians
come from Norilsk.
Schools have interior
playgrounds due to cold
weather. Norilsk architects
build with pre-built panels
and collocate buildings close
to each other to filter and
protect from strong winds
and create more comfortable
spaces that face a courtyard.
Norilsk goes into LONG and
HARD winters with 130 days
of snowstorm and nearly two
months of polar nights. This
can lead to a loss of deep
sleep, irritation, fatigue and
depression.
In the summer, there is a
period when the sun doesn’t
go under the horizon for
almost 90 days. Apartments
aren’t equipped with shutters
for invasive continued light.
Photos by Elena Chernyshova
SPECIALTY 01
21
REST LIVING
ACTIVE FRESHNESS
ENERGY AND SUSTAINABILITY
•	 19°C
•	 Comfort
•	 Acoustic
•	 Textile
•	 Views
•	 24°C
•	 Warm
•	 Open
•	 Wood/Stone
•	 Light
•	 15°C space
•	 27°C water
•	 Open
•	 Water/Glass
•	 Thermal Buffer
•	 22°C space
•	 30% relative
humidity
•	 Open
•	 Plants/Glass
•	 UV light
BODY TEMP 37°C
BODY TEMP <36°C
HOT WATER PIPES 49°C
SNOW -5°C
LAKE DOLGOYE
ROCK SHORE
METALLIC BARS AND STEPS
COVERED IN SNOW
Metallic bars
covered in snow
NEAR PIPES
water remains warm through
conduction from pipes and
convection. As the pipes move
further from the surface, water
becomes colder
body core temp remains
warm if exercise takes place
body temp drastically
drops after ice swimming
hot water pipes warm
atmosphere air through
radiation
coming from the power
plant directly heat rocks
that flow into the lake and
the water from Lake
Dolgoye through conduction
HEAT SOURCE
Heat Source
Heat Sink
AIR TEMP 5°COUTISDE TEMP
-30°C
WATER TEMP 4°C
WATER TEMP 7°C
WATER TEMP 10°C
22
Radiant Floor
Heating
Snow Insulation LayeringMatryoshka Doll
Thermodynamic Contemporary Scenario: Ice Swimming
SPECIALTY 01
BODY TEMP 37°C
Wood Flooring for insulation
RUSSIAN STOVE (PECH)
THERMAL MASS CHIMNEY
Dry wood logs
for the Russian Pech
Russian Stove
wood platform
body core temp remains
warm due to conduction
from stove
Heat Sink
HEAT SOURCE
INTERIOR
STOVE TEMP. 400°C
KETTLE HEATED BY
CONVECTION
KITCHEN TEMP. 28°C
ROOM TEMP. 24°C
Heat Sink
THERMAL MASS
Heat Source
Brick releases heat
through radiation at night
Wood Cladded walls for insulation
COOKING OVEN
ORIFICE
SLEEPING BERTH
SHELVES
23ENERGY AND SUSTAINABILITY
Heating
through water
Cross-ventilation Humidity Illumination
Thermodynamic Vernacular Scenario: Russian Stove/Izba
24
Vertical Skylights
wood cladding
Common Living Slabs
wood panels
Compact Envelope
wood facade
Outer Membrane
ETFE
Snow Insulation
snow
Column-Beam Structure
concrete
Radiant Heating Cores
concrete
SPECIALTY 01
25ENERGY AND SUSTAINABILITY
Ground FloorTypical Floor
26
SUMMER DAY
WINTER NIGHT WINTER DAY
Polar Nights: 2 months
Snow accumulates on
copper roof and insulates
the entire complex
ETFE encloses
outer layer to
protect against
wind and snow
drafts
Plants provide humidity
to outer membrane to
improve air conditions
Indirect light enters
sleeping nooks through
skylightsUV lights
Winter sun heats
interior space
Radiant cores radiate
heat to interior
space while thermal
mass absorbs it and
releases it at night.
Roof provides
shadow
Heated air rises
and is ventilated
Cross ventilation
Radiant heating cores
slightly heat the living areas
to mantain comfortable temp.
ETFE is removed to
allow natural ventilation
Plants help filter
contaminated air
SPECIALTY 01
27
ROOFOUTERMEMBRANERESTLIVINGAREA
ENERGY AND SUSTAINABILITY
SNOW
insulator
COPPER
insulator
highly resistant
ETFE
insulator
transparency
CONCRETE
thermal mass
heat absorbent
WATER
humidity
WOOL
insulator
PLANTS
humidity
oxygen
WOOD
insulator
28
DURATION
5 days
PROJECT LOCATION
Dugopolje, Croatia
ASSISTANT PROFESSORS
Esperanza Campaña [Architectural Matter]
JURY
Juan Elvira [Elvira + Murado]
GROUP MEMBERS
Magali de Souza Schwenkow - Brazil
Marielle Samayoa - Guatemala
WORKSHOP 02
29
Fabricating Happiness:
kindness, empathy and well-being
LED BY: HRVOJE NJIRIĆ
[NJIRIC+
ARHITEKTI]
Dugopolje, though not far from the capital of Croatia, is still quite
isolated from urban activity. The site is located in an interesting
boundary condition, where industrial qualities and residential
qualities meet. The few existing (and small) residential complexes
are at the southern side of Dugopolje while the industrial and
commercial areas have developed in the north. As a result, the
site located just at this intersection, searches to sew or stitch these
conditions into a new way of living. The building is positioned in a
way that creates two big open spaces, yet connecting at the ground
floor in order to respond to residential and to future commercial
needs respectively, taking into account that the area will grow and
become much more developed with mixed used spaces. The building
itself tries to accomplish a similar stitching situation in which all
living units are brought to the minimum needs (living cells) in order
to create ample and dynamic sharing spaces that foster community
amongst its carefully selected users. It’s important to understand
that in order for this co-housing project to work, the individuals had
to be different to each other. This common space area or “yellow
space” moves throughout the building, connecting service spaces to
living units while opening up to larger areas that host social value
and stitch the people together.
30 WORKSHOP 02
Industrial site 15 km north of Split, Dugopolje
Residual site
9.2
18.7
18.8
40.5
79
31.5
street street
31HRVOJE NJIRIĆ
Site sandwiched between industrial and residential zones
Industrial and Residential Facades
Industrial quality
Residential quality
Site porosity to connect
barriers (workers to homes)
Duality of uses and interactions Heights responding to immediate context
32
“It was just an incredible mix of people that I would never
normally hang out with or meet- that’s what made the experience
so interesting and lovely. That’s what made me stay longer in the
end... Had it been a whole load of people just like me, I probably
wouldn’t have stayed so long.”
URBAN TRIBE MIX
LIVING QUALITIES:
Organic
Evolutive
Grow
Dynamic
Space negotiation
Social Value
Mixing People
Blurring interior/exterior
Play on positive/negative space
CONCEPTS:
WORKSHOP 02
COUPLE ELDER
SPORT
PLAYERS
STUDENTSFAMILY WITH
KIDS
2 1-211-23-5
pets allowed
SINGLE
1
Adds rentability to
co-housing model
COMMUNITY 1 COMMUNITY 2 COMMUNITY 3 COMMUNITY 4
LIVING ROOM
KIDS PLAYROOM PET
AREA
TECHNOLOGY
STUDY AREA
KITCHEN
GYM
LIBRARY
TV ROOM
TOURISTS
1-2
Dont Want to be
lonely -
young mix-Young
attitude
transit tourists
Plays, practices,
stays active
Stays up to date
with matches
University
Students
share-for
affordabilityFamily with small kidsNewlyweds
Extrovert
EPTS
7m
Narrow building plot
7m
System grid
7m
Rotate for connecting angles
7m
Inject Space
7m
Extending border to embrace space
Inside/Outside
7m
Co-housing communities
7m
Mix of people Porosity for illumination, ventilation, and con
7m
Kitchens Sliding door membrane
In/Out (closed scenario)
33
EXPLORATION OF HOUSING TRIBES
HRVOJE NJIRIĆ
Narrow building plot System grid Inject spaceRotation for added area
Kitchens as nodes Mix of people Illumination and ventilationSliding door membranes
Co-housing communities In/Out closed scenarioExtending border to embrace
inside and outside
34
1. 2.
5. 6.
9. 10.
13. 14.
WORKSHOP 02
COMMON SPACES
SEWING A NEW WAY OF LIFE (ANIMATED GIF)
35
3. 4.
7. 8.
11. 12.
15. 16.
HRVOJE NJIRIĆ
RESIDENTIAL INDUSTRIAL
THE STITCHER
LIVING CELLS
36
URBAN APPROACHES
WORKSHOP 02
Vehicular acceses
Dual and distinct open spaces
Children’s Play Area
Picnic
Barbecue
Kiosks (services)
Plaza
Street Ammenities
37HRVOJE NJIRIĆ
Vertical Circulation and Acceses
Industrial height and Residential height
Ramps stitching buildings
Mid-height stitch Industrial Height
Residential Height
TYPICALPLAN
SCALE1/200
N
GYMANDANOTHERAMENITIES
38
TYPICAL FLOOR PLAN
WORKSHOP 02
-80 residents
-24 people are temporary or kids
-28 parking spots
GYMANDANOTHERAMENITIES
39HRVOJE NJIRIĆ
Potential Communities or families
closing their communal spaces
ammenities
Scale 1:200
sofa bed
0.800.80 1.40
closet
3.00
2.50
3.00
0.900.900.902.80
sofa bed
0.900.800.900.800.90
0.90
0.60 0.70 2.00
storage
0.80 1.40 0.80 0.50
0.702.01
0.80
2.50
3.00
0.900.900.902.80
sofa bed
0.900.800.900.800.90
0.90
0.60 0.70 2.00
0.80
0.702.01
40 WORKSHOP 02
Vertical Landing
Hallway
Terrace
KitchenDinningStudy Area
FAMILY WITH KIDS STUDENTS
Scale 1:100
sofabed
0.800.801.40
closet
3.00
2.50
3.00
0.90 0.900.902.80
sofabed
0.900.800.900.800.90
0.90
0.600.702.00
storage
0.801.400.800.50
0.70 2.01
sofabed
0.800.801.40
closet
3.00
2.50
3.00
0.90 0.900.902.80
sofabed
0.900.800.900.800.90
0.90
0.600.702.00
storage
0.801.400.800.50
0.70 2.01
41HRVOJE NJIRIĆ
Hallway
Kitchen
Living Room
Ammenities
Vertical Landing
Dinning RoomLiving Room
COUPLESAIRBNB/LIVING ROOM
Scale 1:100
and stitching
ramps
42
DURATION
9 days of design work
PROJECT LOCATION
Mafraq, Jordan
ASSISTANT PROFESSORS
Sonia Molina [ICHaB-ETSAM]
GROUP MEMBERS
Carolina Martín - Spain
Ramón Puñet - Spain
Marielle Samayoa - Guatemala
SPECIALTY 02 LC+EH
43
Jordan is home to many Syrian refugees in present day due to its
geographic location from the area of conflict. Za’atari, one of the
biggest refugee camps in the world, located in Mafraq District, is
now the fifth largest city in Jordan. As Syria continues its civil war,
Syrians are forced to flee and seek for a safe place, making their
stay longer than expected. Conditions in refugee camps haven’t
improved at all, as hygiene, sanitation and a proper living space
are not truly implemented for these settlements. The latter is due
to the idea that the population has to be immediately displaced.
This proposal seeks to provide dignity in design: a shelter that is
more apt to its climate, more comfortable to live, easier to build and
dismantle and more affordable as well. Additionally, it’s made from
local materials and built without the use of water or skilled labor,
making the construction of the modules a collaborative goal.
