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Queen of the Dolomites - Jacob de Haan - Set of Clarinets

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Kristal42 .
Kristal42 .

The piece "Queen of the Dolomites" was inspired by the Italian town of Cortina d'Ampezzo, known as the 'Queen of the Dolomites' for its alpine scenery. The music depicts the majestic mountains surrounding the town, the calm of the surrounding landscape, and the lively sounds of the town itself, ending with a tribute to the spectacular mountain views.

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Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.
                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                      3  Andante                               3                                      3                                   3                                        3                 6                 6                 3                                       3                                   3   8                                                                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan Arr. by Gino Gonçals QUEEN OF THE DOLOMITES
                11                    11                                                    rit....                                                 3    15      A tempo                 16                 16                 3                                       3                                     3   18                                                     2 QUEEN OF THE DOLOMITES
                21                    21                rit....                                                     24 A tempo                                  26                    26                                                   28                                             3 QUEEN OF THE DOLOMITES
                31        31                                   32                                                                              36              36                                                                                                                                         40      4 QUEEN OF THE DOLOMITES
                41                         41                                                                                                                                                   46                                   46     rit....                                                                                   48 Allegro Molto  accel.                                                                                           5 QUEEN OF THE DOLOMITES
                51                                           51                                                                                                                                                                                 54                                                                                         56                                56                                                                                                                                                                                 rit.... 6 QUEEN OF THE DOLOMITES
                61               61                           62 Meno mosso e maestoso                                                                                                  66                 66                                                                                                                             7 QUEEN OF THE DOLOMITES
                71       71                                                                     72                                                                                                                          76                    76                                                                                  78                                                         8 QUEEN OF THE DOLOMITES
                81      81                                                                                                                                                                            86             86                                                                                                                                          9 QUEEN OF THE DOLOMITES
                          91                    91                                         rit....                                                                                   94 Allegro Molto                                                              96                                  96                                                                                                                                                                                                          10 QUEEN OF THE DOLOMITES
                101                              101                                                                                              rit....                                                                                                                                                              105 Andante                  106                  106                                                                                                     rit....                                        110 A tempo 11 QUEEN OF THE DOLOMITES
                111                                 111                                                                                                                                          116                          116                                                          118                                                                                   12 QUEEN OF THE DOLOMITES
                121           121                                                                                rit....                                                                             3 125 A tempo                 126                                 126                 3                                     3                                                 3                                                     13 QUEEN OF THE DOLOMITES
                131           131                                                        rit.                                                                         14 QUEEN OF THE DOLOMITES
    Andante                          8                      rit.  15 A Tpo               18                     rit....   24 A Tpo 28 32                 40                                       rit....         48 Allegro Molto                                                   54                            rit....   62 Meno mosso e maestoso                     72                               78                              86               QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
            rit....           94 Allegro Molto                                                                                rit....           105 Andante                rit....    110 A Tpo                                        118                                        rit....     125 A Tpo                                          rit.         2QUEEN OF THE DOLOMITES
    Andante                          8                          rit....       15 A Tpo               18                         rit....         24 A Tpo                       28                        32                                               40                                  rit....           48 Allegro Molto                                                       54                              rit....   62 Meno mosso e maestoso                    QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
             72                                   78                       86                        rit....        94 Allegro Molto                                                                     rit....           105 Andante                      rit....    110 A Tpo                                        118                                        rit....     125 A Tpo                                      rit.         2 QUEEN OF THE DOLOMITES
    Andante                                                                           rit.        24 A tempo                   32                 40                                     rit.         Allegro Molto   48                      QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
               54                                      rit.  Meno mosso e maestoso 62                                        72                     78                               86                     rit.       Allegro Molto    94                                    100         2QUEEN OF THE DOLOMITES
                 Molto rall....      Andante  105                          A tempo  110                                              118                          rit.                 125  A tempo                       rit.           3QUEEN OF THE DOLOMITES
    Andante                                                                                rit.     24 A tempo              32                   40                                 rit.        Allegro Molto   48                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
          54                                            rit.  Meno mosso e maestoso 62                                         72                      78                                     86                                     rit.        Allegro Molto   94                     2QUEEN OF THE DOLOMITES
              100                        Molto rall....         Andante  105                     A tempo  110                                                118                        rit.               125  A tempo                       rit.             3QUEEN OF THE DOLOMITES
     Andante                        8                      rit....     15 A tempo               18            rit.... 24 A tempo  28   32   40                                  rit....           48 Allegro Molto                                      54                                                   rit....          62 Meno mosso e maestoso                                        72              QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
       78                         86                              rit....            94 Allegro Molto                                                             rit....         105 Andante              rit....             110 A tempo                                               118                        rit....                 125 A tempo                                  rit.           2 QUEEN OF THE DOLOMITES
      Andante                 8               rit....       15   A tempo       18               rit....   24 A tempo         28           32                 40           rit....          48 Allegro Molto                      54                                                  rit....              62 Meno mosso e maestoso                                             72                  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 6ºB (Cover of Clarinets, Aragón, S.XXI)
          78                                     86                             rit....         94 Allegro Molto                                               rit....         105 Andante               rit....       110 A tempo                    118              rit....        125 A tempo                    rit.           2QUEEN OF THE DOLOMITES
      Andante                   8            rit....       15   A tempo       18           rit....   24 A tempo       28        32                     40           rit....          48 Allegro Molto                       54                                 rit....      62 Meno mosso e maestoso                                             72  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 7º B (Cover of Clarinets, Aragón, S.XXI)
                          78                                     86                              rit....           94 Allegro Molto                                     rit....                               105 Andante               rit....     110 A tempo             118                  rit....   125 A tempo                    rit.           2QUEEN OF THE DOLOMITES
               3  Andante              3             3             3             3             3             3               3 8             rit.                 3 15  A tempo             3             3             318            rit.     24 A tempo                 28                   32                                     40                    rit.           48 Allegro Molto                                          54                                rit.      62 Meno mosso e maestoso                                     QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)
          72                              78                                     86                             rit.             94 Allegro Molto                                                                             rit.       105 Andante         rit.         110 A tempo             118             rit.                3125 A tempo             3             3             3           rit.             2 QUEEN OF THE DOLOMITES

