2. Style Sheet
Scheme 1 - In recognition of these colours, that are situated
beside, ranging from white, black and following palette neutral
completions, these will predominantly be used upon the creation of
the whole double page spread.
Initially, with having these 3 different shades of which are associated
to bright, more intense pigments of colours, they are both effective in
engaging the audience's attention, through their comparison to more
plain colours of black and white (making it stand out more): whereas
they also evoke meaning of professionalism and similarities to the
photography movement, as for colours both are very important within
this franchise, but also its important to consider its palette style
chosen, from which helps support some professionalism - something
that is crucial across this genre and the people I'm portraying.
In comparison, the decision across incorporating both black and white,
juxtaposing complexions, seems most necessary when wanting to
evoke some professional attributes and more modern vibes within my
work. Originally, the use of these will be implicit when producing
mainly the double page spread as there will be aspects denoted in the
cover, most likely in text and or headings, yet they will be there to
conjure the majority of the strokes around images/text that have been
implemented (alongside other features).
3. Style Sheet
Scheme 2 - Now in recognition of these new present colours, that
are similarly situated beside, ranging from white, black, a few more
differing colours, and also a tea bag effect/sketchbook style sheet, these
will make up the process of constructing my double page spread; however,
dependant on image selection there may be a shift in colour options to suit
their needs, and hopefully evoke some connections between different
sources displayed.
Originally, with having these variety of different complexions, they are
similarly used to the previously allocated selection of colours (in the
previous slide), for their common reasonings consist of being much more
engaging throughout my audience, as they’re much more vivid colour
scheme in comparison the plain black and white contrasting colours makes
it much more identifiable - it is also important to mention that this also
allocates towards both the colours black and white for comparable reasons
to the previous slide as well. Now in regards to the main change, by
incorporating a tea bag on paper effect, this will predominantly be used
across the whole background for the double page spread; through its
inclusion, this effectively infers towards a scrapbook, from this conversation
of interest within my audience, this similarly can provoke a sense of
creativity as the stereotype follows these portrayals when referring towards
a scrapbook, all of which is very beneficial when reflecting a photography
magazine (for creativity is a crucial attribute to withhold).
Explore colours and pixel art styles similar to what you want to produce. Discuss these elements in relation to why you chose them and where you may use them in your project. Go over as many pages as you need to.
Mock up of a potential design using the colours and sourced images. Alter this slide to make it appropriate for your planned product types. Use the content established in your style sheet to do this.
Mock up of a potential design using the colours and sourced images. Alter this slide to make it appropriate for your planned product types. Use the content established in your style sheet to do this.
What content might you need for your pages? Photographs, articles, cover lines, fonts….
