SlideShare a Scribd company logo

Queen of the Dolomites - Jacob de Haan - Set of Clarinets

•
•
Kristal42 .
Kristal42 .

Queen of the Dolomites - Jacob de Haan - Set of Clarinets

Education
1 of 33
Download to read offline
Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.
                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                      3  Andante                               3                                      3                                   3                                        3                 6                 6                 3                                       3                                   3   8                                                                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan Arr. by Gino Gonçals QUEEN OF THE DOLOMITES
                11                    11                                                    rit....                                                 3    15      A tempo                 16                 16                 3                                       3                                     3   18                                                     2 QUEEN OF THE DOLOMITES
                21                    21                rit....                                                     24 A tempo                                  26                    26                                                   28                                             3 QUEEN OF THE DOLOMITES
                31        31                                   32                                                                              36              36                                                                                                                                         40      4 QUEEN OF THE DOLOMITES
                41                         41                                                                                                                                                   46                                   46     rit....                                                                                   48 Allegro Molto  accel.                                                                                           5 QUEEN OF THE DOLOMITES
                51                                           51                                                                                                                                                                                 54                                                                                         56                                56                                                                                                                                                                                 rit.... 6 QUEEN OF THE DOLOMITES
                61               61                           62 Meno mosso e maestoso                                                                                                  66                 66                                                                                                                             7 QUEEN OF THE DOLOMITES
                71       71                                                                     72                                                                                                                          76                    76                                                                                  78                                                         8 QUEEN OF THE DOLOMITES
                81      81                                                                                                                                                                            86             86                                                                                                                                          9 QUEEN OF THE DOLOMITES
                          91                    91                                         rit....                                                                                   94 Allegro Molto                                                              96                                  96                                                                                                                                                                                                          10 QUEEN OF THE DOLOMITES
                101                              101                                                                                              rit....                                                                                                                                                              105 Andante                  106                  106                                                                                                     rit....                                        110 A tempo 11 QUEEN OF THE DOLOMITES
                111                                 111                                                                                                                                          116                          116                                                          118                                                                                   12 QUEEN OF THE DOLOMITES
                121           121                                                                                rit....                                                                             3 125 A tempo                 126                                 126                 3                                     3                                                 3                                                     13 QUEEN OF THE DOLOMITES
                131           131                                                        rit.                                                                         14 QUEEN OF THE DOLOMITES
    Andante                          8                      rit.  15 A Tpo               18                     rit....   24 A Tpo 28 32                 40                                       rit....         48 Allegro Molto                                                   54                            rit....   62 Meno mosso e maestoso                     72                               78                              86               QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
            rit....           94 Allegro Molto                                                                                rit....           105 Andante                rit....    110 A Tpo                                        118                                        rit....     125 A Tpo                                          rit.         2QUEEN OF THE DOLOMITES
    Andante                          8                          rit....       15 A Tpo               18                         rit....         24 A Tpo                       28                        32                                               40                                  rit....           48 Allegro Molto                                                       54                              rit....   62 Meno mosso e maestoso                    QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
             72                                   78                       86                        rit....        94 Allegro Molto                                                                     rit....           105 Andante                      rit....    110 A Tpo                                        118                                        rit....     125 A Tpo                                      rit.         2 QUEEN OF THE DOLOMITES
    Andante                                                                           rit.        24 A tempo                   32                 40                                     rit.         Allegro Molto   48                      QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
               54                                      rit.  Meno mosso e maestoso 62                                        72                     78                               86                     rit.       Allegro Molto    94                                    100         2QUEEN OF THE DOLOMITES
                 Molto rall....      Andante  105                          A tempo  110                                              118                          rit.                 125  A tempo                       rit.           3QUEEN OF THE DOLOMITES
    Andante                                                                                rit.     24 A tempo              32                   40                                 rit.        Allegro Molto   48                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
          54                                            rit.  Meno mosso e maestoso 62                                         72                      78                                     86                                     rit.        Allegro Molto   94                     2QUEEN OF THE DOLOMITES
              100                        Molto rall....         Andante  105                     A tempo  110                                                118                        rit.               125  A tempo                       rit.             3QUEEN OF THE DOLOMITES
     Andante                        8                      rit....     15 A tempo               18            rit.... 24 A tempo  28   32   40                                  rit....           48 Allegro Molto                                      54                                                   rit....          62 Meno mosso e maestoso                                        72              QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
       78                         86                              rit....            94 Allegro Molto                                                             rit....         105 Andante              rit....             110 A tempo                                               118                        rit....                 125 A tempo                                  rit.           2 QUEEN OF THE DOLOMITES
      Andante                 8               rit....       15   A tempo       18               rit....   24 A tempo         28           32                 40           rit....          48 Allegro Molto                      54                                                  rit....              62 Meno mosso e maestoso                                             72                  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 6ºB (Cover of Clarinets, Aragón, S.XXI)
          78                                     86                             rit....         94 Allegro Molto                                               rit....         105 Andante               rit....       110 A tempo                    118              rit....        125 A tempo                    rit.           2QUEEN OF THE DOLOMITES
      Andante                   8            rit....       15   A tempo       18           rit....   24 A tempo       28        32                     40           rit....          48 Allegro Molto                       54                                 rit....      62 Meno mosso e maestoso                                             72  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 7º B (Cover of Clarinets, Aragón, S.XXI)
                          78                                     86                              rit....           94 Allegro Molto                                     rit....                               105 Andante               rit....     110 A tempo             118                  rit....   125 A tempo                    rit.           2QUEEN OF THE DOLOMITES
               3  Andante              3             3             3             3             3             3               3 8             rit.                 3 15  A tempo             3             3             318            rit.     24 A tempo                 28                   32                                     40                    rit.           48 Allegro Molto                                          54                                rit.      62 Meno mosso e maestoso                                     QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)
          72                              78                                     86                             rit.             94 Allegro Molto                                                                             rit.       105 Andante         rit.         110 A tempo             118             rit.                3125 A tempo             3             3             3           rit.             2 QUEEN OF THE DOLOMITES