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Queen of the Dolomites - Jacob de Haan - Set of Clarinets

  • 1. Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.
  • 2.                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                      3  Andante                               3                                      3                                   3                                        3                 6                 6                 3                                       3                                   3   8                                                                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan Arr. by Gino Gonçals QUEEN OF THE DOLOMITES
  • 3.                 11                    11                                                    rit....                                                 3    15      A tempo                 16                 16                 3                                       3                                     3   18                                                     2 QUEEN OF THE DOLOMITES
  • 4.                 21                    21                rit....                                                     24 A tempo                                  26                    26                                                   28                                             3 QUEEN OF THE DOLOMITES
  • 5.                 31        31                                   32                                                                              36              36                                                                                                                                         40      4 QUEEN OF THE DOLOMITES
  • 6.                 41                         41                                                                                                                                                   46                                   46     rit....                                                                                   48 Allegro Molto  accel.                                                                                           5 QUEEN OF THE DOLOMITES
  • 7.                 51                                           51                                                                                                                                                                                 54                                                                                         56                                56                                                                                                                                                                                 rit.... 6 QUEEN OF THE DOLOMITES
  • 8.                 61               61                           62 Meno mosso e maestoso                                                                                                  66                 66                                                                                                                             7 QUEEN OF THE DOLOMITES
  • 9.                 71       71                                                                     72                                                                                                                          76                    76                                                                                  78                                                         8 QUEEN OF THE DOLOMITES
  • 10.                 81      81                                                                                                                                                                            86             86                                                                                                                                          9 QUEEN OF THE DOLOMITES
  • 11.                           91                    91                                         rit....                                                                                   94 Allegro Molto                                                              96                                  96                                                                                                                                                                                                          10 QUEEN OF THE DOLOMITES
  • 12.                 101                              101                                                                                              rit....                                                                                                                                                              105 Andante                  106                  106                                                                                                     rit....                                        110 A tempo 11 QUEEN OF THE DOLOMITES
  • 13.                 111                                 111                                                                                                                                          116                          116                                                          118                                                                                   12 QUEEN OF THE DOLOMITES
  • 14.                 121           121                                                                                rit....                                                                             3 125 A tempo                 126                                 126                 3                                     3                                                 3                                                     13 QUEEN OF THE DOLOMITES
  • 15.                 131           131                                                        rit.                                                                         14 QUEEN OF THE DOLOMITES
  • 16.     Andante                          8                      rit.  15 A Tpo               18                     rit....   24 A Tpo 28 32                 40                                       rit....         48 Allegro Molto                                                   54                            rit....   62 Meno mosso e maestoso                     72                               78                              86               QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 17.             rit....           94 Allegro Molto                                                                                rit....           105 Andante                rit....    110 A Tpo                                        118                                        rit....     125 A Tpo                                          rit.         2QUEEN OF THE DOLOMITES
