Work in progress shot list.

1. Shot List
Matt-Burniston

2. Support Sheet

3. Shot List
Shot NO. Description Shot Size Shot Type Movement
1.1
Wheat blowing in the wind – under a blue
sky.
CU Rack-Focus Static
1.2
The trees are blowing in the wind, a church
monumentally in the background.
LS Static
1.3
The paint brush closely Appling paint the
canvas.
CU Tracking
1.4
He finishes painting, stepping up and
moving back to look at what he'd painted
in full. ELS Single Static
Dissolves

4. Shot List
Shot NO. Description Shot Size Shot Type Movement
1.5
His face turns from a look of amazement to
a look of pure enragement.
ECU
Slow-Dolly-
In
1.4
Tom now backs away from the canvas then
pursues to kick down his easel, puts his
knee through the canvas and walks of
screen. Only to come back for his things.
ELS Single Static
2.1
We seem Tom's Bike pushed up against the
wall, his art supplis safely tucked
underneath – establishing his means of
getting there.
LS Static
2.2
Toms perspective of staring into glass:
"Honestly?... I think you're over-thinking this."
CU POV
Slow-Dolly-
Out

5. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.3
He looks away from his glass and up to his
friend James, who's saying-
"Honestly?...-" MS Eyelevel, Single Tilt-Up
2.4
James says-
"-I think you're over-thinking this."
MS Eyelevel, Single Static
2.3
Tom says-
"I just don't know any-more?"
MS Eyelevel, Single Static
2.4
James says-
"Look, we're always having this argument. Not
everything's meant to be? Or if it is, then......"
drinking from his pint.
MS Eyelevel, Single Static
Dialog shot inspiration – for tom and
James. Have amber and tom share the
screen to show their better connection

6. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.3
Tom says-
"But you know I can't. If I give this up, then I'll be
left with nothing - I'll be a hollow shell of
nothingness."
Leaving a pause at the end.
MS Eyelevel, Single Static
2.4
James exchanges a judging glance toward
Tom.
MS Eyelevel, Single Static
2.3
Tom says-
"You wouldn't understand it."
MS Eyelevel, Single Static
2.4
James says-
"Would I not?"
MS Eyelevel, Single Static

7. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.3
Tom says-
"No. You're not an artist. You don't share this
need."
MS Eyelevel, Single Static
2.4
James leaves another pause, allowing for a
far more judging exchange.
MS Eyelevel, Single Static
2.3
Tom says-
"It's just hard to explain it. I mean all I want is to
be able to share the world......"
Getting so wrapped up in his passion, he
ends up leaning across the table.
MS Eyelevel, Single Static
2.4
James chuckles and says -
"Aye, at least your imagination's still intact? "
MS Eyelevel, Single Static

8. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.5
James raise his glass at Tom – hoping to
raise the tone. However he registers Tom's
perused mood and lowers his tone back
down.
LS Two Shot Static
2.4
James says-
"Look, all I was saying is you need a life outside of
art. I'm worried about you......."
MS Eyelevel, Single Static
2.3
Tom says-
"Sometimes I genuinely appreciate your advice,
but I keep telling you it's not that easy."
MS Eyelevel, Single Static
2.4
James says-
"You're a bloody difficult sod, you know, that
right?"
Laughing.

9. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.3
Tom laughs of the comment, rubbing his
forehead then banters back, saying-
"I try?" MS Eyelevel, Single Static
2.6
They both take gulp of their pints.
LS Two Shot Static
2.4
James says-
"Oh, you know that lass I was telling you about - a
while back?
MS Eyelevel, Single Static
2.3
James says-
"You mean AMBER?"
MS Eyelevel, Single Static

10. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.4
James says-
"That's the one!"
MS Eyelevel, Single Static
2.7
James digs into his pocket and produces a
scrap of paper.
CU Static
2.9
He slides the paper over the table.
MS POV Slow-pan
2.3
I look of worry washes over Toms face as
he looks at the note.
"Well she's finally broken up with her boyfriend-" MS Eyelevel, Single Static

11. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.4
James proudly says-
"-and I might have gotten you in there!!"
MS Eyelevel, Single Static
2.9
The note on the table.
MS POV Static
2.3
Tom looks up and says-
"What do you want me to do with this?"
MS Eyelevel, Single Static
2.4
James says-
"Well I thought it would've been obvious?"
MS Eyelevel, Single Static

12. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.10
James' phone vibrates on the table and
picks it up – taking the phone to his lap to
respond. ECU Static
2.11
James looks down at the text making
him look worried and causing him to leave.
James says-
"Hey, we'll have to finish this one up another
time, yea?"
He collects his things and finishes his pint
and walking off, though turning around to
shout one last thing over as he walks off
into the distance -
"Oh and you better have called her by the next
time I see you!"
LS Single Tracking
2.3
Tom calls back -
"I'll make no promises!
MS Eyelevel, Single Static

13. Shot List
Shot NO. Description Shot Size Shot Type Movement
2.11
James Walks Off into the distance.
LS Single Tracking
2.12
Then, looks back to the piece of paper.
"-Which will send us right into happily ever after?"
(Though Tom's being sarcastic, she will play
a big part in his change).
MS
Dutch-Low-
Angle, Single.
Static
2.9
The tear of paper on the table.
MS POV Static
3.1
The tear of paper on the table.
MCS Static
Match-Cut

14. Shot List
Shot NO. Description Shot Size Shot Type Movement
3.2
Tom put is phone on the counter, brings
out a bottle of alcohol and poors himself a
glass, only raise to the bottle and drink
from that instead -
"To our good friend... JAMES? JAMES!"
Even chugging the glass as he was thinking.
MS Single Static
3.1
The tear of paper on the table.
MCS Static
3.2
He burst out laughing and heads over to
the Livingroom.
MS Single Static
3.3
He turns on a cassette player, via pushing a
button –queuing the scenes music.
CU Static.

15. Shot List
Shot NO. Description Shot Size Shot Type Movement
3.4
Tom heavily falls onto the sofa, clutching
the bottle and extending out the remote
(towards the camera – Tv's direction) and
turns on.
LS Eyelevel, Single Static
3.5
The TV turns on and he flick through a few
channels before landing on the first film
('The Pursuit Of Happynes'). LS Static
3.6
Tom it now lower than seen previous –
time has passed.
LS Eyelevel, Single Static
3.5
The TVs still playing and displays the
quote -
"Don't ever let somebody tell you, you can't do
something. Not even me. You got a dream,-"
LS Static

16. Shot List
Shot NO. Description Shot Size Shot Type Movement
3.6
Tom raises his bottle in agriance with what
the film was saying about your dreams -
"-you got to protect it." LS Eyelevel, Single Static
3.5
Some more time passes and other films on
-
"I admit we knew we'd get introuble. That part's
true. We knew people would be worried..."
LS Static
3.7
Tom's mouth's open – focusing all his
energy to think – still drunk.
LS Eyelevel, Single Static
3.8
Toms says-
"Screw it!"
CU Eyelevel, Single Static

17. Shot List
Shot NO. Description Shot Size Shot Type Movement
3.9
Tom gets up from the sofa and struggle his
way off the sofa and to the kitchen.
LMS Single Tracking
3.1
Tom quickly snatches the paper of the
table.
MCS Static
3.10
He then also snatches is phone of the
kitchen counter.
CU Static
3.11
He slams in the numbers and the phone
rings – putting it on speaker.
"Hey, this is AMBER, I'm not able to take your call
right now, please leave..." to "….......Well I guess
I'll hear from you tomorrow?... Bye?"
MS Single Static

18. Shot List
Shot NO. Description Shot Size Shot Type Movement
3.11
Tom turns around and start bumping his
head on the wall.
MS Single Static
4.1
From behind – we a tired Amber in her
dressing gown enter the kitchen.
LS Single Static
4.2
She flicks on the switch for the kettle.
CS Static
4.1
She takes a mug out of a cupboard, then
her phone.
LS Single Static
FadeToBlack

19. Shot List
Shot NO. Description Shot Size Shot Type Movement
4.3
She unlocks her phone and sees she had
one voicemail left. She plays it.
CU Static
5.1
Tom's phone (now at his feet) vibrates on
the floor, awaking Tom (who'd passed out).
"Ugh-" LS Single Static
5.2
He picks it up and answers it -
"Who's this?"
MS Single Static
4.4
Amber says -
"Hey? I take that you're JAMES' friend,…...."
She fills her mouth with toast as she check
the time, then proceed with a mouthfull -
"3:00 in the morning. Also were youpissed?......"
MS Single Static