Recommended

Queen of the Dolomites - Jacob de Haan - Set of Clarinets
Queen of the Dolomites - Jacob de Haan - Set of ClarinetsQueen of the Dolomites - Jacob de Haan - Set of Clarinets
Queen of the Dolomites - Jacob de Haan - Set of Clarinets
kristal41
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
Kristal42 .
 
La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf
Kristal42 .
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfSi vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Kristal42 .
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfPaquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Kristal42 .
 
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Kristal42 .
 
Pepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsPepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of Clarinets
Kristal42 .
 
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfBohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Kristal42 .
 

Recommended

Queen of the Dolomites - Jacob de Haan - Set of Clarinets
Queen of the Dolomites - Jacob de Haan - Set of ClarinetsQueen of the Dolomites - Jacob de Haan - Set of Clarinets
Queen of the Dolomites - Jacob de Haan - Set of Clarinets
kristal41
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
Kristal42 .
 
La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf
Kristal42 .
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfSi vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Kristal42 .
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfPaquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Kristal42 .
 
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Kristal42 .
 
Pepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsPepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of Clarinets
Kristal42 .
 
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfBohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Kristal42 .
 
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfLo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Kristal42 .
 
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
Kristal42 .
 
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfCaravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Kristal42 .
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets
Kristal42 .
 
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfReo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Kristal42 .
 
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfSuspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Kristal42 .
 
Around the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfAround the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdf
Kristal42 .
 
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfThe Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
Kristal42 .
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfCarrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Kristal42 .
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
Kristal42 .
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Kristal42 .
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Kristal42 .
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfFet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Kristal42 .
 
Nuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of ClarinetsNuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of Clarinets
Kristal42 .
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets
Kristal42 .
 
1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinets1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinets
Kristal42 .
 
2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinets2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinets
Kristal42 .
 
3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinets3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinets
Kristal42 .
 
4 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 24 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 2
Kristal42 .
 
4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinets4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinets
Kristal42 .
 
Including Mental Health Support in Project Delivery, 14 May.pdf
Including Mental Health Support in Project Delivery, 14 May.pdfIncluding Mental Health Support in Project Delivery, 14 May.pdf
Including Mental Health Support in Project Delivery, 14 May.pdf
Association for Project Management
 
II BIOSENSOR PRINCIPLE APPLICATIONS AND WORKING II
II BIOSENSOR PRINCIPLE APPLICATIONS AND WORKING IIII BIOSENSOR PRINCIPLE APPLICATIONS AND WORKING II
II BIOSENSOR PRINCIPLE APPLICATIONS AND WORKING II
agpharmacy11
 

More Related Content

More from Kristal42 .

More from Kristal42 . (20)

Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfLo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
 
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
 
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfCaravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdf
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets
 
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfReo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
 
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfSuspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
 
Around the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfAround the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdf
 
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfThe Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfCarrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfFet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
 
Nuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of ClarinetsNuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of Clarinets
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets
 
1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinets1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinets
 
2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinets2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinets
 
3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinets3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinets
 
4 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 24 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 2
 
4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinets4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinets
 

Recently uploaded

Including Mental Health Support in Project Delivery, 14 May.pdf
Including Mental Health Support in Project Delivery, 14 May.pdfIncluding Mental Health Support in Project Delivery, 14 May.pdf
Including Mental Health Support in Project Delivery, 14 May.pdf
Association for Project Management
 
SURVEY I created for uni project research
SURVEY I created for uni project researchSURVEY I created for uni project research
SURVEY I created for uni project research
CaitlinCummins3
 
Exploring Gemini AI and Integration with MuleSoft | MuleSoft Mysore Meetup #45
Exploring Gemini AI and Integration with MuleSoft | MuleSoft Mysore Meetup #45Exploring Gemini AI and Integration with MuleSoft | MuleSoft Mysore Meetup #45
Exploring Gemini AI and Integration with MuleSoft | MuleSoft Mysore Meetup #45
MysoreMuleSoftMeetup
 
會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文
會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文
會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文
中 央社
 
Sternal Fractures & Dislocations - EMGuidewire Radiology Reading Room
Sternal Fractures & Dislocations - EMGuidewire Radiology Reading RoomSternal Fractures & Dislocations - EMGuidewire Radiology Reading Room
Sternal Fractures & Dislocations - EMGuidewire Radiology Reading Room
Sean M. Fox
 
Implanted Devices - VP Shunts: EMGuidewire's Radiology Reading Room
Implanted Devices - VP Shunts: EMGuidewire's Radiology Reading RoomImplanted Devices - VP Shunts: EMGuidewire's Radiology Reading Room
Implanted Devices - VP Shunts: EMGuidewire's Radiology Reading Room
Sean M. Fox
 

Recently uploaded (20)

Including Mental Health Support in Project Delivery, 14 May.pdf
Including Mental Health Support in Project Delivery, 14 May.pdfIncluding Mental Health Support in Project Delivery, 14 May.pdf
Including Mental Health Support in Project Delivery, 14 May.pdf
 
II BIOSENSOR PRINCIPLE APPLICATIONS AND WORKING II
II BIOSENSOR PRINCIPLE APPLICATIONS AND WORKING IIII BIOSENSOR PRINCIPLE APPLICATIONS AND WORKING II
II BIOSENSOR PRINCIPLE APPLICATIONS AND WORKING II
 
SURVEY I created for uni project research
SURVEY I created for uni project researchSURVEY I created for uni project research
SURVEY I created for uni project research
 
