Character Analysis Of Arnold Friend In Where Are You Going, Where Have You Been

The Main Characters In Where Are You Going, Where Have You...
Short stories that follow young individual's lives as the main characters are always the most enjoyable in my opinion. In John Updike's "A&P" and
Joyce Carol Oates "Where Are You Going, Where Have You Been?" We as the reader are introduced to two teenagers through the author's imagination.
Not only are these two characters close in age, but they are also subjects to much older antagonist weighing down on some decisions at hand. Sammy,
the cashier in "A&P" by John Updike is tested when three girls his age come into his grocery store in beach attire. While Connie, the conceited teenage
girl in "Where Are You Going, Where Have You Been?" byJoyce Carol Oates is approached by a mysterious boy–man who manipulates her.
"A&P" is narrated in first person by a teenage boy named Sammy; who just happens to be the cashier of the small midtown grocery store on the
east coast when three teenage girls in beach attire decide to walk in and catch his eye. Sammy's excitement towards the girls, specifically Queenie,
goes so deep that he mistakenly rings up the wrong customer's HiHo crackers twice when he starts getting hell from the witch like old lady. Sammy
watches very closely as the three girls make their ways down the aisles. He describes each girl in perfect sequence from head to toe. Not one feature
slips Sammy's mind it seems. Not only is Sammy in absolute awe over these young woman's beauty, he is also astonished that they are in the grocery
store with nothing but bathing suits on.
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Character Analysis Of Arnold Friend
Arnold Friend, Joyce Carol Oates's antagonist in "Where Are You Going, Where Have You Been?" is a man that persuades Connie, the
fifteen–year–old protagonist and target of Arnold's thirst, into abandoning her home, her family and succumbing to his power. Observed through the
supernatural lens, Arnold Friend can be described as a malevolent force that displays many characteristics of a vampire.
The story is third person (limited omniscient) told from Connie's point of view and Connie's dreadful introduction starts when Arnold sees her at the
drive–in the night before and "wagged a finger and laughed," saying "Gonna get you, baby" in response to Connie's smirk (Oates 319), giving away
his true desire for Connie. From the very beginning, Arnold is the eerie static character and that eerie feeling is what compels Connie to look at him
twice.
Most of the activity takes place at the threshold of Connie's home. "Thresholds have historically held significant symbolic value, and a vampire cannot
cross a threshold unless invited"(Dundes). Arnold knows he cannot cross the threshold and makes multiple persuasive statements like "honey, I'm not
coming in there but you are coming out here," (Oates 328) and "I ain't made plans for coming in that house where I don't belong but just for you to
come out to me," (Oates 330). Equally important, Ellie Oscar, Arnold's driving companion, exhibits traits of being a vampire's familiar. A familiar is a
mortal human that is subservient to a vampire

Biography of Margaret Atwood Essay example
There are many female writers, some known better than other. Female writes most of the time focused their stories in experiences or personal point of
view on what is going on around them. Other women write fiction of unusual worlds and character that people can relate to with the struggle or
experiences. Margaret Atwood the "Canadian nationalist poetess is a prominebt figure concerned with the need for a new language to explore
relations between subjects and society" (Omid, Pyeaam 1). Atwood wrote her first novel called, "The Edible Woman"; this first novel categorized her
as feminist, based on the main character of a strong woman. In an interview with Emma Brockes, Atwood affirms, "First of all, what is feminism?
Second, which branch of ... Show more content on Helpwriting.net ...
Margaret Atwood's works have been categorized as feminist however she doesn't consider herself a feminist, she argues that her work describes her art
by the feelings she wants to portray in her stories.
First of all, Margaret Atwood is well known for writing fiction with strong female characters that critics categorize her as feminist. Her initial works,
"The Edible Woman", "Dancing Girls", "The Robber Bride", and "The Handmaid's Tale" are some of examples of her works that are categorize as
feminist. Those novels of strong woman describe, "The main characters variously indulge in self–invention, self–mythologising, role–playing, and
self–division, while identity is presented as unstable and duplicitous throughout the novels" (McCarthy 3). Atwood has that unique style to describe her
characters. She elucidates the woman as their own self to invent their life and their environment through the entire novel. Atwood has a twisted
technique for giving her work a jubilant name when the words describe the opposite. One example of that is her short story collection, "Dancing
Girls", Atwood, "bears a surprisingly joyful title for a series of narratives shot through with anxiety and fear, with images of death, deformity,
lifelessness and contained rage" (Murray 1). Atwood has an incredible way to write stories where the characters go through gruesome obstacles or
experiences that define

