Video Game Research
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The document discusses inspiration from the art styles of four games - Hollow Knight, Limbo, Super Street Fighter II Turbo, and Dragon Ball Fighterz. Hollow Knight uses a unique hand-drawn style and expert lighting. Limbo is entirely in shadow. Street Fighter II has a simplistic UI and sprite-based characters. Dragon Ball Fighterz has clean cel-shaded visuals resembling the source manga. Common features across the research include black-and-white palettes and unintrusive UIs. Most discussed aspects will influence the author's project.
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Task 2
Photorealism attempts to create paintings that are nearly indistinguishable from photographs. Many photorealist artists can create works that appear real even after multiple looks. The document cites Tomb Raider as an example of a game that uses photorealism to immerse players in the game world. Cel shading is a graphics technique used in animation and video games to give a cartoon-like appearance. It provides benefits like better frame rates and a non-realistic visual style. Abstraction considers something as a general characteristic apart from specifics, which makes it suitable for simple games. Exaggeration, used in games like Halo 4, enlarges elements to create a more engaging experience and reflect expressionism.
Sabido_H_wk11_Final_Protfolio
A presentation of all the work I've done while attending my Advance Illustration for Production. At the art institute of san Diego Ca
production reflection (interactive)
This document summarizes the processes used to create various assets for a game project, including a game case design, character sprites, menu icons, merchandise designs, and a demo animation. For each asset, the creator describes the steps taken and notes areas that could be improved if more time was available, such as adding more unique details to character sprites or smoothing transitions in the animation.
Evaluation
- The document discusses Cameron Whapples' research, planning, time management, technical qualities, aesthetic qualities, and target audience for a video game project.
- Research involved analyzing Arma 3 for realistic FPS mechanics, Just Cause 3 for its tone and color scheme, and Gunpoint for its pixel art style.
- Planning clarified the art style, color palette for jungle environments, and contingency plans.
- Time was well-managed through organized pre-production, dividing work, and efficient character animation techniques.
- The game shares technical and aesthetic similarities to Arma 3 and Gunpoint while targeting a male audience aged 15-24 through its FPS genre, zombies, weapons, and bright colors.
Unit 13 assignment 2 EF
This PowerPoint presentation discusses different art styles used in video games including photorealism, abstract, cell-shading, and exaggerated styles. Photorealism aims to recreate realistic images and is used in games like Call of Duty and Grand Theft Auto to make environments and weapons appear real. Abstract games like Geometry Wars and Eufloria do not represent reality and use geometric shapes and relaxing colors. Cell-shading is used to make 3D graphics appear flat through less shading, seen in Dragon Ball Z, Borderlands, and Zelda. Exaggerated features are larger than real life, seen in fighting games like Tekken and Mortal Kombat through oversized characters and powers.
7. evaluation
The document provides an evaluation of a game production process. It summarizes the student's research, planning, time management, technical and aesthetic qualities of the game, and audience appeal. Peer feedback noted that the sound effects were not well-synchronized with character movements and suggested improvements to background details and character design. The student agreed sound effects needed better synchronization and would add more background buildings and details to enhance the western theme.
Video Game Production Reflection
Will Anderson created sprites and animations for playable characters, enemies, bosses, and levels for a game. This included idle and death animations as well as a boss fight sequence. Backgrounds and levels were designed in chunks to allow for easier editing. Audio was also produced using BeepBox to include battle music and sound effects. Box art was then designed including the front cover featuring a character and screenshots on the back with promotional text.
Mock email
The document discusses two design concepts for Sergeant Dap from the upcoming movie "Enders Game". Design 1 uses squares over the image to give it a pixelated, game-like effect representing Dap dying and humanity facing extinction. Design 2 is more similar to a previous Little White Lies issue, using lined shadows on the face and more color. Both designs were created in Photoshop using various tools, and the final design will use Illustrator for outlines brought into Photoshop for coloring.
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Task 2
Photorealism attempts to create paintings that are nearly indistinguishable from photographs. Many photorealist artists can create works that appear real even after multiple looks. The document cites Tomb Raider as an example of a game that uses photorealism to immerse players in the game world. Cel shading is a graphics technique used in animation and video games to give a cartoon-like appearance. It provides benefits like better frame rates and a non-realistic visual style. Abstraction considers something as a general characteristic apart from specifics, which makes it suitable for simple games. Exaggeration, used in games like Halo 4, enlarges elements to create a more engaging experience and reflect expressionism.
Sabido_H_wk11_Final_Protfolio
A presentation of all the work I've done while attending my Advance Illustration for Production. At the art institute of san Diego Ca
production reflection (interactive)
This document summarizes the processes used to create various assets for a game project, including a game case design, character sprites, menu icons, merchandise designs, and a demo animation. For each asset, the creator describes the steps taken and notes areas that could be improved if more time was available, such as adding more unique details to character sprites or smoothing transitions in the animation.
Evaluation
- The document discusses Cameron Whapples' research, planning, time management, technical qualities, aesthetic qualities, and target audience for a video game project.
- Research involved analyzing Arma 3 for realistic FPS mechanics, Just Cause 3 for its tone and color scheme, and Gunpoint for its pixel art style.
- Planning clarified the art style, color palette for jungle environments, and contingency plans.
- Time was well-managed through organized pre-production, dividing work, and efficient character animation techniques.
