MindWing Presentation—NYC Dept. of Education, Dec. 1-3, 2015
1. Presenter:
Maryellen Rooney Moreau, M.Ed., CCC-SLP
President and Founder of MindWing Concepts, Inc.
Narrative & Expository
Text Development, Data Collection & Creative Therapy
NYCDOE
December 1, 2, 3, 2015
2. Maryellen Rooney Moreau, M.Ed. CCC-SLP,
President & Founder, MindWing Concepts, Inc., Springfield, MA
• Financial: Maryellen has ownership interest in MindWing Concepts, holds
intellectual property rights and patents. Maryellen is employed as president of
MindWing Concepts. In that capacity, she designed Story Grammar Marker® and
Braidy the StoryBraid® along with many other books and materials. She runs this
business as well as consults, trains and presents on MindWing Concepts’
methodology and for this, she receives a salary. MindWing Concepts, Inc. receives
speaker fees, consulting fees and honoraria as well as reimbursement for travel costs.
• Nonfinancial: No relevant nonfinancial relationships exist.
• This presentation will focus exclusively on Story Grammar Marker® and will not
include information on other similar or related products.
Disclosures
24. • Elaborated noun phrases: a hard fall on the sidewalk; beautiful little lights;
• Verb phrase & -ly adverbs: sadly, luckily (See sentence exemplars below)
• Conjunctions: Then, but, and, just when, finally
• Mental State Verbs: thought, knew, thinking, notice, realized, notice
• Communication (linguistic) verbs: whispered; ordered
• Figurative language: caught his eye; if the truth be told; Split!; Voila!,
Scramble!, hunched
• Exemplar Sentences to demonstrate cohesion and the complexity of mental
state verbs:
• He hunched his shoulders, what little shoulders he had, and pressed
his shell together, so that the crack almost disappeared.
• All the drawers had labels, but none of them was right for Eggbert.
• But just as Eggbert was thinking he’d found the perfect place, a
potato plant happened to notice his crack.
• He realized that no matter how he painted himself, he could not hide
who he was.
Microstructure Examples and Literate Language Features from Eggbert
111. “Because expository texts are the primary
means for acquiring academic and
schooled knowledge, students’ failure to
understand and learn from expository
texts can create a cumulative knowledge
deficit as children progress through
schools.”
Improving Comprehension Instruction: Rethinking Research, Theory, and
Classroom Practice. Edited By: Cathy Collins Block, Linda B. Gambrell and
Michael Pressley. ISBN: 0-87207-458-7
112. Our students will almost ALWAYS
do better on multiple choice tests…
than if they have to formulate the
response on their own.
Michelle Garcia Winner (2010). Social Thinking® Across the Home and
School Day: The I LAUGH Model of Social Thinking
113. • Describe
• List
• Sequence
• Find cause/effect
• Identify Problem/Solution
• Interpret and write persuasive text
• Compare and Contrast
• Predict
• Summarize
• Infer
• Find the most important informational points/facts
• Know the Author’s purpose
• Find answers to “Wh” Questions within text
• Find the main idea
• Follow the pronoun referent
• Know the organization of text
• Self monitor
• Process complex sentences & abstract vocabulary words
The ThemeMaker® helps
to comprehend and
express information!
Good Readers & Writers of Expository Text can:
114. English Language Arts Standards » Writing » Grade 5 - Text Types and Purposes
http://www.corestandards.org/the-standards/english-language-arts-standards/writing/grade-5/
•W.5.1. Write opinion pieces on topics or texts, supporting a point of view with reasons and information.
• Introduce a topic or text clearly, state an opinion, and create an organizational structure in which ideas are logically
grouped to support the writer’s purpose.
• Provide logically ordered reasons that are supported by facts and details.
• Link opinion and reasons using words, phrases, and clauses (e.g., consequently, specifically).
• Provide a concluding statement or section related to the opinion presented.
•W.5.2. Write informative/explanatory texts to examine a topic and convey ideas and information clearly.
• Introduce a topic clearly, provide a general observation and focus, and group related information logically; include
formatting (e.g., headings), illustrations, and multimedia when useful to aiding comprehension.