20. Shot List
Shot NO. Description Shot Size Shot Type Movement
5.3
TOM says -
"Great."
CU Single Static
5.2
He proceeds to thump his head – still
whilst on the phone.
MS Single Static
4.4
Amber says -
"Cool. I'll see you there."
Then hangs up the phone, not realising her
flat mate was in the doorway.
MS Single Static
4.5
Flat mate says -
"And you said he drunk called youfor a date,
right?"
LS Double Static

21. Shot List
Shot NO. Description Shot Size Shot Type Movement
4.4
Amber says -
"Yea, but I trust JAMES,he's beenthere for me and
it's not like Idon't know him at all."
MS Single Static
4.5
Flat mate says -
"Only from having bumped into eachother,
a couple time at a party?" LS Double Static
4.4
Amber says -
"Yea. As JAMES said, he's just socially
awkward." MS Single Static
4.5
He rasies his hands and backs away – still
holding the biscuits in his hands and
muching them. LS Double Static

22. Shot List
Shot NO. Description Shot Size Shot Type Movement
4.6
Amber says -
"I hope."
CU Single Static
5.2
Tom rubs his foredhead and says -
"I've really got to stop drinkinglike this."
He looks down at his watch- MS Single Static
5.4
His watch showes he has very little time
left to get ready and to leave.
CU Static
5.3
TOM says -
"Oh sh-"
CU Single Static

23. Shot List
Shot NO. Description Shot Size Shot Type Movement
5.5
Mirror veiw shows Tom splashing his face
in attempt to wake himeself up.
MS Single Static
5.6
A shower head dsiperses water down.
MCU Static
5.7
Taxis pulls up outside – bumper view.
CU Static
6.1
Train apraoches plat form as Tom also
checks his watch for time.
ELS Static
Montge

24. Shot List
Shot NO. Description Shot Size Shot Type Movement
6.2
The time was getting far tighter – looking
at his watch.
CU Static
7.1
Tom gets off at Northerby and start
rushing through a corwd of people
MLS Single Tacking
8.1
Ambers stood in the arranged meeting
place – amongst a crowd of people. She
checks the time on her phone. MLS Single Static
8.2
The clock shows that's five minutes since
their arranged meeting time.
CU Static
Montge

25. Shot List
Shot NO. Description Shot Size Shot Type Movement
8.1
She looks up to still see him not ther –
thinking that he could've called her by
accident and ready to go, just when she
spots him.
MLS Single Static
8.3
Tom now can be spotted from a far
distance – still rushing his way there.
ELS POV, Single Static
8.4
We follow Tom towards the Cathederal
and starts to look around. Then as Tom
faces away from the cathederal – still
looking for where she could be.
MS Single Tracking
8.5
We see her legs carefully tread up to Tom
MCU Tracking

26. Shot List
Shot NO. Description Shot Size Shot Type Movement
8.4
She finally sneaks up behind him nad
scares him -
"Boo!" MS Single Tracking
8.6
Tom turns around to see Amber and she
extends her arm for a hug (though Tom
being quick to end it – being social
anxious).
"Tom?"
"Amber-?"
"The one and only. Almost thought you weren't
coming for a bit."
MLS Double Static
8.7
Tom says -
"Sorry."
CU Single Static

27. Shot List
Shot NO. Description Shot Size Shot Type Movement
8.6
Amber say -
"It's fine – don't sweat it."
They then start walking off. MS Double Static
8.8
The two fall silent as they walk – neither
one really knowing what to say.
"So, where we going? I take that you do have
somewhere in mind and not just a creepy........."
Tom smiles -
"Yeah"
She stops, followed by him. MLS Double Tracking
8.9
Amber says -
"Yeah, you're taking me to a dark alleyway
or van or yes you know where we're
going?
MCU Single Static

28. Shot List
Shot NO. Description Shot Size Shot Type Movement
8.8
Tom Says -
"The first one. I thought we could get something
to eat, unless?..."
MS Double Tracking
8.9
Amber says -
"No food sounds good."

29. Shot List
Shot NO. Description Shot Size Shot Type Movement

30. Shot List
Shot NO. Description Shot Size Shot Type Movement