Spike jonze
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Spike Jonze is an American director, producer, and screenwriter known for his music video collaborations. He created his first music video in 1992 with the band Wax. In 1994, he directed three music videos for The Beastie Boys' album "III Communications," including "Sabotage," a parody of 1970s crime dramas. This launched their career as mainstream artists. Jonze also directed Bjork's first musical-style video "It's All So Quiet" to make her stand out as a new artist and attract fans at the start of her career. Both videos became iconic and influential.
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The history of the music video
The document outlines significant moments in the history of the music video from its origins with the gramophone and Alexander Nevsky film to modern developments with YouTube. Disney's Fantasia is considered one of the first true music videos. Ready Steady Go and Top of the Pops helped popularize music performances on television. Queen's Bohemian Rhapsody broke conventions at over 3 minutes long. MTV launched as the first channel dedicated solely to music videos. Michael Jackson's Thriller merged filmmaking techniques with music. Peter Gabriel's groundbreaking "Sledgehammer" video used stop motion. Beyoncé surprised fans by releasing a whole album as music videos without promotion. YouTube now dominates music video viewing worldwide.
A2 prelim l3 history of music video 1 from pre-edison to ready steady go wi...
This document provides a timeline and overview of key developments in the history of music videos and their production/consumption. It discusses early innovations like the gramophone in 1900 and The Jazz Singer in 1927. Formats evolved from live performances to incorporating soundtracks and choreography in films. In the 1950s-60s, artists like Elvis Presley helped establish rock music and youth culture. Ready Steady Go! was an influential live TV music show. The Beatles' 1964 video was one of the earliest purpose-made music videos. Students are tasked with creating their own timeline of significant moments in music video history.
History of music videos
Music videos have evolved over time from early films played over songs in the late 19th century to promotional tools for artists on MTV and YouTube. Some key developments include the first music video released in 1894 to promote a song, the introduction of "Soundies" in the 1940s which were coin-operated machines showing artist performances, and the impact of the Beatles film "A Hard Day's Night" in 1964 which helped establish the concept of artists playing themselves in music videos. Modern music videos are regularly uploaded to streaming platforms like YouTube to promote new songs and artists.
Lesson 4 Music Video Practice Piece
This document discusses the history and evolution of music videos. It outlines several key moments in music video history from 1963 to the present day including:
- The Beatles' "A Hard Day's Night" (1963) which was one of the first promotional music videos.
- Michael Jackson's "Thriller" (1983) which was a landmark 14-minute video that merged filmmaking and music.
- The launch of MTV in 1981 which had a massive impact on popular culture and the music industry.
- Recent developments like YouTube, which launched in 2005, allowing anyone to upload and watch music videos and changing how artists promote their music.
History of music videos
Music videos originated in the 1920s as short films made to accompany popular songs, mainly by jazz musicians. In the 1960s, Bob Dylan created one of the first modern music videos for his song "Subterranean Homesick Blues," displaying lyrics on signs in time with the music. Television shows in the 1970s helped promote artists through short music promos shown between programs, eventually replacing live performances, while Queen's "Bohemian Rhapsody" video in the 1970s was pioneering for its use of advanced visual effects.
History of the music video
Music videos began in the late 1920s/early 1930s with short films pairing songs with visuals to promote music recordings. They developed through the 1950s/60s with early examples from artists like Bessie Smith and Tony Bennett. The 1964 film A Hard Day's Night helped establish the genre with its musical segments influencing countless subsequent pop videos. The 1970s saw the rise of lower-cost video production and more conceptual videos from acts like Queen. MTV's 1981 launch was a key moment, greatly increasing the commercial importance of music videos. Artists in the 1980s like Michael Jackson and Madonna helped establish music videos as a major marketing force and art form through increasingly sophisticated concepts, effects and narratives. Today, music videos are
History of music videos.pptx
Music videos originated in the 1920s as short films of artists performing songs. They became more prominent in the 1980s with the launch of MTV. Throughout the decades, music videos evolved from purely performance-based to incorporating different styles and techniques like animation and narrative concepts. The 1990s saw music videos' golden age when they had immense influence and helped propel artists to stardom. Today, many artists first gain recognition through videos on YouTube and social media, often in mobile-friendly vertical formats.
Goodwins conventions template
Kanye West's "Through the Wire" music video effectively illustrates the story told in the song's lyrics through its visuals. As the video progresses, it becomes clear that Kanye is rapping about his car accident and injuries, such as the metal wire in his mouth. Scenes depicting a corkboard of memories and Polaroids show his journey from the accident to recovering in the studio. The music and visuals also sync up precisely to create a smooth narrative flow. While some elements like the corkboard challenge rap conventions, others like the male in a jersey reinforce typical iconography of the genre. Close-ups of Kanye's face and injuries portray the personal nature of his experience and story.
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The history of the music video
The document outlines significant moments in the history of the music video from its origins with the gramophone and Alexander Nevsky film to modern developments with YouTube. Disney's Fantasia is considered one of the first true music videos. Ready Steady Go and Top of the Pops helped popularize music performances on television. Queen's Bohemian Rhapsody broke conventions at over 3 minutes long. MTV launched as the first channel dedicated solely to music videos. Michael Jackson's Thriller merged filmmaking techniques with music. Peter Gabriel's groundbreaking "Sledgehammer" video used stop motion. Beyoncé surprised fans by releasing a whole album as music videos without promotion. YouTube now dominates music video viewing worldwide.
A2 prelim l3 history of music video 1 from pre-edison to ready steady go wi...