Arnold Friend Symbolism
Joyce Carol Oates' story "Where Are You Going, Where Have You Been?" could be read in a completely literal sense. A man abducts a young girl
from her home using psychological torment. At first, it seems like a mostly regular serial killer story. But, when analyzed, it is truly much deeper. Even
though Arnold Friend might seem like just a psychopath, could he perhaps be something even more sinister? Could he be something not even human?
This and many other observations show that Oates truly has a lot to stay with her story– and the reader has much to think about as well. Within the
story, Arnold is described as a very unnatural person. He knows things that are seemingly impossible to know, such as where Connie's parents are. His
physical description is unnatural, described that "He was standing in a strange way, leaning back against the car as if he were balancing himself"
(Oates 46). This possibly could mean that he doesn't have human feet, but some creature–like feature instead. The devil in many portrayals has hooves
instead of human feet,... Show more content on Helpwriting.net ...
On top of Arnold Friend being the Devil, the story is him taking her to her afterlife. The story's lack of closure is due to the fact Connie is going to
Hell. Like Hell, the only person who knows Connie's fate is the Devil and Connie. When Arnold Friend gives Connie his "mark" it represents a
physical "label" that sinners would have when they are "marked" to go to hell after they die. She is unable to escape Arnold, and in a realistic
situation she could have tried more to escape Arnold. But throughout the story, she is unable, which shows that Arnold has a supernatural power over
Connie, and it taking her to Hell. She also has an out–of–body experience at the end where she "watched herself push the door slowly open as if she
were safe back somewhere in the other doorway," (Oates 160). This shows that she has died and that she has transformed into a spirit, or something

Arnold Friend
"Where are you Going, Where Have You been?" (The Mind of a Serial Killer) The short story, "Where are you Going, Where Have You been?" by
Joyce Carol Oates the story of man, Arnold Friend, who preys on young girls. The story is based on the real life serial killer, Charles Schmid, of
Tuscon, Arizona. Oates' story describes how Friend stalked a 15 year old girl name Connie. He learned a great deal about her, presumably from
following, eavesdropping, and talking to people who knew her. When he was sure she was home alone, he paid her a visit and managed to smooth
talk her into going for a ride with him. The story ends there; Oates does not elaborate on what happened to Connie. However, knowing the real life
story on which Oates based this character,... Show more content on Helpwriting.net ...
Are these men not human? Do they not have an ounce of empathy? If not, why not? These are the questions this essay attempts to explore. In his book
Speaking with the Devil: Exploring Senseless Acts of Evil, psychotherapist Dr. Carl Goldberg, claims that "six concepts are crucial for understanding
the problem of malevolence: shame, contempt, rationalization, justification, inability or unwillingness to self–examine, and magical thinking.." (xiii).
Dr. Jonathan Pincus, a neurologist at Georgetown University Hospital, states that he knows what makes a serial killer. Pincus claims there are three
ingredients to the recipe that makes a serial killer. Damage to the area of the brain that controls impulse is one of the key ingredients. Upon
examination, John Wayne Gacy was found to have a blood clot in the brain, Charles Whitman had a brain tumor, and Arthur Shawcross has a cyst in
the frontal lobe as a result of frequent head injuries as a child. (The Science of Murder). Injury to the brain by itself is not an indication that one
becomes a murderer. Another key ingredient is a mental illness that produces paranoia, delusions, and hallucinations. The mentally ill personal does not
always understand the concept of cause and effect which, therefore, impairs judgment. Again, mental illness by itself will not usually make a killer. If,
however, a mentally ill person with brain damage has