Exploring Gemini AI and Integration with MuleSoft | MuleSoft Mysore Meetup #45
Exploring Gemini AI and Integration with MuleSoft | MuleSoft Mysore Meetup #45Exploring Gemini AI and Integration with MuleSoft | MuleSoft Mysore Meetup #45
Exploring Gemini AI and Integration with MuleSoft | MuleSoft Mysore Meetup #45
 
會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文
會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文
會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文會考英文
 
Benefits and Challenges of OER by Shweta Babel.pptx
Benefits and Challenges of OER by Shweta Babel.pptxBenefits and Challenges of OER by Shweta Babel.pptx
Benefits and Challenges of OER by Shweta Babel.pptx
 
An Overview of the Odoo 17 Knowledge App
An Overview of the Odoo 17 Knowledge AppAn Overview of the Odoo 17 Knowledge App
An Overview of the Odoo 17 Knowledge App
 
Capitol Tech Univ Doctoral Presentation -May 2024
Capitol Tech Univ Doctoral Presentation -May 2024Capitol Tech Univ Doctoral Presentation -May 2024
Capitol Tech Univ Doctoral Presentation -May 2024
 
The Ball Poem- John Berryman_20240518_001617_0000.pptx
The Ball Poem- John Berryman_20240518_001617_0000.pptxThe Ball Poem- John Berryman_20240518_001617_0000.pptx
The Ball Poem- John Berryman_20240518_001617_0000.pptx
 
Sternal Fractures & Dislocations - EMGuidewire Radiology Reading Room
Sternal Fractures & Dislocations - EMGuidewire Radiology Reading RoomSternal Fractures & Dislocations - EMGuidewire Radiology Reading Room
Sternal Fractures & Dislocations - EMGuidewire Radiology Reading Room
 
How to Manage Closest Location in Odoo 17 Inventory
How to Manage Closest Location in Odoo 17 InventoryHow to Manage Closest Location in Odoo 17 Inventory
How to Manage Closest Location in Odoo 17 Inventory
 
ANTI PARKISON DRUGS.pptx
ANTI PARKISON DRUGS.pptxANTI PARKISON DRUGS.pptx
ANTI PARKISON DRUGS.pptx
 
UChicago CMSC 23320 - The Best Commit Messages of 2024
UChicago CMSC 23320 - The Best Commit Messages of 2024UChicago CMSC 23320 - The Best Commit Messages of 2024
UChicago CMSC 23320 - The Best Commit Messages of 2024
 
TỔNG HỢP HƠN 100 ĐỀ THI THỬ TỐT NGHIỆP THPT VẬT LÝ 2024 - TỪ CÁC TRƯỜNG, TRƯ...
TỔNG HỢP HƠN 100 ĐỀ THI THỬ TỐT NGHIỆP THPT VẬT LÝ 2024 - TỪ CÁC TRƯỜNG, TRƯ...TỔNG HỢP HƠN 100 ĐỀ THI THỬ TỐT NGHIỆP THPT VẬT LÝ 2024 - TỪ CÁC TRƯỜNG, TRƯ...
TỔNG HỢP HƠN 100 ĐỀ THI THỬ TỐT NGHIỆP THPT VẬT LÝ 2024 - TỪ CÁC TRƯỜNG, TRƯ...
 
Đề tieng anh thpt 2024 danh cho cac ban hoc sinh
Đề tieng anh thpt 2024 danh cho cac ban hoc sinhĐề tieng anh thpt 2024 danh cho cac ban hoc sinh
Đề tieng anh thpt 2024 danh cho cac ban hoc sinh
 
How To Create Editable Tree View in Odoo 17
How To Create Editable Tree View in Odoo 17How To Create Editable Tree View in Odoo 17
How To Create Editable Tree View in Odoo 17
 
How to Analyse Profit of a Sales Order in Odoo 17
How to Analyse Profit of a Sales Order in Odoo 17How to Analyse Profit of a Sales Order in Odoo 17
How to Analyse Profit of a Sales Order in Odoo 17
 