This document provides a timeline and overview of key developments in the history of music videos and their production/consumption. It discusses early innovations like the gramophone in 1900 and The Jazz Singer in 1927. Formats evolved from live performances to incorporating soundtracks and choreography in films. In the 1950s-60s, artists like Elvis Presley helped establish rock music and youth culture. Ready Steady Go! was an influential live TV music show. The Beatles' 1964 video was one of the earliest purpose-made music videos. Students are tasked with creating their own timeline of significant moments in music video history.
History of music videos
Music videos have evolved over time from early films played over songs in the late 19th century to promotional tools for artists on MTV and YouTube. Some key developments include the first music video released in 1894 to promote a song, the introduction of "Soundies" in the 1940s which were coin-operated machines showing artist performances, and the impact of the Beatles film "A Hard Day's Night" in 1964 which helped establish the concept of artists playing themselves in music videos. Modern music videos are regularly uploaded to streaming platforms like YouTube to promote new songs and artists.
Lesson 4 Music Video Practice Piece
This document discusses the history and evolution of music videos. It outlines several key moments in music video history from 1963 to the present day including:
- The Beatles' "A Hard Day's Night" (1963) which was one of the first promotional music videos.
- Michael Jackson's "Thriller" (1983) which was a landmark 14-minute video that merged filmmaking and music.
- The launch of MTV in 1981 which had a massive impact on popular culture and the music industry.
- Recent developments like YouTube, which launched in 2005, allowing anyone to upload and watch music videos and changing how artists promote their music.
History of music videos
Music videos originated in the 1920s as short films made to accompany popular songs, mainly by jazz musicians. In the 1960s, Bob Dylan created one of the first modern music videos for his song "Subterranean Homesick Blues," displaying lyrics on signs in time with the music. Television shows in the 1970s helped promote artists through short music promos shown between programs, eventually replacing live performances, while Queen's "Bohemian Rhapsody" video in the 1970s was pioneering for its use of advanced visual effects.
History of the music video
Music videos began in the late 1920s/early 1930s with short films pairing songs with visuals to promote music recordings. They developed through the 1950s/60s with early examples from artists like Bessie Smith and Tony Bennett. The 1964 film A Hard Day's Night helped establish the genre with its musical segments influencing countless subsequent pop videos. The 1970s saw the rise of lower-cost video production and more conceptual videos from acts like Queen. MTV's 1981 launch was a key moment, greatly increasing the commercial importance of music videos. Artists in the 1980s like Michael Jackson and Madonna helped establish music videos as a major marketing force and art form through increasingly sophisticated concepts, effects and narratives. Today, music videos are
History of music videos.pptx
Music videos originated in the 1920s as short films of artists performing songs. They became more prominent in the 1980s with the launch of MTV. Throughout the decades, music videos evolved from purely performance-based to incorporating different styles and techniques like animation and narrative concepts. The 1990s saw music videos' golden age when they had immense influence and helped propel artists to stardom. Today, many artists first gain recognition through videos on YouTube and social media, often in mobile-friendly vertical formats.
Goodwins conventions template
Kanye West's "Through the Wire" music video effectively illustrates the story told in the song's lyrics through its visuals. As the video progresses, it becomes clear that Kanye is rapping about his car accident and injuries, such as the metal wire in his mouth. Scenes depicting a corkboard of memories and Polaroids show his journey from the accident to recovering in the studio. The music and visuals also sync up precisely to create a smooth narrative flow. While some elements like the corkboard challenge rap conventions, others like the male in a jersey reinforce typical iconography of the genre. Close-ups of Kanye's face and injuries portray the personal nature of his experience and story.
Pitch
The document proposes a music video for the song "Somebody Told Me" by the band The Killers. The video will feature scenes of the band performing on stage along with cutaway scenes of them in different situations like backstage and signing autographs. Both the clothing and props used will match the indie/rock genre. The proposed album packaging will feature an image of the band members evolving and use a color scheme of red, white, and black that is conventional for the genre. The magazine advertisement for the album will follow the same color scheme and fonts as the album packaging to help audiences recognize and link it to the band and album.
Audience case study 1
This document provides information about the Wings album "Wings at the Speed of Sound" and the music video for the single "Silly Love Songs". It summarizes the band members and albums. It describes the music video as featuring clips from their 1975-76 world tour, showing performances and behind-the-scenes footage to give viewers a sense of being part of the band and tour experience. The target audience for the video would have been fans of The Beatles and Paul McCartney in their 20s/30s who could relate to the personalities and music shown.
Music video history
- The earliest known music video was filmed in 1932 and shown in theaters. Tony Bennett claimed his 1955 video for "Stranger in Paradise" was the first, pioneering the music video genre.
- The Beatles took music videos to another level in the 1960s, using techniques that became conventions for modern productions. Their videos began portraying stories that accompanied song lyrics.
- MTV launched in 1981, airing the first video "Video Killed the Radio Star," which had a high budget and sophisticated editing. This helped establish the music video as an important form of musical promotion and pushed its development further.
Evaluation activity 1 draft 2
This document provides screenshots and descriptions from an evaluation activity for a music video. It summarizes key aspects of 7 screenshots, including: 1) Lyrics being represented visually with smoking in the background. 2) Distinctive punk rock conventions like anarchy symbols and band members going wild. 3) Props like guitars and drums being shown to enhance the punk genre. 4) An intertextual reference to Beverly Hills Cop. 5) An urban car park setting without needing to watch the video. 6) Excellent editing and camerawork combining for a seamless background shot. 7) Effective lighting telling the narrative through a realistic morning scene.
Justification
The students were tasked with creating a 3 minute soundscape based on Liverpool that included natural sounds and was influenced by an artist's work. They visited Albert Dock to record ambient sounds. Their soundscape focused on the Beatles, including recordings from a museum exhibit on them. It featured sounds representing key events in the Beatles' lives and careers, such as fan screams, wedding bells, and John Lennon's assassination. The soundscape aimed to evoke the Beatles without explicitly stating its subject to see if listeners could identify what it was about. The students felt it met the goals of their project.