Hurricane Ima Reflection
Millions of Floridians evacuated up north during Hurricane Irma but I was one of the few that stayed behind. Since I work for Residential Life I
stayed behind as an essential personnel, helping over 600 students take shelter in Parkview Hall and keep calm during the hurricane. Overall, the
week of the hurricane was one of the most challenging weeks I think I have ever experienced. It's so unfortunate how Hurricane Irma affected so
many homes, businesses and lives. I am extremely grateful to be safe and sound. In my first year as a graduate student, I witnessed history which is
something I learned a lot from.
On Friday, September 8th the Residential Life staff got together for a meeting, that included Graduate Assistants, Residence Life Coordinators,
Associate Directors, the Assistant Director, the Director of Housing and the Director of Residential Life. In addition, FIU police department officers
were in the meeting. When I arrived to the meeting we received the news that we were evacuating to Parkview Hall. We had two previous meetings
during that week to talk about Hurricane Irma, but the plan was always to "shelter in place" which meant residents had to stay in their bedrooms and
could not leave their residential hall. However, this time around, Hurricane Irma turned into a category 5 and was headed in our direction which
meant we had to evacuate to the safest residential hall on campus which is the west side of Parkview Hall. During the meeting we came up with a plan

Compare And Contrast A & P And Where Are You Going Essay
Adventures come and go, and our opportunities in life can be so limited. Some of us take the path placed before us and other walk astray. Without
pleasures and vices, we just become zombies to society and victims of repetition. In these three stories: A&P by John Updike, Greasy Lake by T.
Coraghessan Boyle, and Where are you going? Where have you been? by Joyce Carol Oates, our protagonists undergo experiences where there is a
lose of innocent and insight is gained. Like the characters we fade from the world that is expected of us and make choice we must live with. Many of
us decide that we must take risk in order to prove that there is value to the extremities of life's gifts, and without those little heaps of enjoyment our
entire existence becomes bland. We all try to stay young and not let societies norms destroy the fun and happiness that unstructured participation gives
you, but in order to survive in our materialist, monopolistic, capitl–laisefaireian society one has to grow up and make real life decisions. Our innocent
is lost when doing so and to conform is almost as bad as to rebel. ... Show more content on Helpwriting.net ...
The local, voluptuous girls come in to shop, immediately catching the eye of the disaffected, libidinous teenager. Sammy nevertheless as all
humans do, judges the girls, and undermines their complexions'. Its not a factor of maturity here but jut a common facet that we all partake in.
Like a typical 19 year he ogles the girls with excitement out of his purely juvenile demeanor. Although, Sammy, ends up quitting his job because of
his need to show off his napoleon complex; His boss sabotages his dream of getting the "girl" and learns a hard lesson. Sammy learned how valuable
our decisions are and if we will give in to our desires we must be willing to accept the

Theme Of Arnold Friend
Joyce Carol Oates's story Where are you going, Where have you been? Has struck a chord amongst those who have read it. Her tactful use of
manipulation creates a superb sense of anxiety and fear as the plot develops into a psychological rollercoaster of manipulation and interpretive
meanings. Although the antagonistic character of Arnold Friend could be viewed as a blank vessel to represent violence or even sexual attraction, his
off–putting mannerisms and unnerving persistence seems to have a sinister backing, which leads me to believe that Arnold is the personification of the
devil. The first introduction to Arnold takes place at a local diner, where Connie, our fifteen–year–old protagonist, is on a date. As Connie begins to
walk towards her date's car, she catches the eyes of a man in a gold jalopy. This man, later known as Arnold, grins at her, wags a finger and says
"Gonna get you, baby," (Page 1, paragraph 7). The writing of this scene gives off the impression that although this man appears to be creepy, he is
nothing more than a by–passing, or background if you will, character. The threat of seeing him again feels less than likely as Connie turns away and
continues on.... Show more content on Helpwriting.net ...
Upfront, Oates allows Connie to openly describe the looks of Friend. His hair is black and shabby and appears to be a wig. The wig could be
hiding something he did not want her to see. His nose is "hawklike," which could be interpreted as an indication of his "predatory nature."
(Westwood, para. 5). As Connie begins to grow weary, her descriptions of Arnold elucidates that he is not tall, and is much older than he claims.
Connie even goes as far as to say that Arnold's face was like a mask, and appears to have had "plastered makeup" on his face, but forgot to bring it
down onto his neck. (Page

