Byzantine Art/Design
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The document summarizes Byzantine art and design. It discusses how Byzantine art developed from Roman art which was influenced by ancient Greek art. The Byzantine Empire continued the Roman Empire politically. Byzantine art featured religious and imperial themes. Famous examples include the 12th century Christ Pantocrator mosaic in Hagia Sophia and the more abstract 6th century miniatures in the Rabula Gospel. Byzantine art is divided into early, middle, late, and post-Byzantine periods.
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Byzantine art
The document summarizes Byzantine art from the Byzantine Empire between the 4th and 15th centuries. Some key points:
- Byzantine art was influenced by both classical Roman art and Eastern influences, taking on a more abstract, symbolic style compared to classical naturalism.
- Major art forms included mosaics, like those in Hagia Sophia; illuminated manuscripts; and icons which were venerated religious images.
- Wealth was concentrated in the church and imperial court, who commissioned most large art works on religious and imperial themes.
- Smaller arts like ivory carving and enamel work were also important luxury goods exported throughout Europe and the Mediterranean.
Erasmus+ Cliche Inventory for Byzantine painting
Byzantine painting, also known as iconography, is an ancient artistic tradition from Orthodox Christian countries. It uses symbolic imagery and strict compositional rules to depict religious figures and bridge the natural and spiritual worlds. Key characteristics include portraying saints without smiles or secular expressions on a golden background to represent the transcendental. The art is transmitted through church art schools and influences include ancient Greek, Eastern, Hellenistic, and Greco-Roman styles. While there are no current threats, influences from Western painting techniques could impact the tradition.
Byzantine document
This document discusses the development of Byzantine art from its origins in Roman imperial art. It notes that Byzantine art was influenced by classical Greek and Roman styles but developed its own distinctive "abstract" or symbolic aesthetic over time. Scholars have debated the causes and nature of this shift from naturalism to a more conceptual approach. The document outlines the major periods and genres of Byzantine art, including the proliferation of religious icons and illuminated manuscripts, as well as debates around the use of images during the iconoclastic period.
Erasmus+ Cliche Interview questions Byzantine_painting
The document summarizes an interview with a Byzantine art professor about the evolution and characteristics of Byzantine painting (iconography). It discusses four main stages of evolution: 1) Early Christian art until Emperor Justinian, 2) Justinian to the fall of Constantinople, 3) post-Byzantine until the 1821 revolution, and 4) from 1821 to today. It also describes how Byzantine painting was closely tied to the Orthodox Church for teaching religious concepts, commemorating historical events, and gaining political/financial support from aristocratic sponsors. Key differences from Western painting include Byzantine art being less naturalistic/anthropocentric and aiming to serve as a mediator between viewers and religious figures rather than simply being admired
The renaissance
The document discusses the cultural foundations of the Renaissance by examining influences from ancient times and the medieval period. It describes how Renaissance art was inspired by classical Greek and Roman works that were being rediscovered, featuring realistic human forms focused on subjects like mythology and philosophy. Medieval art that followed the fall of Rome incorporated Christian traditions and differed in style, as seen in the Bayeaux Tapestry, bas reliefs, and Gothic cathedrals. Examples of Renaissance artworks then show a revival of realism and classical subjects influenced by newly discovered ancient works.
7 Byzantine Art
Byzantine art is the artistic products of the Eastern Roman Empire and other Eastern Orthodox states that culturally inherited from the empire. Several states, while not part of the Byzantine Empire, were still culturally influenced by it, including Bulgaria, Serbia, and Kievan Rus. Certain artistic traditions originating in the Byzantine Empire in icon painting and church architecture have been maintained in Eastern Orthodox countries to the present day.
Roman&byzantine art and achitecture
Byzantine art and architecture achieved unprecedented levels in mosaic decoration by following an established hierarchy where the dome depicted Jesus as ruler of the universe and other figures occupied lower spaces based on importance. Icon painting usually used encaustic technique to preserve prototypes for religious images. Architecturally, Byzantine buildings were influenced by Roman achievements and included monumental structures like Hagia Sophia and the octagonal San Vitale church.
m
Medieval art consisted of Christian mosaics and stained glass windows depicting Jesus and other religious figures found in churches. Byzantine art, which was conservative for religious and cultural reasons, was also popular during the Middle Ages and the Byzantine Empire produced high quality religious art and artwork.
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Byzantine art
The document summarizes Byzantine art from the Byzantine Empire between the 4th and 15th centuries. Some key points:
- Byzantine art was influenced by both classical Roman art and Eastern influences, taking on a more abstract, symbolic style compared to classical naturalism.
- Major art forms included mosaics, like those in Hagia Sophia; illuminated manuscripts; and icons which were venerated religious images.
- Wealth was concentrated in the church and imperial court, who commissioned most large art works on religious and imperial themes.
- Smaller arts like ivory carving and enamel work were also important luxury goods exported throughout Europe and the Mediterranean.
Erasmus+ Cliche Inventory for Byzantine painting
Byzantine painting, also known as iconography, is an ancient artistic tradition from Orthodox Christian countries. It uses symbolic imagery and strict compositional rules to depict religious figures and bridge the natural and spiritual worlds. Key characteristics include portraying saints without smiles or secular expressions on a golden background to represent the transcendental. The art is transmitted through church art schools and influences include ancient Greek, Eastern, Hellenistic, and Greco-Roman styles. While there are no current threats, influences from Western painting techniques could impact the tradition.
Byzantine document
This document discusses the development of Byzantine art from its origins in Roman imperial art. It notes that Byzantine art was influenced by classical Greek and Roman styles but developed its own distinctive "abstract" or symbolic aesthetic over time. Scholars have debated the causes and nature of this shift from naturalism to a more conceptual approach. The document outlines the major periods and genres of Byzantine art, including the proliferation of religious icons and illuminated manuscripts, as well as debates around the use of images during the iconoclastic period.