History of medium/ history of music video
Music videos began in the 1950s-60s as promotional films for artists like Elvis and The Beatles. In the 1970s, Queen's "Bohemian Rhapsody" established music video conventions and showed their commercial potential. The 1980s saw the rise of MTV and the emergence of music videos as a key marketing tool, popularizing artists like Madonna. Today, music videos are most commonly distributed through YouTube, which allows for massive global audiences, though traditional conventions of performance, narrative, and visual style established decades ago still largely persist.
Goodwins theory
The document discusses Andrew Goodwin's six key features of music videos: 1) A relationship between lyrics and visuals, 2) A relationship between music and visuals, 3) Demonstrating genre characteristics, 4) Close ups of the artist per record label demands, 5) References to looking/voyeurism, and 6) Intertextual references. It provides examples from the music video for "International Love" to illustrate the first four features.
The History Of Music Videos.
Oskar Fischinger created the first music videos in the 1920s by animating visuals to synchronize with music. The Soundies of the 1940s were early live-action musical short films played on jukeboxes. Hard Day's Night (1964) popularized music videos by featuring the Beatles, while Bohemian Rhapsody (1975) spurred record companies to produce promotional videos. MTV, founded in 1981, was the first dedicated music video channel and was hugely influential in promoting artists and music videos over the following decades.
R&B conventions
The document explores how the genre of R&B music has changed over time through its music videos from the 1980s to present day. It notes that in the 1980s, videos featured large dance routines and formal costumes, while in the 1990s, videos became more emotive and narrative-based with casual clothing and close-up shots as the music evolved. Modern R&B videos are described as more promiscuous and focusing on narratives of vulgarity, sexuality, money and materialism compared to previous decades.
Music Video History
Music videos began as short films that accompanied songs in the 1920s-1950s to provide a visual element. They became more common in the 1960s with films like A Hard Day's Night and helped promote singles on shows like Top of the Pops in the UK. The first music video aired on MTV in 1981, "Video Killed the Radio Star" by The Buggles, which helped popularize the format. Today, music videos are a major promotional tool for songs but are sometimes watched without sound for their visual qualities alone, focusing more on artists' appearances over musical talent.
Band Images Gathered
This document contains summaries of three music-related images:
1) An image of 50 Cent throwing bullets towards the camera, suggesting violence or pain in his music through props and composition.
2) An image of the Rolling Stones in greyscale with a fish-eye effect, making their faces appear exaggerated and conveying a fun atmosphere through proximity.
3) An image of Benny Benassi standing behind a brick wall, representing the rugged nature of dance music through mise-en-scene and composition.
Treatment Presentation for Music Video
The song chosen for the music video is "I Bet You Look Good On The Dancefloor" by Arctic Monkeys. It received the most votes in a survey and the singer's unique voice will identify the band even if the song is unknown. The video will take influences from other narrative/live performance videos and feature good camera angles and shots. The performers will be represented in a conventional, modern indie rock style through their actions, setting, and stylish but casual clothing. The target audience is 15-25 year olds who will be reached through social media platforms. The concept portrays the band performing at a party as a boy and girl meet and enjoy themselves on the dance floor.
Narrative theory Bowie
David Bowie's 1983 music video for "Let's Dance" tells the narrative of an indigenous Australian couple struggling against westernization. Shot in an Australian village bar, the video juxtaposes indigenous and westernized culture through opposing imagery and color schemes. It uses split screens and flashbacks to portray the couple's isolation and loss of their traditional way of life. Both conceptual and performance-based, the video highlights the history of indigenous Australians and makes a statement against racism and oppression through its storytelling.
History and evolutions of music videos
Music videos began as short films that accompanied songs in the 1920s-1950s to promote artists and their music. Early music videos were shown before movies and featured popular musicians performing songs. In the late 1950s, the Scopitone was invented as a visual jukebox that played short films for songs. In 1981, MTV launched and began playing music videos 24 hours a day, ushering in a new era of music promotion through visual representation of songs on television.
Evaluation 1
The document discusses various conventions used in different media products within the genres of pop, indie/alternative, and discusses how the student's media products both develop and challenge some of these conventions.
For the music video, it develops conventions such as dressing the artist casually to relate to audiences and having quick cuts between narrative and performance. It challenges conventions by having more narrative focus than performance.
The digipak develops conventions such as prominently displaying the artist's name and image and using consistent text/themes.
The magazine ad develops conventions like using a visual hierarchy but challenges displaying the release date. Inspiration is drawn from various artists like Rihanna, Olly Murs and Bastille.
History of music videos
A music video is a short film that accompanies a song to promote the artist and increase sales. There are three main types - narrative, concept, and performance videos. Early music videos developed in the 1950s but the genre became more popular with The Beatles' film A Hard Day's Night in 1964. MTV launched in 1981 and played a central role in music marketing by airing music videos. Michael Jackson took the format to another level with his groundbreaking Thriller video in 1984. The internet further changed music video promotion through sites like YouTube from 2005 onward.
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Pitch
The document proposes a music video for the song "Somebody Told Me" by the band The Killers. The video will feature scenes of the band performing on stage along with cutaway scenes of them in different situations like backstage and signing autographs. Both the clothing and props used will match the indie/rock genre. The proposed album packaging will feature an image of the band members evolving and use a color scheme of red, white, and black that is conventional for the genre. The magazine advertisement for the album will follow the same color scheme and fonts as the album packaging to help audiences recognize and link it to the band and album.
