Pre-Production for Video game
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This document provides pre-production details for a project, including the target audience which is ages 16-19 of all genders. It describes color palettes and concept art chosen to reflect the black and white style and character designs for the project. Potential sound effects, background music, and screenshots of layouts are also listed. Contingency planning addresses solutions for running out of time, file corruption, power outages, and internet issues. Health and safety concerns like eye strain, carpal tunnel, back pain, nausea and headaches are identified along with ways to avoid each issue.
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5. Pre production
This document contains pre-production information for a video game project, including:
- The primary target audience is likely males ages 10-30 interested in RPG video games.
- It outlines sound effects, music, and character animations that will be needed.
- Contingency plans are discussed for issues like computer crashing, losing work, bad time management, and choosing a different project if needed.
- Potential health and safety issues around computers like wires, plugs, water bottles, eye strain, and back pain are identified along with how they will be avoided.
Pre Production
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This document provides details about a final year project proposal on noise pollution in urban cities. The project aims to create a soundscape installation that allows users to experience and mix different ambient sounds of noise pollution collected from various areas in Kuala Lumpur and Selangor. The installation seeks to increase awareness about noise pollution levels in urban environments. Software such as Adobe Soundbooth and Premiere Pro will be used to edit sounds. A budget and basic site plan are also included.
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The document is a glossary of terms related to sound design and production for computer games. It contains definitions for terms like Foley artistry, sound libraries, audio file formats (wav, aiff, au, mp3), audio hardware and software like sound cards, digital signal processors, RAM, mono/stereo/surround sound, pulse code modulation, analog/digital audio recording systems, MIDI, software sequencers, and plugins. For each term, it provides a short internet definition and describes the relevance of the term to the author's own production practice, such as using sound libraries for game assets or a MIDI keyboard to create music.
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Sound recording glossary improved version11111111111
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like Foley artistry, sound libraries, uncompressed audio, .wav and .aiff file formats, lossy compression, .mp3 files, sound processor units, digital sound processors, random access memory, mono audio, stereo audio, and surround sound. For each term, it gives a short definition from an online source as well as the author's thoughts on how the term relates to their own production practice and experience with game sound design.
Sound recording glossary
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like Foley artistry, sound libraries, audio file formats like .wav and .mp3, limitations of audio hardware like sound cards, and audio techniques like mono, stereo, and surround sound. For each term, it gives a short definition from an online source and describes how the term relates to the author's own production practice of creating sounds for games.
myukm
1. The document provides definitions for various audio and sound design terms, sourced from online research.
2. Definitions include formats like .wav, .aiff, and .mp3, concepts like lossy compression, and hardware like sound cards and digital signal processors.
3. It also defines audio recording and playback systems from analogue to digital, surround sound, and direct audio using pulse code modulation.
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5. pre production
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The document outlines a proposal for a final year project presentation on noise pollution in urban cities. The project involves creating a soundscape installation where users can control and mix different ambient noise sounds collected from polluted urban areas. Users will experience the noises and see corresponding visuals projected on a screen. The proposal discusses researching soundscapes, collecting sounds from locations in Kuala Lumpur and Selangor, using software like Adobe programs to edit audio and video, and creating an installation setup with speakers, a mixer and projector.
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The document provides details about the pre-production of a video game project. It discusses using bright colors and simple pixel art to make the game eye-catching and allow for easy animation. The target audience is described as male, aged 16-19 with interests in retro and modern video games, platformers, and turn-based RPGs. Potential issues and solutions are outlined, such as saving regularly to prevent software crashes and looking online for pixel art inspiration. Health and safety precautions include taking breaks to prevent eye strain and getting enough sleep.
5. Pre production
This document contains pre-production information for a video game project, including:
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- It outlines sound effects, music, and character animations that will be needed.
- Contingency plans are discussed for issues like computer crashing, losing work, bad time management, and choosing a different project if needed.
- Potential health and safety issues around computers like wires, plugs, water bottles, eye strain, and back pain are identified along with how they will be avoided.
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This document discusses pre-production planning for a game targeted at males aged 15-24 from socioeconomic groups C2DE who are emulators. It lists sound effects needed for the game, potential issues in production and solutions, and how health and safety concerns around extended computer use will be avoided by taking breaks.