Erasmus+ Cliche Interview questions Byzantine_painting
The document summarizes an interview with a Byzantine art professor about the evolution and characteristics of Byzantine painting (iconography). It discusses four main stages of evolution: 1) Early Christian art until Emperor Justinian, 2) Justinian to the fall of Constantinople, 3) post-Byzantine until the 1821 revolution, and 4) from 1821 to today. It also describes how Byzantine painting was closely tied to the Orthodox Church for teaching religious concepts, commemorating historical events, and gaining political/financial support from aristocratic sponsors. Key differences from Western painting include Byzantine art being less naturalistic/anthropocentric and aiming to serve as a mediator between viewers and religious figures rather than simply being admired
The renaissance
The document discusses the cultural foundations of the Renaissance by examining influences from ancient times and the medieval period. It describes how Renaissance art was inspired by classical Greek and Roman works that were being rediscovered, featuring realistic human forms focused on subjects like mythology and philosophy. Medieval art that followed the fall of Rome incorporated Christian traditions and differed in style, as seen in the Bayeaux Tapestry, bas reliefs, and Gothic cathedrals. Examples of Renaissance artworks then show a revival of realism and classical subjects influenced by newly discovered ancient works.
7 Byzantine Art
Byzantine art is the artistic products of the Eastern Roman Empire and other Eastern Orthodox states that culturally inherited from the empire. Several states, while not part of the Byzantine Empire, were still culturally influenced by it, including Bulgaria, Serbia, and Kievan Rus. Certain artistic traditions originating in the Byzantine Empire in icon painting and church architecture have been maintained in Eastern Orthodox countries to the present day.
Roman&byzantine art and achitecture
Byzantine art and architecture achieved unprecedented levels in mosaic decoration by following an established hierarchy where the dome depicted Jesus as ruler of the universe and other figures occupied lower spaces based on importance. Icon painting usually used encaustic technique to preserve prototypes for religious images. Architecturally, Byzantine buildings were influenced by Roman achievements and included monumental structures like Hagia Sophia and the octagonal San Vitale church.
m
Medieval art consisted of Christian mosaics and stained glass windows depicting Jesus and other religious figures found in churches. Byzantine art, which was conservative for religious and cultural reasons, was also popular during the Middle Ages and the Byzantine Empire produced high quality religious art and artwork.
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In 330 AD, Constantine the Great moved the Roman capital from Rome to Byzantium, renaming the city Constantinople. This established the Byzantine Empire, with Constantinople as its center, that lasted until the fall of the city to the Ottoman Turks in 1453. Byzantine art was created primarily for the Eastern Orthodox Church, and included mosaics, frescoes, and sculptures that decorated church interiors. Notable artistic works included the Hagia Sophia with its massive central dome and glittering mosaics that created an otherworldly atmosphere for worshippers. Byzantine architecture and art had a profound influence on neighboring cultures like the Arab world.
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Gothic sculpture and painting used stone and wood as materials and featured religious reliefs on church façades and columns depicting themes from the Bible like Christ and the Virgin Mary. While initially stylized, Gothic figures in sculpture and painting became more realistic over time and expanded from solely religious themes to also portray daily life and portraits.
Renaissance: Compare 2 Rennaissance paintings by K Pantiska
The document compares and contrasts two Renaissance paintings: The Adoration of the Magi by Leonardo da Vinci and The Last Communion of St. Jerome by Sandro Botticelli. Both paintings were created in the late 15th century in Italy. The Adoration of the Magi depicts the biblical scene of the three wise men visiting baby Jesus, while The Last Communion of St. Jerome shows the deathbed scene of the saint. The document analyzes the form, subject matter, content, and historical context of each painting.
Domenikos Theotokopoulos before El Greco
1. Domenikos Theotokopoulos, later known as El Greco, was born in 1540 in Crete and came from a middle-class family background.
2. As a well-respected artist in Crete, it would have been difficult for Theotokopoulos to pursue his intellectual and artistic ambitions on the island due to its small client circle and narrow painting tradition.
3. In the late 1560s, Theotokopoulos departed Crete, never to return, in order to advance his career and unique style of work, which combined Byzantine and Western artistic traditions.
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The document summarizes Romanesque art from 1000-1200 AD and provides context for its origins and decline after the fall of Rome. It describes typical Romanesque architectural structures like churches, castles, and monasteries. It then highlights some notable Romanesque artworks including sculptures from cathedrals and metalworks. Gothic art developed in France out of Romanesque art in the mid-12th century, spreading to other media. Key Gothic artworks included sculptures from Chartres Cathedral and frescoes by Simone Martini.
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In 330 AD, Constantine the Great moved the capital of the Roman Empire from Rome to Byzantium, renaming the city Constantinople. The Byzantine Empire lasted until the fall of Constantinople in 1453, influencing art and architecture throughout its territory. Byzantine art was primarily religious in nature, focused on glorifying Christianity through mosaics, frescoes, ivories, and architecture in churches. Key works included the Hagia Sophia, San Vitale, and the mosaics and frescoes of the Vladimir Virgin and Lamentation of Christ. Byzantine architecture used domes and Greek crosses and inspired later Islamic structures like the Alhambra and Great Mosque of Cordoba.
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The Renaissance was a cultural movement that began in Italy in the 14th century and spread throughout Europe by the 16th century. It profoundly impacted literature, philosophy, art, music, politics, science, and other aspects of intellectual inquiry. Renaissance scholars studied classical Latin and Greek texts that had been lost in Western Europe, helping to revive interest in antiquity. The humanist method of study emphasized realism and human emotion. Florence, Italy was a center of the Renaissance, home to influential artists like Giotto and Botticelli.
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The Renaissance began in 14th century Italy as a period that saw a rebirth of interest in classical learning and humanist ideas. Key developments included new concepts like humanism which emphasized human potential and abilities, as well as a return to studying ancient Greek and Roman art. Major patrons like the Medici family in Florence helped fund developments in many areas including art, where techniques like linear perspective and studying anatomy led to more realistic depictions. Renaissance art, architecture, music, literature and more all saw a shift toward naturalism and humanism as defining characteristics of the period.