Features of Video Calls in the Discuss Module in Odoo 17
Features of Video Calls in the Discuss Module in Odoo 17Features of Video Calls in the Discuss Module in Odoo 17
Features of Video Calls in the Discuss Module in Odoo 17
 
24 ĐỀ THAM KHẢO KÌ THI TUYỂN SINH VÀO LỚP 10 MÔN TIẾNG ANH SỞ GIÁO DỤC HẢI DƯ...
24 ĐỀ THAM KHẢO KÌ THI TUYỂN SINH VÀO LỚP 10 MÔN TIẾNG ANH SỞ GIÁO DỤC HẢI DƯ...24 ĐỀ THAM KHẢO KÌ THI TUYỂN SINH VÀO LỚP 10 MÔN TIẾNG ANH SỞ GIÁO DỤC HẢI DƯ...
24 ĐỀ THAM KHẢO KÌ THI TUYỂN SINH VÀO LỚP 10 MÔN TIẾNG ANH SỞ GIÁO DỤC HẢI DƯ...
 
Implanted Devices - VP Shunts: EMGuidewire's Radiology Reading Room
Implanted Devices - VP Shunts: EMGuidewire's Radiology Reading RoomImplanted Devices - VP Shunts: EMGuidewire's Radiology Reading Room
Implanted Devices - VP Shunts: EMGuidewire's Radiology Reading Room
 