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The document defines and describes various terms related to sound design for computer games. It provides short definitions for terms like Foley artistry, sound libraries, uncompressed and lossy file formats like WAV and MP3. It also discusses audio hardware components like sound processor units, digital signal processors and limitations like random access memory. Methods of audio playback and recording are covered, such as mono, stereo, surround sound, and analogue recording. The student explains the relevance of each term to their own production work for the games design course and unit.
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This document provides details about a final year project proposal on noise pollution in urban cities. The project aims to create a soundscape installation that allows users to experience and mix different ambient sounds of noise pollution collected from various areas in Kuala Lumpur and Selangor. The installation seeks to increase awareness about noise pollution levels in urban environments. Software such as Adobe Soundbooth and Premiere Pro will be used to edit sounds. A budget and basic site plan are also included.
Sound recording glossary improved version
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The document provides details for pre-production of a video game, including the target audience, style sheets for various in-game elements, screenshot layouts, planned sound effects and dialogue, contingency planning for potential issues, and health and safety considerations. The target audience is ages 16-19, male-oriented, able to afford a PC, and all ethnicities. Style sheets define colors for beaches, grass, water, roads, and colors for a car's outline, front, body, and windscreen. Screenshot layouts show the city and country environments. Planned sound effects include recorded car and police sirens and downloaded mouse clicks. Contingency plans address potential issues like internet outages, power cuts, and
Sound recording glossary improved version11111111111
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like Foley artistry, sound libraries, uncompressed audio, .wav and .aiff file formats, lossy compression, .mp3 files, sound processor units, digital sound processors, random access memory, mono audio, stereo audio, and surround sound. For each term, it gives a short definition from an online source as well as the author's thoughts on how the term relates to their own production practice and experience with game sound design.
Sound recording glossary
This document contains a glossary of terms related to sound design and production for computer games. It provides definitions for terms like Foley artistry, sound libraries, audio file formats like .wav and .mp3, limitations of audio hardware like sound cards, and audio techniques like mono, stereo, and surround sound. For each term, it gives a short definition from an online source and describes how the term relates to the author's own production practice of creating sounds for games.
myukm
1. The document provides definitions for various audio and sound design terms, sourced from online research.
2. Definitions include formats like .wav, .aiff, and .mp3, concepts like lossy compression, and hardware like sound cards and digital signal processors.
3. It also defines audio recording and playback systems from analogue to digital, surround sound, and direct audio using pulse code modulation.
5. pre production
The document discusses plans for a turn-based role playing game aimed at ages 16-18. It will include bright fantasy-themed colors and avoid offensive material. Sound effects and dialogue will be created using free software like BeepBox or GarageBand. Potential issues around computer crashes, loose wires, eye strain, and back strain during pre-production are addressed with backup plans and health and safety precautions.
5. pre production
This document outlines a pre-production plan for creating a magazine. It discusses choosing a style sheet with simple colors and fonts that stand out. Potential section headings are considered that reference popular games and movies. Layout and prop/location needs are listed. Contingency plans address potential issues like copyright infringement or technical problems. Health and safety concerns around repetitive strain injury and noise are noted. A one-week schedule is proposed that includes basic design, information gathering ensuring copyright compliance, adding advertisements, and final editing.
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The document is a glossary of terms related to sound design and production for computer games. It contains definitions for 15 key terms that were researched by the student. For each term, the student provided a short definition found on the internet along with the URL source. They also explained how each term relates to their own production practice for a games design project. The terms covered include Foley artistry, sound libraries, uncompressed and compressed audio file formats like .wav and .mp3, limitations of sound hardware like RAM, and concepts like mono versus stereo audio.
5. pre production - done
This document outlines the pre-production planning for a game project. It includes details about similar existing games for inspiration, necessary props and locations, contingency planning for potential issues, health and safety considerations, and a proposed weekly schedule. The game will have a similar layout and goals to other climbing-type games, requiring a computer and design software. Backups, time management, noise control, and ergonomics will help avoid common problems.
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FMP Research
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The document describes three experiments conducted by the author to develop animation techniques for a pixel art fighting game. In the first experiment, the author created a 3-frame animation of a dog speaking using the pencil tool in different layers over a timeline. In the second experiment, the author animated an idle stance for a character by redrawing arms and legs in slightly different positions over a video timeline. In the third experiment, the author animated a health bar depleting after each hit in a combo by resizing an orange inner shape within a blue outer shape on successive frames. The author reflected that these animation techniques will be useful for characters' idle stances and health bars in their final game project.