- The game shares technical and aesthetic similarities to Arma 3 and Gunpoint while targeting a male audience aged 15-24 through its FPS genre, zombies, weapons, and bright colors.
Unit 13 assignment 2 EF
This PowerPoint presentation discusses different art styles used in video games including photorealism, abstract, cell-shading, and exaggerated styles. Photorealism aims to recreate realistic images and is used in games like Call of Duty and Grand Theft Auto to make environments and weapons appear real. Abstract games like Geometry Wars and Eufloria do not represent reality and use geometric shapes and relaxing colors. Cell-shading is used to make 3D graphics appear flat through less shading, seen in Dragon Ball Z, Borderlands, and Zelda. Exaggerated features are larger than real life, seen in fighting games like Tekken and Mortal Kombat through oversized characters and powers.
7. evaluation
The document provides an evaluation of a game production process. It summarizes the student's research, planning, time management, technical and aesthetic qualities of the game, and audience appeal. Peer feedback noted that the sound effects were not well-synchronized with character movements and suggested improvements to background details and character design. The student agreed sound effects needed better synchronization and would add more background buildings and details to enhance the western theme.
Video Game Production Reflection
Will Anderson created sprites and animations for playable characters, enemies, bosses, and levels for a game. This included idle and death animations as well as a boss fight sequence. Backgrounds and levels were designed in chunks to allow for easier editing. Audio was also produced using BeepBox to include battle music and sound effects. Box art was then designed including the front cover featuring a character and screenshots on the back with promotional text.
Mock email
The document discusses two design concepts for Sergeant Dap from the upcoming movie "Enders Game". Design 1 uses squares over the image to give it a pixelated, game-like effect representing Dap dying and humanity facing extinction. Design 2 is more similar to a previous Little White Lies issue, using lined shadows on the face and more color. Both designs were created in Photoshop using various tools, and the final design will use Illustrator for outlines brought into Photoshop for coloring.
Pod handler
The document provides an evaluation of the student's animation project based on the Big Lez Show.
In the research section, the student discusses researching Skyrim and Fallout 4 for their engine and pickup systems to incorporate into the animation. The planning section notes the use of a mind map to help plan out ideas for an adventure game based on the show.
For technical qualities, walking animations for the main character Lez are praised, while the first fight scene's blood splatter is criticized as too slow and blocky. Dialogue and sound effects are discussed in the aural qualities section. The aesthetic qualities section analyzes different visual elements like loading screens and locations recreated from the show.
7. evaluation
The document provides an evaluation of Harry's game development project. It summarizes the key aspects of Harry's research, planning, time management, technical qualities, aural qualities, and aesthetic qualities of the game. Some strengths identified include effective sound effects and animations. Weaknesses include issues with C-3PO's arm animation and limited use of color in the background. Overall the evaluation assessed both positives and areas for improvement in Harry's game design and development process.
1. initial plans(2)
The document contains initial plans and mind maps for several video game projects, including a 2D space invaders-style game. It discusses plans for the space invaders game to have a unique design and colors to avoid copyright issues. The game would feature player and enemy spacecraft, sounds effects, power-ups, and a menu screen with a "Start" button. A mood board is also included analyzing color schemes and influences from sci-fi films to guide the final product design.
6. Production Reflection
The document summarizes Leticia Lopes' process for creating a game production called "Meteorite". It describes how she created various elements like the background, planets, characters, coins, and pause box using tools like the pencil, gradient, and eraser tools. It also discusses adding sound effects and mixing the final video elements in Premiere Pro. Research was an important part of the process to find inspiration for elements like planets, fonts, and background sounds.
Podhandler 190614092742-190618152322
This document provides details about the pre-production process for a concept video game, including gameplay mechanics, characters, story, and marketing. The game will be an 8-bit turn-based post-apocalyptic RPG with a focus on story and characters. Target audiences are mature gamers ages 15+, as younger audiences may not appreciate the mechanics and story-driven focus. Advertising will target dedicated gamer websites rather than more general audiences. Details are also provided about sound effects, music, color schemes, and font styles being considered to set the retro-futuristic tone. Concepts for character designs, combat mechanics on a grid system, and overworld movement are outlined.
Fmp pre-production
The document provides details on the pre-production for an improved video game project. It includes outlines for music and sound effects, style sheets for gameplay elements, and potential issues and solutions. The game aims to add more characters, animations, and gameplay like platforming and turn-based battles. It is targeted towards teenagers and will be shown on YouTube and the creator's blog. A production schedule is also included to develop levels, characters, record a teaser trailer, and release the final project over 4 weeks.
1. initial plans(2) (finished)
The document discusses three potential ideas for a game animation project: a Garry's Mod style idea recreating the prop hunt game mode, a The Walking Dead style idea creating original characters and zombies for a short episode, and a Battle Royale style idea animating a player spawning, grabbing a weapon, killing another player, and getting killed with a player counter and map. The document then details choosing to do a Battle Royale animation because those games are very popular, and plans to create all original assets like characters, weapons, backgrounds, and death animations.
1. production experiments
Madeleine Ross conducted experiments with animating shapes to create an alien creature that blinked and had moving mouth and legs. She also experimented with animating a laser firing at a target and a character changing color when jumping on objects. Ross created a scrolling background and animated a character moving across. For sound, she used BeepBox to create a soundtrack with layered instruments for her game. She reflected that she will take the laser shooting concept and keep characters simple to animate for her final idea.