Where Are You Going, Where Have You Been? By Joyce Carol...
When the short story "Where Are You Going, Where Have you Been?" written by Joyce Carol Oates was first published, there were many
controversies to the theories and interpretations regarding the story. According to the author Oates, the inspiration of the story was based on "the tale of
Charles Schmid, a twenty–three–old from Tucson who cruised teenage hangouts, picking up girls for rides in his gold convertible. Eventually, he
murdered three of them, while other teenagers served as accomplices" (Coleman et al. 211). With knowing such fact of where the author got her
inspiration, there is a clear understand to why many critics have suggested that the antagonist in the story, Arnold Friend, represents: feminist allegory,
fear of the adult world, rebellion against the conformity, and symbolism of monster or even Satan. Upon reading the story, it was determined that the
protagonist named Connie is a 15–year old teenager who is attractive and full of temptations. She constantly lies and disobeys her mother, where she
finds herself in danger due to her obsession with vanity. Connie is constantly in state of turmoil, where she is questioning her identity and her double
standard life style confirms her behavior: Everything about her had two sides to it, one for home and one for anywhere that was not home: her walk,
which could be childlike and bobbing [...]; her mouth, which was pale and smirking most of the time, but bright and pink on these evenings out; her
laugh, which was cynical and drawling at home [...], but high–pitched and nervous anywhere else, like the jingling of the charms on her bracelet"
(Oates, 200). It is disappointing that Connie's behavior could not be controlled. Unfortunately, she did not have a good adult figure in her life that
could have helped her to establish better morals and values. Connie's mother was constantly scolding her and comparing her to her sister June: "Her
mother, who noticed everything and knew everything [...], always scolded Connie [...], Stop gawking at yourself" (199), Her mother was always
comparing Connie with her sister June who was "plain and chunky and steady [...] June did this, June did that, she saved money and helped clean the
house and cooked and Connie

A Short Story : A Story?
I stepped out from the corner, my rifle up and at the ready as I aimed down sights and swept the length of the dusty, dimly lit hallway. Slowly,
cautiously, I panned the barrel of my weapon back and forth– over filing cabinets standing alone or fallen on the floor, across small tables stationed
near the doors leading into the classrooms lining the hall... nothing. It was empty. But it didn't feel that way. My wrists itched. I didn't know what had
me on edge, but not long after we'd hit a bust on the first few room's Blasto and I had gone through something had just felt... off. I'd been somewhat
expecting to encounter more of the big mutants, or maybe other people scavenging for something, but– I snapped my rifle up and to the end of the hall
as something interrupted the light coming in through a non–boarded up window... I blinked. It was nothing, and that was the problem. "My offer still
stands you know." Blasto singsonged, floor creaking as he stepped up behind me and I stepped aside to let him walk past with the looming Orkan,
his hard case swinging as he loped along. I just rolled my eyes and followed as he made for the first door in the hall. "For the last time, I'm not
smoking with you." "You're too high strung, though. You're getting paranoid. One hit isn't
–" "No is no, not even to 'take the edge off'," I interjected.
"Besides, if you think I'm being paranoid then why do you have your revolver out," I shot back. "Because there's being paranoid, and then there's