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Romanesque art developed in Western Europe between the 11th and 12th centuries, influenced by earlier Roman architectural styles. It was used primarily for religious purposes to spread Christianity and bring people closer to God. The most common buildings constructed in the Romanesque style were churches, cathedrals, and monasteries, featuring thick stone walls, small windows, rounded arches, and barrel vaults. Sculptures and paintings adorning these buildings conveyed religious narratives and symbols to educate believers.
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Rusticated stone, with an uneven raised surface, was used on buildings during the Renaissance in contrast with smooth surfaces. Heavier rustication was used on lower floors, becoming lighter on upper floors. During the Early Renaissance, artwork became more realistic as depictions of religious figures looked more human. In the High Renaissance, ideal beauty in art was important. The open-mindedness of the Renaissance led people to challenge the Catholic Church and forms of Protestantism emerged. The Renaissance began in Florence, a financial center where wealthy merchant families like the Medicis gained power through trade.
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Gothic style originated in France in the 12th century and spread across Europe. It gradually replaced Romanesque style over several years as Gothic cathedrals and buildings were constructed. Gothic architecture used pointed arches, ribbed vaulting, flying buttresses, and large windows to allow more light inside. Decorative elements like stained glass, sculptures, and gargoyles adorned the exteriors and interiors. Gothic art saw a shift to more realistic and expressive figures in sculptures and paintings.
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The document summarizes key aspects and events of the Renaissance period in Europe, including:
- The Renaissance began as a revival of interest in ancient Greek and Roman culture and emphasized human achievements over religious doctrine.
- Important developments included the fall of Constantinople spreading learning, the printing press allowing widespread knowledge sharing, and advances in science, medicine, and technology.
- The Protestant Reformation challenged the authority of the Catholic Church and led to new religious movements like Lutheranism.
- Renaissance art, literature, architecture, and other cultural works embraced realism and humanity rather than religious themes. Major artists, writers, and thinkers advanced new styles and ideas.
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The Renaissance and Reformation periods had both similarities and differences in their artistic styles. During the Renaissance, art was grandiose in scale and focused on religious subjects, as most Europeans were Catholic and art was commissioned by the church. In contrast, Reformation art emphasized simplicity and modesty, as Protestants rejected ornate religious art. Landscapes and scenes of everyday life became popular instead of religious imagery, as iconoclasm increased. Ultimately, the two periods influenced each other as new attitudes and questioning of the Catholic Church emerged during the Reformation.
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The document summarizes key aspects of the Renaissance period in Europe from the 14th to 17th centuries. It describes the Renaissance as a period of cultural transition between the Middle Ages and modern history, originating in Italy in the late medieval era. Some of the major changes included a new emphasis on humanism and human-centered perspectives, developments in art and perspective, educational reforms, and increased reliance on observation and evidence in science. The document outlines innovations in many domains including art, religion, science, music, and the emergence of self-awareness about defining historical periods.
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The document provides a brief history of art styles from ancient Egypt through Cubism. It notes key characteristics of each style such as Egyptian art featuring two-dimensional bodies with stylized proportions. Ancient Greek art emphasized weight shift and curved lines while Ancient Roman art promoted power and realistic depictions. Medieval art was influenced by Christianity and transitioned from two-dimensional to three-dimensional paintings. The Renaissance featured apostles depicted as real people and developed linear perspective. Baroque art emphasized light, shadow, and theatrical effects. Neoclassicism drew inspiration from ancient Greek and Roman styles. Romantic art aimed to evoke feelings through heightened drama. Impressionism used short, thick brushstrokes and emphasized natural light. Post-Impression
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During this period from 1000-1500 AD:
- A reform movement arose in the Church and there was a revival of monastic life as Church leaders sought to assert independence from secular societies.
- Towns and cities grew as cathedral schools and some of the first universities were established to meet educational needs.
- Great Gothic cathedrals were constructed using advances in architecture and engineering.
- New religious orders like the Dominicans and Franciscans were founded in the 13th century to spread the gospel in growing cities.
- The Black Death plague struck Europe repeatedly in the 14th century, killing many clergy and laity.
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The document discusses icons and iconoclasm in the Byzantine Empire between 500-1425 CE. Icons were two-dimensional images venerated by the Eastern Orthodox Church that depicted holy persons or events. They played an important role in Byzantine worship. However, some objected to icons as idolatrous, leading to periods of iconoclasm where icons were destroyed. Arguments for and against icons centered around whether they promoted idolatry or aided in worship.
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The document provides an overview of early Christian and Byzantine art from the 4th century to the 10th century. It discusses how art shifted from realistic styles to focus more on religious symbolism and narratives after the fall of the Western Roman Empire. It also describes the two main church building plans - the basilica and central plans. Key artistic works are highlighted from the Early Christian period in Rome and the Byzantine period in Constantinople under Emperor Justinian, including illuminated manuscripts and icon paintings.
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2015 Upload Campaigns Calendar - SlideShare
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In 330 AD, Constantine the Great moved the Roman capital from Rome to Byzantium, renaming the city Constantinople. This established the Byzantine Empire, with Constantinople as its center, that lasted until the fall of the city to the Ottoman Turks in 1453. Byzantine art was created primarily for the Eastern Orthodox Church, and included mosaics, frescoes, and sculptures that decorated church interiors. Notable artistic works included the Hagia Sophia with its massive central dome and glittering mosaics that created an otherworldly atmosphere for worshippers. Byzantine architecture and art had a profound influence on neighboring cultures like the Arab world.
Gothic sculpture painting 2º ESO IES Cervantes Madrid
Gothic sculpture and painting used stone and wood as materials and featured religious reliefs on church façades and columns depicting themes from the Bible like Christ and the Virgin Mary. While initially stylized, Gothic figures in sculpture and painting became more realistic over time and expanded from solely religious themes to also portray daily life and portraits.