Audience case study 1
This document provides information about the Wings album "Wings at the Speed of Sound" and the music video for the single "Silly Love Songs". It summarizes the band members and albums. It describes the music video as featuring clips from their 1975-76 world tour, showing performances and behind-the-scenes footage to give viewers a sense of being part of the band and tour experience. The target audience for the video would have been fans of The Beatles and Paul McCartney in their 20s/30s who could relate to the personalities and music shown.
Music video history
- The earliest known music video was filmed in 1932 and shown in theaters. Tony Bennett claimed his 1955 video for "Stranger in Paradise" was the first, pioneering the music video genre.
- The Beatles took music videos to another level in the 1960s, using techniques that became conventions for modern productions. Their videos began portraying stories that accompanied song lyrics.
- MTV launched in 1981, airing the first video "Video Killed the Radio Star," which had a high budget and sophisticated editing. This helped establish the music video as an important form of musical promotion and pushed its development further.
Evaluation activity 1 draft 2
This document provides screenshots and descriptions from an evaluation activity for a music video. It summarizes key aspects of 7 screenshots, including: 1) Lyrics being represented visually with smoking in the background. 2) Distinctive punk rock conventions like anarchy symbols and band members going wild. 3) Props like guitars and drums being shown to enhance the punk genre. 4) An intertextual reference to Beverly Hills Cop. 5) An urban car park setting without needing to watch the video. 6) Excellent editing and camerawork combining for a seamless background shot. 7) Effective lighting telling the narrative through a realistic morning scene.
Justification
The students were tasked with creating a 3 minute soundscape based on Liverpool that included natural sounds and was influenced by an artist's work. They visited Albert Dock to record ambient sounds. Their soundscape focused on the Beatles, including recordings from a museum exhibit on them. It featured sounds representing key events in the Beatles' lives and careers, such as fan screams, wedding bells, and John Lennon's assassination. The soundscape aimed to evoke the Beatles without explicitly stating its subject to see if listeners could identify what it was about. The students felt it met the goals of their project.
History of medium/ history of music video
Music videos began in the 1950s-60s as promotional films for artists like Elvis and The Beatles. In the 1970s, Queen's "Bohemian Rhapsody" established music video conventions and showed their commercial potential. The 1980s saw the rise of MTV and the emergence of music videos as a key marketing tool, popularizing artists like Madonna. Today, music videos are most commonly distributed through YouTube, which allows for massive global audiences, though traditional conventions of performance, narrative, and visual style established decades ago still largely persist.
Goodwins theory
The document discusses Andrew Goodwin's six key features of music videos: 1) A relationship between lyrics and visuals, 2) A relationship between music and visuals, 3) Demonstrating genre characteristics, 4) Close ups of the artist per record label demands, 5) References to looking/voyeurism, and 6) Intertextual references. It provides examples from the music video for "International Love" to illustrate the first four features.
The History Of Music Videos.
Oskar Fischinger created the first music videos in the 1920s by animating visuals to synchronize with music. The Soundies of the 1940s were early live-action musical short films played on jukeboxes. Hard Day's Night (1964) popularized music videos by featuring the Beatles, while Bohemian Rhapsody (1975) spurred record companies to produce promotional videos. MTV, founded in 1981, was the first dedicated music video channel and was hugely influential in promoting artists and music videos over the following decades.
R&B conventions
The document explores how the genre of R&B music has changed over time through its music videos from the 1980s to present day. It notes that in the 1980s, videos featured large dance routines and formal costumes, while in the 1990s, videos became more emotive and narrative-based with casual clothing and close-up shots as the music evolved. Modern R&B videos are described as more promiscuous and focusing on narratives of vulgarity, sexuality, money and materialism compared to previous decades.
Music Video History
Music videos began as short films that accompanied songs in the 1920s-1950s to provide a visual element. They became more common in the 1960s with films like A Hard Day's Night and helped promote singles on shows like Top of the Pops in the UK. The first music video aired on MTV in 1981, "Video Killed the Radio Star" by The Buggles, which helped popularize the format. Today, music videos are a major promotional tool for songs but are sometimes watched without sound for their visual qualities alone, focusing more on artists' appearances over musical talent.
Band Images Gathered
This document contains summaries of three music-related images:
1) An image of 50 Cent throwing bullets towards the camera, suggesting violence or pain in his music through props and composition.
2) An image of the Rolling Stones in greyscale with a fish-eye effect, making their faces appear exaggerated and conveying a fun atmosphere through proximity.
3) An image of Benny Benassi standing behind a brick wall, representing the rugged nature of dance music through mise-en-scene and composition.
Treatment Presentation for Music Video
The song chosen for the music video is "I Bet You Look Good On The Dancefloor" by Arctic Monkeys. It received the most votes in a survey and the singer's unique voice will identify the band even if the song is unknown. The video will take influences from other narrative/live performance videos and feature good camera angles and shots. The performers will be represented in a conventional, modern indie rock style through their actions, setting, and stylish but casual clothing. The target audience is 15-25 year olds who will be reached through social media platforms. The concept portrays the band performing at a party as a boy and girl meet and enjoy themselves on the dance floor.
Narrative theory Bowie
David Bowie's 1983 music video for "Let's Dance" tells the narrative of an indigenous Australian couple struggling against westernization. Shot in an Australian village bar, the video juxtaposes indigenous and westernized culture through opposing imagery and color schemes. It uses split screens and flashbacks to portray the couple's isolation and loss of their traditional way of life. Both conceptual and performance-based, the video highlights the history of indigenous Australians and makes a statement against racism and oppression through its storytelling.
History and evolutions of music videos
Music videos began as short films that accompanied songs in the 1920s-1950s to promote artists and their music. Early music videos were shown before movies and featured popular musicians performing songs. In the late 1950s, the Scopitone was invented as a visual jukebox that played short films for songs. In 1981, MTV launched and began playing music videos 24 hours a day, ushering in a new era of music promotion through visual representation of songs on television.