• Develop the topic with facts, definitions, concrete details, quotations, or other information and examples related to the
topic.
• Link ideas within and across categories of information using words, phrases, and clauses (e.g., in contrast, especially).
• Use precise language and domain-specific vocabulary to inform about or explain the topic.
• Provide a concluding statement or section related to the information or explanation presented.
•W.5.3. Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear
event sequences.
• Orient the reader by establishing a situation and introducing a narrator and/or characters; organize an event sequence
that unfolds naturally.
• Use narrative techniques, such as dialogue, description, and pacing, to develop experiences and events or show the
responses of characters to situations.
• Use a variety of transitional words, phrases, and clauses to manage the sequence of events.
• Use concrete words and phrases and sensory details to convey experiences and events precisely.
• Provide a conclusion that follows from the narrated experiences or events.
123. 123
Webb’s Depth of Knowledge (DoK) was “employed to
analyze the cognitive expectation demanded by
standards, curricular activities and assessment tasks”
(Webb, 1997).
Ultimately the DoK level describes the kind of
thinking required by a task, not whether or not the task
is “difficult.” (Webb, 2009).
Webb’s Depth of Knowledge
124. 124
Webb’s Depth of Knowledge Levels are:
LEVEL 1:
Recall & Reproduction
LEVEL 2:
Working with Skills & Concepts
LEVEL 3:
Short-Term Strategic Thinking
LEVEL 4:
Extended Strategic Thinking
Reference: Webb’s Depth of
Knowledge (DoK) Guide: Career
and Technical Education
Definitions, 2009, based upon
Webb’s DoK was “employed to
analyze the cognitive expectation
demanded by standards, curricular
activities and assessment tasks”
(Webb, 1997).
139. 139
Quadrant #1 of the
Discourse and Thought
Development Chart
Recognition of the General Situation
In order to describe, order, label and
recall, one needs to be aware of basic
situations in life and the world
(characters/settings) and the routine
actions/procedures that occur.
Think about: recalling, routines,
descriptions.
140. 140
*Boelts, Maribeth. Those Shoes. Somerville, MA: Candlewick Press, 2009.
*Chesanow, Neil. Where Do I Live? New York: Garron’s Educational Series, Inc., 1995.
Lamia, Mary. Understanding Myself. Washington: Magination Press, 2011.
Ritchie, Scot. Follow That Map! A First Book of Mapping Skills. New York: Kids Can Press
Ltd., 2009.
*Sterling, Kristin. Living in Rural Communities. Minneapolis: Lerner Publication Group, Inc.,
2008.
*Sterling, Kristin. Living in Suburban Communities. Minneapolis: Lerner Publication Group,
Inc., 2008.
*Sterling, Kristin. Living in Urban Communities. Minneapolis: Lerner Publication Group, Inc.,
2008.
Woodson, Jacqueline. The Other Side. New York: G.P. The Penguin Group (USA) Inc., 2001.
Woodson, Jacqueline. This Is the Rope. New York: The Penguin Group (USA) Inc., 2013.
Quadrant #1 - REFERENCES
142. 142
Quadrant #2 of the
Discourse and Thought Development Chart –
Identification of the Causal Chain
Cause/Effect is the hallmark of these narrative
stages: physical and psychological. It is
important for students to know that many
causes are psychological, in one’s mind,
memories or background knowledge. The
formation of the causal chain enables students to
begin to infer using their own unique background.
For example, if we know the kick-off and the
reaction (action/feeling) we are more able to use
the elements of the narrative episode to go beyond
a prediction and infer. This is a building block
toward our ability to problem solve, form
opinions, persuade and argue with evidence.
Think about: Major narrative events, patterns,
causes of events.
143. 143
*Boelts, Maribeth. Those Shoes. Massachusetts: Candlewich Press, 2009.
Havill, Juanita. Jamaica’s Blue Marker. Boston: Houghton Mifflin Company, 1995.
*Hord, Colleen. Need It Or Want It? Minnesota: Rourke Publishing, Inc.,
2012.
Jackson, Ellen. It’s Back to School We Go! First Day Stories from Around the World.
Minneapolis: Millbrook Press, 2003.