Sara Smile: American Musical Duo Hall And Oates
"Sara Smile" is a very notable song from the seventies. American Musical Duo Hall & Oates released the hit song in January 1976. The song
brought much attention and credibility to the duo by reaching number four in the Billboard Hot 100. "Sara Smile" was the second single in the
Daryl Hall and John Oates Album produced by RCA Records. The song was written about Hall's longtime girlfriend and collaborator, Sara Allen.
Hall describes the song as "a postcard." The couple broke up after 28 years, but the situation doesn't affect the romantic appeal of the song (Sara Smile
by Hall & Oates Songfacts). Hall proclaims his love for Sara's love in the line "it's you and me forever (Sara Smile)" although it wasn't forever the
song still had a genuine ... Show more content on Helpwriting.net ...
Boyz II Men have extremely impressive harmonies, but there is such a thing as overdoing it. The excessive incorporation of harmonies and legato
makes the song sound messy and exaggerated. The harmonies make the song feel more sexualized, contributing to the less romantic feel. I applaud
Boyz II Men for staying true to their genre and style, but it took away from the passion and original Hall & Oates vibe. Overall, the cover felt like an
attempt to impress a girl by using vocal skills in

What Is The Literary Symbolism In Where Are You Going...
"Where Are You Going, Where Have You Been?" is considered to be one of the best short stories ever to be written and it seems that it will keep
attracting readers. This short story is filled with interesting characters and ideas. The most interesting characters being Arnold Friend and his buddy.
Arnold is the main antagonist in the story and always carries this very creepy vibe with him throughout the story. The author uses these two characters
to symbolize evil in our society and connect it to religion. As well as introducing a time period where traditional America was fading. AuthorJoyce
Carol Oates also uses many different types of literary devices to guide the reader to make his or her own meaning of the story. These literary
devices very from symbolism, bibliomancy, and foreshadowing. Arnold and his friend are straight up serial killers going on a killing spree looking
for their next victim. The author links religion into the story through Arnold and his friend giving them characteristics similar to the devil in bible
stories. Arnold has a very persuasive attitude making people start thinking the way he does. Convincing them to do things they should never do just
as in the biblical story of Adam and Eve and sadly Connie was victim to this. For example, when he first appeared to Connie at her house he was
dressed like a young individual making the reader and Connie believe he's just another normal teen.
"Connie liked the way he was dressed, which was the way all of

Essay on Transition in Where Are You Going, Where Have...
Transition in Where Are You Going, Where Have You Been
Each of us experiences transitions in our lives. Some of these changes are small, like moving from one school semester to the next. Other times these
changes are major, like the transition between youth and adulthood. In Joyce Carol Oates' "Where Are You Going, Where Have You Been?", the author
dramatizes a real life crime story to examine the decisive moment people face when at the crossroads between the illusions and innocence of youth and
the uncertain future.
Joyce Carol Oates' message of life and transitions is best understood when the reader brings his or her interpretation to meet with the author's intention
at a middle ground. This type of ... Show more content on Helpwriting.net ...
Oates herself admits the connection, claiming she wrote the story "after having read about a killer in some Southwestern state" (Reaske and Knott
720) in a magazine. Oates' use of an actual story around the time she wrote her piece shows how she was intensely affected by the violence that
occurred around her during the time she lived in. This touches on Biographical Criticism, which stresses both the life of the author and how that life
affected them as an artist. The story Oates draws from is that of Charles Schmid, who (perhaps with an accomplice – though this was never proven)
raped and killed a young girl named Alleen Rowe. The details of this story are undeniably repeated in Oates' tale through both the plot and the
characters. Connie, the victim in Oates' story, has much in common with actual victim Alleen. Both were fifteen at the time of their encounter with
their predator. Both had just finished washing their hair and were home alone when their attackers came to their house. Both girls were lured from their
house into the arms of their attacker: Connie was presumably headed for the remote wilderness with him, while Alleen was actually taken there. Alleen
was raped and beaten to death, and the threat of rape is frighteningly apparent for Connie – though the question of her death is left up to the reader.
Connie's attacker tells her, "'I'm your lover. You don't know what that is yet, but you will'" (Oates 710). The predators of both girls also had much in