Artistic Styles used in Computer Games
The document discusses different art styles used in video games, including photorealism, cel shading, stylized, abstract, and exaggerated styles. Photorealism aims to make games look as realistic as possible, but may limit creativity. Cel shading uses flat colors instead of smooth lighting to create a distinctive look. Stylized and exaggerated styles cartoonize proportions while keeping some realism. Abstract art employs shapes and colors without realistic resemblance. Each style suits different genres and gameplay.
Visual Styles
The document discusses visual styles in video games including photorealism, exaggerated, cel shading, and abstract. It provides examples of games that exemplify each style and describes their key characteristics such as photorealism striving for realistic graphics while exaggerated styles feature heightened or stylized realities. The document also notes advances in technology have made games more realistic through detailed environments, objects and cutscenes mimicking cinema.
Artistic styles in computer games
The document discusses four different artistic styles used in computer games: photorealism, cel shading, abstraction, and exaggeration. Photorealism aims to make games look as realistic as possible, while cel shading mimics comics and cartoons. Abstraction uses minimal elements that are not meant to represent anything specific, like Tetris. Exaggeration is used in anime and manga games to make characters and scenes more over-the-top for a fun effect.
5. Pre Production
This document contains pre-production details for a game, including an audience profile of teenagers aged 14-18 of both genders. It discusses color schemes and images to inspire the background design, as well as characters like an astronaut and spaceship. Sound effects will be created on beepbox.org, including collect, background, and select sounds. Contingency plans include saving work frequently and making copies to prevent loss of work. Health and safety precautions involve taking breaks to avoid headaches and back pains from long periods of sitting.
7. evaluation (2)
The document provides an evaluation of a game production process. It includes sections on research, planning, time management, technical and aesthetic qualities, audience appeal, and peer feedback. The peer feedback criticized the game's low quality visuals, boring colors, identical zombie characters, and clunky animations. The document reflects that the feedback was fair and the creator wishes they had made the game more colorful and creative rather than basing it on a movie.
Vidgame finished evaluation (1)
The document provides an evaluation of the author's research, planning, time management, technical qualities, aural qualities, and aesthetic qualities for an animation project based on the online series "The Big Lez Show." Some strengths highlighted include detailed walking animations, customized loading screens, and accurately portraying recognizable locations and characters from the source material. Areas for improvement include adding more diverse gameplay elements and smoother special effects. Comparisons are drawn to classic games like The Legend of Zelda to analyze technical features. The animation aimed to appeal to fans of the original show by including iconic dialogue, characters, and enemies.
3. research(2)
This document summarizes Oliver Keppie's research on existing products that utilize similar art styles to what is being used for their game. Several existing products are discussed, including Cuphead, Mortal Kombat, Double King, and New Super Mario Bros Wii. Key aspects that will be incorporated from these existing products include animation style, camera angles, lighting effects, color palettes, and using color theory to convey character personalities. Color will also be used to set the tone of different levels and backgrounds to match the aesthetics of different characters.
3. research(2)
This document summarizes Oliver Keppie's research on existing products that utilize similar art styles to what is being used for their game. Several existing products are discussed, including Cuphead, Mortal Kombat, Double King, and New Super Mario Bros Wii. Key aspects that will be drawn from these existing products include animation style, camera angles, lighting effects, color palettes, and how color is used to convey tone and atmosphere. Color theory research indicates that warmer and cooler tones can set different moods, and that muted background colors against vibrant foreground objects helps draw attention. The document discusses applying these lessons to character and map design in the new game to match aesthetics and personalities.
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Unit 78 digital graphics for computer games
This document discusses four different graphics styles for computer games: photorealism, which aims to look realistic; cell shading, which gives a hand-drawn look; abstraction, which uses lines and shapes rather than realistic objects and is common in retro games; and exaggeration, adapted from anime/manga with an over-the-top, non-realistic style that adds fun.
Graphical Styles in Video Games
This document discusses different graphical styles used in video games including photorealistic, cel shaded, and exaggerated styles. It focuses on photorealism and cel shading, explaining that photorealism aims to make games look as realistic as possible by including details like scars, blood, and hair. Cel shading, on the other hand, makes 3D models look like hand drawn artwork to give games like Mario, Zelda, and Dragon Ball Z a stylized, non-realistic look. The document provides examples of games using each style and notes that while photorealism enhances realism, it requires more disk space.
Game Animation Research
The document summarizes the art styles and color schemes of four existing games: Hollow Knight, Limbo, Sonic, and Shantae. It notes that Hollow Knight and Limbo use heavy black contrasts and dark colors to create bleak atmospheres, while Sonic and Shantae utilize brighter colors for more inviting designs. The analysis indicates the researched games commonly use contrasting black and white colors that emphasize different image parts. It states the document will incorporate heavy black use and brighter background colors in its own work to maintain an eerie atmosphere.
3. research
The document summarizes research on existing fighting and pixel art games. It describes key aspects of several games like Pocket Rumble, Street Fighter V, Home, and Hollow Knight. These include simple yet expressive character designs, detailed backgrounds, lighting that emphasizes characters or environments, and fast-paced combat movements. The research will influence the author's own fighting game project through a simplified and brightly colored character design, as well as a detailed background that complements the characters.
3. research(2)
The document summarizes the research Oliver Keppie has done on existing products that are relevant to the game he is developing. He looked at Cuphead, Mortal Kombat, Double King, and Silly Symphonies. Some common features he found across these products include side-on camera angles, realistic lighting, looping animations, and music playing an important role. Aspects he plans to include in his own work are the art and animation styles, color palettes, concept from Mortal Kombat, soundtrack, and using color theory and character-specific backgrounds.