*Larson, Jennifer. Do I Need It? Or Do I Want it? Minnesota: Lerner Publishing Group, Inc.,
2010.
Sember, Brette McWhorter. The Everything Kids’Money Book. Massachusetts: Adams Media,
2008.
Williams, Vera. A Chair For My Mother. New York: William Morrow & Company, Inc., 1982.
Woodson, J. & Lewis, E.B. (2012). Each Kindness NY: Nancy Paulsen Books
Reference: Unicef Canada. Rights, Wants & Needs. globalclassroom@unicef.ca, 2001.
Quadrant #2 - REFERENCES
145. 145
Quadrant #3 of the Discourse
and Thought Development Chart
Problem Identification/Solving
…As students gain experience with the problem
solving process, they will be able to see multiple
characters’ motivations for their actions in terms of
emotion, mental states (thought processes) and plan
making. Such training enables students to prepare
for argument/persuasion from the point of view of
the opposition: strong and convincing arguments
are made if the arguer knows the opposition/s point
of view as well as his/her own. Theory of Mind
building of the gestalt and development of a
Situation Model are important.
Think about: Evidence, vocal register, issues,
problems to solve, author’s purpose
146. 146
*Boelts, Maribeth. Those Shoes. Massachusetts: Candlewich Press, 2009.
Chinn, Karen. Sam And The Lucky Money. New York: Lee & Low Books Inc., 1995.
*DeBell, Susan. How do I stand in your shoes? South Carolina: YouthLight, Inc.,
2012.
*McBrier, Page. Beatrice’s Goat. New York: Aladdin Paperbacks, 2004.
Pransky, Jack and Amy Kahofer. What is a Thought? (A Thought is a Lot).
California: Social Thinking Publishing, 2012.
*Sornson, Bob. Stand in My Shoes. Michigan: Nelson Publishing & Marketing, 2013.
Williams, Karen Lynn and Mohammed, Khadra. Four Feet, Two Sandals. Michigan:
Wm. B. Eerdmans Publishing Co., 2007.
Reference: Canadian Teachers’ Federation. Poverty, What Is It? Immagineaction
www.imagine-action.ca, 2014.
Quadrant #3 - REFERENCES
148. 148
Quadrant #4 of the Discourse
and Thought Development Chart
Synthesis of Problem Solving &
Development of Argument
In the Interactive Episodic Structure, there is another
active character who is receiving the effects of
another’s plan as a kick-off for him/her. This is an
advanced causal chain in that changes of emotion are
noted. He or she may think about the motivations of
the other character and the plans the other has made.
He or she may form an opinion, point of view, or
perspective that will facilitate the ability to argue
based on evidence.
Think about: analysis and synthesis from multiple
sources, common themes.
149. 149
*Boelts, Maribeth. Those Shoes. Massachusetts: Candlewich Press, 2009.
Choose one of these, or your preference, to begin:
Hunsicker, Kelley. Chinese Immigrants in America, An Interactive History Adventure.
Minnesota: Capstone Press, 2008.
Miller, Kirby and Miller, Patricia Mulholland. Journey of Hope, The Story of Irish
Immigration to America. San Francisco: Chronicle Books, 2001.
Otfinoski, Steven. The Child Labor Reform Movement, An Interactive History
Adventure. Minnesota: Capstone Press, 2014.
Raum, Elizabeth. Irish Immigrants in America, An Interactive History Adventure.
Minnesota: Capstone Press, 2008.
Williams, Mary. Brothers In Hope, The Story of the Lost Boys of Sudan. New York:
Lee & Low Books Inc., 2005.
Quadrant #4 - REFERENCES
154. NYC Discount!
Use Code NYC10 to receive 10% Off all materials through December 15,
2015. Visit http://mindwingconcepts.com/collections/all to start shopping!
Don’t forget to visit our BLOG and RESOURCES on our website for free
lessons and downloads!
Get a FREE MindWing Concepts DVD mailed to you! Click here:
http://mindwingconcepts.com/pages/free-dvd
1
2
3
FREE STUFF AND DISCOUNTS!!!
