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‘Bogland’
By Seamus
 Heaney.
Bogland          Straight to the point easy to understand.
                                      For T.P Flanagan

                                  We have no prairies      There’s no grassland
                             To slice a big sun at evening-around. Giving a
   Setting the scene                                       horrible look generic
   of the Irish
                           Everywhere the eye concedes to
                                 Encroaching horizon,      perception, however…
   Bogland.                                                 Invading horizon,
                                                            stopping the bogland,
                            Is wooed into the cyclops' eye
                                                            from continuing.
 The sun covers the        Of a tarn. Our unfenced country       Free country,
 landscape, watching it.       Is bog that keeps crusting        untouched by
                           Between the sights of the sun.        man.

                             They've taken the skeleton
The first indication            Of the Great Irish Elk                    A ancient Irish
of human influence                                                        deer.
                              Out of the peat, set it up
in the natural              An astounding crate full of air.
landscape.
                               Butter sunk under
  The Speaker               More than a hundred years                       Describing
  appreciates            Was recovered salty and white.                     what “they’ve”
  the                  The ground itself is kind, black butter              found.
  landscape.
They will never find
Long sounding vowels,                                               coal only “
highlighting the             Melting and opening underfoot,
                                                                    waterlogged
sounds of the bogs. A          Missing its last definition          trunks”.
long squelch.                      By millions of years.
                              They'll never dig coal here,
                                                                   The decomposed
                               Only the waterlogged trunks         trees of the Bogland.
Discoverers, who are
digging to find, what?          Of great firs, soft as pulp.           Final stanza, 3
Coal? Or just curious           Our pioneers keep striking             full stops in 4
of not knowing what                                                    lines, contrasting
                                Inwards and downwards,
they will find?                                                        how the bog is
                                                                       endless.
                                  Every layer they strip
                               Seems camped on before.
                                                                 It will never come to
                         The bogholes might be Atlantic seepage. an end, there will
                              The wet centre is bottomless.      always be digging to
                                                                   be done.
• Free verse- no rhymes, showing how the bog
  is unpredictable, you don’t know what your
  going to uncover.
• There’s limited punctuation, allowing the
  poem to flow and run easily.
• Tone: simplistic, admirable.
• Themes: Irish landscape and history.
Who is T.P Flanagan?

T.P Flanagan was a famous Irish painter, who specialised
               in painting Irish landscapes.
 Sadly Flanagan died in 2011, at the age of 80 years. 
          Though ‘Bogland’ was written in 1969.
Irish poet Seamus Heaney, said he was “a teacher and a
friend” whose work held a “deep personal significance”.
   Also that “Terry has also been very much a personal
          friend as well as an artistic presence.”
T.P Flanagan taught at St Mary’s college where Heaney's
         wife, Marie attended a few years before.
Form, Language, Structure
• There’s seven four line stanzas, with similar length
  lines.
• The language creates interesting images in the readers
  mind- “To slice a big sun at evening”.
• The poem narrates how the “pioneers keep striking
  inwards and downwards” into the bogs, and what they
  find.
• The speaker doesn’t seem to resent the pioneers, but
  instead seems interested.
• Language is easy to understand, with references to
  Ireland and its heritage.
• Heaney has produced nice imagery.
The Background of ‘Bogland’.
• Heaney grew up in rural northern Ireland. On his farm,
  Mossbawn, there was plenty of Bogland, which his
  family gathered peat from, as a form of fuel.
• Ireland has more bog than any other country in
  Europe, besides Finland, so now has a great scientific
  significance.
• It has been said that Heaney is interested in bogs, not
  only because he originates from a Irish farming
  background but also because he has seen pictures of
  objects found in bogs.
• Heaney had talked of the bog being a symbol of a
  consciousness that retains and observes.
There is continual references to Ireland, and historical
knowledge of the bogs throughout the poem. For example:
-”Great Irish Elk” was one of the largest deer that ever lived, it
originated from Ireland and has been carbon dated to of lived
7,700 years ago. Skeletons of the Great Irish Elk have probably
been found within Bogland.
-Also Heaney refers to “Butter sunk under More than a hundred
years”. I believe Heaney means Bog butter. Bog butter is a waxy
substance which is found in peat bogs such as Irelands. They
have been found, dating back to the 2nd or 3rd century, it is
thought to of been an ancient way of preserving food in wooden
barrels and burying them in peat bogs.
This highlights Heaney's interest in what you can find within the
Irish bogland.
POTATO!!!
Bibliography
• Wikipedia
• Seamus Heaney/ Poetry Archive
• Seamus Heaney