LED BY: BELÉN GESTO
[ICHAB- ETSAM]
Low-Cost and Emergency Housing
44
REFUGEE CRISIS - WAVE 7
Family Size Distribution
COUPLE
WITH A BABY
FAMILY
WITH TODDLERS
FAMILY
WITH KIDS
FAMILY +
EXTENDED
AMMAN
MAFRAQ
SYRIA
25.5 KM
64 KM
Syrian refugees coming into Jordan are usually
Government Assisted Refugees (GAR), arriving
in 2-12 people (family) per household. 60% are
children of 14 years or younger.
1:3
9m2
shelter
36m2
plot
1:2
18m2 shelter
54m2 plot
1:3
27m2 shelter
108m2 plot
1:3
36m2 shelter
144m2 plot
The climate in Mafraq is local steppe climate,
meaning that there is little rainfall. Average
summer is 24.3 °C, average winter is 7.3 °C.
There are few cloudy days for what makes the
sun feel really intense, especially in dry land
area.
SPECIALTY 02
_1%
slope
_2%
_3-5%
_5-7%
_8-10%
45
TOPOGRAPHIC SLOPES
HIGHWAY AND ROAD SYSTEM LAND USES
10%-1% slope (west to east)
Hierarchy of road system Agricultural, military, housing, public,
industrial, religious, health, business
URBAN AREA GROWTH
1920 to 2000 growth direction
Industrial
Residential
Industrial
Residential
Medical
Instituttional
Recre
-ational
Main Street
Equipment
Flex Corridor
Shelter grid
EntryAdmin
Warehouse
229,110 m2
DRAINAGE SYSTEM
(WATERWAYS)
SITE AND URBAN FABRIC
ACCESS AND CONTEXT URBAN DESIGN STRATEGY
LOW-COST AND EMERGENCY HOUSING
46 SPECIALTY 02
47LOW-COST AND EMERGENCY HOUSING
PHASE 1
2,500 PEOPLE
24 COMMUNITIES
PHASE 2
3,700 PEOPLE
35 COMMUNITIES
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
9
10
PHASE 3
5,000 PEOPLE
47 COMMUNITIES
KEY LEGEND
1. Access control
2. Warehouse
3. Districution Center and
Adminitration
4. Market
5. Nursery
6. School
7. Medical Center
8. Feeding Center
9. Commercial Area
10.Storage/Changing/Showers
Social and Commercial
Social and Commercial
Education and Child Care
Sports Area
Administrative Area
Administrative Area
Health/Medical Area
1
1
2
2
3
3
4
5
6
7
8
9
10
48
SHELTER UNIT ASSEMBLY 3X3M
WALL SYSTEM
GALVANIZED SCAFFOLDING:
4 vertical, 11 horizontal, 2 diagonal,
20 parts
STEEL NET:
8x150x150mm
72 m2
CHICKEN MESH:
8x150x150mm
GRAVEL + SAND FILL:
7.2 m3
PVC TUBES WINDOWS:
4 pcs
120 mm
PLYWOOD DOOR:
1 u
1x2.10m
SPECIALTY 02
49
FLOOR + ROOF SYSTEM
RAIN WATER COLLECTION COMFORT
POLYPROPENE FLOOR EF:
0.50m2 u
9m2
PLASTIC WATER TANK:
60L + filter
ALUMINUM FLATSHEET:
1u folded 9m2
4u 2.7 m2
HEMP TEXTILE
used for curtains or decor
LOW-COST AND EMERGENCY HOUSING
50
16 HOUSEHOLD COMMUNITYSANITATION SOLUTION
irrigationgrey
water
recyling
black
water
(city)
water
supply
(city)
SPECIALTY 02
51
10 PEOPLE HOUSEHOLD 7 PEOPLE HOUSEHOLD 5 PEOPLE HH 2.5 PEOPLE HH
LOW-COST AND EMERGENCY HOUSING
52
DURATION
5 days
PROJECT LOCATION
Canal du Pantin, Paris, France
ASSISTANT PROFESSORS
Diego García-Setién [GaSSz Architects Associated]
JURY
Momoyo Kaijima [Atelier Bow-Wow]
GROUP MEMBERS
Carolina Cueva - Ecuador
Jianyin Han - China
Marielle Samayoa - Guatemala
WORKSHOP 03
BANLIEUEISTHENEWCOOL
53
Housing And Reuse:
good conditions of life
LED BY: ANNE LACATON
[LACATON & VASSAL]
Designing from images and fragments was the purpose of this
workshop. Anne Lacaton’s design philosophy becomes heavily
implemented in this workshop, where finding the values of the
existing and working with them as attributes for design that doesn’t
interrupt but rather ameliorate the existing conditions becomes the
challenge and aim. This proposal initially focuses on reusing spaces
as a form of architecture. The brief took Paris’s Magasins Généraux
in front of the Canal du Pantin as the jewel to be intervened. The
process of this design commenced from images and fragments that
together composed atmospheres that would then provide the concepts
to our project. Based on the keywords of openness, transformation
and movement, our proposal seeks to show how a building can
survive through the concept of inhabiting it through time. Osmosis
also becomes a keyword in which movement of people and objects
constantly change the atmosphere of the building without having
to physically meddle with the built and instead work along with its
existing attributes.
54
GIVEN BUILDING’S VALUES
Height, Structure and Weight Capacity Gradient
Deepness of slabs (+ the ample bay spans)
Inanimate objects living in the building
Vertical acceses for freight load access Exposed bridges
Canal, Bridge, Street Connections
WORKSHOP 03
55
MANIFESTO FOR INHABITING MAGASINS GÉNÉRAUX
Architecture may be known as the art to create new
physical forms that stand eloquently and creatively
on solid ground. Yet what many ignore is that one of
architecture’s greatest value is the art to bring the
sleeping back to life. It aims at rethinking about the
abandoned world without forgetting its past. In this
case, the abandoned world is The Magasins Généraux à
Pantin, a lingering soul desiring to be revived by a
wave of creativity. The former industrial building
will be revitalized and transformed into an urban
structure that hosts housing, working and several
other cultural activities.
Our proposal will be focused on the building as
an urban ground, thinking about what the modern
citizen needs, the desire to have an urban life
where they can share and connect with friends or new
people, participate, create new experiences, work
at home, and have a healthy life style. These needs
follow the idea to combine the best of two worlds
“city/banlieue” and “housing/working”. Inspired
by osmosis as a process of movement, the spaces
will have their own identity between floors, with
physical and spatial qualities.
Openness in spaces will represent flexibility between
carefully designated uses and users, using a clean
canvas approach to develop scheduled functions that
offer more than just a visual and open connection
to the user and what lies before him or her. It’s
also about the movement that supports the relation
between the city and the building, thus creating it
by using membranes and objects that change space
arrangements and alter how the user participates in
the open spaces.
And finally, the desire to keep the essence of
Magasins Généraux and follow the continuation of
its heritage it’s important, that’s why the interior
use of the building will be transforming into ever-
changing atmospheres (from urban infrastructure to
temporary living) that enrich the buildings’ capacity
to sustain diversity and a better way of life.
ANNE LACATON
56
DESIRED ATMOSPHERES
Movement
WORKSHOP 03
57
Openness
Transformation
ANNE LACATON
58
MOVEMENT AS OSMOSIS IN MAGASINS GÉNÉRAUX
Biological definition:
diffusion of molecules from high concentration to
low concentration areas, through a semipermeable
membrane.
HORIZONTAL VERTICAL
SEMIPERMEABLE
MEMBRANE
N3
N0
N1
N2
N4
N5
N6
4.2 M
5.8 M
5.8 M
4.2 M
3.9 M
4.8 M
3.7 M
MONTHLY
DAILY
WEEKLY
YEARLY
(-)
FLEXIBLE
(+)
FLEXIBLE
WORKSHOP 03
A schedule of flexibility versus urban, living and
cultural functions was created in accordance to the
slabs’ heights and capacity. In this way, the building
is inhabited through the dynamics of time.
59
Our definition:
movement of people from dense areas to less dense
areas or vice versa. It also implies the movement of
furniture aiding to this constant change in activity.
The semi permeable membranes are composed of
different objects and materials that influence the
latter process.
HORIZONTAL VERTICAl
SEMIPERMEABLE
MEMBRANE
URBAN LIVING, WORKING, CULTURAL FUNCTIONS
SEMI-PERMEABLE
MEMBRANES
ANNE LACATON
60 WORKSHOP 03
61ANNE LACATON
Building as a machine. A crane would be needed to
keep the building’s movement and transformation
rolling. A practice that reminisces on the Magasins
initial use.
62
Ground Floor - Weekend
Avenue Jean Lolive
Canal L'Ourcq
WORKSHOP 03
63
Ground Floor - Weekday
Avenue Jean Lolive
Canal L'Ourcq
ANNE LACATON
64
L01- Monthly Events scenario I
WORKSHOP 03
65
L01- Monthly Events scneario II
ANNE LACATON
66
L04- Yearly Rent scenario I
WORKSHOP 03
67
L04-Yearly Rent scenario II
ANNE LACATON
68
DURATION
5 days
PROJECT LOCATION
No location specified
ASSISTANT PROFESSORS
Ignacio Borrego [Ignacio Borrego Arquitectos]
GROUP MEMBERS
Daniela Rullier - Perú
Ignacio Castro - Costa Rica
Marielle Samayoa - Guatemala
WORKSHOP 04
69
Home Office
LED BY: JACOB VAN RIJS
[MVRDV]
The idea of working from home or living in the office is everyday
more accepted. How can architecture comply with both activities
while still serving both natures? How can architecture also be
resilient enough when the building’s uses change through time as we
work more at home? Based on the thin slab massing, this proposal
divides in three main bands the programs, creating flexibility of
changing services such as the bathrooms, kitchens, closets and
shafts. Due to its very narrow depth (6 meters) we played with the
height of slab to slab, so that hanging slabs could be added to add
more usable space for the users, whether they are working or living.
As the second stage of the workshop took place, our proposal was
interested in hinging the structures of the projects in order to link
the in-between space that eventually sews the entire building block
together. The result is an interesting, complex and even aesthetically
challenging building, that in a way resembles the complexity of
working and living programmatic uses.
circulation vs free plan
50.00
6.00
50.00
6.00
1.852.901.10
3.506.136.126.136.136.136.133.50 6.13
SERVICE SPACES
WINTER GARDEN/CIRCULATION
HOME*OFFICE
70
THIN SLAB CORE STUDY
6X50 METERS
Horizontal circulation
Open Home*Office Plan
Services (K/B/C/Shafts)
Circulation possibilites vs. number of units and open space plan
Support modules, organized so that program can
be well distributed in programmatic bands
WORKSHOP 04
71
SUPPORT + INFILL + CONCEPT
JACOB VAN RIJS
1. 2.
3. 4.
5. 6.
7. 8.
9. 10.
