The poem describes how sailors sometimes capture albatrosses for amusement. The majestic birds that once freely flew over the sea are now clumsy and struggle to walk on the ship's decks with their large wings dragging behind them. The poem compares the once graceful albatross to a poet, who is also out of place on land among hostile people, with his giant wings hindering his path, like the bird with its wings now useless.
The ancient mariner is a poem written by Samuel Taylor Coleridge. In this poem, he talks about an old sailor who happened to stop one of the three wedding guests to listen to his woeful tale. The wedding guest was bewitched by the mariner's glittering eye and he sat down to hear his narrative of his disastrous journey he undertook.
This ppt was made for our stupid projects..... The main purpose behind uploading this ppt is that no one should suffer like us and waste their time behind these stupid things... concentrate on your studies..
The ancient mariner is a poem written by Samuel Taylor Coleridge. In this poem, he talks about an old sailor who happened to stop one of the three wedding guests to listen to his woeful tale. The wedding guest was bewitched by the mariner's glittering eye and he sat down to hear his narrative of his disastrous journey he undertook.
This ppt was made for our stupid projects..... The main purpose behind uploading this ppt is that no one should suffer like us and waste their time behind these stupid things... concentrate on your studies..
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
Prothalamion by E. Spenser, a spausal verse a poem of elizabethan era - piyu...piyush prashant
prothalmion by Edmund spenser
a rare poem
Prothalamion, the commonly used name of Prothalamion; or, A Spousall Verse in Honour of the Double Marriage of Ladie Elizabeth and Ladie Katherine Somerset,[1] is a poem by Edmund Spenser (1552–1599), one of the important poets of the Tudor Period in England. Published in 1596[1] (see 1596 in poetry), it is a nuptial song that he composed that year on the occasion of the twin marriage of the daughters of the Earl of Worcester; Elizabeth Somerset and Katherine Somerset.
Prothalamion is written in the conventional form of a marriage song. The poem begins with a description of the River Thames where Spenser finds two beautiful maidens. The poet proceeds to praise them and wishing them all the blessings for their marriages. The poem begins with a fine description of the day when on which he is writing the poem. "Calm was the day and through the trembling air/The sweet breathing Zephyrus did softly play." The poet is standing near the Thames River and finds a group of nymphs with baskets collecting flowers for the new brides. The poet tells us that they are happily making the bridal crowns for Elizabeth and Katherine. He goes on his poem describing two swans at the Thames, relating it to the myth of Jove and Leda. According to the myth, Jove falls in love with Leda and comes to court her in the guise of a beautiful swan. The poet feels that the Thames has done justice to his nuptial song by "flowing softly" according to his request: "Sweet Thames run softly till I end my song." The poem is often grouped with Spenser's poem about his own marriage, the Epithalamion.
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
Prothalamion by E. Spenser, a spausal verse a poem of elizabethan era - piyu...piyush prashant
prothalmion by Edmund spenser
a rare poem
Prothalamion, the commonly used name of Prothalamion; or, A Spousall Verse in Honour of the Double Marriage of Ladie Elizabeth and Ladie Katherine Somerset,[1] is a poem by Edmund Spenser (1552–1599), one of the important poets of the Tudor Period in England. Published in 1596[1] (see 1596 in poetry), it is a nuptial song that he composed that year on the occasion of the twin marriage of the daughters of the Earl of Worcester; Elizabeth Somerset and Katherine Somerset.
Prothalamion is written in the conventional form of a marriage song. The poem begins with a description of the River Thames where Spenser finds two beautiful maidens. The poet proceeds to praise them and wishing them all the blessings for their marriages. The poem begins with a fine description of the day when on which he is writing the poem. "Calm was the day and through the trembling air/The sweet breathing Zephyrus did softly play." The poet is standing near the Thames River and finds a group of nymphs with baskets collecting flowers for the new brides. The poet tells us that they are happily making the bridal crowns for Elizabeth and Katherine. He goes on his poem describing two swans at the Thames, relating it to the myth of Jove and Leda. According to the myth, Jove falls in love with Leda and comes to court her in the guise of a beautiful swan. The poet feels that the Thames has done justice to his nuptial song by "flowing softly" according to his request: "Sweet Thames run softly till I end my song." The poem is often grouped with Spenser's poem about his own marriage, the Epithalamion.
OnBase AP Whitepaper: Four Ways Shared Services Organizations Can Extend The ...Huck Huxley
Great article on intuitive ways to broaden your ERP value - with Electronic Content Management (ECM). Exceptional details on how ECM works alongside your ERP.
English ppt rime of mariner [autosaved]Ian Mohammed
this is English ppt for the rime of the ancient mariner part 4.