Renaissance: Compare 2 Rennaissance paintings by K Pantiska
The document compares and contrasts two Renaissance paintings: The Adoration of the Magi by Leonardo da Vinci and The Last Communion of St. Jerome by Sandro Botticelli. Both paintings were created in the late 15th century in Italy. The Adoration of the Magi depicts the biblical scene of the three wise men visiting baby Jesus, while The Last Communion of St. Jerome shows the deathbed scene of the saint. The document analyzes the form, subject matter, content, and historical context of each painting.
Domenikos Theotokopoulos before El Greco
1. Domenikos Theotokopoulos, later known as El Greco, was born in 1540 in Crete and came from a middle-class family background.
2. As a well-respected artist in Crete, it would have been difficult for Theotokopoulos to pursue his intellectual and artistic ambitions on the island due to its small client circle and narrow painting tradition.
3. In the late 1560s, Theotokopoulos departed Crete, never to return, in order to advance his career and unique style of work, which combined Byzantine and Western artistic traditions.
Romanesque Art and Gothic Art
The document summarizes Romanesque art from 1000-1200 AD and provides context for its origins and decline after the fall of Rome. It describes typical Romanesque architectural structures like churches, castles, and monasteries. It then highlights some notable Romanesque artworks including sculptures from cathedrals and metalworks. Gothic art developed in France out of Romanesque art in the mid-12th century, spreading to other media. Key Gothic artworks included sculptures from Chartres Cathedral and frescoes by Simone Martini.
Jennifer (humanities)
In 330 AD, Constantine the Great moved the capital of the Roman Empire from Rome to Byzantium, renaming the city Constantinople. The Byzantine Empire lasted until the fall of Constantinople in 1453, influencing art and architecture throughout its territory. Byzantine art was primarily religious in nature, focused on glorifying Christianity through mosaics, frescoes, ivories, and architecture in churches. Key works included the Hagia Sophia, San Vitale, and the mosaics and frescoes of the Vladimir Virgin and Lamentation of Christ. Byzantine architecture used domes and Greek crosses and inspired later Islamic structures like the Alhambra and Great Mosque of Cordoba.
Pg9 10 renaissance
The Renaissance was a cultural movement that began in Italy in the 14th century and spread throughout Europe by the 16th century. It profoundly impacted literature, philosophy, art, music, politics, science, and other aspects of intellectual inquiry. Renaissance scholars studied classical Latin and Greek texts that had been lost in Western Europe, helping to revive interest in antiquity. The humanist method of study emphasized realism and human emotion. Florence, Italy was a center of the Renaissance, home to influential artists like Giotto and Botticelli.
Renaissance by aikaterina kiousi
The Renaissance began in 14th century Italy as a period that saw a rebirth of interest in classical learning and humanist ideas. Key developments included new concepts like humanism which emphasized human potential and abilities, as well as a return to studying ancient Greek and Roman art. Major patrons like the Medici family in Florence helped fund developments in many areas including art, where techniques like linear perspective and studying anatomy led to more realistic depictions. Renaissance art, architecture, music, literature and more all saw a shift toward naturalism and humanism as defining characteristics of the period.
Romanesque Art
Romanesque art developed in Western Europe between the 11th and 12th centuries, influenced by earlier Roman architectural styles. It was used primarily for religious purposes to spread Christianity and bring people closer to God. The most common buildings constructed in the Romanesque style were churches, cathedrals, and monasteries, featuring thick stone walls, small windows, rounded arches, and barrel vaults. Sculptures and paintings adorning these buildings conveyed religious narratives and symbols to educate believers.
Revisions and additions
Rusticated stone, with an uneven raised surface, was used on buildings during the Renaissance in contrast with smooth surfaces. Heavier rustication was used on lower floors, becoming lighter on upper floors. During the Early Renaissance, artwork became more realistic as depictions of religious figures looked more human. In the High Renaissance, ideal beauty in art was important. The open-mindedness of the Renaissance led people to challenge the Catholic Church and forms of Protestantism emerged. The Renaissance began in Florence, a financial center where wealthy merchant families like the Medicis gained power through trade.
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Gothic style originated in France in the 12th century and spread across Europe. It gradually replaced Romanesque style over several years as Gothic cathedrals and buildings were constructed. Gothic architecture used pointed arches, ribbed vaulting, flying buttresses, and large windows to allow more light inside. Decorative elements like stained glass, sculptures, and gargoyles adorned the exteriors and interiors. Gothic art saw a shift to more realistic and expressive figures in sculptures and paintings.
RENAISSANCE COMPLETE PRESENTATION
The document summarizes key aspects and events of the Renaissance period in Europe, including:
- The Renaissance began as a revival of interest in ancient Greek and Roman culture and emphasized human achievements over religious doctrine.
- Important developments included the fall of Constantinople spreading learning, the printing press allowing widespread knowledge sharing, and advances in science, medicine, and technology.
- The Protestant Reformation challenged the authority of the Catholic Church and led to new religious movements like Lutheranism.
- Renaissance art, literature, architecture, and other cultural works embraced realism and humanity rather than religious themes. Major artists, writers, and thinkers advanced new styles and ideas.
Final pres.
The Renaissance and Reformation periods had both similarities and differences in their artistic styles. During the Renaissance, art was grandiose in scale and focused on religious subjects, as most Europeans were Catholic and art was commissioned by the church. In contrast, Reformation art emphasized simplicity and modesty, as Protestants rejected ornate religious art. Landscapes and scenes of everyday life became popular instead of religious imagery, as iconoclasm increased. Ultimately, the two periods influenced each other as new attitudes and questioning of the Catholic Church emerged during the Reformation.