72
SUPPORTS
FTF HEIGHT: 4.5M
MID HEIGHT: 2.25M
Plan
Section
1:400
WORKSHOP 04
A
B
73
INFILLS
SUSPENDED SLABS
EPHIMERAL USE
Residential Typology Possibility
Office Services Possibility
Section
1:400
JACOB VAN RIJS
A AB DA C
74
100% HOUSING
50/50 HOME-OFFICE
WORKSHOP 04
75
Housing Level 2
Housing Level 1
Mixed Use Level 1
Mixed Use Level 2
1:200
1:200
1:200
1:200
JACOB VAN RIJS
76
South Elevation Treatment
North Facade Treatment
WORKSHOP 04
77JACOB VAN RIJS
3% NEW PROGRAM 50% HOUSING / 50% OFFICE/
100% OFFICE 100% OFFICE
JACOB VAN RIJS & IGNACIO BORREGO
ALEJANDRA MARTINEZ, MAGALI SCHWENKOW & YOLANDA RUEDA
78
BUILDING BLOCK - MIXING TYPOLOGIES
HINGING EACH TYPOLOGY WITH SOCIAL/VERTICAL CONNECTIONS
TYPOLOGYTYPICALPLANCORE/COMMONSPACEJOININGSYSTEM
WORKSHOP 04
20M X 20M, H=20M 50M X 50M, H=1 FLOOR
Connecting and Hinging in-between space
79JACOB VAN RIJS
15M X 15M, H=33M 6M X 50M, H=25M
Home + Office Infill
80 WORKSHOP 04
Hinge Level Infill
Hinge Level Support
UP
81JACOB VAN RIJS
2nd Level Infill
2nd Level Support
82 WORKSHOP 04
Section Building Block
83JACOB VAN RIJS
84
DURATION
5 days
PROJECT LOCATION
*No location specified
ASSISTANT PROFESSORS
Victor Ebergenyi [Kiltro Polaris Arquitectura]
GROUP MEMBERS
Marielle Samayoa - Guatemala
WORKSHOP 05
85
Form,Core,Envelope
LED BY: DIETMAR EBERLE
[EBERLE BAUMSCHLAGER]
When designing a building, one usually jumps directly to typologies
and morphologies without truly understanding the urban fabric
and how this can immediately impact the architect’s desire. This
workshop explores the 9 steps of Eberle’s manifesto to creating long
lasting settlements. The contribution to urban or public space, the
structure, the building envelope, the program and finally the finishes
are the main subjects to the process. Though my initial exploration
was in the 21st century fabric, I shifted to the 19th century fabric,
where typologies seem to be much more reasonable yet challenging
due to the density of their context. The project explores first form,
then core and finally the envelope, creating a complete project that
then adapts to its urban fabric context.
XVI Century XIX Century XXI Century
Site
Tilted Grid 2.5x2.5
Structure + Core
86 WORKSHOP 05
Version 1-Core and StructureStructure and Core
Tilted Grid 2.5x2.5
Site
A
Chamberí - Ensanche Corner Site
87
Interior SpacePatio Street
DIETMAR EBERLE
Version 1-Zoom in Detail
Envelope-Section Detail
A
88 WORKSHOP 05
Structural System
89
Daytime - Open shutters Morning - 40o
shutters Night - Closed shutters
DIETMAR EBERLE
90 WORKSHOP 05
91DIETMAR EBERLE
92
DURATION
10 days of design work
PROJECT LOCATION
Chiang Mai, Thailand (chosen)
ASSISTANT PROFESSORS
Diego García-Setién [GaSSz Architects Associated]
David Rutter [ARUP]
Archie Campbell [ARUP]
GROUP MEMBERS
Iñaky Pérez López - México
Santiago Ardila - Colombia
Marielle Samayoa - Guatemala
SPECIALTY 03 C+T
93
The purpose of this seminar module was to completely transform an
existing building to fit into an entirely new context, contemplating
newdrivingforcessuchasweatherandbudget.Theoriginalhigh-end
building, located in Bolzano, Italy and designed by Marx Ladurner
Architects, is composed of concrete beam rings and metallic columns.
Our project proposal transfers the building complex to Chiang Mai
in Thailand where bamboo is used as a cheap vernacular material
that is even better adapted to its climate, especially when aiming
at passive strategies of thermal comfort. The transformation uses
this resource as its main driver for architecture and design details.
Our goal was to create a new building that doesn’t lose its essence
entirely from Marx Ladurner’s design intention, yet that cleverly
adapts to its new country, users and climate.
LED BY: IGNACIO FERNÁNDEZ SOLLA
[ARUP]
Construction and Technology
94
ORIGINAL PROJECT
Silandro, Bolzano, Italy
Marx Ladurner Architects
Continental Climate B
SPECIALTY 03
Bamboo flute beam
(ø 0.10m)
Bamboo flute
column (ø 0.10m)
Rope tie
covering
metallic cuff Bamboo flute beam
(ø 0.10m)
Bamboo flute
column (ø 0.10m)
Rope tie
covering
metallic cuff
95
ADAPTED PROPOSAL
CONSTRUCTION AND TECHNOLOGY
Chiang Mai, Tahiland
Tropical Climate A
96
LOCAL RESOURCES + REFERENCES
Concrete + Rammed Earth
Locally produced
Bamboo
Vernacular low-tech
97
LIVING BAMBOO PODS
98 SPECIALTY 03
99CONSTRUCTION AND TECHNOLOGY
100 SPECIALTY 03
DN
DN
PRODUCED BY AN AUTODESK STUDENT VERSION
101
Site Plan
Ground Floor Plan
Typical Floor Plan
CONSTRUCTION AND TECHNOLOGY
1:400
1:400
SOLAR RADIATION
BODY TEMPERATURE
36,5°
SOLAR RADIATION
BODY TEMPERATURE
36,5°
BODY SWEAT EVAPORATION
BODY TEMPERATURE
36,5°
AIR TEMPERATURE 27°
102
Thermal Comfort Strategy, Transverse Cut
Thermal Comfort Strategy, Longitudinal Cut
SPECIALTY 03
Local bamboo flutes (0.05m ø)
Bamboo railing (0.05m ø)
Local bamboo flutes (0.10m ø)
Wooden roof structure
Bamboo beams (0.10m ø)
Thatched straw roof
Solid concrete slab in-situ (0.12m)
2.700.2992.051.049.251.650
.950
.050
.100
.100
.500
.111
.050
.055
.100
1.850
1.238
.100
0 0.5 1 2 2.5
103CONSTRUCTION AND TECHNOLOGY
Because of its low budget, the project relies entirely on
passive and sustainable strategies to mantain its efficiency.
The maintenance is covered by the building’s residents as a
cooperative. Additionally, energy is generated by waterotors
aligned to the canal near the building’s site.
Joints and Section Cut Detail
Plumbing
Water Supply
Electrical
104
DURATION
5 days
PROJECT LOCATION
Ávila, Madrid (chosen)
ASSISTANT PROFESSORS
Fernando Altozano [Dos Quijotes]
GROUP MEMBERS
Juan José David - Colombia
Marielle Samayoa - Guatemala
WORKSHOP 06
105
LED BY: ANDREA DEPLAZES
[BEARTH + DEPLAZES]
The restraint to housing, especially in European countries, tends to
be the depth of the building and thus the influence on the typology
and the living quality. This project is based on a 16-meter depth,
which is usually an ideal depth to housing as light can enter the space
easily. Our project, then, tries to not imitate the already existing
typologies from this typical depth, and instead take the important
values and attributes to create a very original way of living. The
design forces the building to have access galleries on both sides of
the building, due to the L-shaped section that shows the living/social
area as double height and the sleeping area as single height. The
social area works in contradiction to modern typologies: it only has
clerestory light, creating a mystical space. The towers add to social
spaces on the galleries where the dwellings can open to. Due to its
solid-tower forms (that add to the play of light), it became evident
that this 16-meter deep project could explore into unusual yet poetic
ways of living such as becoming a wall as a form of living
Depth Studies:
16 meters
106
DESIGN CONCEPT
QUALITIES THROUGH SKETCHES
BUILDING SYSTEM
Unit Floor Area
8m x 12m
Double Height Spaces Structural Concrete Walls Structural
Concrete Slabs
WORKSHOP 06
107ANDREA DEPLAZES
Galleries
Planters Exterior
Brick TowersBrick Towers
Interior
Typical distributions exploration
108
Dwelling Unit System
Sketch
1:200
WORKSHOP 06
109ANDREA DEPLAZES
Unit Agglomeration
Building
1:250
110
Longitudinal Section System
Not to Scale
WORKSHOP 06
111ANDREA DEPLAZES
Interior Light
Mystic Space
112
Plan, Building as a Plaza Block
1:1000
WORKSHOP 06
113ANDREA DEPLAZES
Plaza Mayor in Madrid
Section, Building as a Plaza Block
Not to Scale
114
Plan, Building as Wall
Sketch
WORKSHOP 06
115ANDREA DEPLAZES
Building as Wall
Sketch
Section, Building as Wall
Not to Scale
116 WORKSHOP 06
117ANDREA DEPLAZES
118
DURATION
5 days
PROJECT LOCATION
Madrid, Spain
ASSISTANT PROFESSORS
Alejandro de Miguel Solano [AECOM]
GROUP MEMBERS
Alejandra Martínez - Costa Rica
Carol Martín - Spain
Marielle Samayoa - Guatemala
WORKSHOP 07
119
LED BY: ALISON BROOKS
[ALISON BROOKS ARCHITECTS]
El Retiro is one of the most popular destinations in Madrid.
Historically, used only by the crown for a retreat-recreational use,
the now public park hosts millions of visitors per year. The essence
of the park hasn’t changed throughout the years, stressing the
importance of a big open space, especially nowadays when the urban
life if more likely to be hectic. Having the site on the back of the park
and also near Atocha Station (also attracting several visitors) it’s
almost inevitable to not use the site and architecture to sew the city
back together, despite its current typography. This project aims to
be sensible to the urban approach for both the city and Retiro, yet
reinforces the importance of activating big open spaces with bold
spaces. The way El Retiro park, the new project and the city can
connect is not only through place-making but also through views and
material expressions and gestures. It was important to localize the
nearby urban equipment, especially because of its location. The site
area lacks nearby and basic urban services such as supermarkets,
hospitals, art galleries, and other educational institutions that can
activate the site and bring more people, especially the neighbors
of El Pacífico and Atocha into El Retiro. The façade is a special
attribute to the project, where it appears as if El Retiro’s nature
splashed into and onto it, symbolizing its presence toward the city.
El Buen Retiro:
the retreat,the retirement,the seclusion
120 WORKSHOP 07
Lack of urban equipment near the siteEducational Retail/Food Finance Medical
way El Retiro park, the new project and the city can connect is not only through place-making but also through views and material expressions and gestures.
The site as is is entirely enclosed by the Retiro Wall and the complex topography of the
hill of El Pacífico. From the Retiro side, there is an existing orchard while on the city side
single family houses are ordered back to back with a large dwelling block to the right side
and an Elementary school to the left.
The block is closed as an urban block and the street extends to connect the neighborhoods.
From el Retiro, a large canopy extends, simulating existing landscape, and lands on top of
an workshop building in the Orchards, stitching the workshop-cultivating use to a market
that sits on the site.
On the opp
for elder a
onnected w
Urban Strategy Diagrams
To understand the site, it was important to localize the nearby urban equipments, especially because of its location. The site area lacks nearby and basic
urban services such as supermarkets, hospitals, art galleries, and other educational institutions that can activate the site and bring more people, especially
the neighbors of El Pacífico and Atocha into El Retiro.
Ground Floor Plan
1:300
El Retiro
Site
Madrid - Atocha
Public Institution
Market Hall
Residential
and Mixed UsePiazza
park hosts
y nowadays
ors into the
graphy. This
spaces. The
d gestures.
ghborhoods.
ds on top of
to a market
On the opposite side, a thin and tall residential building rises to house 100 dwellings
for elder and young citizens as the backdrop to the park and the city. The building block
onnected with the new market hall through a large piazza.
The residential building massing is hovering over the city and site, adding public use
spaces in the ground floor. Large city windows are punched through the massing to connect
the city with el Retiro and vice versa. The large openings house common spaces within the
y and basic
especially
El Retiro
Site
Madrid - Atocha
Public Institution
Market Hall
Residential
and Mixed UsePiazza
121ALISON BROOKS
Site adjacent to El Retiro Closing the “unfinished” block
Using architecture and uses to join site Interlace between El Retiro and the City
The site as is is entirely enclosed by the Retiro Wall and the complex topography of the
hill of El Pacífico. From the Retiro side, there is an existing orchard while on the city side
single family houses are ordered back to back with a large dwelling block to the right side
and an Elementary school to the left.
The block is closed as an urban block and the street extends to connect the neighborhoods.
From el Retiro, a large canopy extends, simulating existing landscape, and lands on top of
an workshop building in the Orchards, stitching the workshop-cultivating use to a market
that sits on the site.