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Pod handler
The document provides an evaluation of the student's animation project based on the Big Lez Show.
In the research section, the student discusses researching Skyrim and Fallout 4 for their engine and pickup systems to incorporate into the animation. The planning section notes the use of a mind map to help plan out ideas for an adventure game based on the show.
For technical qualities, walking animations for the main character Lez are praised, while the first fight scene's blood splatter is criticized as too slow and blocky. Dialogue and sound effects are discussed in the aural qualities section. The aesthetic qualities section analyzes different visual elements like loading screens and locations recreated from the show.
7. evaluation
The document provides an evaluation of Harry's game development project. It summarizes the key aspects of Harry's research, planning, time management, technical qualities, aural qualities, and aesthetic qualities of the game. Some strengths identified include effective sound effects and animations. Weaknesses include issues with C-3PO's arm animation and limited use of color in the background. Overall the evaluation assessed both positives and areas for improvement in Harry's game design and development process.
1. initial plans(2)
The document contains initial plans and mind maps for several video game projects, including a 2D space invaders-style game. It discusses plans for the space invaders game to have a unique design and colors to avoid copyright issues. The game would feature player and enemy spacecraft, sounds effects, power-ups, and a menu screen with a "Start" button. A mood board is also included analyzing color schemes and influences from sci-fi films to guide the final product design.
6. Production Reflection
The document summarizes Leticia Lopes' process for creating a game production called "Meteorite". It describes how she created various elements like the background, planets, characters, coins, and pause box using tools like the pencil, gradient, and eraser tools. It also discusses adding sound effects and mixing the final video elements in Premiere Pro. Research was an important part of the process to find inspiration for elements like planets, fonts, and background sounds.
Podhandler 190614092742-190618152322
This document provides details about the pre-production process for a concept video game, including gameplay mechanics, characters, story, and marketing. The game will be an 8-bit turn-based post-apocalyptic RPG with a focus on story and characters. Target audiences are mature gamers ages 15+, as younger audiences may not appreciate the mechanics and story-driven focus. Advertising will target dedicated gamer websites rather than more general audiences. Details are also provided about sound effects, music, color schemes, and font styles being considered to set the retro-futuristic tone. Concepts for character designs, combat mechanics on a grid system, and overworld movement are outlined.
Fmp pre-production
The document provides details on the pre-production for an improved video game project. It includes outlines for music and sound effects, style sheets for gameplay elements, and potential issues and solutions. The game aims to add more characters, animations, and gameplay like platforming and turn-based battles. It is targeted towards teenagers and will be shown on YouTube and the creator's blog. A production schedule is also included to develop levels, characters, record a teaser trailer, and release the final project over 4 weeks.
1. initial plans(2) (finished)
The document discusses three potential ideas for a game animation project: a Garry's Mod style idea recreating the prop hunt game mode, a The Walking Dead style idea creating original characters and zombies for a short episode, and a Battle Royale style idea animating a player spawning, grabbing a weapon, killing another player, and getting killed with a player counter and map. The document then details choosing to do a Battle Royale animation because those games are very popular, and plans to create all original assets like characters, weapons, backgrounds, and death animations.
1. production experiments
Madeleine Ross conducted experiments with animating shapes to create an alien creature that blinked and had moving mouth and legs. She also experimented with animating a laser firing at a target and a character changing color when jumping on objects. Ross created a scrolling background and animated a character moving across. For sound, she used BeepBox to create a soundtrack with layered instruments for her game. She reflected that she will take the laser shooting concept and keep characters simple to animate for her final idea.
Artistic Styles used in Computer Games
The document discusses different art styles used in video games, including photorealism, cel shading, stylized, abstract, and exaggerated styles. Photorealism aims to make games look as realistic as possible, but may limit creativity. Cel shading uses flat colors instead of smooth lighting to create a distinctive look. Stylized and exaggerated styles cartoonize proportions while keeping some realism. Abstract art employs shapes and colors without realistic resemblance. Each style suits different genres and gameplay.
Visual Styles
The document discusses visual styles in video games including photorealism, exaggerated, cel shading, and abstract. It provides examples of games that exemplify each style and describes their key characteristics such as photorealism striving for realistic graphics while exaggerated styles feature heightened or stylized realities. The document also notes advances in technology have made games more realistic through detailed environments, objects and cutscenes mimicking cinema.
Artistic styles in computer games
The document discusses four different artistic styles used in computer games: photorealism, cel shading, abstraction, and exaggeration. Photorealism aims to make games look as realistic as possible, while cel shading mimics comics and cartoons. Abstraction uses minimal elements that are not meant to represent anything specific, like Tetris. Exaggeration is used in anime and manga games to make characters and scenes more over-the-top for a fun effect.
5. Pre Production
This document contains pre-production details for a game, including an audience profile of teenagers aged 14-18 of both genders. It discusses color schemes and images to inspire the background design, as well as characters like an astronaut and spaceship. Sound effects will be created on beepbox.org, including collect, background, and select sounds. Contingency plans include saving work frequently and making copies to prevent loss of work. Health and safety precautions involve taking breaks to avoid headaches and back pains from long periods of sitting.