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Bogland-Seamus Heaney

  • 2. Bogland Straight to the point easy to understand. For T.P Flanagan We have no prairies There’s no grassland To slice a big sun at evening-around. Giving a Setting the scene horrible look generic of the Irish Everywhere the eye concedes to Encroaching horizon, perception, however… Bogland. Invading horizon, stopping the bogland, Is wooed into the cyclops' eye from continuing. The sun covers the Of a tarn. Our unfenced country Free country, landscape, watching it. Is bog that keeps crusting untouched by Between the sights of the sun. man. They've taken the skeleton The first indication Of the Great Irish Elk A ancient Irish of human influence deer. Out of the peat, set it up in the natural An astounding crate full of air. landscape. Butter sunk under The Speaker More than a hundred years Describing appreciates Was recovered salty and white. what “they’ve” the The ground itself is kind, black butter found. landscape.
  • 3. They will never find Long sounding vowels, coal only “ highlighting the Melting and opening underfoot, waterlogged sounds of the bogs. A Missing its last definition trunks”. long squelch. By millions of years. They'll never dig coal here, The decomposed Only the waterlogged trunks trees of the Bogland. Discoverers, who are digging to find, what? Of great firs, soft as pulp. Final stanza, 3 Coal? Or just curious Our pioneers keep striking full stops in 4 of not knowing what lines, contrasting Inwards and downwards, they will find? how the bog is endless. Every layer they strip Seems camped on before. It will never come to The bogholes might be Atlantic seepage. an end, there will The wet centre is bottomless. always be digging to be done.
  • 4. • Free verse- no rhymes, showing how the bog is unpredictable, you don’t know what your going to uncover. • There’s limited punctuation, allowing the poem to flow and run easily. • Tone: simplistic, admirable. • Themes: Irish landscape and history.
  • 5. Who is T.P Flanagan? T.P Flanagan was a famous Irish painter, who specialised in painting Irish landscapes.  Sadly Flanagan died in 2011, at the age of 80 years.  Though ‘Bogland’ was written in 1969. Irish poet Seamus Heaney, said he was “a teacher and a friend” whose work held a “deep personal significance”. Also that “Terry has also been very much a personal friend as well as an artistic presence.” T.P Flanagan taught at St Mary’s college where Heaney's wife, Marie attended a few years before.
  • 6. Form, Language, Structure • There’s seven four line stanzas, with similar length lines. • The language creates interesting images in the readers mind- “To slice a big sun at evening”. • The poem narrates how the “pioneers keep striking inwards and downwards” into the bogs, and what they find. • The speaker doesn’t seem to resent the pioneers, but instead seems interested. • Language is easy to understand, with references to Ireland and its heritage. • Heaney has produced nice imagery.
  • 7. The Background of ‘Bogland’. • Heaney grew up in rural northern Ireland. On his farm, Mossbawn, there was plenty of Bogland, which his family gathered peat from, as a form of fuel. • Ireland has more bog than any other country in Europe, besides Finland, so now has a great scientific significance. • It has been said that Heaney is interested in bogs, not only because he originates from a Irish farming background but also because he has seen pictures of objects found in bogs. • Heaney had talked of the bog being a symbol of a consciousness that retains and observes.
  • 8. There is continual references to Ireland, and historical knowledge of the bogs throughout the poem. For example: -”Great Irish Elk” was one of the largest deer that ever lived, it originated from Ireland and has been carbon dated to of lived 7,700 years ago. Skeletons of the Great Irish Elk have probably been found within Bogland. -Also Heaney refers to “Butter sunk under More than a hundred years”. I believe Heaney means Bog butter. Bog butter is a waxy substance which is found in peat bogs such as Irelands. They have been found, dating back to the 2nd or 3rd century, it is thought to of been an ancient way of preserving food in wooden barrels and burying them in peat bogs. This highlights Heaney's interest in what you can find within the Irish bogland.
  • 10. Bibliography • Wikipedia • Seamus Heaney/ Poetry Archive • Seamus Heaney