On the op
for elder a
onnected
Ground Floor Plan
1:300
*NPT 0m
*NPT
El Retiro
Site
Madrid - Atocha
Public Institution
Market Hall
Residential
and Mixed UsePiazza
c park hosts
lly nowadays
tors into the
graphy. This
d spaces. The
d gestures.
ghborhoods.
nds on top of
e to a market
On the opposite side, a thin and tall residential building rises to house 100 dwellings
for elder and young citizens as the backdrop to the park and the city. The building block
onnected with the new market hall through a large piazza.
The residential building massing is hovering over the city and site, adding public use
spaces in the ground floor. Large city windows are punched through the massing to connect
the city with el Retiro and vice versa. The large openings house common spaces within the
residents and sky gardens as “Mini-Retiros“.
by and basic
e, especially
122 WORKSHOP 07
The site as is entirely enclosed by the Retiro Wall and the complex
topography of the hill of El Pacífico. From the Retiro side, there is
an existing orchard while on the city side single family houses are
ordered back to back with a large dwelling block to the right side
and an Elementary school to the left.
The block is closed as an urban block and the street extends to
connect the neighborhoods. From el Retiro, a large canopy
extends, simulating existing landscape, and lands on top of a
workshop building in the Orchards, stitching it to a market that
sits on the site.
On the opposite side, a thin and tall residential building rises to
house 100 dwellings for elder and young citizens as the backdrop
to the park and the city. The building block connected with the new
market hall through a large piazza.
The residential building massing is hovering over the city and site,
adding public use spaces in the ground floor. Large city windows
are punched through the massing to connect the city with el Retiro
and vice versa. The large openings house common spaces within
the residents and sky gardens as “Mini-Retiros“.
123ALISON BROOKS
124 WORKSHOP 07
125ALISON BROOKS
Ground Floor Plan
1:600
126 WORKSHOP 07
127ALISON BROOKS
Second Floor Plan
1:600
128 WORKSHOP 07
The typical residential typology
is based on one core serving two
units. One units is 70 m2 while
the other unit is 100m2. The
way the interior distribution
is arranged allows for loggias
to change, creating a dinamic
facade and complementing the
city windows.
Transverse Section Cut
Longitudinal Section Cut
Typology Plan
1:200
129ALISON BROOKS
The strategy to the facade relies on the large massing
openings that connect el Retiro to Madrid City and vice
versa. The idea is to make the building appear as if it’s a
floating beam on the site, accentuating its large openings
while the residential units have a private facade with a
perforated metallic panel. The pattern of the perforated
metallic panel is a motif of El Retiro and how the building is
a backdrop to the latter.
Facade Strategy Testing
View from Piazza, between market and housing
130 WORKSHOP 07
131ALISON BROOKS
132
DURATION
3 weeks of design work
PROJECT LOCATION
Madrid, Spain
ASSISTANT PROFESSORS
Bernardo Ynzenga Acha
Gemma Peribáñez [Ezquiaga Arquitectura]
JURY
Salvador Rueda
GROUP MEMBERS
Binal Shah - India
Yolanda de Rueda - México
Magali de Souza Schwenkow - Brazil
Marielle Samayoa - Guatemala
SPECIALTY 04 UD+L
133
Madrid is a city known for its diversity, even in its urban fabric. In
each barrio, it is quite evident how the width & depth of the streets
or the scale of the built change the spatial and perception to the user.
These qualities are hard to imitate in new urbanism, yet what our
project aims is to find a balance between the urban fabric of the old
city and the Castro Plan in hopes of ameliorating and revitalizing the
site of Madrid Nuevo Norte that is now only connected by Avenida
La Castellana and therefore barely visited. The current Chamartín
Station is entirely isolated from the rest of the area, while Las Cuatro
Torres stand proudly within a quiet residential area. This proposal
suggests cells as small villages that can spread and expand into the
city, stitching it together with diversity and density. The concept
works as mats or layers that create the appropriate conditions for
the cells to grow and develop. Starting from the main north to south
axis that connects the current separated urban fabric, the cells can
grow in their particular blocks with certain demarked guidelines.
Density and diversity are musts to creating a city that can grow,
expand, replicate and most importantly, survive.
LED BY: JOSÉ MARÍA EZQUIAGA
[EZQUIAGA ARQUITECTURA SOCIEDAD Y TERRITORIO]
Urban Design and Landscape
EL PARDO
CASA DE CAMPO
EL RETIRO
MADRID RÍO
LA CASTELLANA
PARQUE DE LA
VENTILLA
PARQUE
DEL NORTE
PARQUE
DEL ESTE
JUAN CARLOS I PARQUE
CANAL ANTIGUO CANAL NUEVO (Santa Isabel II)
CANAL DEL ESTE
RIO MANZANARES
RENFRE
Estaciones
Depuradoras
de Aguas
134
GREEN AND OPEN AREAS
WATER SUPPLY IN MADRID
SPECIALTY 04
RENFRE
METRO
BIKE RING
I PARQUE
Estaciones
Depuradoras
de Aguas
135URBAN DESIGN AND LANDSCAPE
URBAN EQUIPMENT CONCENTRATED AT MADRID CENTER
PUBLIC TRANSPORTATION AND BIKE RING
136
UNDERSTANDING THE CITY
SCALE + HISTORIC URBAN FABRIC + CONTEXT
Plaza Sol
WALKING + BIKING SCALE
WALKING + BIKING +
VEHICULAR SCALE
VEHICULAR SCALE
Cuatro Torres Chamartin Station
Calle Serrano
XVI CENTURY
ENSANCHE XIX CENTURY
SITE
SPECIALTY 04
137
DENSITY
DIVERSITY
SPATIAL and SOCIAL
walkable streets
plaza formed by streets
multiple facade faces
road division
closeness of buildings
lack of sunlight control
(+)(-)
walkable streets
street life
multi-activity
crowds
noise
height variety
closeness to buildings
appropriate sidewalks
high ground floorsmaximum 7 floor height
cars parked on street
wide street dedicated to cars
building separation
mono-use buildings
chamfered corners
high ground floors
retail on streetcontinous straight street
wide street dedicated to cars height and setbacks
URBAN DESIGN AND LANDSCAPE
XVI CENTURY SITE
(+)(-)
(+)(-) (+)(-)
tall towers on backdrop
empty streets
comfortable scale at times
4-level residential
some mixed uses
building separation
(+)(-) (+)(-)
no sense of community
potential to cover train stationhuge disconnection
topography difference
no sense of community
138
CELL CITY
Urban Plan - Chamartín
Not to Scale
SPECIALTY 04
ACCESS (street) PARKSMETRO STATION TRAM
CELLS BUILDINGS NOLLI
TRAIN TRACK COVER
ACCESS (street) METRO ST
CELLS BUILDINGS
TRAIN TRACK COVER
ACCESS (street) PARKSMETRO STATION TRAM
CELLS BUILDINGS NOLLI
TRAIN TRACK COVER
ACCESS (street) PARKS STITCHESMETRO STATION TRAM
BUILDINGS NOLLI
PARKS STITCHESTRAM
139
TRAINTRACKS COVER MAIN AXES AND ACCESSES METRO STATIONS
LINEAR PARKS
AS BUFFERS
GROWING CELLS BLOCKS BUILDING FOOTPRINT
NEGATIVE AND POSITIVE PEDESTRIAN/BIKE
URBAN DESIGN AND LANDSCAPE
140
RAIN WATER RETENTION
AND GREY WATER REUSE
SPECIALTY 04
CLEAN ENE
141
Urban Layers - Mat for Cells to grow
ERGY AND AIR SUSTAINABLE MOBILITY
URBAN DESIGN AND LANDSCAPE
SITE
0m+8m+7m Filled hole
142
STREET SECTIONS SHOWING HEIRARCHIES
EB C DA
The approach consists of carefully measured street widths
complementing building heights in order to provide diversity for use
and also experience for the user.
SPECIALTY 04
housing
mix-use
143
Linear Park
Main Street
Superblock Street Internal Street
Water Collection Park
E
B
C D
A
URBAN DESIGN AND LANDSCAPE
144 SPECIALTY 04
145
BUILDING DESIGN PRINCIPLES:
Building heights complimenting the street
size. 1. The wider the street, the higher the
building. 2. Building heights vary from 8
m to maximum 25 m. Public Buildings can
go up to 36 m. 3. Internal parcels follow
the axis provided of the site. 4. Closing
the perimeter of cell by 80%. 5. Main axis
plinth should be mixed use. 6. Zero energy
and sustainable strategies for building
efficiency. 7. Chamfered buildings on main
boulevard axes.
URBAN DESIGN AND LANDSCAPE
Marielle Samayoa Escobar, MCH2019, Guatemala

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Marielle Samayoa Escobar, MCH2019, Guatemala

  • 1. MARIELLE SAMAYOA ESCOBAR MASTER IN COLLECTIVE HOUSING PORTFOLIO
  • 2.
  • 3. MARIELLE SAMAYOA ESCOBAR MASTER IN COLLECTIVE HOUSING PORTFOLIO
  • 4. DURATION January 14th - September 16th, 2019 DIRECTORS Dr. José María de la Puerta and Andrea Deplazes COORDINATOR + MANAGER Rosario Segado LOCATION Madrid, Spain Zurich, Switzerland CONTACT e-mail: info@mchmaster.com phone:+34 910 674 860 Escuela Técnica Superior de Arquitectura de Madrid Avda. Juan Herrera 4. 28040, Madrid. Spain MCH EDITION 2019
  • 5. The Master of Architecture in Collective Housing, MCH, is a postgraduate full-time international professional program of advanced architecture design in cities and housing presented by Universidad Politécnica of Madrid (UPM) and Swiss Federal Institute of Technology (ETH). After ten editions, it is rated as one of the best architecture master’s programs by architects and experts.