I hope you will find this useful.
let me know if you have any comments or suggestions in the comments below
The Rime of The Enciant Mariner by the famous Samual Taylor Coleridge. Introduction of poet , Original lines from the poem, Brief summary, Themes, Symbolization.
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Heart of Darkness (1899) is a novella[citation needed] by Polish novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness.
Central to Conrad's work is the idea that there is little difference between so-called civilized people and those described as savages; Heart of Darkness raises important questions about imperialism and racism.
Originally published as a three-part serial story in Blackwood's Magazine, the novella Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century.
Joseph Conrad acknowledged that Heart of Darkness was in part based on his own experiences during his travels in Africa. In 1890, at the age of 32, he was appointed by a Belgian trading company to serve as the captain of a steamer on the Congo River. Conrad, who was born in Poland and later settled in England, had eagerly anticipated the voyage, having decided to become a sailor at an early age. While sailing up the Congo river from one station to another, the captain became ill, Conrad assumed command of the boat and guided the ship to the trading company's innermost station. He reportedly became disillusioned with Imperialism, after witnessing the cruelty and corruption perpetrated by the European companies in the area. The novella's main narrator, Charles Marlow, is believed to have been based upon the author.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
3. The Rime of the
Ancient Mariner
• The Rime of the Ancient Mariner (originally The Rime of
the Ancyent Marinere) was written in 1797–98
and published in 1798 in the first edition of Lyrical
Ballads.
About
• The Rime of the Ancient Mariner is a literary ballad.
the Poem
4. Structure of the poem
The rhyme pattern of the poem is ABCB, ABAB.
Each stanza is made up of four lines therefore it is a quartet or quatrain.
This is the traditional structure of a popular genre known as ballad.
The “Rime” is a literary ballad and contains the features of the
traditional ballad:
• combination of dialogue and narration
• four-line stanzas
• repetition
• alliteration
• internal rhyme
• themes of travel and wanderings
It's the moral and the didactic aim that makes “the Rime” different from a
traditional ballad.
6. Three young men are walking together to a wedding, when one of them is detained by a
grizzled old sailor. He is transfixed by the ancient Mariner’s “glittering eye” and can do
nothing but sit on a stone and listen to his strange tale.
The Mariner says that he sailed on a ship out of his native harbor and into a sunny and
cheerful sea. The voyage though quickly darkened, as a giant storm rose up in the sea and
chased the ship southward. Quickly, the ship came to a frigid land “of mist and snow,” and
was hemmed inside a maze of ice. But then the sailors encountered an Albatross. As it flew
around the ship, the ice cracked and split, and a wind from the south propelled the ship out
of the frigid regions, into a foggy stretch of water. The Albatross followed behind it, a
symbol of good luck to the sailors. The Mariner then confesses that he shot and killed the
Albatross with his crossbow.
At first, the other sailors were furious with the Mariner for having killed the bird that made
the breezes blow. But when the fog lifted soon afterward, the sailors decided that the bird
had actually brought not the breezes but the fog; they now congratulated the Mariner on
his deed. The wind pushed the ship into a silent sea where the sailors were quickly
stranded. The ocean thickened, and the men had no water to drink; as if the sea were
rotting, slimy creatures crawled out of it and walked across the surface. At night, the water
burned green, blue, and white with death fire. Some of the sailors dreamed that a spirit
followed them beneath the ship from the land of mist and snow. The sailors blamed the
Mariner for their plight and hung the corpse of the Albatross around his neck like a cross.
7. A weary time passed; the sailors became so parched that they were unable to speak. But
one day, the Mariner saw a ship, moving toward them. Too dry-mouthed to speak out and
inform the other sailors, the Mariner bit down on his arm; sucking the blood, he was able to
moisten his tongue enough to cry out, “A sail! a sail!” The sailors smiled, believing they
were saved. But as the ship neared, they saw that it was a ghostly, skeletal hull of a ship
and that its crew included two figures: Death and the Nightmare Life-in-Death, who takes
the form of a pale woman with golden locks and red lips. Death and Life-in-Death began to
throw dice, and the woman won, whereupon she whistled three times, causing the sun to
sink to the horizon, the stars to instantly emerge. As the moon rose, chased by a single
star, the sailors dropped dead one by one—all except the Mariner, whom each sailor cursed
before dying. The souls of the dead men leapt from their bodies and rushed by the Mariner.