7. evaluation (2)
The document provides an evaluation of a game production process. It includes sections on research, planning, time management, technical and aesthetic qualities, audience appeal, and peer feedback. The peer feedback criticized the game's low quality visuals, boring colors, identical zombie characters, and clunky animations. The document reflects that the feedback was fair and the creator wishes they had made the game more colorful and creative rather than basing it on a movie.
Vidgame finished evaluation (1)
The document provides an evaluation of the author's research, planning, time management, technical qualities, aural qualities, and aesthetic qualities for an animation project based on the online series "The Big Lez Show." Some strengths highlighted include detailed walking animations, customized loading screens, and accurately portraying recognizable locations and characters from the source material. Areas for improvement include adding more diverse gameplay elements and smoother special effects. Comparisons are drawn to classic games like The Legend of Zelda to analyze technical features. The animation aimed to appeal to fans of the original show by including iconic dialogue, characters, and enemies.
3. research(2)
This document summarizes Oliver Keppie's research on existing products that utilize similar art styles to what is being used for their game. Several existing products are discussed, including Cuphead, Mortal Kombat, Double King, and New Super Mario Bros Wii. Key aspects that will be incorporated from these existing products include animation style, camera angles, lighting effects, color palettes, and using color theory to convey character personalities. Color will also be used to set the tone of different levels and backgrounds to match the aesthetics of different characters.
3. research(2)
This document summarizes Oliver Keppie's research on existing products that utilize similar art styles to what is being used for their game. Several existing products are discussed, including Cuphead, Mortal Kombat, Double King, and New Super Mario Bros Wii. Key aspects that will be drawn from these existing products include animation style, camera angles, lighting effects, color palettes, and how color is used to convey tone and atmosphere. Color theory research indicates that warmer and cooler tones can set different moods, and that muted background colors against vibrant foreground objects helps draw attention. The document discusses applying these lessons to character and map design in the new game to match aesthetics and personalities.
Summer time1
Poser makes it easy to create 3D animations and images using its large library of included characters, props, and scenes. Users can pose and animate 3D puppets on a virtual stage and render their creations into art and animated videos. The document provides instructions on using Poser's tools for lighting, cameras, backgrounds, poses, props, and rendering single images or animations.
Unit 78 digital graphics for computer games
This document discusses four different graphics styles for computer games: photorealism, which aims to look realistic; cell shading, which gives a hand-drawn look; abstraction, which uses lines and shapes rather than realistic objects and is common in retro games; and exaggeration, adapted from anime/manga with an over-the-top, non-realistic style that adds fun.
Graphical Styles in Video Games
This document discusses different graphical styles used in video games including photorealistic, cel shaded, and exaggerated styles. It focuses on photorealism and cel shading, explaining that photorealism aims to make games look as realistic as possible by including details like scars, blood, and hair. Cel shading, on the other hand, makes 3D models look like hand drawn artwork to give games like Mario, Zelda, and Dragon Ball Z a stylized, non-realistic look. The document provides examples of games using each style and notes that while photorealism enhances realism, it requires more disk space.
Game Animation Research
The document summarizes the art styles and color schemes of four existing games: Hollow Knight, Limbo, Sonic, and Shantae. It notes that Hollow Knight and Limbo use heavy black contrasts and dark colors to create bleak atmospheres, while Sonic and Shantae utilize brighter colors for more inviting designs. The analysis indicates the researched games commonly use contrasting black and white colors that emphasize different image parts. It states the document will incorporate heavy black use and brighter background colors in its own work to maintain an eerie atmosphere.
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The document summarizes the research Oliver Keppie has done on existing products that are relevant to the game he is developing. He looked at Cuphead, Mortal Kombat, Double King, and Silly Symphonies. Some common features he found across these products include side-on camera angles, realistic lighting, looping animations, and music playing an important role. Aspects he plans to include in his own work are the art and animation styles, color palettes, concept from Mortal Kombat, soundtrack, and using color theory and character-specific backgrounds.
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This presentation will discuss all the different graphical
This presentation discusses different graphical styles used in games including color theory, cel shading, photorealism, exaggeration, and abstraction. Color theory explores how color is used to convey different feelings. Cel shading aims to make games appear hand drawn like cartoons through simple colors. Photorealism strives to make games look as realistic as possible. Exaggeration features over-the-top proportions like in anime games. Abstract games simplify graphics to basic forms rather than reproducing realism. Color perception is explored where color changes convey information like a character dying. Examples are provided for each style.
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Graphicstylesandcolourtheorypresentation 140120164835-phpapp01
There are four main graphical styles discussed in the document: photorealistic, cell shaded, exaggerated, and abstract. Photorealistic aims to make graphics as close to real life as possible, like in Grand Theft Auto. Cell shaded is designed to look like hand drawings and is used in games like Minecraft. Exaggerated styles make characters and elements larger than real life, seen in games like Final Fantasy. Abstract games use symbols with no real meaning, like early Mario games. The document discusses examples of each style and how they affect the audience and tone of different games.
Tasks 1, 2 and 3 (User Interface, Assets List, and my MoSCow)
This document describes the user interface and visual style of two different Mario games - the original 1980s version and a modern 3D remake. It discusses the pixel art design and use of color blocks in the original to represent different in-game elements. For the remake, it notes the transition to 3D graphics and bubbly, rounded designs to create a safer, more fun atmosphere. Both interfaces are analyzed in terms of layout, fonts used for different text elements, and how they effectively convey necessary information to the player.