Renaissance art
The document summarizes key aspects of the Renaissance period in Europe from the 14th to 17th centuries. It describes the Renaissance as a period of cultural transition between the Middle Ages and modern history, originating in Italy in the late medieval era. Some of the major changes included a new emphasis on humanism and human-centered perspectives, developments in art and perspective, educational reforms, and increased reliance on observation and evidence in science. The document outlines innovations in many domains including art, religion, science, music, and the emergence of self-awareness about defining historical periods.
History of art
The document provides a brief history of art styles from ancient Egypt through Cubism. It notes key characteristics of each style such as Egyptian art featuring two-dimensional bodies with stylized proportions. Ancient Greek art emphasized weight shift and curved lines while Ancient Roman art promoted power and realistic depictions. Medieval art was influenced by Christianity and transitioned from two-dimensional to three-dimensional paintings. The Renaissance featured apostles depicted as real people and developed linear perspective. Baroque art emphasized light, shadow, and theatrical effects. Neoclassicism drew inspiration from ancient Greek and Roman styles. Romantic art aimed to evoke feelings through heightened drama. Impressionism used short, thick brushstrokes and emphasized natural light. Post-Impression
Church history 1000 1500
During this period from 1000-1500 AD:
- A reform movement arose in the Church and there was a revival of monastic life as Church leaders sought to assert independence from secular societies.
- Towns and cities grew as cathedral schools and some of the first universities were established to meet educational needs.
- Great Gothic cathedrals were constructed using advances in architecture and engineering.
- New religious orders like the Dominicans and Franciscans were founded in the 13th century to spread the gospel in growing cities.
- The Black Death plague struck Europe repeatedly in the 14th century, killing many clergy and laity.
Art, architecture and design of greek
Greek art began in early civilizations and was influenced by Eastern and Roman cultures. It included five main forms: architecture, sculpture, painting, pottery, and jewelry making. In particular, Greek sculpture and architecture had immense influence worldwide and are still seen as producing masterpieces during the classical period. Famous Greek architectural structures like the Parthenon exemplified common structures of temples with columns, entablatures, and pediments.
Powerpoint 3 c
The Renaissance was a period of rediscovery and rebirth of classical art, knowledge, and values that began in the 14th century. This led to an explosion of creativity, learning, and reform across Europe as advancements like the printing press spread new ideas. Music shifted from being centered around the Catholic Church to also being performed for royal courts and private patrons. Composers gained more prestige and independence during this time as prominent musical centers emerged in Italy, Germany, England, and Spain.
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Gothic sculpture painting 2º ESO IES Cervantes Madrid
Gothic sculpture painting 2º ESO IES Cervantes Madrid
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Renaissance: Compare 2 Rennaissance paintings by K Pantiska
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Icons upload
The document discusses icons and iconoclasm in the Byzantine Empire between 500-1425 CE. Icons were two-dimensional images venerated by the Eastern Orthodox Church that depicted holy persons or events. They played an important role in Byzantine worship. However, some objected to icons as idolatrous, leading to periods of iconoclasm where icons were destroyed. Arguments for and against icons centered around whether they promoted idolatry or aided in worship.
Art1204 early christian & byzantine art
The document provides an overview of early Christian and Byzantine art from the 4th century to the 10th century. It discusses how art shifted from realistic styles to focus more on religious symbolism and narratives after the fall of the Western Roman Empire. It also describes the two main church building plans - the basilica and central plans. Key artistic works are highlighted from the Early Christian period in Rome and the Byzantine period in Constantinople under Emperor Justinian, including illuminated manuscripts and icon paintings.
State of the Word 2011
The document discusses the benefits of exercise for both physical and mental health. It notes that regular exercise can reduce the risk of diseases like heart disease and diabetes, improve mood, and reduce feelings of stress and anxiety. The document recommends that adults get at least 150 minutes of moderate exercise or 75 minutes of vigorous exercise per week to gain these benefits.
2015 Upload Campaigns Calendar - SlideShare
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Similar to Byzantine Art/Design
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Byzantine art developed in the Byzantine Empire centered in Constantinople from the 4th century AD until the fall of Constantinople in 1453. It was focused on creating religious icons and decorating churches. Stylistically, Byzantine art was less focused on naturalism and more interested in mystical spiritual themes depicted through flat, two-dimensional figures. The three periods of Byzantine art - Early, Middle, and Late - saw the development and spread of distinctive architectural and artistic styles through the Byzantine Empire and areas under its cultural influence like Kievan Rus and Russia.
Byzantine art
Byzantine art developed from Roman imperial art and never lost its classical influences. It is divided into four periods: Early, Middle (High), Period of Latin Occupation, and Late. During the Early period, Constantine built up Constantinople as the new capital and decorated it with statues and forums. Ivory carving and silver plates were also important art forms. Under Justinian I's rule, many churches were built or renovated in Constantinople and elsewhere. Mosaic art flourished beginning in the 4th century. In the 7th century crisis, art was produced outside the capital, including rebuilt churches. Veneration of icons not made by humans became significant. As the military situation improved in the 9
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Christian art developed from biblical stories and imagery found in the New Testament gospels and book of Revelation. Early Christian art was created in underground catacombs. Byzantine art extended the Roman empire's eastern portion and was influenced by Orthodox Christianity, featuring flat, floating figures in frontal orientation with gold backgrounds instead of depth or realism. Justinian I's rule in the 6th century typified the early Byzantine era, suppressing all religions but Christianity and reclaiming western Roman lands. Icons were used devotionally but were banned in iconoclasm; abstraction replaced figural art until icons were restored in 843. Manuscripts and objects like the Vienna Genesis and protective icons like the Virgin of Vladimir displayed the
Medieval arts
The document provides an overview of medieval arts including Byzantine art, Romanesque art, and Gothic art from approximately the 4th century to the 15th century. Some key points:
- Byzantine art developed in Constantinople following the split of the Roman Empire, combining Greek, Roman, and early Christian influences. It featured mosaics, icons, and religious imagery that spread throughout the Byzantine Empire.