155. Connect with us!
• Join our EMAIL list:
http://mindwingconcepts.com/contactus.htm
• Follow us on Twitter @mindwingconcept
• LIKE us on Facebook!
https://www.facebook.com/mindwingconcepts
• Join our Official SGM® Professional Learning Community
on Facebook:
https://www.facebook.com/groups/StoryGrammarMarker/
• Follow us on Pinterest
https://www.pinterest.com/sheils200/official-story-
grammar-marker/
• Connect with Maryellen Rooney Moreau on LinkedIn
156. How to reach Maryellen:
Call her (toll free): 888.228.9746
Email her: mrmoreau@mindwingconcepts.com
Editor's Notes
Tell a personal narrative here – make sure to have a clear kick off, feeling and plan.
Name all of the parts quickly from top to bottom: Character, setting, kick-off, feeling, plan (hand), attempts/actions (five beads), consequence (bow) and resolution. Specific definitions of each will follow.
Tell a personal narrative here- make sure to have a clear kick-off, feeling and plan.
Feel free to make up your own.
Story Example:
(Character/setting) Mom and I went to a restaurant for lunch last Saturday when we were out shopping for school clothes.
(Kick-off) When we finished eating, mom noticed that she did not have her wallet! We couldn’t pay for our lunch!
(Feeling) We both were worried and in a panic.
(Mental State) Mom thought that dad could bring us the money.
(Plan) She decided to call him and ask him to come with some money.
(Attempts) He got in his car, brought money to the restaurant and paid the bill.
(Direct Consequence) As a result, our lunch was paid and
(Resolution) We felt satisfied and calm.
This Critical Thinking Triangle® is what makes the Story Grammar Marker stand out from typical graphic organizers (beginning, middle, end etc…)
Its inclusion is indicative of the history of story grammar research because it is where the problem, feelings, thoughts and plans of the character are thought about and could be discussed. If the graphic organizer says:
Character, Setting, Problem, Events and Solution, as is common, then there is no place for students to explicitly focus on the responses of the character (Feeling/thoughts. Memories, realizations (mental state). It is the response of the character to a problem (kick-off) that allows the reader/listener/observer of a situation to think deeply about WHY characters do what they do….to think about their feelings and mental states.
Also, notice that there are conjunctions written on the arrows connecting the icons. These conjunctions are “academic” vocabulary words to use to connect components of the story. When telling or writing a story, or when reading one, the creator does not always follow the Setting/Character introduction with the kick-off. Sometimes the feelings comes first as in the following sentence:
Beginning with the feeling: “Mom and I felt upset because we had no money to pay for our meal so, after remembering that dad was home and could bring us the money, we decided to call him.”
Beginning with the kick-off: “Mom and I didn’t have any money to pay the bill at the restaurant so we felt upset and decided to call dad because we remembered he was home and could bring us money to pay.”
The conjunctions on the arrows of the Critical Thinking Triangle® were the result of a collaborative effort between Maryellen Moreau, the creator of the SGM, who was consulting to the teachers of English language learners in the Springfield, MA. Public Schools in the mid-ninties. Karen Droy, Ph.D. was in charge of the collaboration and noted that although students had begun to use all the icons within the Critical Thinking Triangle® in their stories or problem solving activities, they were not using the academic vocabulary words to tie the icon information together and formulate sophisticated sentences. This focus was a success!
Complete Episode of a narrative
Microstructure is the glue that holds the sentences together. Microstructure is the “small” while Macrostructure is the “large” structures coming together at the Discourse Level. The final bullets on this slide refer to the Laura Justice Article and to the treatment of Literate Language Features on pages 12 and 13 of the Data Collection Manual.
Compare narrative to expository
Narrative on the left and expository on the right.
These iconic based graphics depict the Episode (as a part of a plot) and the seven types of expository text. Remember that narrative forms the basis for entrance into expository text. The Problem Solution text structure on the Expository Text Diagram here has the same iconic structure as the Episode on the left.
Example:
An episode in Charlotte’s Web is narrative while
the question of coming of the British Army on the Eighteenth of April in 1775 was an historical “kick-off” to Paul Revere that was certainly a problem to be solved! This is history and is therefore, an expository discipline of study as opposed to Charlotte’s Web which is a fictional novel with story grammar structure.