  • 18.     Andante                          8                          rit....       15 A Tpo               18                         rit....         24 A Tpo                       28                        32                                               40                                  rit....           48 Allegro Molto                                                       54                              rit....   62 Meno mosso e maestoso                    QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 19.              72                                   78                       86                        rit....        94 Allegro Molto                                                                     rit....           105 Andante                      rit....    110 A Tpo                                        118                                        rit....     125 A Tpo                                      rit.         2 QUEEN OF THE DOLOMITES
  • 20.     Andante                                                                           rit.        24 A tempo                   32                 40                                     rit.         Allegro Molto   48                      QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 21.                54                                      rit.  Meno mosso e maestoso 62                                        72                     78                               86                     rit.       Allegro Molto    94                                    100         2QUEEN OF THE DOLOMITES
  • 22.                  Molto rall....      Andante  105                          A tempo  110                                              118                          rit.                 125  A tempo                       rit.           3QUEEN OF THE DOLOMITES
  • 23.     Andante                                                                                rit.     24 A tempo              32                   40                                 rit.        Allegro Molto   48                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 24.           54                                            rit.  Meno mosso e maestoso 62                                         72                      78                                     86                                     rit.        Allegro Molto   94                     2QUEEN OF THE DOLOMITES
  • 25.               100                        Molto rall....         Andante  105                     A tempo  110                                                118                        rit.               125  A tempo                       rit.             3QUEEN OF THE DOLOMITES
  • 26.      Andante                        8                      rit....     15 A tempo               18            rit.... 24 A tempo  28   32   40                                  rit....           48 Allegro Molto                                      54                                                   rit....          62 Meno mosso e maestoso                                        72              QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
  • 27.        78                         86                              rit....            94 Allegro Molto                                                             rit....         105 Andante              rit....             110 A tempo                                               118                        rit....                 125 A tempo                                  rit.           2 QUEEN OF THE DOLOMITES
  • 28.       Andante                 8               rit....       15   A tempo       18               rit....   24 A tempo         28           32                 40           rit....          48 Allegro Molto                      54                                                  rit....              62 Meno mosso e maestoso                                             72                  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 6ºB (Cover of Clarinets, Aragón, S.XXI)
  • 29.           78                                     86                             rit....         94 Allegro Molto                                               rit....         105 Andante               rit....       110 A tempo                    118              rit....        125 A tempo                    rit.           2QUEEN OF THE DOLOMITES
  • 30.       Andante                   8            rit....       15   A tempo       18           rit....   24 A tempo       28        32                     40           rit....          48 Allegro Molto                       54                                 rit....      62 Meno mosso e maestoso                                             72  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 7º B (Cover of Clarinets, Aragón, S.XXI)
  • 31.                           78                                     86                              rit....           94 Allegro Molto                                     rit....                               105 Andante               rit....     110 A tempo             118                  rit....   125 A tempo                    rit.           2QUEEN OF THE DOLOMITES
  • 32.                3  Andante              3             3             3             3             3             3               3 8             rit.                 3 15  A tempo             3             3             318            rit.     24 A tempo                 28                   32                                     40                    rit.           48 Allegro Molto                                          54                                rit.      62 Meno mosso e maestoso                                     QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)
  • 33.           72                              78                                     86                             rit.             94 Allegro Molto                                                                             rit.       105 Andante         rit.         110 A tempo             118             rit.                3125 A tempo             3             3             3           rit.             2 QUEEN OF THE DOLOMITES