The document provides an overview of 16th century Italian art during the High Renaissance and Mannerism periods. It summarizes the key artists of this time including Leonardo da Vinci, Raphael, Michelangelo, Bramante, Bellini, Giorgione, Titian, and Palladio. It also describes the transition from the High Renaissance style of balanced compositions to the exaggerated Mannerist style that emerged after Raphael's death in 1520.

1. 16 th Century Italian Art High Renaissance and Mannerism

2. Rome with Renaissance and Baroque Monuments

3. Who are the Masters? Leonardo da Vinci : superb master of line, pioneer of sfumato , inventor, naturalist, and painter of the soul’s intent . Raffaelo Sanzio(a.k.a Raphael): younger master painter who incorporated elements of Leonardo and Michelangelo into his own unique style. Michelangelo Buonarroti : master of sculpture, also excellent painter and architect, the man in demand. Bramante : major architect who favored classical buildings rejuvenated the central-plan design. Venetian masters Bellini, Giorgione, Titian Palladio (architecture)

4. High Renaissance Time period between 1495-1520 Centers around the work of Leonardo da Vinci, Raphael, and Michelangelo Divinely inspired artist-genius Documentation Continued use of printmaking Visual Arts= fine or liberal art Women?????

5. Leonardo da Vinci A true “Renaissance Man” Considered an expert in the fields of painting, sculpture, architecture, as well as engineering, military science, botany, anatomy, geology, aerodynamics and optics Left over 10,000 pages of drawings, ideas, sketches and notes Considered painting to be the supreme form of art

6. da Vinci, Vitruvian Man , c. 1492

7. da Vinci, Virgin of the Rocks , c. 1485

8. DA VINCI, The Last Supper, c. 1495-1498

10. Da Vinci, Mona Lisa , c. 1503-1505

12. RAPHAEL Trained in Umbria by Perugino ( Christ Delivering the Keys the Kingdom to Saint Peter ) Famous for paintings of the Madonna and Child Young master moved to Rome; influenced by Bramante Absorbed elements of the work of Leonardo and Michelangelo to create his own unique style Talented, popular, and beloved artist who died young (entombed in the Pantheon)

13. Raphael Marriage of the Virgin, 1504 The Small Cowper Madonna, 1505

14. Raphael , Madonna with the Goldfinch , 1505

15. Madonna in the Meadow , 1505-06 Maddalena Doni, 1506

16. SCHOOL OF ATHENS, 1509-1511

25. Stanza Della Segnatura, Vatican, Rome

26. RAPHAEL Galatea, 1513

28. Raphael, Baldassare Castiglion , c 1514

29. Michelangelo, PIETA , 1498-1500

30. David, 1501-04

32. Michelangelo, Moses , c. 1513-1515

33. Sistine Chapel Ceiling, 1508-1512

35. Creation of Adam detail

37. Last Judgment , 1534-1541

39. Sistine Chapel detail at the beginning ( left ) and final stage ( right ) of the restoration process.

41. Bramante, Tempietto, 1502?

42. Bramante’s design for St. Peters

43. St. Peter’s Basilica present day

45. MICHELANGELO BUONARROTI, Saint Peter’s (looking northeast), Vatican City, Rome, Italy, 1546–1564..

46. Bramante Michelangelo

47. Venetian Art Was a Republic like Florence Wealthy because of trade Supported artists and craftspeople First artists to use oil paint in Italy Focus on light and known for rich color Isolated from the Church so subject matter is less religious and often sensuous

48. ANDREA PALLADIO, Villa Rotonda, near Vicenza, Italy, ca. 1566–1570.

49. ANDREA PALLADIO, plan of the Villa Rotonda, near Vicenza, Italy, ca. 1550–1570. (1) dome, (2) porch.

50. Andrea Palladio, San Giorgio Maggiore, Venice , 1565

51. Alberti vs. Palladio

52. aerial view of San Giorgio Maggiore

53. interior of San Giorgio Maggiore

54. GIOVANNI BELLINI and TITIAN, Feast of the Gods , 1529.

55. GIORGIONE DA CASTELFRANCO (and/or TITIAN?), Pastoral Symphony , ca. 1508–1510.

56. Titian, Madonna of the Pesaro , 1519-1526

57. Titian, Venus of Urbino , 1538

58. Giorgione, Sleeping Venus , 1510

59. Tintoretto, Last Supper , 1594

61. Veronese, Christ in the House of Levi , 1573

62. Correggio, Assumption of the Virgin , 1526-1530, Parma Cathedral

64. Mannerism 1520- end of 16 th century Begins w/ death of Raphael in 1520 Emerges out of late Renaissance Reaction to rationality, balance and proportion of Renaissance art Known for exaggeration and artificial (instead of naturalistic) qualities

65. Pontormo, Descent from the Cross , 1525-1528

67. Parmigianino, Madonna with the Long Neck, 1534-1540 Raphael

68. Correggio, Jupiter and Io , c. 1532

69. Bronzino, Venus, Cupid, Folly and Time , 1546

70. Bronzino, Portrait of a Young Man , c. 1530’s

71. Raphael, Baldassare Castiglione c. 1514 Bronzino, Portrait of a Young Man , c.1530’s

72. Bronzino , Portrait of Eleanor of Toledo

73. Giuseppe Arcimboldo, c. 1540 Summer Spring

74. Quinten Matsys, Grotesque Old Woman , c. 1525

75. Leonardo DaVinci

76. Giovanni da Bologna, Abduction of the Sabine Women, 1583