Queen of the Dolomites - Jacob de Haan - Set of Clarinets

  • 1. Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.
  • 2.                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                      3  Andante                               3                                      3                                   3                                        3                 6                 6                 3                                       3                                   3   8                                                                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan Arr. by Gino Gonçals QUEEN OF THE DOLOMITES
  • 3.                 11                    11                                                    rit....                                                 3    15      A tempo                 16                 16                 3                                       3                                     3   18                                                     2 QUEEN OF THE DOLOMITES
  • 4.                 21                    21                rit....                                                     24 A tempo                                  26                    26                                                   28                                             3 QUEEN OF THE DOLOMITES
  • 5.                 31        31                                   32                                                                              36              36                                                                                                                                         40      4 QUEEN OF THE DOLOMITES
  • 6.                 41                         41                                                                                                                                                   46                                   46     rit....                                                                                   48 Allegro Molto  accel.                                                                                           5 QUEEN OF THE DOLOMITES
  • 7.                 51                                           51                                                                                                                                                                                 54                                                                                         56                                56                                                                                                                                                                                 rit.... 6 QUEEN OF THE DOLOMITES
  • 8.                 61               61                           62 Meno mosso e maestoso                                                                                                  66                 66                                                                                                                             7 QUEEN OF THE DOLOMITES
  • 9.                 71       71                                                                     72                                                                                                                          76                    76                                                                                  78                                                         8 QUEEN OF THE DOLOMITES
  • 10.                 81      81                                                                                                                                                                            86             86                                                                                                                                          9 QUEEN OF THE DOLOMITES
  • 11.                           91                    91                                         rit....                                                                                   94 Allegro Molto                                                              96                                  96                                                                                                                                                                                                          10 QUEEN OF THE DOLOMITES
  • 12.                 101                              101                                                                                              rit....                                                                                                                                                              105 Andante                  106                  106                                                                                                     rit....                                        110 A tempo 11 QUEEN OF THE DOLOMITES
  • 13.                 111                                 111                                                                                                                                          116                          116                                                          118                                                                                   12 QUEEN OF THE DOLOMITES
  • 14.                 121           121                                                                                rit....                                                                             3 125 A tempo                 126                                 126                 3                                     3                                                 3                                                     13 QUEEN OF THE DOLOMITES
  • 15.                 131           131                                                        rit.                                                                         14 QUEEN OF THE DOLOMITES
  • 16.     Andante                          8                      rit.  15 A Tpo               18                     rit....   24 A Tpo 28 32                 40                                       rit....         48 Allegro Molto                                                   54                            rit....   62 Meno mosso e maestoso                     72                               78                              86               QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 17.             rit....           94 Allegro Molto                                                                                rit....           105 Andante                rit....    110 A Tpo                                        118                                        rit....     125 A Tpo                                          rit.         2QUEEN OF THE DOLOMITES
  • 18.     Andante                          8                          rit....       15 A Tpo               18                         rit....         24 A Tpo                       28                        32                                               40                                  rit....           48 Allegro Molto                                                       54                              rit....   62 Meno mosso e maestoso                    QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 19.              72                                   78                       86                        rit....        94 Allegro Molto                                                                     rit....           105 Andante                      rit....    110 A Tpo                                        118                                        rit....     125 A Tpo                                      rit.         2 QUEEN OF THE DOLOMITES
  • 20.     Andante                                                                           rit.        24 A tempo                   32                 40                                     rit.         Allegro Molto   48                      QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 21.                54                                      rit.  Meno mosso e maestoso 62                                        72                     78                               86                     rit.       Allegro Molto    94                                    100         2QUEEN OF THE DOLOMITES
  • 22.                  Molto rall....      Andante  105                          A tempo  110                                              118                          rit.                 125  A tempo                       rit.           3QUEEN OF THE DOLOMITES
  • 23.     Andante                                                                                rit.     24 A tempo              32                   40                                 rit.        Allegro Molto   48                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 24.           54                                            rit.  Meno mosso e maestoso 62                                         72                      78                                     86                                     rit.        Allegro Molto   94                     2QUEEN OF THE DOLOMITES
  • 25.               100                        Molto rall....         Andante  105                     A tempo  110                                                118                        rit.               125  A tempo                       rit.             3QUEEN OF THE DOLOMITES
  • 26.      Andante                        8                      rit....     15 A tempo               18            rit.... 24 A tempo  28   32   40                                  rit....           48 Allegro Molto                                      54                                                   rit....          62 Meno mosso e maestoso                                        72              QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
  • 27.        78                         86                              rit....            94 Allegro Molto                                                             rit....         105 Andante              rit....             110 A tempo                                               118                        rit....                 125 A tempo                                  rit.           2 QUEEN OF THE DOLOMITES
  • 28.       Andante                 8               rit....       15   A tempo       18               rit....   24 A tempo         28           32                 40           rit....          48 Allegro Molto                      54                                                  rit....              62 Meno mosso e maestoso                                             72                  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 6ºB (Cover of Clarinets, Aragón, S.XXI)
  • 29.           78                                     86                             rit....         94 Allegro Molto                                               rit....         105 Andante               rit....       110 A tempo                    118              rit....        125 A tempo                    rit.           2QUEEN OF THE DOLOMITES
  • 30.       Andante                   8            rit....       15   A tempo       18           rit....   24 A tempo       28        32                     40           rit....          48 Allegro Molto                       54                                 rit....      62 Meno mosso e maestoso                                             72  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 7º B (Cover of Clarinets, Aragón, S.XXI)
  • 31.                           78                                     86                              rit....           94 Allegro Molto                                     rit....                               105 Andante               rit....     110 A tempo             118                  rit....   125 A tempo                    rit.           2QUEEN OF THE DOLOMITES
  • 32.                3  Andante              3             3             3             3             3             3               3 8             rit.                 3 15  A tempo             3             3             318            rit.     24 A tempo                 28                   32                                     40                    rit.           48 Allegro Molto                                          54                                rit.      62 Meno mosso e maestoso                                     QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)
  • 33.           72                              78                                     86                             rit.             94 Allegro Molto                                                                             rit.       105 Andante         rit.         110 A tempo             118             rit.                3125 A tempo             3             3             3           rit.             2 QUEEN OF THE DOLOMITES