2. initial plans
The document outlines the student's initial plans and ideas for their game design project. They were initially thinking of making a platform game but realized from the brief that they had more options. They considered a puzzle game or side-scroller as alternatives. The student also created a mood board analyzing screenshots from different games to help inform their art style. They realized the tone and message of games can be conveyed through colors and details alone. The student outlined a 5 week schedule for the project including tasks like level design, character sprites, sound effects, and evaluation. They also listed 7 potential research sources to draw from including game interviews and existing video games.
2. research (interactive)(1)
This document discusses research on existing fighting games including Street Fighter, Tekken 6, and Mortal Kombat. It describes common features across the games like similar character designs and 8-bit fonts that create an arcade aesthetic. Specific details are provided on lighting, locations, and character costumes in sample screenshots. The document also notes aspects of the research that will influence the author's own work, like character design and retro settings. It aims to appeal to audiences of 7+ by including fighting without graphic violence and both male and female playable characters.
1. case study
Sly Cooper 2: Band of Thieves is a 2004 stealth platformer video game developed by Sucker Punch for the PlayStation 2. Players control Sly, Murray, or Bentley to complete missions and collect pieces of the villain Clockwerk. The cel-shaded graphics use anthropomorphic animals in an isometric 3D style. The single-player game has a linear narrative and the goal is to complete missions, collect valuables to buy upgrades, and find all clue bottles to unlock skills. It was praised for its gameplay but criticized for inconsistencies in character art style.
3. research (completed)
The document summarizes research on existing 8-bit retro video games. It analyzes 4 games that feature maze-based levels and shares common elements among them. The games all use classic 8-bit graphics and sound effects, including beeping noises when jumping or collecting tokens. They also include mazes or maps to navigate with enemies and obstacles. The research will influence the author's own game design by incorporating retro sound effects, pixilated graphics, an original maze, and similar use of colors and objects inspired by the existing products analyzed.
5. pre production
The document provides details on pre-production work for a game project, including color schemes, fonts, HUD designs, character sketches, and a production schedule. Key aspects include:
- Choosing brighter colors inspired by adventure games like Monkey Island.
- Selecting pixelated fonts to match the retro style and ensure legibility when pixelated.
- Favoring a bottom-right HUD layout that resembles common adventure game designs.
- Initial sketches exploring flag, character, and robotic arm concepts to develop the visual style.
- A 3-week production schedule outlining tasks like background art, sound effects, and animation.
5. pre production fmp l3
The document provides details on the pre-production of a retro-style side-scrolling video game including color schemes, character designs, gameplay features, and timing. Color blue will be used for ice effects and windows. Yellow will signify fire. Character walk cycles will differ with Iceman sliding, Fire flying, and Earth digging underground. There will be upgrades and quick time events. Enemies will get stronger as the player progresses. Costumes, box art, and sound effects are also outlined.
Similar to Video Game Research (20)
This presentation will discuss all the different graphical
This presentation will discuss all the different graphical
Graphicstylesandcolourtheorypresentation 140120164835-phpapp01
Graphicstylesandcolourtheorypresentation 140120164835-phpapp01
Tasks 1, 2 and 3 (User Interface, Assets List, and my MoSCow)
Tasks 1, 2 and 3 (User Interface, Assets List, and my MoSCow)
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FMP Evaluation
The document provides a summary and evaluation of a production project focused on evaluating two video games and creating a script, graphics, and video summarizing the key aspects. Some strengths included detailed research conducted directly from game developers, thorough interviews, and good analysis of influential videos. Some weaknesses included difficulty assessing the audience and not incorporating interviews more into the final product. When planning the graphics and video sections, the creator intended to apply lessons learned from their research and analysis but ended up making some changes to their initial designs and plans during the production process. Time management was also evaluated, with the creator feeling they could have benefited from more time spent on the video portion and conducting additional research into video editing.
FMP Research
The developers of Animal Crossing New Leaf took a philosophical approach to redesign by focusing on communication and community-building rather than gameplay overhaul. They emphasized real-life mirroring elements like gift-giving and home customization to foster pride and social bonds. These changes helped Animal Crossing New Leaf become a unique and satisfying experience for players by turning the game into a tool for relationship-building.
FMP Production Reflection
The document summarizes the process of creating graphics and video portions for a project comparing the games Team Fortress 2 and Animal Crossing. For the graphics portion, the creator experimented with layouts, images, colors and fonts on three sample pages. They created original artwork combining the games and refined text styles. For the cover, they integrated the Team Fortress character Scout into the title graphic. For video, they collected gameplay footage of both games and recorded audio versions of the script to accompany footage during editing. They worked on an ending clip to sync with music before returning to refine other sections.
FMP Initial Plans
The document provides an overview of the initial plans for a student's video essay project comparing the video games Animal Crossing: New Leaf and Team Fortress 2. It includes a discussion of strengths and weaknesses, influences for the project including YouTubers Jerma985, Egoraptor, and Matthewmatosis. Mind maps show plans for the video and graphics portions, with the video consisting of intro and mid-section clips edited in the style of influences. The graphics will visualize the script through custom artwork and edited screenshots.
FMP Pre-Production
The document provides details on the pre-production for a multimedia project comparing Team Fortress 2 and Animal Crossing. The project will include short video clips demonstrating a potential video essay as well as a printed script formatted as a magazine article. A first draft of the script is presented, along with style sheet inspirations and initial concepts for the print layout, including a two-page spread. Test edits of video clips demonstrate sequencing, color correction, and green screen effects. Resources, equipment needs, and contingency plans are also outlined.