Evaluation 1
The document discusses various conventions used in different media products within the genres of pop, indie/alternative, and discusses how the student's media products both develop and challenge some of these conventions.
For the music video, it develops conventions such as dressing the artist casually to relate to audiences and having quick cuts between narrative and performance. It challenges conventions by having more narrative focus than performance.
The digipak develops conventions such as prominently displaying the artist's name and image and using consistent text/themes.
The magazine ad develops conventions like using a visual hierarchy but challenges displaying the release date. Inspiration is drawn from various artists like Rihanna, Olly Murs and Bastille.
History of music videos
A music video is a short film that accompanies a song to promote the artist and increase sales. There are three main types - narrative, concept, and performance videos. Early music videos developed in the 1950s but the genre became more popular with The Beatles' film A Hard Day's Night in 1964. MTV launched in 1981 and played a central role in music marketing by airing music videos. Michael Jackson took the format to another level with his groundbreaking Thriller video in 1984. The internet further changed music video promotion through sites like YouTube from 2005 onward.
RichardD_Portfolio
Richard Dowell is a graphic designer who has created various designs for musicians and other clients. Some of his work includes album artwork for artists like Mr. Unstable and Faith, as well as a poster for rapper X-Pistols. He also designed packaging for BBQ sauce and stickers for a medical marijuana dispensary. Dowell reworked logos for Faith and himself. In addition, he produced a commissioned painting using spray paint and acrylics.
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Premiere Pro was the main software used to edit the trailer. It allowed cuts, transitions, titles, and effects to be added to make the trailer look professional. Features like adjusting the editing pace and smooth transitions between cuts enhanced the quality. Using Premiere Pro rather than simpler software like iMovie improved the chance of creating a high quality final product. The document provides screenshots of Premiere Pro's interface and describes some of the key tools and features used to edit the trailer.
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This document outlines an introductory accounting session that covers key terms, objectives, business types, and structures. The 2-hour session is divided into activities to explain accounting concepts through a scenario about a man starting a vegetable business. Key topics covered include common accounting terms, the basic objectives of accounting like maintaining records and determining profitability, different types of businesses and structures like sole proprietorships and partnerships.
Evaluation question 1
This document provides an analysis of how the author's thriller opening uses, challenges, and develops conventions of real media products. The author drew inspiration from films, TV shows, music, and social media to create their opening. Professional music and footage from shows like Broadchurch and The Missing were analyzed and certain elements like costumes, shots of children, and symbols of missing persons were incorporated into the opening. The opening challenges conventions by focusing on the disappearance of a young girl rather than following a typical thriller storyline. Feedback from sharing the opening on social media was also used to further develop and refine the project.
RSpec matchers
RSpec matchers allow for composable and custom matchers that make expectations more readable. Composable matchers can combine built-in matchers to check complex conditions with one expectation. Custom matchers can be defined to create new matchers tailored to a specific testing need. Chained matchers provide a fluent interface for expressing expectations across multiple matchers.
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Similar to Spike jonze
Director case study
Spike Jonez is a renowned screenwriter and director known for his innovative music videos for artists like Fatboy Slim, Weezer, and Kanye West. His music videos typically feature the artist performing outside and focus solely on promoting the artist's brand and music. Jonze's breakthrough came with the Beastie Boys' "Sabotage" video, which won several MTV Video Music Awards and cemented his reputation for creativity. Since then, Jonez has won numerous awards for his music video direction and screenwriting, establishing himself as a leader in both industries.
Textual analysis of a music video
Nirvana was an influential American rock band formed in the late 1980s. Though they only released three studio albums before splitting up in 1994, Nirvana had a significant impact on modern rock music and helped establish the grunge music scene in Seattle. The music video for their song "In Bloom" features the band performing live for an audience. It depicts them first dressed formally in suits, representing their public persona, but then tearing apart the stage while dressed in dresses, showing their true selves. The video comments on how artists may adopt different public images than who they really are.
Spike jonze directors study
Spike Jonze is a renowned American film director, producer, and photographer. He is best known for directing films such as Being John Malkovich (1999) and Where the Wild Things Are (2009). Jonze began his career directing music videos for artists like Weezer, Beastie Boys, and Bjork. His music videos are often set in earlier eras and feature upbeat, fun narratives or performances that entertain audiences. For example, his 1994 video for "Buddy Holly" by Weezer is set in a 1960s sitcom while his video for "Sabotage" by Beastie Boys parodies 1980s cop shows. Beyond film and music videos, Jonze has also produced skateboarding videos and
Textual analysis of a music video
The document provides an analysis of the music video for Nirvana's song "In Bloom". It summarizes the band's background and influence. The music video depicts Nirvana performing the song for an audience in the 1960s style, both dressed formally in suits and later tearing apart the stage dressed in dresses. This contrast suggests they put on a front publicly but feel more like destroying things. The analysis discusses how the video relates to the song lyrics and examines aspects like the narrative, the band as the star image, and the video's technical elements like black and white filming and editing to the song's beats.
Music video directors
The document discusses several prominent music video directors:
- Colin Tilley is known for directing videos for Chris Brown, Justin Bieber, and Nicki Minaj and winning awards for videos like "Look At Me Now" and "U Smile".
- Hype Williams is renowned for videos featuring 2Pac, Kanye West, and Beyoncé, winning awards including Video Vanguard. His signature style uses fisheye lenses and split screens.
- Anthony Mandler frequently collaborates with Rihanna on emotional, narrative videos like "Unfaithful" and "Diamonds", also directing videos for Jay-Z, Beyoncé, and Taylor Swift.