- Romanesque art spanned from around 1000AD to the rise of Gothic in the 13th century. It combined Roman architectural styles with influences from insular art and Byzantine painting. Common subjects were Christ in Majesty and scenes from the Bible.
- Gothic art originated in northern France in the
Art Appreciation Topic III: Late Antiquity and the Middle Ages
Late Antiquity and the Middle Ages saw the emergence of early Christian art between 300-1450 AD. Artworks were initially hidden away due to Roman persecution of Christians. The Good Shepherd became a favored theme in paintings and mosaics seen in the Catacombs of Rome. Byzantine art influenced by Greek and Near Eastern cultures flourished in Constantinople after 330 AD. Religious icons transmitted Byzantine influence abroad and were strictly controlled in appearance. Romanesque and Gothic styles dominated architecture and art in Western Europe after 1000 AD, expressing new confidence with ambitious building projects.
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The document summarizes Byzantine art from 500-1453 AD. It notes that Byzantine art combined elements of classical Roman art with Christian themes. Mosaics, icons, and illuminated manuscripts were especially prominent art forms. Architects also developed new techniques like the pendentive and squinch to support domes over square spaces. The period saw controversies over the use of religious icons before they were fully embraced. Art served to visually express church theology in an abstract, symbolic style rather than realistic depiction.
Art appreciation
This document provides an overview of several major art movements throughout history, including Medieval art, Gothic art, Renaissance art, Baroque art, Realism art, and Abstract art. For each movement, it discusses the key characteristics and developments. Medieval art encompassed a vast scope over 1000 years and included major styles like Byzantine, Romanesque, and Gothic. Gothic art originated in France and spread stylistic changes seen first in architecture to other media like sculpture and painting. The Renaissance saw a rebirth of classical antiquity traditions and developments that spread across Europe. Baroque art used exaggerated motion and detail to produce drama in areas like sculpture, painting, and architecture. Realism rejected romanticism to portray everyday life truthfully, while Abstract
Byzantine Art
The document discusses Byzantine art and how it expressed the values of Byzantine culture. Byzantine art was very religious in nature and followed strict conventions for depicting figures like Jesus and Mary. Artworks used symbolic and abstract styles rather than realistic portrayals. The Hagia Sophia church in Constantinople was a major architectural feat and an important center of Byzantine culture until it was converted to a mosque after the Ottoman conquest in 1453.
GUIDE 8 .docx
This document provides an overview of early Christian and Byzantine art from the 3rd century to the 15th century. It begins with a brief history of the division of the Roman Empire into western and eastern halves in the 4th century. Early Christian art developed in the catacombs and other hidden places out of necessity during periods of persecution. Notable examples include frescoes and mosaics incorporating Christian symbolism. The Edict of Milan in 313 marked the beginning of the Period of Recognition, during which large churches like St. Peter's Basilica in Rome were constructed. Byzantine art flourished in the Eastern Roman Empire centered in Constantinople from the 4th to 14th centuries, characterized by stylized realism
Byzantium
The Byzantine civilization developed in the Byzantine Empire from the 4th to 15th centuries AD. Constantinople served as the capital of the Byzantine Empire. The Byzantine civilization made significant contributions across many fields, including philosophy, literature, theology, mathematics, medicine, astronomy, architecture, and the arts. The fall of Constantinople in 1453 marked the end of the Byzantine Empire and civilization.
Gian Lorenzo Bernini Research Paper
Here is a comparison of Michelangelo's David and Bernini's David sculptures:
Michelangelo's David (created 1501-1504) exemplifies Renaissance ideals of idealized human form and proportions. Carved from a single block of marble, David is depicted as a perfectly symmetrical nude figure, emphasizing mathematical order and geometry.
In contrast, Bernini's David (created 1623-1624) represents the Baroque style's preference for dramatic movement and emotion. Rather than idealized form, Bernini depicted the biblical moment before David's battle with Goliath. His David has an arched back and leaning stance, capturing the youth's anticipation. Bernini also used multiple pieces of marble rather than a single block
1 early christian art
Early Christian art developed from Roman art between the 2nd and 7th centuries AD. It was produced for the early undivided Christian church. Notable features include paintings and symbols used in the underground Roman catacombs where Christians buried their dead. Common symbols included the Good Shepherd, the orante (praying figure), the Chi-Rho monogram of Christ, and the fish, which were used to represent Christian ideas covertly in the early persecuted church. After Christianity was legalized, Christian art incorporated these symbols into church art and architecture above ground.
Notes On The Renaissance
The document provides an overview of the Renaissance period in Italy, beginning in the 14th-15th centuries. It discusses key figures like Giotto and Vasari who helped establish a more realistic style of art. It examines the historical causes and cultural influences on the Renaissance, including developments in philosophy, literature, and the growing power of city-states like Florence. The Renaissance is framed as both a revival of classical antiquity as well as a culmination of medieval tendencies, influenced by developments in Christianity. Regional styles are also explored, such as the Byzantine influences in Venice.
Medieval Art
Christianity is a monotheistic religion based on the life and teachings of Jesus Christ. Some key beliefs include belief in God the Father, Jesus as the Son of God, and the Holy Spirit. A major turning point was Constantine's conversion, which ended persecution of Christians and established Christianity in the Roman Empire. Christian art expresses emotions related to the Christian faith through depictions of Bible stories and subjects. Early Christian art included symbolic images in catacombs and representations became more naturalistic over time as styles evolved.
Comparing Gothic Art To Renaissance Art
The document compares and contrasts Gothic and Renaissance art. Gothic art from the 12th-15th centuries focused primarily on Christian religious subjects and imagery. Renaissance art from the 14th-17th centuries expanded subject matter to include secular themes from mythology and portraits of rulers. Gothic architecture emphasized vertical lines and flying buttresses to support large walls and windows for stained glass. Renaissance architecture incorporated more classical Roman styles and circular forms, and placed greater emphasis on figures and naturalism over vertical design.