  • 6. 4 Schedule of Contents SHOWN IN CHRONOLOGICAL ORDER JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY W03 WORKSHOP 02 pg 28-41 WORKSHOP 04 pg 68-83 WORKS pg WORKSHOP 06 pg 104-117 Hrvoje Njiric AL Jacob van Rijs Andrea Deplazes Dietma W03 AL ZURICH TRIP SPE SPECIALTY 02 pg 42-51 LC + EH SPECIALTY 04 pg 132-145 UD + L
  • 7. 5 WORKSHOP 01 pg 6-17 Andrés Cánovas + Atxu Amann WORKSHOP 03 pg 52-67 SHOP 05 84 -91 WORKSHOP 07 pg 118-131 Anne Lacaton Alison Brooks ar Eberle ECIALTY 01 pg 18-27 E + S EASTER HOLIDAYS SPECIALTY 03 pg 92-103 C + T
  • 8. 6 DURATION 5 days PROJECT LOCATION Madrid, Spain ASSISTANT PROFESSORS Gabriel Wajnerman [Plural Arquitectos] GROUP MEMBERS Ravin AbouRjeily - Lebanon Elena Sanfeliu - Spain Marielle Samayoa - Guatemala WORKSHOP 01
  • 9. 7 Alone But Connected LED BY: ANDRÉS CÁNOVAS + ATXU AMANN [AMANN-CÁNOVAS-MARURI] This workshop was based on the notion of modern day’s living situation, in which living alone has become more common. “It is a free choice; far from loneliness and neglect it may reflect the degree of progress of a society in relation to the exercise of individual freedom and ability of emancipation and autonomy.” The workshop consisted of choosing a person from Angelica Dass’s Pantone and giving it a personality. Bearing in mind the distinct personalities of all 19 characters, the first phase’s task was to diagram the personalities in accordance to the use of spaces. The oxymoron of living alone yet connected was constantly employed to design the first possible architectural building, constrained in a 4-meter-deep and 50-meter-long site. For the second phase of this workshop, a radical move was to be made: completely pass on your group’s work to another group and then inherit another group’s work. With new material at hand, the challenge was to take the architecture further to its final phase, where an audio-visual was to be made that portrayed the concept, the architecture and location, without being explicit about design and more about the concept; a video outside of the architecture. Pantone, by Angélica Dass
  • 10. Elena Sanfeliu Marielle Samayoa Ravin Abourjeily WORSHOP 1- Canovas + Amann SPACE VS. SOCIABILITY SPACE VS. NATUREAGE VS. NEED OF SPACE FAVORITE SPACE [vs. possible orientation] TIME SPENT INSIDE %hours/day TIME SPENT OUTSIDE %/hours/day Living Space Meditation/Studio Bathroom Bedroom Outdoor Objects in tension Fighting Shapes Dynamic forms Complex forms Residual Space MidGround UNROLLING COMPLEXITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPTS Objects in tension Fighting Shapes Dynamic forms Complex forms Residual Space MidGround XITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPTS UNROLLING COMPLEXITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPT 8 19 LONELY CHARACTERS AND THEIR DOMESTIC DISTINCTIONS AGE VS NEED OF SPACE SPACE VS SOCIABILITY SPACE VS NATURE Voids Hanging boxes Long deep patios What is ground floor? Contrasting architectural elements New Strategies for Obtaining light Wat is exterior? What is inside? What is outside? OBJECTS IN TENSION FIGHTING SHAPES RESIDUAL SPACE WORKSHOP 01
  • 11. Elena Sanfeliu Marielle Samayoa Ravin Abourjeily WORSHOP 1- Canovas + Amann FAVORITE SPACE [vs. possible orientation] TIME SPENT INSIDE %hours/day TIME SPENT OUTSIDE %/hours/day Living Space Meditation/Studio Bathroom Bedroom Outdoor UNROLLING COMPLEXITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPT Objects in tension Fighting Shapes Dynamic forms Complex forms Residual Space MidGround UNROLLING COMPLEXITY AND CONFLICT TO UNDERSTAND SPATIAL CONCEPTS Objects in tension Fighting Shapes Dynamic forms Complex forms Residual Space MidGround 9 FAVORITE SPACE TIME SPENT INSIDE % HOURS/DAY TIME SPENT OUTSIDE % HOURS/DAY Unrolling complexity and conflict to understand spatial concepts DYNAMIC FORMS COMPLEX FORMS MIDGROUND CÁNOVAS-AMANN Living Space Studio Bathroom Bedroom Outdoor
  • 12. 10 Architecture morphology from personality diagrams WORKSHOP 01
  • 13. 11 Redesigning Group’s 2 Section Alone yet connected through patio spaces and the clothes hanged to dry, exposed to neighbors. A current domestic practice. Exploration of exposing objects instead, to find a connection with the outside world. Living as art. CÁNOVAS-AMANN
  • 14. 12 VIDEO: HANGING LONELY PIECES SNIPPETS AND CONCEPTS WORKSHOP 01
  • 15. 13 We are shadows, walking and living in a lonely world. Where we eat alone, run alone, communicate alone, visit museums alone, sit in our bedrooms alone, play instruments alone, watch television alone. Everything we do, we do alone. Yet we all want to be seen for who we really are. In a colorful world we feel black and white. In a black and white world, we want to be color. How can we then stay connected? Transparency is the answer. CÁNOVAS-AMANN
  • 16. 14 LOCATION: ADJACENT TO CAIXA FORUM IN A CULTURAL SITE WITH TRANSPARENCY AND REFLECTION WORKSHOP 01
  • 19. 17 WITH THE ART OF SIMPLY BEING THE END CÁNOVAS-AMANN
  • 20. 18 DURATION 2 weeks of design work PROJECT LOCATION Norilsk, Russia (chosen) JURY Emiliano López [Emiliano López Mónica Rivera Arquitectos] Roger Tudó [H Arquitectes] GROUP MEMBERS Yolanda de Rueda - México Karla Ortiz - México Marielle Samayoa - Guatemala SPECIALTY 01 E+S
  • 21. 19 The complexity of this project relied on the thermodynamics and thermal comfort on living in the northern-most city in the world. Located in Norilsk, Russia one of the main challenges relied on the fact that it is a permafrost region, hence building underground to search for ground insulation was not an option. Trying to rely solely on passive strategies, this project first comprehends and analyzes thermodynamic activities in Norilsk, such as ice-swimming and the use of an indoor stove/bed berth named izba; and how they affect the body. Like a Matryoshka, the concept is quite similar in which the layers of skin and layers of materials are controlling human temperature and therefore comfort levels. The project is divided then in distinct layers that become habitable and provide different atmospheres depending on the activity employed. The only technological heating technique is radiant floor and wall heating cores that work as central heaters for the dwelling while wood helps as insulator. There is an exterior layer, enclosed by ETFE, where comfort is managed by a heated pool that warms the air and by the snow covering and insulating the entire building, creating an ideal living space for this ultra-frigid location. LED BY: JAVIER GARCÍA-GERMÁN [TAAS—TOTEM ARQUITECTOS ASOCIADOS] Energy and Sustainability Permafrost ZoneNorilsk
  • 22. 20 The city was created for a huge metallurgical complex that was built in the 1930s and where hundreds of thousands of gulag prisioners worked. Sadly, many also died. Inhabitants of the city find themselves lacking vegetation during the 9 month winter. Green oases are created in their apartments, defying the harsh climate and industrial environment. Located 400 km North of the Arctic Circle, Norilsk has no ground connections with the rest of the world. When the weather is better, inhabitants travel to the tundra to enjoy the virgin areas. Though near the city, these are mostly dead or in danger because of the toxic gases that flow into the atmosphere. Construction of new quarters have been abandoned after the fall of the USSR. Buildings have become frozen. People of Norlisk protect themselves from the toxic smoke, especially during the summer. Because of the low temperatures, exercise is important. Ice swimming is a common winter activity and many ice-games olympians come from Norilsk. Schools have interior playgrounds due to cold weather. Norilsk architects build with pre-built panels and collocate buildings close to each other to filter and protect from strong winds and create more comfortable spaces that face a courtyard. Norilsk goes into LONG and HARD winters with 130 days of snowstorm and nearly two months of polar nights. This can lead to a loss of deep sleep, irritation, fatigue and depression. In the summer, there is a period when the sun doesn’t go under the horizon for almost 90 days. Apartments aren’t equipped with shutters for invasive continued light. Photos by Elena Chernyshova SPECIALTY 01
  • 23. 21 REST LIVING ACTIVE FRESHNESS ENERGY AND SUSTAINABILITY • 19°C • Comfort • Acoustic • Textile • Views • 24°C • Warm • Open • Wood/Stone • Light • 15°C space • 27°C water • Open • Water/Glass • Thermal Buffer • 22°C space • 30% relative humidity • Open • Plants/Glass • UV light
  • 24. BODY TEMP 37°C BODY TEMP <36°C HOT WATER PIPES 49°C SNOW -5°C LAKE DOLGOYE ROCK SHORE METALLIC BARS AND STEPS COVERED IN SNOW Metallic bars covered in snow NEAR PIPES water remains warm through conduction from pipes and convection. As the pipes move further from the surface, water becomes colder body core temp remains warm if exercise takes place body temp drastically drops after ice swimming hot water pipes warm atmosphere air through radiation coming from the power plant directly heat rocks that flow into the lake and the water from Lake Dolgoye through conduction HEAT SOURCE Heat Source Heat Sink AIR TEMP 5°COUTISDE TEMP -30°C WATER TEMP 4°C WATER TEMP 7°C WATER TEMP 10°C 22 Radiant Floor Heating Snow Insulation LayeringMatryoshka Doll Thermodynamic Contemporary Scenario: Ice Swimming SPECIALTY 01
  • 25. BODY TEMP 37°C Wood Flooring for insulation RUSSIAN STOVE (PECH) THERMAL MASS CHIMNEY Dry wood logs for the Russian Pech Russian Stove wood platform body core temp remains warm due to conduction from stove Heat Sink HEAT SOURCE INTERIOR STOVE TEMP. 400°C KETTLE HEATED BY CONVECTION KITCHEN TEMP. 28°C ROOM TEMP. 24°C Heat Sink THERMAL MASS Heat Source Brick releases heat through radiation at night Wood Cladded walls for insulation COOKING OVEN ORIFICE SLEEPING BERTH SHELVES 23ENERGY AND SUSTAINABILITY Heating through water Cross-ventilation Humidity Illumination Thermodynamic Vernacular Scenario: Russian Stove/Izba
  • 26. 24 Vertical Skylights wood cladding Common Living Slabs wood panels Compact Envelope wood facade Outer Membrane ETFE Snow Insulation snow Column-Beam Structure concrete Radiant Heating Cores concrete SPECIALTY 01
  • 28. 26 SUMMER DAY WINTER NIGHT WINTER DAY Polar Nights: 2 months Snow accumulates on copper roof and insulates the entire complex ETFE encloses outer layer to protect against wind and snow drafts Plants provide humidity to outer membrane to improve air conditions Indirect light enters sleeping nooks through skylightsUV lights Winter sun heats interior space Radiant cores radiate heat to interior space while thermal mass absorbs it and releases it at night. Roof provides shadow Heated air rises and is ventilated Cross ventilation Radiant heating cores slightly heat the living areas to mantain comfortable temp. ETFE is removed to allow natural ventilation Plants help filter contaminated air SPECIALTY 01
  • 29. 27 ROOFOUTERMEMBRANERESTLIVINGAREA ENERGY AND SUSTAINABILITY SNOW insulator COPPER insulator highly resistant ETFE insulator transparency CONCRETE thermal mass heat absorbent WATER humidity WOOL insulator PLANTS humidity oxygen WOOD insulator
  • 30. 28 DURATION 5 days PROJECT LOCATION Dugopolje, Croatia ASSISTANT PROFESSORS Esperanza Campaña [Architectural Matter] JURY Juan Elvira [Elvira + Murado] GROUP MEMBERS Magali de Souza Schwenkow - Brazil Marielle Samayoa - Guatemala WORKSHOP 02
  • 31. 29 Fabricating Happiness: kindness, empathy and well-being LED BY: HRVOJE NJIRIĆ [NJIRIC+ ARHITEKTI] Dugopolje, though not far from the capital of Croatia, is still quite isolated from urban activity. The site is located in an interesting boundary condition, where industrial qualities and residential qualities meet. The few existing (and small) residential complexes are at the southern side of Dugopolje while the industrial and commercial areas have developed in the north. As a result, the site located just at this intersection, searches to sew or stitch these conditions into a new way of living. The building is positioned in a way that creates two big open spaces, yet connecting at the ground floor in order to respond to residential and to future commercial needs respectively, taking into account that the area will grow and become much more developed with mixed used spaces. The building itself tries to accomplish a similar stitching situation in which all living units are brought to the minimum needs (living cells) in order to create ample and dynamic sharing spaces that foster community amongst its carefully selected users. It’s important to understand that in order for this co-housing project to work, the individuals had to be different to each other. This common space area or “yellow space” moves throughout the building, connecting service spaces to living units while opening up to larger areas that host social value and stitch the people together.