FMP initial plans
The document provides an overview of the initial plans and concepts for a student's multimedia project comparing the video games Animal Crossing: New Leaf and Team Fortress 2. It includes a mood board showing visual styles inspired by each game. It also discusses key influences for the video and graphic portions, including YouTubers Jerma985, Egoraptor, and Animal Crossing director Aya Kyogoku. The student aims to create sample video clips and a graphic presenting the script in lieu of a full video essay due to time constraints.
FMP Research
- Team Fortress began as a popular mod for id Software's 1996 game Quake, featuring class-based team gameplay. Its popularity led the modders to form Team Fortress Software.
- Valve approached the developers and had them create Team Fortress Classic in the Source engine for Half-Life. It was initially free then sold commercially after extra content was added.
- The developers sought to capture what made the mod so engaging and expand on its team-based multiplayer gameplay with distinct character classes. This formed the basis for the eventual standalone Team Fortress 2.
Grade Response
This student received a variety of grades ranging from pass to merit on their assessments. They need to develop their production and research skills for future projects. To improve, the student will allocate more time for production tasks and ensure each section is adequately addressed. They will also broaden their research searches to find more useful information from a wider range of sources.
Video Game Evalution
The document summarizes the strengths and weaknesses of the evaluation, research, planning, time management, technical qualities, aural qualities, aesthetic qualities, and audience appeal sections of a project. Some key strengths included thorough planning, a useful research section that informed the design, and aesthetics matching the intended medieval fantasy theme. Weaknesses included room for improving animations, basic effects, and lack of sound effects. The research on games like Dragon Ball Fighterz, Hollow Knight, and Blazblue influenced the art direction, and audience needs like clear UI and character silhouettes were prioritized.
Research music video
This document summarizes the research and experiments conducted for a music video production. It discusses researching production techniques from 3 related music videos and assessing their applicability. Experiments with lip syncing and using different lighting colors found that shooting longer portions and using colored lighting worked best. Precise audio syncing and ensuring the artist's face is illuminated helped create a visually interesting final product that matches the researched style.
Pre-Production for Video game
This document provides pre-production details for a project, including the target audience which is ages 16-19 of all genders. It describes color palettes and concept art chosen to reflect the black and white style and character designs for the project. Potential sound effects, background music, and screenshots of layouts are also listed. Contingency planning addresses solutions for running out of time, file corruption, power outages, and internet issues. Health and safety concerns like eye strain, carpal tunnel, back pain, nausea and headaches are identified along with ways to avoid each issue.
Initial plans for Video Game
The document outlines initial plans for a video game project. It includes an initial reaction expressing nerves about lacking ideas but realizing what could feasibly be created. It also includes a mind map, mood board analyzing bright colors and defined styles for character visibility, and a schedule spanning 5 weeks with tasks like creating idle stances, a stage background, and characters. The bibliography lists 7 sources for audience research and inspiration, including fighting games like Street Fighter, Smash Bros., and Mortal Kombat.
Production Experiments for Video Game Project
The document describes three experiments conducted by the author to develop animation techniques for a pixel art fighting game. In the first experiment, the author created a 3-frame animation of a dog speaking using the pencil tool in different layers over a timeline. In the second experiment, the author animated an idle stance for a character by redrawing arms and legs in slightly different positions over a video timeline. In the third experiment, the author animated a health bar depleting after each hit in a combo by resizing an orange inner shape within a blue outer shape on successive frames. The author reflected that these animation techniques will be useful for characters' idle stances and health bars in their final game project.
Production experiments for print copy
This document describes experiments conducted for a front cover process. The individual used the transformation tool to rescale an image and the quick selection tool to outline a head, then layered text underneath the image. A new font was also imported specifically for the title to make the image stand out more.
Production reflection for music video
Over 5 weeks, the student went through the process of creating a music video. In week 1, they developed 3 initial ideas and chose one based on feasibility. In week 2, they researched other music videos for inspiration. In week 3, they finalized their concept of recreating the "Heart to Break" music video. In week 4, they created pre-production materials like a shot list and storyboard. Finally, in week 5 they filmed and edited the video, adding color correction before completing their evaluation.
Music video evaluation
This document summarizes an evaluation of a production process for a music video. It includes strengths and weaknesses in the areas of research, planning, and time management. Feedback from peers praised the color scheme, performance, and pacing but suggested adding more variety in scene transitions and lighting to make details more visible. The creator agreed lighting could be improved but disagreed that more locations were needed.
Music Video Pre-Production
The document provides a planning and storyboarding for a music video. It will feature a girl alone in her bedroom on her phone, feeling lonely and unsatisfied. Shots will include her lip syncing and posing on the bed, looking at pictures on the wall, and laying upside down at the end of the bed. The storyboard outlines 21 shots cutting between different angles of the artist in the bedroom to match the lyrics and visuals planned. Technical considerations for lighting, framing, and maintaining consistency between shots are discussed.