Alone on the ship, surrounded by two hundred corpses, the Mariner was surrounded by the
slimy sea and the slimy creatures that crawled across its surface. He tried to pray but was
deterred by a “wicked whisper” that made his heart “as dry as dust.” He closed his eyes,
unable to bear the sight of the dead men, each of who glared at him with the malice of their
final curse. For seven days and seven nights the Mariner endured the sight, and yet he was
unable to die. At last the moon rose, casting the great shadow of the ship across the
waters; where the ship’s shadow touched the waters, they burned red. The great water
snakes moved through the silvery moonlight, glittering; blue, green, and black, the snakes
coiled and swam and became beautiful in the Mariner’s eyes. He blessed the beautiful
creatures in his heart; at that moment, he found himself able to pray, and the corpse of the
Albatross fell from his neck, sinking “like lead into the sea.”
9. Free of the curse of the Albatross, the Mariner was able to sleep, and as he did so, the rains
came, drenching him. The moon broke through the clouds, and a host of blessed spirits
entered the dead men’s bodies, which began to move about and perform their old sailors’
tasks. The ship was propelled forward. At dawn, the spirits flew around the ship, singing.
The ship continued to surge forward until noon, when the ship stopped, then began to
move backward and forward as if it were trapped in a tug of war. Finally, it broke free, and
the Mariner fell to the and heard two disembodied voices in the air; one asked if he was the
man who had killed the Albatross, and the other declared softly that he had done penance
for his crime and would do more penance before all was rectified.
The moon overpowered the sea and enabled the ship to move; an angelic power moved the
ship northward at an astonishingly rapid pace. When the Mariner awoke from his trance, he
saw the dead men standing together, looking at him. But a breeze rose up and propelled
the ship back to the Mariner’s home. As they neared the bay, seraphs stepped out of the
corpses of the sailors, which fell to the deck. Soon, he heard the sound of oars; the Pilot,
the Pilot’s son, and the holy Hermit were rowing out toward him.
As the rowboat reached the Mariner’s ship, the ship sank in a sudden whirlpool, leaving the
Mariner afloat and the Pilot’s rowboat spinning in the wake. The Mariner was loaded aboard
the Pilot’s ship. On land, the Mariner begged the Hermit to shrive him, and the Hermit bade
the Mariner tell his tale. Once it was told, the Mariner was free from the agony of his guilt.
However, the guilt returned over time and persisted until the Mariner traveled to a new
place and told his tale again.
The church doors burst open, and the wedding party streams outside. The Mariner declares
to the Wedding-Guest that he who loves all God’s creatures leads a happier, better life; he
then takes his leave. The Wedding-Guest walks away from the party, stunned, and awakes
the next morning “a sadder and a wiser man.”
10. The poem is written in modified form of ballad stanza. A simple tale of crime and
punishment, it embodies the central thought that the real prayer consists in the love
of God’s creation.
Beginning with the commission of guilt, each part tells of a new stage in the process
towards regeneration and concludes with whatever redemption is possible in this
case.
The sins start from the Mariner shoots the Albatross. The bird is friendly with the
Mariners. It is accepted as a welcome guest. Then almost suddenly, it is killed. This
killing is not something trivial; it signifies the violation of the sanctified relations of
the host and the guest.
The figurative arrangement of this poem is complicated: one speaker pronounces
judgments; the side notes are presumably written by a scholar, separate from this
first speaker; independent of these two voices is the Mariner, whose words make up
most of the poem; the Wedding-Guest also speaks directly.
Coleridge at the start of Part VI introduces a short dramatic dialogue to indicate the
conversation between the two disembodied voices. This technique, again, influenced
later writers, such as Melville, who often used dramatic dialogues in his equally
complicated tale of the sea, Moby-Dick. Here in Coleridge’s poem, this dialogue
plunges the reader suddenly into the role of the Mariner, hearing the voices around
him rather than simply hearing them described.
12. FACE TO FACE: THE ALBATROSS AS A SYMBOL
L’ALBATRO by Charles Baudelaire
Spesso, per divertirsi, uomini d'equipaggio
Catturano degli albatri, vasti uccelli dei mari,
Che seguono, compagni indolenti di viaggio,
Il solco della nave sopra gli abissi amari.
Li hanno appena posati sopra i legni dei ponti,
ed ecco quei sovrani dell’azzurro, impacciati,
le bianche e grandi ali ora penosamente
come fossero remi strascinare affannati.
L’alato viaggiatore com’è maldestro e fiacco,
lui prima così bello com’è ridicolo ora!
C’è uno che gli afferra con una pipa il becco,
c’è un altro che mima lo storpio che non vola.
Al principe dei nembi il Poeta somiglia.
Abita la tempesta e dell’arciere ride,
esule sulla terra, in mezzo a ostili grida,
con l’ali da gigante nel cammino s’impiglia.