History of music videos
The history of music videos began with early performances of songs in films in the 1920s and 1930s. In the 1960s, artists began creating promotional videos to market their music. The first TV show dedicated to airing music videos launched in 1974. In 1981, MTV was launched, broadcasting The Buggles' "Video Killed the Radio Star" as the first video. MTV helped establish the popularity of the music video format and boosted the careers of many artists. Modern music videos continue to develop innovative visual styles and narrative techniques to engage audiences.
Michelgondry
Michel Gondry is a French film director known for his imaginative and original music videos. He directed music videos for bands like The White Stripes, Daft Punk, and Bjork. His videos are visually inventive, using techniques like stop motion animation. In The White Stripes' "The Hardest Button to Button" video, he multiplied drum kits and amplifiers using stop motion to represent the song's beats. For Daft Punk's "Around the World", dancers represented parts of the song. Gondry's videos typically feature surreal concepts and themes rather than directly relating to lyrics.
Michelgondrys 091002035749 Phpapp02
Michel Gondry is a French film director known for his imaginative and original music videos. Some of his most famous music videos include those for Bjork, The White Stripes, Daft Punk, Kanye West, and The Chemical Brothers. Gondry's videos are noted for their surreal visual styles that often use stop motion effects and conceptualize the music in creative visual ways, rather than directly illustrating the song lyrics. Some of his signature techniques include having objects multiply to represent drum beats or sections of the song. Gondry cites influences like watching a magic show as inspiration for some of his imaginative video concepts and styles.
Music Video Director Case Study
Spike Jonze is an American director, producer, and actor known for his unique and imaginative style in music videos and films. Some of his most famous music video works include directing Weezer's "Buddy Holly" video, which featured the band performing on the set of Happy Days surrounded by the show's cast, and Fatboy Slim's "Praise You" video which he starred in under an alias and featured impromptu public dancing. Jonze's directorial approach emphasizes offbeat storytelling techniques like mixing live action, animation, and puppetry. He is considered an auteur theorist for establishing a recognizable personal creative vision across his various projects.
Director case study
Spike Jonez is a screenwriter, actor, and music video director known for his collaborations with artists like Fatboy Slim, Weezer, Beastie Boys, Bjork, and Kanye West. His music videos typically feature the artist performing outside and are abstract or performative in nature. His breakthrough video was for the Beastie Boys song "Sabotage," which was styled after 1970s cop shows and won several MTV Video Music Awards, including one for Jonze. He further cemented his reputation with the innovative video for Weezer's "Buddy Holly," which portrayed the band performing on an episode of Happy Days.
9245 matthew
This document provides a proposal for a music video project. The proposal is to create a music video for the song "My Last Day" by the band Girl Kills Boy. The video will be around 3 minutes and 30 seconds and will also include designing a website homepage for the band and a DVD cover. The narrative of the video will involve a soldier being taken hostage in a foreign country and being forced to make a hostage video. While having a political message, the video will not show serious violence and will aim to get airtime on music channels. The target audience is identified as young adults aged 16 to 25.
Spike Jonze - Case Study
Spike Jonze is an American director, producer, screenwriter and actor known for his innovative music videos from the 1990s to today. His breakthrough music video for the Beastie Boys' "Sabotage" earned him four MTV Video Music Awards. Some of his most famous music videos include "Praise You" by Fatboy Slim, in which Jonze starred under a pseudonym and won additional awards, and "Da Funk" by Daft Punk, which features an anthropomorphic dog character in New York City.
Media presentation
The document discusses research done for a music video project, including analyzing other music videos, conducting audience surveys, and researching artists. It outlines the group's final idea for their music video, which will be a gloomy interpretation of the song suited to its mood. They have chosen locations like a stage and subway to create a sense of feeling trapped. Props and lighting will be used symbolically without being too literal.
History of the music video
Music videos originated in the 1920s as short musical films called "talkies" containing animated performances. Standalone promotional music videos emerged in the 1960s, with one of the first being Bob Dylan's "Subterranean Homesick Blues" featuring him shuffling through song lyrics on cue cards. Modern music videos like Justin Bieber's "Baby" contain special effects, choreography, and illustrate the song, showing how the format has evolved significantly from early experimental videos like Bessie Smith's "St. Louis Blues" in black and white or Queen's simple 1975 performance video for "Bohemian Rhapsody" to become a major part of the music industry.
The History of Medium
- The Beatles created some of the earliest music videos in the 1960s to promote their songs on television, before the term "music video" existed.
- In the 1970s, Queen created one of the first true music videos for their song "Bohemian Rhapsody" when they were unable to perform on Top of the Pops.
- MTV launched in 1981 playing music videos 24/7 and helped propel many artists like Madonna and Duran Duran to fame.
- Michael Jackson's groundbreaking "Thriller" video from 1983 with its high production values set a new standard for what a big budget music video could be.
Group pitch
The document provides details for a group pitch for a music video for the band Dinner and a Suit. It includes background on the band, why they chose the song "Enough", inspiration from other music videos, genre details, casting plans including the lead actor Dylan, planned cinematography including shots and camerawork, editing plans, location plans including a park and a group member's house, and props and costume ideas.
Top music videos and album covers
This document discusses notable music video directors and their works, as well as analyzing some iconic music videos and album covers. It highlights Spike Jonze as a pioneering director, known for innovative videos for artists like Bjork and Daft Punk. Jake Nava is also recognized for Beyonce's groundbreaking "Single Ladies" video. Individual videos like Bjork's "Its Oh So Quiet" and Daft Punk's "Da Funk" are examined for their unique visual styles. Michael Jackson's "Dangerous" album cover design is analyzed for its strategic use of size and placement of elements.