  • 32. 30 WORKSHOP 02 Industrial site 15 km north of Split, Dugopolje Residual site 9.2 18.7 18.8 40.5 79 31.5
  • 33. street street 31HRVOJE NJIRIĆ Site sandwiched between industrial and residential zones Industrial and Residential Facades Industrial quality Residential quality Site porosity to connect barriers (workers to homes) Duality of uses and interactions Heights responding to immediate context
  • 34. 32 “It was just an incredible mix of people that I would never normally hang out with or meet- that’s what made the experience so interesting and lovely. That’s what made me stay longer in the end... Had it been a whole load of people just like me, I probably wouldn’t have stayed so long.” URBAN TRIBE MIX LIVING QUALITIES: Organic Evolutive Grow Dynamic Space negotiation Social Value Mixing People Blurring interior/exterior Play on positive/negative space CONCEPTS: WORKSHOP 02 COUPLE ELDER SPORT PLAYERS STUDENTSFAMILY WITH KIDS 2 1-211-23-5 pets allowed SINGLE 1 Adds rentability to co-housing model COMMUNITY 1 COMMUNITY 2 COMMUNITY 3 COMMUNITY 4 LIVING ROOM KIDS PLAYROOM PET AREA TECHNOLOGY STUDY AREA KITCHEN GYM LIBRARY TV ROOM TOURISTS 1-2 Dont Want to be lonely - young mix-Young attitude transit tourists Plays, practices, stays active Stays up to date with matches University Students share-for affordabilityFamily with small kidsNewlyweds Extrovert
  • 35. EPTS 7m Narrow building plot 7m System grid 7m Rotate for connecting angles 7m Inject Space 7m Extending border to embrace space Inside/Outside 7m Co-housing communities 7m Mix of people Porosity for illumination, ventilation, and con 7m Kitchens Sliding door membrane In/Out (closed scenario) 33 EXPLORATION OF HOUSING TRIBES HRVOJE NJIRIĆ Narrow building plot System grid Inject spaceRotation for added area Kitchens as nodes Mix of people Illumination and ventilationSliding door membranes Co-housing communities In/Out closed scenarioExtending border to embrace inside and outside
  • 36. 34 1. 2. 5. 6. 9. 10. 13. 14. WORKSHOP 02 COMMON SPACES SEWING A NEW WAY OF LIFE (ANIMATED GIF)
  • 37. 35 3. 4. 7. 8. 11. 12. 15. 16. HRVOJE NJIRIĆ RESIDENTIAL INDUSTRIAL THE STITCHER LIVING CELLS
  • 38. 36 URBAN APPROACHES WORKSHOP 02 Vehicular acceses Dual and distinct open spaces Children’s Play Area Picnic Barbecue Kiosks (services) Plaza Street Ammenities
  • 39. 37HRVOJE NJIRIĆ Vertical Circulation and Acceses Industrial height and Residential height Ramps stitching buildings Mid-height stitch Industrial Height Residential Height
  • 40. TYPICALPLAN SCALE1/200 N GYMANDANOTHERAMENITIES 38 TYPICAL FLOOR PLAN WORKSHOP 02 -80 residents -24 people are temporary or kids -28 parking spots
  • 41. GYMANDANOTHERAMENITIES 39HRVOJE NJIRIĆ Potential Communities or families closing their communal spaces ammenities Scale 1:200
  • 42. sofa bed 0.800.80 1.40 closet 3.00 2.50 3.00 0.900.900.902.80 sofa bed 0.900.800.900.800.90 0.90 0.60 0.70 2.00 storage 0.80 1.40 0.80 0.50 0.702.01 0.80 2.50 3.00 0.900.900.902.80 sofa bed 0.900.800.900.800.90 0.90 0.60 0.70 2.00 0.80 0.702.01 40 WORKSHOP 02 Vertical Landing Hallway Terrace KitchenDinningStudy Area FAMILY WITH KIDS STUDENTS Scale 1:100
  • 43. sofabed 0.800.801.40 closet 3.00 2.50 3.00 0.90 0.900.902.80 sofabed 0.900.800.900.800.90 0.90 0.600.702.00 storage 0.801.400.800.50 0.70 2.01 sofabed 0.800.801.40 closet 3.00 2.50 3.00 0.90 0.900.902.80 sofabed 0.900.800.900.800.90 0.90 0.600.702.00 storage 0.801.400.800.50 0.70 2.01 41HRVOJE NJIRIĆ Hallway Kitchen Living Room Ammenities Vertical Landing Dinning RoomLiving Room COUPLESAIRBNB/LIVING ROOM Scale 1:100 and stitching ramps
  • 44. 42 DURATION 9 days of design work PROJECT LOCATION Mafraq, Jordan ASSISTANT PROFESSORS Sonia Molina [ICHaB-ETSAM] GROUP MEMBERS Carolina Martín - Spain Ramón Puñet - Spain Marielle Samayoa - Guatemala SPECIALTY 02 LC+EH
  • 45. 43 Jordan is home to many Syrian refugees in present day due to its geographic location from the area of conflict. Za’atari, one of the biggest refugee camps in the world, located in Mafraq District, is now the fifth largest city in Jordan. As Syria continues its civil war, Syrians are forced to flee and seek for a safe place, making their stay longer than expected. Conditions in refugee camps haven’t improved at all, as hygiene, sanitation and a proper living space are not truly implemented for these settlements. The latter is due to the idea that the population has to be immediately displaced. This proposal seeks to provide dignity in design: a shelter that is more apt to its climate, more comfortable to live, easier to build and dismantle and more affordable as well. Additionally, it’s made from local materials and built without the use of water or skilled labor, making the construction of the modules a collaborative goal. LED BY: BELÉN GESTO [ICHAB- ETSAM] Low-Cost and Emergency Housing
  • 46. 44 REFUGEE CRISIS - WAVE 7 Family Size Distribution COUPLE WITH A BABY FAMILY WITH TODDLERS FAMILY WITH KIDS FAMILY + EXTENDED AMMAN MAFRAQ SYRIA 25.5 KM 64 KM Syrian refugees coming into Jordan are usually Government Assisted Refugees (GAR), arriving in 2-12 people (family) per household. 60% are children of 14 years or younger. 1:3 9m2 shelter 36m2 plot 1:2 18m2 shelter 54m2 plot 1:3 27m2 shelter 108m2 plot 1:3 36m2 shelter 144m2 plot The climate in Mafraq is local steppe climate, meaning that there is little rainfall. Average summer is 24.3 °C, average winter is 7.3 °C. There are few cloudy days for what makes the sun feel really intense, especially in dry land area. SPECIALTY 02
  • 47. _1% slope _2% _3-5% _5-7% _8-10% 45 TOPOGRAPHIC SLOPES HIGHWAY AND ROAD SYSTEM LAND USES 10%-1% slope (west to east) Hierarchy of road system Agricultural, military, housing, public, industrial, religious, health, business URBAN AREA GROWTH 1920 to 2000 growth direction Industrial Residential Industrial Residential Medical Instituttional Recre -ational Main Street Equipment Flex Corridor Shelter grid EntryAdmin Warehouse 229,110 m2 DRAINAGE SYSTEM (WATERWAYS) SITE AND URBAN FABRIC ACCESS AND CONTEXT URBAN DESIGN STRATEGY LOW-COST AND EMERGENCY HOUSING
  • 49. 47LOW-COST AND EMERGENCY HOUSING PHASE 1 2,500 PEOPLE 24 COMMUNITIES PHASE 2 3,700 PEOPLE 35 COMMUNITIES 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 9 10 PHASE 3 5,000 PEOPLE 47 COMMUNITIES KEY LEGEND 1. Access control 2. Warehouse 3. Districution Center and Adminitration 4. Market 5. Nursery 6. School 7. Medical Center 8. Feeding Center 9. Commercial Area 10.Storage/Changing/Showers Social and Commercial Social and Commercial Education and Child Care Sports Area Administrative Area Administrative Area Health/Medical Area 1 1 2 2 3 3 4 5 6 7 8 9 10
  • 50. 48 SHELTER UNIT ASSEMBLY 3X3M WALL SYSTEM GALVANIZED SCAFFOLDING: 4 vertical, 11 horizontal, 2 diagonal, 20 parts STEEL NET: 8x150x150mm 72 m2 CHICKEN MESH: 8x150x150mm GRAVEL + SAND FILL: 7.2 m3 PVC TUBES WINDOWS: 4 pcs 120 mm PLYWOOD DOOR: 1 u 1x2.10m SPECIALTY 02
  • 51. 49 FLOOR + ROOF SYSTEM RAIN WATER COLLECTION COMFORT POLYPROPENE FLOOR EF: 0.50m2 u 9m2 PLASTIC WATER TANK: 60L + filter ALUMINUM FLATSHEET: 1u folded 9m2 4u 2.7 m2 HEMP TEXTILE used for curtains or decor LOW-COST AND EMERGENCY HOUSING
  • 52. 50 16 HOUSEHOLD COMMUNITYSANITATION SOLUTION irrigationgrey water recyling black water (city) water supply (city) SPECIALTY 02
  • 53. 51 10 PEOPLE HOUSEHOLD 7 PEOPLE HOUSEHOLD 5 PEOPLE HH 2.5 PEOPLE HH LOW-COST AND EMERGENCY HOUSING
  • 54. 52 DURATION 5 days PROJECT LOCATION Canal du Pantin, Paris, France ASSISTANT PROFESSORS Diego García-Setién [GaSSz Architects Associated] JURY Momoyo Kaijima [Atelier Bow-Wow] GROUP MEMBERS Carolina Cueva - Ecuador Jianyin Han - China Marielle Samayoa - Guatemala WORKSHOP 03
  • 55. BANLIEUEISTHENEWCOOL 53 Housing And Reuse: good conditions of life LED BY: ANNE LACATON [LACATON & VASSAL] Designing from images and fragments was the purpose of this workshop. Anne Lacaton’s design philosophy becomes heavily implemented in this workshop, where finding the values of the existing and working with them as attributes for design that doesn’t interrupt but rather ameliorate the existing conditions becomes the challenge and aim. This proposal initially focuses on reusing spaces as a form of architecture. The brief took Paris’s Magasins Généraux in front of the Canal du Pantin as the jewel to be intervened. The process of this design commenced from images and fragments that together composed atmospheres that would then provide the concepts to our project. Based on the keywords of openness, transformation and movement, our proposal seeks to show how a building can survive through the concept of inhabiting it through time. Osmosis also becomes a keyword in which movement of people and objects constantly change the atmosphere of the building without having to physically meddle with the built and instead work along with its existing attributes.
  • 56. 54 GIVEN BUILDING’S VALUES Height, Structure and Weight Capacity Gradient Deepness of slabs (+ the ample bay spans) Inanimate objects living in the building Vertical acceses for freight load access Exposed bridges Canal, Bridge, Street Connections WORKSHOP 03
  • 57. 55 MANIFESTO FOR INHABITING MAGASINS GÉNÉRAUX Architecture may be known as the art to create new physical forms that stand eloquently and creatively on solid ground. Yet what many ignore is that one of architecture’s greatest value is the art to bring the sleeping back to life. It aims at rethinking about the abandoned world without forgetting its past. In this case, the abandoned world is The Magasins Généraux à Pantin, a lingering soul desiring to be revived by a wave of creativity. The former industrial building will be revitalized and transformed into an urban structure that hosts housing, working and several other cultural activities. Our proposal will be focused on the building as an urban ground, thinking about what the modern citizen needs, the desire to have an urban life where they can share and connect with friends or new people, participate, create new experiences, work at home, and have a healthy life style. These needs follow the idea to combine the best of two worlds “city/banlieue” and “housing/working”. Inspired by osmosis as a process of movement, the spaces will have their own identity between floors, with physical and spatial qualities. Openness in spaces will represent flexibility between carefully designated uses and users, using a clean canvas approach to develop scheduled functions that offer more than just a visual and open connection to the user and what lies before him or her. It’s also about the movement that supports the relation between the city and the building, thus creating it by using membranes and objects that change space arrangements and alter how the user participates in the open spaces. And finally, the desire to keep the essence of Magasins Généraux and follow the continuation of its heritage it’s important, that’s why the interior use of the building will be transforming into ever- changing atmospheres (from urban infrastructure to temporary living) that enrich the buildings’ capacity to sustain diversity and a better way of life. ANNE LACATON
  • 60. 58 MOVEMENT AS OSMOSIS IN MAGASINS GÉNÉRAUX Biological definition: diffusion of molecules from high concentration to low concentration areas, through a semipermeable membrane. HORIZONTAL VERTICAL SEMIPERMEABLE MEMBRANE N3 N0 N1 N2 N4 N5 N6 4.2 M 5.8 M 5.8 M 4.2 M 3.9 M 4.8 M 3.7 M MONTHLY DAILY WEEKLY YEARLY (-) FLEXIBLE (+) FLEXIBLE WORKSHOP 03 A schedule of flexibility versus urban, living and cultural functions was created in accordance to the slabs’ heights and capacity. In this way, the building is inhabited through the dynamics of time.