Artapp
This document provides an overview of major art periods from the Paleolithic era through the Pop Art movement. It describes some of the key characteristics of each period, including the materials and subjects used, as well as influences and styles that emerged and evolved over time. The periods discussed include Paleolithic, Mesolithic, Neolithic, Classical, Medieval, Renaissance, Baroque, Rococo, Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Expressionism, Cubism, Surrealism, and Pop Art.
Art 9 - Byzantine, Romanesque, and Gothic Art
The document summarizes three periods of medieval art: Byzantine art from the Eastern Roman Empire focused on religious and imperial themes as seen in the mosaics of Hagia Sophia; Romanesque art from 1000-1200 AD blended Byzantine, Insular, and classical styles; Gothic art from the 13th century emphasized height and light in churches to symbolize transcendence of the soul.
Cultural Achievments
Gothic architecture was the dominant architectural style in Western Europe during the Middle Ages. Some key features included tall pointed arches, flying buttresses, and large stained glass windows that filled churches with light. This allowed architects to build taller structures that reached toward the heavens. Cathedrals employed innovations like flying buttresses to support towering walls and allow for more light through stained glass, earning them the nickname "Books of Stone."
Mapeh Lesson 3
Medieval art in Europe, the Middle East, and North Africa spanned 1,000 years and included mosaic walls, domes, and fresco paintings adorning churches. Panel paintings were also introduced during this period in church monasteries such as the Monastery of St. Catherine in Sinai. Byzantine art portrayed religious subjects without realistic human proportions through techniques shown in later fresco paintings. Small works like ivory carvings were also popular, especially during the first Golden Age because of their portability. Romanesque art preceded Gothic art and was characterized by formal, non-naturalistic styles seen in wall paintings and sculptures. Gothic art developed from Romanesque art and included illuminated manuscripts, panel paintings, stained
History of Art.pdf
Art in early Christian and medieval times became closely connected to religion and Christianity. It was formed into three categories related to Christianity: tombs, temples, and propaganda. Art in this period was also connected to deep emotions and was constantly changing and evolving. During this time, art served purposes related to rituals and was located in places like caves and burial sites.
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Art Appreciation Topic III: Late Antiquity and the Middle Ages
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Week 13 Post Modernism
Postmodernism emerged in the late 20th century as a departure from modernism in various arts like architecture and literature. It involves skeptical interpretations of culture and history. Postmodern architecture began in the 1950s but truly became a movement in the late 1970s, rejecting the simplicity and uniformity of modernist architecture in favor of incorporating historical elements, color, and symbolism. Some key characteristics of postmodern architecture include the use of non-orthogonal angles, unusual surfaces, references to historical styles, and ambiguity of meaning.
Week 13 Contemporary Art (Deconstructivism)
Deconstructivism began in the late 1980s as a development of postmodern architecture influenced by deconstruction theory. It is characterized by buildings with unpredictable and chaotic visual appearances. A 1988 MoMA exhibition featuring works by Gehry, Libeskind, Koolhaas, Eisenman, Hadid, Coop Himmelblau, and Tschumi brought the movement fame. Deconstructivism was influenced by minimalism, cubism, and analytical cubism through dissecting forms from different perspectives, as well as expressionist movements through non-linear and abstracted structures.
Week 12 Pop Art
Pop art emerged in the mid-1950s in Britain and late 1950s in the US as a reaction to abstract expressionism. It utilized popular imagery from mass culture like advertisements and comic books. The Independent Group in London in 1952 is considered the precursor, exploring popular culture through discussions on topics like advertising and product design. Major American pop artists of the 1960s like Andy Warhol and Roy Lichtenstein used imagery from popular culture through techniques like parody to comment on consumerism and everyday life. Their work employed bright colors and flat imagery inspired by comics and photos.
Week 12 Mid Century Modern Design
Mid-Century Modern Design emerged in the mid-20th century between 1933-1965, drawing influence from the International Style and Bauhaus movements. The style is characterized by clean simplicity and integration with nature. Frank Lloyd Wright was highly influential with his residential architectural designs. Scandinavian design also had a large impact with simplicity, democratic designs, and natural shapes seen in glassware, ceramics, tableware, lighting and furniture from brands like Iittala, Arabia, Georg Jensen, and Poul Henningsen. Printed materials from this era demonstrate the transformations in urban development, architecture and design through the use of offset lithography printers like Curt Teich.
Week 12 abstract expressionism
Abstract Expressionism was a post-World War II art movement developed in New York in the 1940s. It involved expressing oneself purely through form and color, combining emotional intensity with anti-figurative styles. The movement is divided into Action Painting, which stresses physical painting action and broad gestures, and Color Field Painting, which explores the effects of pure color overlapping on huge canvases. Key artists included Jackson Pollock, Willem de Kooning, and Mark Rothko.
Week 9 de stijl
De Stijl was a Dutch artistic movement founded in 1917 that advocated for ultimate simplicity and abstraction in art through the use of horizontal and vertical lines and primary colors. The movement was centered around the journal of the same name published by Theo van Doesburg to propagate the group's theories. Key members included painters Piet Mondrian, Vilmos Huszar, and Bart van der Leck as well as architects Gerrit Rietveld, Robert van 't Hoff, and J.J.P. Oud. De Stijl influenced architectural and design styles like the Bauhaus and International styles through its emphasis on clean lines and geometric forms.
Week 9 bauhaus
Bauhaus was an influential art school in Germany from 1919 to 1933 that combined crafts, fine arts, architecture and design. It aimed to unify art, craft and technology through its curriculum and interdisciplinary approach. The Bauhaus style went on to have a profound impact on modern design, architecture and art education. Key workshops included cabinetmaking, textiles, metalworking and typography, which developed functional prototypes and emphasized clarity, minimalism and mass production.
