UPAR 2017 06 Photography
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This document provides an overview and outline for a photography course. It discusses techniques like composition, the rule of thirds, perspective and shot sequencing. It covers shooting different types of events like protocol events, uncontrolled action and "on the fly" photos. The last section discusses processing photos by selecting the best shots, basic editing, and submitting photos for publication. The goal is to teach visual storytelling through photography.
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UPAR 2017 06 Photography
- 2. Photography Visually tell the story Get your reader/viewer’s attention – communicate information Help to bring words into focus
- 3. Course Outline Photography Techniques How to achieve high impact Events What you will likely shoot Processing requirements for imagery submission
- 4. Photography Techniques Composition Pleasing arrangement of subject matter elements. Captures the viewer’s attention. Makes a clear statement. Tell your story. Center of Interest Rule of Thirds Format Perspective Shot sequence
- 5. Center of Interest The Subject of the photo – the “who” or the “what.” Keep it simple - Eliminate distractions – Give the center of interest the most attention Focus your subject Eyes
- 6. Rule of Thirds Placement of subject in the frame Mentally (or use camera feature) to divide your frame into equal thirds horizontally and vertically, then placing your center of interest (and other subjects) in or near one of the four intersections created by the divisions. Allows the subjects to have direction to be able to “move” into the frame
- 7. Format Horizontal – use when the subject mater is wider that it is tall Vertical – use when the subject matter is taller than it is wide Try both when in doubt Keep the horizon line straight for photojournalism Rule of thirds also applies to vertical shots
- 8. Perspective Apparent size and depth of an object within the image – can affect the story the image tells Low viewpoints make your subjects appear tall or powerful High viewpoints make your subject appear small and non- threatening Shoot a variety of angles if you have the opportunity
- 9. Shot Sequence Allows for complete coverage of subject, event, action Long Shot – introduces the subject and includes the environment and surroundings Medium Shot – narrows the scope of the story, shows part of the subject and includes the action long shot medium shot
- 10. Shot Sequence Close-up – shows detail of the subject’s face and clear action of the hands Extreme close-up – shows close detail and does not show the subjects face Get into the action when you can, take a variety of shots extreme close-upclose-up
- 11. Event Photography Preparation Protocol Events Uncontrolled Action Photos on the fly
- 12. Preparation Equipment check Know your conditions and surroundings The more you know – attend rehearsals – ask for schedules, programs - talk to leadership or instructors Caption information Maximum coverage – minimum disruption Maintain poise, confidence, adaptability, military bearing Start shooting before your event begins
- 13. Protocol Events Types Award Presentations & Ceremonies VIP visits Group Shots
- 14. Protocol Events Awards & Ceremonies and VIP visits Precedence Recipient Item Family/coworkers Presenter Anticipate the action to capture the main event Stay flexible and prepared to change Also look for the informal photos Total coverage is the key to success
- 15. Protocol Events Mug shots and speakers Framing is key – keep it simple Waist up, chest up, full body Low to no action Watch the hands Get a variety of shots and facial expressions Eyes up looking at the audience Direction
- 16. Protocol Events Group Shots Simplicity and Uniformity is key Take charge and instruct your subjects if you can Place Senior members or VIPs to the extreme left or center Make sure you can see everyone’s face Adopt the same pose throughout Check uniforms! Say Cheese! Take several shots
- 17. Uncontrolled Action Events Training events, Drill, AT, State Missions, Family Program events, Community events Like sports photography Capturing speed and motion on film Lots of moving parts – people - equipment Preparation also key Equipment – photo equipment and attire/uniform Weather Safety Lighting Key information from leadership – know your environment –caption information
- 18. Uncontrolled Action Events Remember photography techniques Focus on your subject Direction and rule of thirds to capture action Shot sequence to capture actions and also emotions Perspective and Format for a variety Get in there (when safe!) Capture the action at its peak Get creative Look for things that are out of the ordinary Take advantage of repetitive action when you can Take as many shots as possible, but try to make them all count!
- 19. On the Fly Photos Photos that highlight Guard life, camaraderie, trailing downtime Remember OPSEC, military bearing, appropriateness May not be attached to a story, but it still tells one Great for social media and as stand-alone published photos Photo rules generally still apply but get and make it fun
- 20. Processing your Photos Go through and delete the definite “no’s” Out of focus, embarrassing faces/body positions, security violations Select your favorite or best based on criteria Is there a clear center of interest? Does it tell the story or enhance the story? Can the photo be misread in anyway? Editing, cropping, resizing Avoid it IF YOU MUST…please send both edited versions and originals I can accept all photo formats, most widely used is a .jpg Phone camera photo resolution works, but if you have a camera, use it. DON’T embed in a word document to fit in in an email. Contact me to send photos or use AMRDEC SAFE
- 21. Please email your photos and cutline to: ctngpublicaffairs@gmail.com michael.t.Petersen.mil@mail.mil allison.l.joanis.civ@mail.mil OR send photos VIA AMRDEC SAFE https://safe.amrdec.army.mil/safe/ Photo and Cutline Resource https://dinfos.blackboard.com/webapps/cmsmain/webui /library/Library Content/Public Affairs - PAD/Photojournalism **google “DINFOS Photojournalism”
Editor's Notes
- We are all capable of shooting snapshots, and many of you have photo albums full of them. However, most of these are not the types of photographs that get your readers’ attention and communicate information.
- Basic Composition – use to give emphasis to subject – gives your photos more clarity and helps to convey your message almost anyone can take a picture, and most of you probably have, but after a critical look at your photos you would probably find there is a lot of wasted space. Now that you are entering the profession of military photojournalism, the focus of every photograph should be, “does this photo belong in the
- It’s the focal point of the action Check your background…may npt be the focus but its still there!!! Poles, weird people/photobombers, awkward framing Only contain one center of interst Dominiat focus element
- The basic shooting sequence for a photo assignment includes a long shot, medium shot, close-up and extreme close-up. This sequence allows for complete coverage of the subject. Establish the action and event what is going on
- The basic shooting sequence for a photo assignment includes a long shot, medium shot, close-up and extreme close-up. This sequence allows for complete coverage of the subject. Establish the action and event what is going on
- Lighting!!!!
- Avoid uncomplimentary poses and remember framing Hand shakes Salutes VIPs interacting with others Shoot a variety Shoot from the right the left, vertical horizontals The spectators The families The band
- unbuttoned jackets, pens in pockets and hats not worn squarely Security badges Same uniform Safety
- Action moves into the frame