Initial Plans for Music Video
The document contains three music video ideas for different songs. The first idea is for SOPHIE's "Faceshopping" and involves two scientists working on an android that lip syncs the song. The second is for Kim Petras' "Heart to Break" and shows a girl thinking about a boy late at night. The third is for Jakob Ogawa's "You Might Be Sleeping" and depicts a couple on a sofa with an invisible wall between them. Strengths and weaknesses of the ideas are discussed. The final selection is "Heart to Break" which will depict the artist being lonely and going between different guys in different corners of a room lit by her phone. Camerawork and colors will need to
Production Experiments for Print
The document describes experiments for a front cover. The author resized and masked an image for the cover, used the quick selection tool to outline a head to layer text underneath, and imported a new font for the title to make the image stand out more. Reflections are included on what elements may be used for the final product.
Pre-Production for Print
The document outlines plans for a magazine inspired by the video game Animal Crossing. It discusses choosing a calming color palette from the game. The front cover will feature the exterior of a café from the game and interior spreads will include character outfits and interview bubbles. Sources for images and fonts are provided from online and the game. Contingency plans include saving to OneDrive if the platform changes and obtaining new fonts if needed. Health and safety precautions involve taking breaks, wrist exercises, and maintaining good posture.
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Video Game Research
- 1. Research
- 2. Hollow Knight Hollow Knight uses a very hand-drawn unique art style that stands out from a lot of the games within its genre, which is especially impressive given the fact that it is a crowd funded indie game. Although the game is very dark color wise it still manages to instill lots of bright color schemes in certain zones of the games level designs. The lighting is also used expertly well, with certain attacks casting shadows and lanterns in the background slightly illuminating the foreground that shade areas beautifully. The use of black and white is definitely something I’d want to emulate in my final product as its simplicity allows me a lot of creative freedom. Hollow Knight’s background design is also excellent and is definitely inspiration to consider when it comes to creating my background stage
- 3. Limbo A huge inspiration for the visuals of my game is definitely Limbo, as the entire game is in silhouette, everything present in the game is cast in shadow with very, very rare occurrences of any real lighting. Like Hollow Knight, Limbo's art style is very simplistic, however it is of course more so due to the fact that all aspects of the game are cast in shadow. For my final game I want to use character designs that are silhouettes, so using screen shots from the game as a frame of reference as well as blacking out character from other existing products will be useful as a reference. Limbo also uses the binary motif of light and dark, which is another aspect that could be worth exploring when designing my characters, UI and stage.
- 4. Super Street Fighter II Turbo Street Fighter II's art style is definitely what I'm trying to emulate in my final product, as well as its sound effects that are used for certain moves like Hadouken and Shoryuken. I also like the look of the UI as it is very simplisitic and appropriate for the game as it is unintrusive. The art style for Turbo is also a point for inspiration as it uses more modernised renders for Ryu and Ken etc but using their original sprites as a basis, therefore making them still iconic and true to the originals. I hope to be able to do the reverse of this perhaps for my project, by making 2 character renders in a similar art style to Ken and Ryu but then using tools in photoshop to pixelate them
- 5. Dragon Ball Fighterz Dragon Ball has a very clean and unique visual style that is incredibly close to its source material by use of cell-shading. It also helps that the game, although containing fully 3D models is from the perspective of 2.5D which allows for visuals that resemble even panels straight from the manga for iconic moves used in the game. In particular I really like DBF's UI design, as all of the healthbars, character portraits, assist icons and super meters look incredible and dictate to the player exactly the right amoung of information they'll need at a glance. The healthbar shows you how much damage a move has done and how much you can regain if you change character's very clearly through the use of yellow against the bright red which resembles the regainable health. The super meteors change colour depending on what level it’s at out of 7 in total, meaning even without looking at the stylised numbers you can tell what super gauge you're at.
- 6. Research Analysis • Some features that are common in my research are the usage of black and white colour palettes and unintrusive UI design. Also renders based on pixel art that have been hand drawn based on the original sprites • Most aspects discussed for each piece of researchs specifics will be used for the project, such as the slick UI design for healthbars etc and the silhouette work etc etc
- 7. Bibliography
- 8. Bibliography 1. Team Cherry (2017) Hollow Knight 2. Playdead (2010) Limbo 3. Capcom (1992) Super Street Fighter II Turbo 4. Arc System Works (2018) Dragon Ball Fighterz
Editor's Notes
- Choose a recent product similar to your own and annotate it- screenshot, GIF or gameplay video. Type of image- studio/location, angle, effects, post-production Use of lighting/composition/mise en scene/costume/props/location/colours/fonts etc. Use of sound/ music/ effects Audience appeal- how does it make its audience want to buy/watch/play it?
- Choose a recent product similar to your own and annotate it- screenshot, GIF or gameplay video. Type of image- studio/location, angle, effects, post-production Use of lighting/composition/mise en scene/costume/props/location/colours/fonts etc. Use of sound/ music/ effects Audience appeal- how does it make its audience want to buy/watch/play it?
- Choose a recent product similar to your own and annotate it- screenshot, GIF or gameplay video. Type of image- studio/location, angle, effects, post-production Use of lighting/composition/mise en scene/costume/props/location/colours/fonts etc. Use of sound/ music/ effects Audience appeal- how does it make its audience want to buy/watch/play it?
- Choose a recent product similar to your own and annotate it- screenshot, GIF or gameplay video. Type of image- studio/location, angle, effects, post-production Use of lighting/composition/mise en scene/costume/props/location/colours/fonts etc. Use of sound/ music/ effects Audience appeal- how does it make its audience want to buy/watch/play it?
- List all products researched in previous sections. Include anything additional you have watched/read in preparation for production. Alphabetise your list.