Production experiments for print copy
This document describes experiments conducted for a front cover process. The individual used the transformation tool to rescale an image and the quick selection tool to outline a head, then layered text underneath the image. A new font was also imported specifically for the title to make the image stand out more.
Production reflection for music video
Over 5 weeks, the student went through the process of creating a music video. In week 1, they developed 3 initial ideas and chose one based on feasibility. In week 2, they researched other music videos for inspiration. In week 3, they finalized their concept of recreating the "Heart to Break" music video. In week 4, they created pre-production materials like a shot list and storyboard. Finally, in week 5 they filmed and edited the video, adding color correction before completing their evaluation.
Music video evaluation
This document summarizes an evaluation of a production process for a music video. It includes strengths and weaknesses in the areas of research, planning, and time management. Feedback from peers praised the color scheme, performance, and pacing but suggested adding more variety in scene transitions and lighting to make details more visible. The creator agreed lighting could be improved but disagreed that more locations were needed.
Music Video Pre-Production
The document provides a planning and storyboarding for a music video. It will feature a girl alone in her bedroom on her phone, feeling lonely and unsatisfied. Shots will include her lip syncing and posing on the bed, looking at pictures on the wall, and laying upside down at the end of the bed. The storyboard outlines 21 shots cutting between different angles of the artist in the bedroom to match the lyrics and visuals planned. Technical considerations for lighting, framing, and maintaining consistency between shots are discussed.
Initial Plans for Music Video
The document contains three music video ideas for different songs. The first idea is for SOPHIE's "Faceshopping" and involves two scientists working on an android that lip syncs the song. The second is for Kim Petras' "Heart to Break" and shows a girl thinking about a boy late at night. The third is for Jakob Ogawa's "You Might Be Sleeping" and depicts a couple on a sofa with an invisible wall between them. Strengths and weaknesses of the ideas are discussed. The final selection is "Heart to Break" which will depict the artist being lonely and going between different guys in different corners of a room lit by her phone. Camerawork and colors will need to
Production Experiments for Print
The document describes experiments for a front cover. The author resized and masked an image for the cover, used the quick selection tool to outline a head to layer text underneath, and imported a new font for the title to make the image stand out more. Reflections are included on what elements may be used for the final product.
Pre-Production for Print
The document outlines plans for a magazine inspired by the video game Animal Crossing. It discusses choosing a calming color palette from the game. The front cover will feature the exterior of a café from the game and interior spreads will include character outfits and interview bubbles. Sources for images and fonts are provided from online and the game. Contingency plans include saving to OneDrive if the platform changes and obtaining new fonts if needed. Health and safety precautions involve taking breaks, wrist exercises, and maintaining good posture.
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Pre-Production for Video game
- 2. Audience Profile • 16 – 19 • All Genders
- 3. Style sheet I chose these palettes and this concept art as it best reflects the kind of black and whites I want to use primarily in my project, as well as the design shown in the concept art being a good representation of what I want to produce for one of the designs for my characters in my project. I may use the lighter shades in the palettes for the background, and the darker for the characters to make them stand out more
- 6. Sound Effects/Dialogue Sound Effects Match count in ("3, 2, 1") Projectile attack Attack shout Hit stun sound Background ambience Background Music
- 7. Contingency Planning Potential Issue Solution Run out of time for production Focus on essential animations first and establish a baseline as a minimum Corrupted file work Save work onto USB flash, cloud save etc Electricity cuts out Save often so you can at least recover files later when restored Internet goes out Download work onto external hard drive and continue work at home or area with public wifi Styles don't match up
- 8. Health and Safety Potential Issue How will the issue be avoided? Eye-strain Adjust screen brightness Risk of carpal tunnel Take breaks and do wrist exercises Back pain Ergonomic seating Nausea Take breaks Headaches Take breaks
Editor's Notes
- List age, gender, ABC1/C2DE etc (as appropriate). Include images as appropriate to illustrate your target audience Use https://yougov.co.uk/profileslite#/ for similar games to list audience desires/interests and how you will appeal to them through your game.
- Explore colours and pixel art styles similar to what you want to produce. Discuss these elements in relation to why you chose them and where you may use them in your project. Go over as many pages as you need to.
- Mock up of a potential design using the colours and sourced images. Alter this slide to make it appropriate for your planned product types. Use the content established in your style sheet to do this.
- Mock up of a potential design using the colours and sourced images. Alter this slide to make it appropriate for your planned product types. Use the content established in your style sheet to do this.
- What sound effects might you need for your animated screenshot? How could you make them?