Director
Spike Jonze is known for directing music videos in a variety of different styles and genres. Some of his most notable music videos include ones for Daft Punk, Bjork, and Unkle. The Daft Punk video tells a narrative to accompany the instrumental song. The Bjork video has a fantasy theme fitting the song. The Unkle video features skateboarding, a personal hobby of the director. Spike Jonze is also known for his playful and iconic music videos for Fatboy Slim, particularly "Praise You" where Jonze is the lead dancer.
Media studies evaluation
The document summarizes feedback received from an audience survey about music video preferences. The survey found that the target audience is mainly male between 16-19 years old who listen to alternative and rock music. They prefer music videos that are the same length as the song and incorporate a storyline and elements of live performance. The feedback informed design choices for the student's music video project, such as telling the story from a male perspective and including a narrative and band performance.
Shot count Task
The document analyzes the music video for the song "Motorcycle Emptiness" by the band Manic Street Preachers. It discusses that the video was filmed illegally in Japan without permission and contains 88 shots over its 5 minute and 13 second runtime. Most shots are close-ups of the band members or use overlays and fades to transition between scenes. While the lyrics have a pessimistic tone about societal expectations, the visuals of the video are bright and positive. The video was likely filmed in Japan to appeal to their large fanbase there and represents the band's outsider status among younger people.
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Question 4 updated
Shannon Nash used various new media technologies during the research, planning, construction, and evaluation stages of her music video project. During research, she used Spotify, iTunes, Pinterest, Twitter, Instagram, and WhatsApp to find inspiration, create branding, share ideas with her group, and keep plans organized. For construction, she used a Canon camera, lighting equipment, and Final Cut Pro editing software. She created promotional materials like a digipak using Adobe Photoshop. For evaluation, she utilized surveys and social media platforms like Facebook, Instagram, and Twitter to engage audiences and gather feedback.
Question 3
The group used Facebook, Twitter, and Instagram to promote their media products and gain audience feedback on aspects of filming like lighting, camera angles, and costumes. Instagram helped the most by allowing short video and photo snippets to document the filming process from start to finish. Questionnaires determined the target age range and genre preferences, and further feedback shaped the storyboard and plans. Gaining audience input in this way benefited the video and will influence future work the group creates.
Question 4
The document discusses how new media technologies were used at different stages of creating a music video project. In the research and planning stage, digital tools like Spotify, iTunes, Pinterest, WhatsApp, and OneNote were used to find inspiration, collaborate with others, and organize ideas. During construction, equipment like the Canon XA25 camera, lighting, and Final Cut Pro editing software were utilized. Photoshop was used to design magazine ads and a digipak template. Evaluation involved using social media and surveys to engage audiences and gather feedback.
Magazine advert
The document analyzes Rihanna's magazine advertisement for her album, highlighting several key aspects:
1) The dark colors show a more edgy side to Rihanna compared to her usual bright, poppy image.
2) The font and minimal text focus attention on Rihanna's image to depict her choosing music over superficial image while appealing to different audiences.
3) Features like the parental advisory label and songs titled "Russian Roulette" signal a darker, more mature tone compared to her previous work aimed at younger audiences.
Question 3
1. The group used multiple social media platforms like Facebook, Twitter, and Instagram to promote their media products and get audience feedback on aspects of filming like lighting, camera angles, and costumes.
2. Instagram helped the most by allowing them to show both videos and photos from beginning to end of filming and receive feedback, while Twitter was least successful.
3. The group also distributed paper questionnaires to learn more about the target audience's preferences for genres, songs, and what they wanted included in the music video, which helped shape the storyboard and filming plans.
Women in music videos
The document discusses the portrayal of women in various media over time. It argues that women have traditionally been portrayed as sexual objects meant to appeal to a male audience. While some modern portrayals show women gaining independence from men, other media still relies on displaying women in revealing or sexualized ways in order to seem "popular" or sell products, showing how engrained these perspectives remain. The document analyzes several music videos to illustrate its points about both traditional and evolving portrayals of women.
Initial song ideas
This document lists potential song ideas for a setlist, including "The Power of Love" by Gabrielle Aplin, "Back to Black" by Amy Winehouse, "What Now" by Rihanna, "Ex's and Oh's" by Elle King, "Let It Go" by James Bay, "These Boots" by Nancy Sinatra, "Wildest Dreams" by Taylor Swift, and "Going to the Chapel" by The Dixie Cups.
Research into lyrics
This song analyzes past relationships and suggests the singer is in control. She had a boy who she turned into a man and taught things to sexually. Now exes curse her name but still want attention. She finds new lovers in California and the UK to make exes jealous. The exes will come running back to her because she is the best lover they'll ever have, though the relationships never last. The exes haunt her like ghosts from past relationships.
Thinking of you
Katy Perry's music video for "Thinking of You" challenges pop music conventions by setting the song during the 1940s and incorporating themes of loss from World War II. Though a typical pop love ballad, the video depicts the singer mourning her husband after he is killed in war through scenes of her preparing for his funeral. Stylistic choices like the singer's dark clothing and a low-cut top sexualize 1940s fashion. Through cross-cutting, the video alternates between the singer's present at the funeral and flashbacks of her time with her husband before and during the war. There are also similarities to shots from the film "Dear John," possibly to promote one through the other.
Hall of frame by the script
This document provides an analysis of the music video for the song "Hall of Fame" by The Script featuring Will.i.am. It summarizes that the video tells two parallel stories - of a young ballet dancer pursuing her career and overcoming challenges, and of the band promoting a message of self-acceptance. Dark colors are used unconventionally for a pop video to make the characters seem powerful as they face adversity. Fast editing reflects the active lives and struggles of the two protagonists, while slower shots of the performing artists allow viewers to recognize them.
Twitter and facebook
This document contains links to two social media profiles, one for a Facebook page called "a2musicvideo" and another for a Twitter profile. The Facebook page appears to promote music videos for the city of Ann Arbor, Michigan. The Twitter profile link does not contain any additional identifying information.