  • 61. 59 Our definition: movement of people from dense areas to less dense areas or vice versa. It also implies the movement of furniture aiding to this constant change in activity. The semi permeable membranes are composed of different objects and materials that influence the latter process. HORIZONTAL VERTICAl SEMIPERMEABLE MEMBRANE URBAN LIVING, WORKING, CULTURAL FUNCTIONS SEMI-PERMEABLE MEMBRANES ANNE LACATON
  • 63. 61ANNE LACATON Building as a machine. A crane would be needed to keep the building’s movement and transformation rolling. A practice that reminisces on the Magasins initial use.
  • 64. 62 Ground Floor - Weekend Avenue Jean Lolive Canal L'Ourcq WORKSHOP 03
  • 65. 63 Ground Floor - Weekday Avenue Jean Lolive Canal L'Ourcq ANNE LACATON
  • 66. 64 L01- Monthly Events scenario I WORKSHOP 03
  • 67. 65 L01- Monthly Events scneario II ANNE LACATON
  • 68. 66 L04- Yearly Rent scenario I WORKSHOP 03
  • 69. 67 L04-Yearly Rent scenario II ANNE LACATON
  • 70. 68 DURATION 5 days PROJECT LOCATION No location specified ASSISTANT PROFESSORS Ignacio Borrego [Ignacio Borrego Arquitectos] GROUP MEMBERS Daniela Rullier - Perú Ignacio Castro - Costa Rica Marielle Samayoa - Guatemala WORKSHOP 04
  • 71. 69 Home Office LED BY: JACOB VAN RIJS [MVRDV] The idea of working from home or living in the office is everyday more accepted. How can architecture comply with both activities while still serving both natures? How can architecture also be resilient enough when the building’s uses change through time as we work more at home? Based on the thin slab massing, this proposal divides in three main bands the programs, creating flexibility of changing services such as the bathrooms, kitchens, closets and shafts. Due to its very narrow depth (6 meters) we played with the height of slab to slab, so that hanging slabs could be added to add more usable space for the users, whether they are working or living. As the second stage of the workshop took place, our proposal was interested in hinging the structures of the projects in order to link the in-between space that eventually sews the entire building block together. The result is an interesting, complex and even aesthetically challenging building, that in a way resembles the complexity of working and living programmatic uses.
  • 72. circulation vs free plan 50.00 6.00 50.00 6.00 1.852.901.10 3.506.136.126.136.136.136.133.50 6.13 SERVICE SPACES WINTER GARDEN/CIRCULATION HOME*OFFICE 70 THIN SLAB CORE STUDY 6X50 METERS Horizontal circulation Open Home*Office Plan Services (K/B/C/Shafts) Circulation possibilites vs. number of units and open space plan Support modules, organized so that program can be well distributed in programmatic bands WORKSHOP 04
  • 73. 71 SUPPORT + INFILL + CONCEPT JACOB VAN RIJS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
  • 74. 72 SUPPORTS FTF HEIGHT: 4.5M MID HEIGHT: 2.25M Plan Section 1:400 WORKSHOP 04 A B
  • 75. 73 INFILLS SUSPENDED SLABS EPHIMERAL USE Residential Typology Possibility Office Services Possibility Section 1:400 JACOB VAN RIJS A AB DA C
  • 77. 75 Housing Level 2 Housing Level 1 Mixed Use Level 1 Mixed Use Level 2 1:200 1:200 1:200 1:200 JACOB VAN RIJS
  • 78. 76 South Elevation Treatment North Facade Treatment WORKSHOP 04
  • 80. 3% NEW PROGRAM 50% HOUSING / 50% OFFICE/ 100% OFFICE 100% OFFICE JACOB VAN RIJS & IGNACIO BORREGO ALEJANDRA MARTINEZ, MAGALI SCHWENKOW & YOLANDA RUEDA 78 BUILDING BLOCK - MIXING TYPOLOGIES HINGING EACH TYPOLOGY WITH SOCIAL/VERTICAL CONNECTIONS TYPOLOGYTYPICALPLANCORE/COMMONSPACEJOININGSYSTEM WORKSHOP 04 20M X 20M, H=20M 50M X 50M, H=1 FLOOR Connecting and Hinging in-between space
  • 81. 79JACOB VAN RIJS 15M X 15M, H=33M 6M X 50M, H=25M Home + Office Infill
  • 82. 80 WORKSHOP 04 Hinge Level Infill Hinge Level Support
  • 83. UP 81JACOB VAN RIJS 2nd Level Infill 2nd Level Support
  • 84. 82 WORKSHOP 04 Section Building Block
  • 86. 84 DURATION 5 days PROJECT LOCATION *No location specified ASSISTANT PROFESSORS Victor Ebergenyi [Kiltro Polaris Arquitectura] GROUP MEMBERS Marielle Samayoa - Guatemala WORKSHOP 05
  • 87. 85 Form,Core,Envelope LED BY: DIETMAR EBERLE [EBERLE BAUMSCHLAGER] When designing a building, one usually jumps directly to typologies and morphologies without truly understanding the urban fabric and how this can immediately impact the architect’s desire. This workshop explores the 9 steps of Eberle’s manifesto to creating long lasting settlements. The contribution to urban or public space, the structure, the building envelope, the program and finally the finishes are the main subjects to the process. Though my initial exploration was in the 21st century fabric, I shifted to the 19th century fabric, where typologies seem to be much more reasonable yet challenging due to the density of their context. The project explores first form, then core and finally the envelope, creating a complete project that then adapts to its urban fabric context. XVI Century XIX Century XXI Century
  • 88. Site Tilted Grid 2.5x2.5 Structure + Core 86 WORKSHOP 05 Version 1-Core and StructureStructure and Core Tilted Grid 2.5x2.5 Site A Chamberí - Ensanche Corner Site
  • 89. 87 Interior SpacePatio Street DIETMAR EBERLE Version 1-Zoom in Detail Envelope-Section Detail A
  • 91. 89 Daytime - Open shutters Morning - 40o shutters Night - Closed shutters DIETMAR EBERLE
  • 94. 92 DURATION 10 days of design work PROJECT LOCATION Chiang Mai, Thailand (chosen) ASSISTANT PROFESSORS Diego García-Setién [GaSSz Architects Associated] David Rutter [ARUP] Archie Campbell [ARUP] GROUP MEMBERS Iñaky Pérez López - México Santiago Ardila - Colombia Marielle Samayoa - Guatemala SPECIALTY 03 C+T
  • 95. 93 The purpose of this seminar module was to completely transform an existing building to fit into an entirely new context, contemplating newdrivingforcessuchasweatherandbudget.Theoriginalhigh-end building, located in Bolzano, Italy and designed by Marx Ladurner Architects, is composed of concrete beam rings and metallic columns. Our project proposal transfers the building complex to Chiang Mai in Thailand where bamboo is used as a cheap vernacular material that is even better adapted to its climate, especially when aiming at passive strategies of thermal comfort. The transformation uses this resource as its main driver for architecture and design details. Our goal was to create a new building that doesn’t lose its essence entirely from Marx Ladurner’s design intention, yet that cleverly adapts to its new country, users and climate. LED BY: IGNACIO FERNÁNDEZ SOLLA [ARUP] Construction and Technology
  • 96. 94 ORIGINAL PROJECT Silandro, Bolzano, Italy Marx Ladurner Architects Continental Climate B SPECIALTY 03
  • 97. Bamboo flute beam (ø 0.10m) Bamboo flute column (ø 0.10m) Rope tie covering metallic cuff Bamboo flute beam (ø 0.10m) Bamboo flute column (ø 0.10m) Rope tie covering metallic cuff 95 ADAPTED PROPOSAL CONSTRUCTION AND TECHNOLOGY Chiang Mai, Tahiland Tropical Climate A
  • 98. 96 LOCAL RESOURCES + REFERENCES Concrete + Rammed Earth Locally produced Bamboo Vernacular low-tech
  • 103. DN DN PRODUCED BY AN AUTODESK STUDENT VERSION 101 Site Plan Ground Floor Plan Typical Floor Plan CONSTRUCTION AND TECHNOLOGY 1:400 1:400
  • 104. SOLAR RADIATION BODY TEMPERATURE 36,5° SOLAR RADIATION BODY TEMPERATURE 36,5° BODY SWEAT EVAPORATION BODY TEMPERATURE 36,5° AIR TEMPERATURE 27° 102 Thermal Comfort Strategy, Transverse Cut Thermal Comfort Strategy, Longitudinal Cut SPECIALTY 03
  • 105. Local bamboo flutes (0.05m ø) Bamboo railing (0.05m ø) Local bamboo flutes (0.10m ø) Wooden roof structure Bamboo beams (0.10m ø) Thatched straw roof Solid concrete slab in-situ (0.12m) 2.700.2992.051.049.251.650 .950 .050 .100 .100 .500 .111 .050 .055 .100 1.850 1.238 .100 0 0.5 1 2 2.5 103CONSTRUCTION AND TECHNOLOGY Because of its low budget, the project relies entirely on passive and sustainable strategies to mantain its efficiency. The maintenance is covered by the building’s residents as a cooperative. Additionally, energy is generated by waterotors aligned to the canal near the building’s site. Joints and Section Cut Detail Plumbing Water Supply Electrical
  • 106. 104 DURATION 5 days PROJECT LOCATION Ávila, Madrid (chosen) ASSISTANT PROFESSORS Fernando Altozano [Dos Quijotes] GROUP MEMBERS Juan José David - Colombia Marielle Samayoa - Guatemala WORKSHOP 06
  • 107. 105 LED BY: ANDREA DEPLAZES [BEARTH + DEPLAZES] The restraint to housing, especially in European countries, tends to be the depth of the building and thus the influence on the typology and the living quality. This project is based on a 16-meter depth, which is usually an ideal depth to housing as light can enter the space easily. Our project, then, tries to not imitate the already existing typologies from this typical depth, and instead take the important values and attributes to create a very original way of living. The design forces the building to have access galleries on both sides of the building, due to the L-shaped section that shows the living/social area as double height and the sleeping area as single height. The social area works in contradiction to modern typologies: it only has clerestory light, creating a mystical space. The towers add to social spaces on the galleries where the dwellings can open to. Due to its solid-tower forms (that add to the play of light), it became evident that this 16-meter deep project could explore into unusual yet poetic ways of living such as becoming a wall as a form of living Depth Studies: 16 meters
  • 108. 106 DESIGN CONCEPT QUALITIES THROUGH SKETCHES BUILDING SYSTEM Unit Floor Area 8m x 12m Double Height Spaces Structural Concrete Walls Structural Concrete Slabs WORKSHOP 06
  • 109. 107ANDREA DEPLAZES Galleries Planters Exterior Brick TowersBrick Towers Interior Typical distributions exploration
  • 112. 110 Longitudinal Section System Not to Scale WORKSHOP 06
  • 114. 112 Plan, Building as a Plaza Block 1:1000 WORKSHOP 06
  • 115. 113ANDREA DEPLAZES Plaza Mayor in Madrid Section, Building as a Plaza Block Not to Scale
  • 116. 114 Plan, Building as Wall Sketch WORKSHOP 06
  • 117. 115ANDREA DEPLAZES Building as Wall Sketch Section, Building as Wall Not to Scale
  • 120. 118 DURATION 5 days PROJECT LOCATION Madrid, Spain ASSISTANT PROFESSORS Alejandro de Miguel Solano [AECOM] GROUP MEMBERS Alejandra Martínez - Costa Rica Carol Martín - Spain Marielle Samayoa - Guatemala WORKSHOP 07
  • 121. 119 LED BY: ALISON BROOKS [ALISON BROOKS ARCHITECTS] El Retiro is one of the most popular destinations in Madrid. Historically, used only by the crown for a retreat-recreational use, the now public park hosts millions of visitors per year. The essence of the park hasn’t changed throughout the years, stressing the importance of a big open space, especially nowadays when the urban life if more likely to be hectic. Having the site on the back of the park and also near Atocha Station (also attracting several visitors) it’s almost inevitable to not use the site and architecture to sew the city back together, despite its current typography. This project aims to be sensible to the urban approach for both the city and Retiro, yet reinforces the importance of activating big open spaces with bold spaces. The way El Retiro park, the new project and the city can connect is not only through place-making but also through views and material expressions and gestures. It was important to localize the nearby urban equipment, especially because of its location. The site area lacks nearby and basic urban services such as supermarkets, hospitals, art galleries, and other educational institutions that can activate the site and bring more people, especially the neighbors of El Pacífico and Atocha into El Retiro. The façade is a special attribute to the project, where it appears as if El Retiro’s nature splashed into and onto it, symbolizing its presence toward the city. El Buen Retiro: the retreat,the retirement,the seclusion
