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1   Two  adjacent  
cameras  
Camera  one​:  close-­up,  pans  up  the  dancer’s  body.  
Camera  two​:  adjacent  to  camera  one,  static  mid  shot.  
2   Track-­left  shot   Camera  will  track  the  dancer’s  movement,  starting  at  a  high  
point  and  finishing  at  a  low  point,  in  a  semi-­circle  motion  to  the  
dancer’s  left.  
3   Vertical  pan  (crane)  
shot  
Camera  begins  at  low  angle,  pans  vertically  to  eventually  
become  a  BEV,  above  the  dancer.  
4   Bullet  time  shot   20+  cameras  arranged  in  a  circle  all  focused  on  the  dancer,  the  
shot  will  last  around  a  second,  ensure  all  cameras  have  same  
focal  length  (zoom).  
5   Vertical  pan  
upwards    
The  camera  will  be  tracking  upwards  following  her  upper  body  
movement.  It  will  start  as  a  close  up  and  zoom  out  to  a  long  shot  
to  see  her  full  body  movement.    
6   Long  Shot     This  shot  will  just  be  a  static  long  shot  which  enables  the  
audience  to  focus  on  the  movement  of  her  body  and  not  be  
distracted  by  any  tracking  movements.    
7   Long  Shot  tracking  
to  the  right  
This  shot  be  follow  the  movement  of  the  dancer.  It  will  begin  on  
the  right  hand  side  of  her  body.    
8   Close  up  Tracking     Tracking  close  up  on  her  body  following  and  tracking  her  body  
movements.    
9   Mid  Shot     This  shot  will  be  a  mid  shot  following  her  body  movements  
again.  The  strong  directional  lighting  will  reinforce  these  abstract  
movements.    
10   Track-­left  Shot     Pan  around  to  the  left  of  her  following  her  harsh  movements  and  
head.    
11   Long  Shot     Still  long  shot  without  panning  so  that  the  audience  isn't  
distracted.    
  

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Shotlist - Media Music Video

  • 1.   1   Two  adjacent   cameras   Camera  one​:  close-­up,  pans  up  the  dancer’s  body.   Camera  two​:  adjacent  to  camera  one,  static  mid  shot.   2   Track-­left  shot   Camera  will  track  the  dancer’s  movement,  starting  at  a  high   point  and  finishing  at  a  low  point,  in  a  semi-­circle  motion  to  the   dancer’s  left.   3   Vertical  pan  (crane)   shot   Camera  begins  at  low  angle,  pans  vertically  to  eventually   become  a  BEV,  above  the  dancer.   4   Bullet  time  shot   20+  cameras  arranged  in  a  circle  all  focused  on  the  dancer,  the   shot  will  last  around  a  second,  ensure  all  cameras  have  same   focal  length  (zoom).   5   Vertical  pan   upwards     The  camera  will  be  tracking  upwards  following  her  upper  body   movement.  It  will  start  as  a  close  up  and  zoom  out  to  a  long  shot   to  see  her  full  body  movement.     6   Long  Shot     This  shot  will  just  be  a  static  long  shot  which  enables  the   audience  to  focus  on  the  movement  of  her  body  and  not  be   distracted  by  any  tracking  movements.     7   Long  Shot  tracking   to  the  right   This  shot  be  follow  the  movement  of  the  dancer.  It  will  begin  on   the  right  hand  side  of  her  body.     8   Close  up  Tracking     Tracking  close  up  on  her  body  following  and  tracking  her  body   movements.     9   Mid  Shot     This  shot  will  be  a  mid  shot  following  her  body  movements   again.  The  strong  directional  lighting  will  reinforce  these  abstract   movements.     10   Track-­left  Shot     Pan  around  to  the  left  of  her  following  her  harsh  movements  and   head.     11   Long  Shot     Still  long  shot  without  panning  so  that  the  audience  isn't   distracted.