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Production Reflection
Matthew Burniston
Process (Front Cover - Layers)
Process
Instead of having text against a blank page, I
chose to use text I'd chosen to use a texture. For
this I'd used like an old paper texture (which I
had found of the internet) and furthered it with
a circuit board texture I'd also found on the
internet. Again to blend to I played about with
the "Layers" (4) settings and "Opacity,"
(5) settling on "Soft Light." (6)
Because the only pictures of Trevor Martin were in black
and white I had to colourise them. In order to this I used
just a regular "paint brush" (1) tool (in anew layer-) and
painted over the black and white photo, to get the colour
to mix with the image I played about with "Overlay." (2)
Sometimes to give the colour depth I'd use another colour
in a different layer and use "lighten." (3)
(1)
(3)
(2)
(6)
(4)
(3)
(5)
Process
As stuck the characters to a colour pop -
style (a black and white image with
coloured feature,) I chose to make them
blend in using a red "inner glow." (1) By
making it red, it game the slight illusion that
he blended into the environment.
(1)
Because I found that the black text didn't
stand out as well as I hoped against the
textured background. To overcome this
problem I applied a white glow around the
text. That way the black text would
contrast against the white glow – no
matter what the background is...
Process
To cut out the pictures (the old-fashioned
way-) by using the "Erasers" (1) tool. I chose
this rather than the alternate ways is
because I found it to have a softer cut to it
whilst still staying really easy to do.
To make the glow from the background
appear more realistic, I used the
"Brush" (2) on a lower "Hardness,"
whilst playing around with opacity.
(1)
(2)
Process
• At the top of the issue I've included the "Doctor Who
- Magazine" logo; with the "Special Edition" - telling
the reader what kind of issue they're reading; as well
as the "BBC" indent above the actual logo as they're
ones who produce the actual show – it also helps the
overall cover look that little more professional.
• For the colour scheme I used alot of the colour red to
represent the overshadowing evil of the "Daleks."
• The circuit board texture in the background is there
to represent "The Super-Computer" - from the first
episode.
• The "Doctor" holding two of the "Keys" - the blue
keys.
• I've also included some jungle-greenery for
the planet, (both in front and behind the text to give
it more a professional look to it – depending on how
important the text is.)
• In addition to this, I've customized the planet to fit
the description of "Khan."
Comparison
Final Cover Real, Produced cover
Comparison
Final Cover Real, Produced cover
Comparison
Final Cover Real, Produced cover

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6. production reflection

  • 3. Process Instead of having text against a blank page, I chose to use text I'd chosen to use a texture. For this I'd used like an old paper texture (which I had found of the internet) and furthered it with a circuit board texture I'd also found on the internet. Again to blend to I played about with the "Layers" (4) settings and "Opacity," (5) settling on "Soft Light." (6) Because the only pictures of Trevor Martin were in black and white I had to colourise them. In order to this I used just a regular "paint brush" (1) tool (in anew layer-) and painted over the black and white photo, to get the colour to mix with the image I played about with "Overlay." (2) Sometimes to give the colour depth I'd use another colour in a different layer and use "lighten." (3) (1) (3) (2) (6) (4) (3) (5)
  • 4. Process As stuck the characters to a colour pop - style (a black and white image with coloured feature,) I chose to make them blend in using a red "inner glow." (1) By making it red, it game the slight illusion that he blended into the environment. (1) Because I found that the black text didn't stand out as well as I hoped against the textured background. To overcome this problem I applied a white glow around the text. That way the black text would contrast against the white glow – no matter what the background is...
  • 5. Process To cut out the pictures (the old-fashioned way-) by using the "Erasers" (1) tool. I chose this rather than the alternate ways is because I found it to have a softer cut to it whilst still staying really easy to do. To make the glow from the background appear more realistic, I used the "Brush" (2) on a lower "Hardness," whilst playing around with opacity. (1) (2)
  • 6. Process • At the top of the issue I've included the "Doctor Who - Magazine" logo; with the "Special Edition" - telling the reader what kind of issue they're reading; as well as the "BBC" indent above the actual logo as they're ones who produce the actual show – it also helps the overall cover look that little more professional. • For the colour scheme I used alot of the colour red to represent the overshadowing evil of the "Daleks." • The circuit board texture in the background is there to represent "The Super-Computer" - from the first episode. • The "Doctor" holding two of the "Keys" - the blue keys. • I've also included some jungle-greenery for the planet, (both in front and behind the text to give it more a professional look to it – depending on how important the text is.) • In addition to this, I've customized the planet to fit the description of "Khan."

Editor's Notes

  1. Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
  2. Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
  3. Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
  4. Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
  5. Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
  6. Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
  7. Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.
  8. Discuss the tools and processes used in your production. Log your thoughts and feelings about your work.