  • 122. 120 WORKSHOP 07 Lack of urban equipment near the siteEducational Retail/Food Finance Medical
  • 123. way El Retiro park, the new project and the city can connect is not only through place-making but also through views and material expressions and gestures. The site as is is entirely enclosed by the Retiro Wall and the complex topography of the hill of El Pacífico. From the Retiro side, there is an existing orchard while on the city side single family houses are ordered back to back with a large dwelling block to the right side and an Elementary school to the left. The block is closed as an urban block and the street extends to connect the neighborhoods. From el Retiro, a large canopy extends, simulating existing landscape, and lands on top of an workshop building in the Orchards, stitching the workshop-cultivating use to a market that sits on the site. On the opp for elder a onnected w Urban Strategy Diagrams To understand the site, it was important to localize the nearby urban equipments, especially because of its location. The site area lacks nearby and basic urban services such as supermarkets, hospitals, art galleries, and other educational institutions that can activate the site and bring more people, especially the neighbors of El Pacífico and Atocha into El Retiro. Ground Floor Plan 1:300 El Retiro Site Madrid - Atocha Public Institution Market Hall Residential and Mixed UsePiazza park hosts y nowadays ors into the graphy. This spaces. The d gestures. ghborhoods. ds on top of to a market On the opposite side, a thin and tall residential building rises to house 100 dwellings for elder and young citizens as the backdrop to the park and the city. The building block onnected with the new market hall through a large piazza. The residential building massing is hovering over the city and site, adding public use spaces in the ground floor. Large city windows are punched through the massing to connect the city with el Retiro and vice versa. The large openings house common spaces within the y and basic especially El Retiro Site Madrid - Atocha Public Institution Market Hall Residential and Mixed UsePiazza 121ALISON BROOKS Site adjacent to El Retiro Closing the “unfinished” block Using architecture and uses to join site Interlace between El Retiro and the City
  • 124. The site as is is entirely enclosed by the Retiro Wall and the complex topography of the hill of El Pacífico. From the Retiro side, there is an existing orchard while on the city side single family houses are ordered back to back with a large dwelling block to the right side and an Elementary school to the left. The block is closed as an urban block and the street extends to connect the neighborhoods. From el Retiro, a large canopy extends, simulating existing landscape, and lands on top of an workshop building in the Orchards, stitching the workshop-cultivating use to a market that sits on the site. On the op for elder a onnected Ground Floor Plan 1:300 *NPT 0m *NPT El Retiro Site Madrid - Atocha Public Institution Market Hall Residential and Mixed UsePiazza c park hosts lly nowadays tors into the graphy. This d spaces. The d gestures. ghborhoods. nds on top of e to a market On the opposite side, a thin and tall residential building rises to house 100 dwellings for elder and young citizens as the backdrop to the park and the city. The building block onnected with the new market hall through a large piazza. The residential building massing is hovering over the city and site, adding public use spaces in the ground floor. Large city windows are punched through the massing to connect the city with el Retiro and vice versa. The large openings house common spaces within the residents and sky gardens as “Mini-Retiros“. by and basic e, especially 122 WORKSHOP 07 The site as is entirely enclosed by the Retiro Wall and the complex topography of the hill of El Pacífico. From the Retiro side, there is an existing orchard while on the city side single family houses are ordered back to back with a large dwelling block to the right side and an Elementary school to the left. The block is closed as an urban block and the street extends to connect the neighborhoods. From el Retiro, a large canopy extends, simulating existing landscape, and lands on top of a workshop building in the Orchards, stitching it to a market that sits on the site. On the opposite side, a thin and tall residential building rises to house 100 dwellings for elder and young citizens as the backdrop to the park and the city. The building block connected with the new market hall through a large piazza. The residential building massing is hovering over the city and site, adding public use spaces in the ground floor. Large city windows are punched through the massing to connect the city with el Retiro and vice versa. The large openings house common spaces within the residents and sky gardens as “Mini-Retiros“.
  • 130. 128 WORKSHOP 07 The typical residential typology is based on one core serving two units. One units is 70 m2 while the other unit is 100m2. The way the interior distribution is arranged allows for loggias to change, creating a dinamic facade and complementing the city windows. Transverse Section Cut Longitudinal Section Cut Typology Plan 1:200
  • 131. 129ALISON BROOKS The strategy to the facade relies on the large massing openings that connect el Retiro to Madrid City and vice versa. The idea is to make the building appear as if it’s a floating beam on the site, accentuating its large openings while the residential units have a private facade with a perforated metallic panel. The pattern of the perforated metallic panel is a motif of El Retiro and how the building is a backdrop to the latter. Facade Strategy Testing View from Piazza, between market and housing
  • 134. 132 DURATION 3 weeks of design work PROJECT LOCATION Madrid, Spain ASSISTANT PROFESSORS Bernardo Ynzenga Acha Gemma Peribáñez [Ezquiaga Arquitectura] JURY Salvador Rueda GROUP MEMBERS Binal Shah - India Yolanda de Rueda - México Magali de Souza Schwenkow - Brazil Marielle Samayoa - Guatemala SPECIALTY 04 UD+L
  • 135. 133 Madrid is a city known for its diversity, even in its urban fabric. In each barrio, it is quite evident how the width & depth of the streets or the scale of the built change the spatial and perception to the user. These qualities are hard to imitate in new urbanism, yet what our project aims is to find a balance between the urban fabric of the old city and the Castro Plan in hopes of ameliorating and revitalizing the site of Madrid Nuevo Norte that is now only connected by Avenida La Castellana and therefore barely visited. The current Chamartín Station is entirely isolated from the rest of the area, while Las Cuatro Torres stand proudly within a quiet residential area. This proposal suggests cells as small villages that can spread and expand into the city, stitching it together with diversity and density. The concept works as mats or layers that create the appropriate conditions for the cells to grow and develop. Starting from the main north to south axis that connects the current separated urban fabric, the cells can grow in their particular blocks with certain demarked guidelines. Density and diversity are musts to creating a city that can grow, expand, replicate and most importantly, survive. LED BY: JOSÉ MARÍA EZQUIAGA [EZQUIAGA ARQUITECTURA SOCIEDAD Y TERRITORIO] Urban Design and Landscape
  • 136. EL PARDO CASA DE CAMPO EL RETIRO MADRID RÍO LA CASTELLANA PARQUE DE LA VENTILLA PARQUE DEL NORTE PARQUE DEL ESTE JUAN CARLOS I PARQUE CANAL ANTIGUO CANAL NUEVO (Santa Isabel II) CANAL DEL ESTE RIO MANZANARES RENFRE Estaciones Depuradoras de Aguas 134 GREEN AND OPEN AREAS WATER SUPPLY IN MADRID SPECIALTY 04
  • 137. RENFRE METRO BIKE RING I PARQUE Estaciones Depuradoras de Aguas 135URBAN DESIGN AND LANDSCAPE URBAN EQUIPMENT CONCENTRATED AT MADRID CENTER PUBLIC TRANSPORTATION AND BIKE RING
  • 138. 136 UNDERSTANDING THE CITY SCALE + HISTORIC URBAN FABRIC + CONTEXT Plaza Sol WALKING + BIKING SCALE WALKING + BIKING + VEHICULAR SCALE VEHICULAR SCALE Cuatro Torres Chamartin Station Calle Serrano XVI CENTURY ENSANCHE XIX CENTURY SITE SPECIALTY 04
  • 139. 137 DENSITY DIVERSITY SPATIAL and SOCIAL walkable streets plaza formed by streets multiple facade faces road division closeness of buildings lack of sunlight control (+)(-) walkable streets street life multi-activity crowds noise height variety closeness to buildings appropriate sidewalks high ground floorsmaximum 7 floor height cars parked on street wide street dedicated to cars building separation mono-use buildings chamfered corners high ground floors retail on streetcontinous straight street wide street dedicated to cars height and setbacks URBAN DESIGN AND LANDSCAPE XVI CENTURY SITE (+)(-) (+)(-) (+)(-) tall towers on backdrop empty streets comfortable scale at times 4-level residential some mixed uses building separation (+)(-) (+)(-) no sense of community potential to cover train stationhuge disconnection topography difference no sense of community
  • 140. 138 CELL CITY Urban Plan - Chamartín Not to Scale SPECIALTY 04
  • 141. ACCESS (street) PARKSMETRO STATION TRAM CELLS BUILDINGS NOLLI TRAIN TRACK COVER ACCESS (street) METRO ST CELLS BUILDINGS TRAIN TRACK COVER ACCESS (street) PARKSMETRO STATION TRAM CELLS BUILDINGS NOLLI TRAIN TRACK COVER ACCESS (street) PARKS STITCHESMETRO STATION TRAM BUILDINGS NOLLI PARKS STITCHESTRAM 139 TRAINTRACKS COVER MAIN AXES AND ACCESSES METRO STATIONS LINEAR PARKS AS BUFFERS GROWING CELLS BLOCKS BUILDING FOOTPRINT NEGATIVE AND POSITIVE PEDESTRIAN/BIKE URBAN DESIGN AND LANDSCAPE
  • 142. 140 RAIN WATER RETENTION AND GREY WATER REUSE SPECIALTY 04 CLEAN ENE
  • 143. 141 Urban Layers - Mat for Cells to grow ERGY AND AIR SUSTAINABLE MOBILITY URBAN DESIGN AND LANDSCAPE
  • 144. SITE 0m+8m+7m Filled hole 142 STREET SECTIONS SHOWING HEIRARCHIES EB C DA The approach consists of carefully measured street widths complementing building heights in order to provide diversity for use and also experience for the user. SPECIALTY 04
  • 145. housing mix-use 143 Linear Park Main Street Superblock Street Internal Street Water Collection Park E B C D A URBAN DESIGN AND LANDSCAPE
  • 147. 145 BUILDING DESIGN PRINCIPLES: Building heights complimenting the street size. 1. The wider the street, the higher the building. 2. Building heights vary from 8 m to maximum 25 m. Public Buildings can go up to 36 m. 3. Internal parcels follow the axis provided of the site. 4. Closing the perimeter of cell by 80%. 5. Main axis plinth should be mixed use. 6. Zero energy and sustainable strategies for building efficiency. 7. Chamfered buildings on main boulevard axes. URBAN DESIGN AND LANDSCAPE