Young and beautiful
The document analyzes different elements of editing, lighting, and costumes in Lana Del Rey's music video for "Young and Beautiful". It notes that the editing uses on-beat cuts to emphasize certain lyrics. Slow pacing is used to suggest she will always have support. Lighting uses low key tones to show mourning of lost beauty but colors represent emotions. Her black dress sets a mournful tone and is viewed under different lights to take on additional meanings.
Media proposal a2
This proposal outlines a music video for the song "Ex's and Oh's" by Elle King. It will tell the story of a woman feeling trapped by her insecurities and past relationships. There will be three locations: a studio for performance shots, a cemetery to represent her past haunting her, and an airport to show her desire to escape her problems by running away. A variety of camera angles, quick editing, and changes between low key, high key, and natural lighting will be used. Props like beer bottles, candles, photos, and a suitcase will help convey the story and message of the song.
Genres
The document discusses different music genres and provides examples of music videos that represent each genre. It covers indie music, which is characterized by low-key, live performance videos. Pop music is described as commonly featuring narratives or stories in its videos. Brit pop is explained as a genre popular in the UK in the 1990s that combined elements of indie music with more popular appeal. Examples of music videos are provided for each genre discussed.
Shooting schedule
The shooting schedule outlines filming locations and dates for a music video from September to November 2015. Key locations included Luton Airport in November to film shots of an airport, Elmers End Graveyard in November to film by a willow tree and older graves, and a booked studio in November to film the opening and establish the main character. The final filming day was scheduled for November 18th to film the character walking in the graveyard and lying down for a birds-eye view shot panning into her eyes.
Audience Profile
- The target audience for the music video is 16-25 year olds of any religion, class, or education level who enjoy pop artists like Sam Smith, Ed Sheeran, and Rihanna.
- Research was conducted through questionnaires and interviews at a sixth form college, public spaces, and universities to understand the audience's interests, aspirations, music preferences, and expectations for a music video.
- Examples of a male and female profile are given that provide details on their demographics, fashion styles, music tastes, social lives, and values to help inform the music video's content and messaging.
Question 7 media
The preliminary task helped the author plan their thriller opening by learning techniques like match on action shots, shot reverse shots, and the 180 degree rule. A match on action shot allows the audience to infer a character's continued movement between clips. A shot reverse shot shows a conversation from two perspectives to appear realistic as long as the eye lines match up. The 180 degree rule ensures shots stay on the same side of an imaginary line to avoid confusing the audience about who is speaking. These techniques were used in the author's preliminary task and will help structure their actual thriller opening sequence.
Batman begins
The mise-en-scene in the opening scene of Batman Begins establishes a sense of calm security through the use of a garden setting surrounded by greenhouses, children playing, and bright lighting. However, this sense of security is disrupted when the lighting dims as the children enter a greenhouse, foreshadowing that something bad may happen. The young actors' everyday clothing contrasts with the grandeur of the mansion setting, confusing expectations. A variety of shots including establishing shots, long shots, and close-ups are used to first create a false sense of security before increasing suspense through the diegetic sounds of children and non-diegetic dramatic music.
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2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
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Spike jonze
- 1. SPIKE JONZE By Shannon Nash
- 2. BIOGRAPHY Spike Jonze is an American producer, screenwriter, director and actor. He is most famous for his collaborations with Fatboy Slim, The Beastie Boys, Bjork and Kanye West. He is co-found of Directors Label with Chris Cunningham and Michel Gondry. Jonze created his first music video in 1992 with the artist Wax, the song was called “Hush”.
- 3. FIRST MUSIC VIDEO In 1992 Jonze teamed up with the rock band Wax to make a music video for their song Hush. In the same year he teamed up with another rock band called Sonic Youth and created the music video for the song “100%”, this song was in dedication to the bands friend Joe Cole who was shot dead in 1991, the music video was co-shot with Tamra Davies, although most of the music video was shot by Jonze whiles he was riding a skateboard showing the relationship between two people. It has never been released how much was spent on this music video but it would be argued that not much was spent as it was all shot from a hand held perspective and didn’t involve that many people.
- 4. SABOTAGE (1994) – THE BEASTIE BOYS In 1994 he shot three music videos for The Beastie Boys. These songs were taken from their fourth studio album “III Communications” the song Sabotage was a parody of a 1970’s crime TV drama, which saw them take on stereotypical roles of policeman and try and save the day. Many people have used this music video in their work as inspiration.
- 5. MUSIC VIDEO ANALYSIS OF SABOTAGE Sabotage They are dressed as stereotypical 70’s cops and this is too allow for the audience to know that they are doing a mock of a TV show through their music video, Jonze had this idea because he thought that it would give the band a different image and entice a different range of audience viewers to see. The band were only popular with audiences that were into indie rock music(the genre they fitted into) and this video launched their second album and kick started their career as mainstream artists
- 6. IT’S ALL SO QUITE-BJORK This was another one of Jonze’s work and was his first ever music video that was like a musical. Bjork was a new artist on the scene and needed to have a music video that would make her well known, instead of going for the stereotypical video of her being in the studio with lots of close up she took a risk by doing as Jonze said and did an over the top musical number as its more applying to the audience she attracted back then.
- 7. ANALYSIS OF IT’S ALL SO QUITE It’s all so quite The video is set in slow motion while she sings each verse and this is to signify that life is a bit boring and slow whiles your at work. However the fast motion comes into action on each chorus and that’s to highlight that she is free and having fun Jonzes had the idea to have people follow what Bjork does and that’s for other who are watching to see that she is popular and has a fan base that entices more people to join. Spike Jonze also thought that it would be a good idea to make her have this huge production because it was the start of her career and would make her have this iconic music video that would go down in history.