Always Coffee
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Art Nouveau was an artistic movement between 1890-1910 that influenced decorative art and architecture through elegant organic and geometric designs. Known as "new art" in French, Art Nouveau was a total style that included architecture, graphics, interior design, and more. Artists drew inspiration from both nature and geometry to create flowing yet angular designs. The advent of Art Nouveau stemmed from William Morris and Japanese woodblock prints. Though replaced by modernist styles, Art Nouveau paved the way for modernism.
Week 8 art deco 1920
Art Deco emerged as an influential visual arts style after World War I that combined traditional motifs with modern imagery and materials. It represented luxury, glamour, and faith in social progress. A group of French artists are said to have influenced its principles, which were also inspired by Cubism, Constructivism, and other 'isms'. An important 1925 Paris exhibition featured prominent French artists and designers and focused on the emerging Art Deco movement in France. Additionally, the discovery of King Tut's tomb in 1922 sparked worldwide interest in Egyptian styles, further shaping Art Deco aesthetics through motifs like the ziggurat. Art Deco emphasized geometric forms, symmetrical patterns, and vivid colors, often using modern materials like aluminum and pl
14. art deco in the 1920s
The 1920s saw a period of optimism following World War I. New technologies like radio and skyscrapers emerged during this boom time. Women gained more freedom as flappers and gained the right to vote. An exhibition in Paris in 1925 showcased the emerging Art Deco style, which was influenced by various artistic movements. The discovery of King Tut's tomb in 1922 also sparked interest in Egyptian styles that further influenced Art Deco designs globally.
Week 7 Arts and Crafts Movement
The Arts and Crafts Movement was a design movement that originated in England in the 1860s led by artist and writer William Morris. It emphasized simple forms without excessive decoration and using materials' natural qualities. The movement was a reaction against styles of mass production and a desire to return to handcrafting. It spread across Europe and North America influencing architecture, painting, furniture and other decorative arts with a focus on craftsmanship over machine-made design.
Week 7 19th Century Art
The 19th century saw the rise of several major art movements:
1) Romanticism focused on emotion over rationality and the individual over society through brighter colors and expressive brushwork.
2) Realism sought to represent subjects truthfully and avoid artistic conventions through works depicting ordinary contemporary life.
3) Impressionism originated among Paris-based artists and used vivid colors and real-life subjects to capture fleeting visual impressions.
4) Post-Impressionism extended Impressionism through thicker paint application and greater emphasis on geometric forms and unnatural colors.
Egyptian Art/Design
Ancient Egyptian art flourished between 1000 BCE to 100 AD, achieving high levels of development in painting, sculpture, and architecture. Much of what remains comes from tombs and monuments, emphasizing Egyptian beliefs about the afterlife. Art was highly symbolic and stylized, with symbolism representing the pharaoh's power, gods, and social status depicted through relative scale. Ancient Egyptians created varied art forms across media to preserve their present world and provide for the deceased in the afterlife.
Renaissance Art/Design
The document discusses Renaissance art and design. It began in 14th century Italy as a revival of classical Greco-Roman artistic traditions and values. Early Renaissance artists like Giotto and Masaccio advanced techniques like realistic human representation. By the 15th century, Florence and then Rome became centers of Renaissance art. The High Renaissance period saw masters like Leonardo da Vinci, Michelangelo, and Raphael dominate. They employed techniques like perspective, foreshortening, and chiaroscuro to create more naturalistic works. Renaissance architecture also drew from classical orders and symmetry.
Baroque and Rococo Art/Design
Baroque art emerged in the early 17th century in Rome and spread across Europe. It used dramatic styles in painting, sculpture and architecture to convey religious themes promoted by the Catholic Church against the Protestant Reformation. Rococo art developed in 18th century France as a lighter, more playful reaction to the grandeur of Baroque and Versailles. Rococo emphasized asymmetry, natural forms and intimacy over Baroque's dynamism. While both styles centered around elaborate detail and motion, Baroque was grand and serious in service of Catholicism and royalty, whereas Rococo embraced softness and decorativeness during a more relaxed age.
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Syllabus
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Chapter 2
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Chapter 3
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Chapter 5
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Chapter 6
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Byzantine Art/Design
- 1. Byzantine Art/Design Joyce Teoh Mei Kuan | Diploma in Film & TV The most famous of the surviving Byzantine mosaics of the Hagia Sophia in Constantinople – the image of Christ Pantocrator on the walls of the upper southern gallery. The mosaics were made in the 12th century. Miniatures of the 6th- century Rabula Gospel display the more abstract and symbolic nature of Byzantine art. Byzantine Art/Design Byzantine art was developed out of the art of the Roman Empire, which was itself profoundly influenced by ancient Greek art. Byzantine Empire represented the political continuation of the Roman Empire. Byzantine art never lost sight of this classical heritage. The Byzantine capital, Constantinople, was adorned with a large number of classical sculptures, although they eventually became an object of some puzzlement for its inhabitants. And indeed, the art produced during the Byzantine Empire, although marked by periodic revivals of a classical aesthetic, was above all marked by the development of a new aesthetic. The subject matter of monumental Byzantine art was primarily religious and imperial and these two themes are often combined. These preoccupations are partly a result of the pious and autocratic nature of Byzantine society, and partly a result of its economic structure: the wealth of the empire was concentrated in the hands of the church and the imperial office. However, religious art was not limited to the monumental decoration of church interiors. One of the most important genres of Byzantine art was the icon, an image of Christ, the Virgin, or a saint, used as an object of veneration in Orthodox churches and private homes alike. Another major genre of Byzantine art was the illumincation of manuscripts. The most commonly illustrated texts were religious, both scripture itself and devotional or theological texts. Secular texts were also illuminated. Byzantine art and architecture is divided into four periods by convention: the Early period, the Middle or high period, the Late period and the term post-Byzantine which is then used for later years, whereas Neo-Byzantine is used for art and architecture from the 19th century onwards. Iconism Macedonian Art Casket Hagia Sophia Avar Treasure