Joyce Carol Oates Where Are You Going Where Have You Been
The Devil in Disguise Joyce Carol Oates's "Where Are You Going, Where Have You Been?" describes the story of a fifteen
–year old girl named Connie
who does not seem to have a care in the world. The story takes place in the seventies. Connie is a girl who just wants to have fun and is all about her
appearance and boys. In the beginning of the story, you understand the relationship between the mother and Connie. The mother appears to be
malicious of her young and beautiful Connie saying such harsh things about her beauty, "Stop gawking at yourself, who are you? You think you're so
pretty?" (145). Her sister June, who the mother constantly compared Connie to, was plain and steady and did not care about her all the things like
young Connie.... Show more content on Helpwriting.net ...
On the side of the car was labeled 33, 19, and 17. Arnold goes on to tell Connie how he knows she is alone and that he knew her family was out at
her aunt's barbecue. Arnold calls out to Connie, trying to lure her out, and Connie becomes frightened of Arnold Friend after seeing his hidden
appearance of his true age. Friend seemed to hide his old baby face with make–up and young–looking clothes. He continues to tell her how he promises
to not go inside as long as she comes out to him. Connie decides to go back inside the screen door after being in complete fear of Arnold. He tells
her how if she calls the police that he will then go inside and break his promise to her. After Arnold continuously scares the light out of Connie, she
reaches for the phone as if she was going to call for help. He comes up to the screen door, but does not go inside keeping his promise. His final
ultimatum to lure Connie out was to threaten hurting her family. She finally comes out and gives into Arnold Friend, fearing for her life. Throughout
the story, Arnold Friend blatantly displays a sense of evil and the devil in disguise. He also maintains the idea that he is sinister and dark and has no
business being around Connie. The hidden figure within Arnold Friend is the devil himself in disguise. His manipulation and keen sense of words lures
Connie out into the evil. The numbers and the detailed description of

A Continued Study Of The Real Life Story Behind
Diana Dean
ENG 1102
Sandra Rourke
December 7, 2014
A CONTINUED STUDY OF THE REAL LIFE STORY BEHIND
"WHERE ARE YOU GOING, WHERE HAVE YOU BEEN?"
AND OF SERIAL KILLERS IN GENERAL
The name of the man behind Joyce Carol Oates's short story, "Where Are You Going, Where Have You Been?" is Charles Schmid, Jr. or "Smitty"
as he was called by most everyone who knew him. I use both names interchangeably. The names of Schmid's victims were Alleen Rowe whom he
killed on May 31, 1964, with the help of two friends, John Saunders and Mary French; and Gretchen Fritz, and her sister, Wendy Fritz, whom he killed
on August 16, 1965. My outside research on Charles Schmid, Jr. included reading the book, "Cold–Blooded, The Saga of Charles Schmid, the
Notorious 'Pied Piper of Tucson'" written by John Gilmore; reading the book, "Catching Serial Killers: Learning from Past Serial Murder
Investigations" written by Earl James; and searching "Charles Schmid, Jr." and "serial killers" on the Internet. How the minds of serial killers work is
a very interesting subject indeed. I marvel at how a person could take the life of another human being – and enjoy it. Motivations behind one wanting to
kill another can stem from feeling dismissed or rebuffed, the need for power and the need for perfection. It is also possible that a serial killer is trying to
overcome some sort of physical limitation. In Charles Schmid's case, he stood a mere 5'3", yet he was in extremely good physical shape and excelled

Good vs. Evil in John Cheever's The Five-Forty-Eight Essay
Good vs. Evil in John Cheever's The Five–Forty–Eight
John Cheever was an award winning American author of the twentieth century. His work often possessed 'psychological and religious vision' with
central themes of 'sin, deception, and redemption' (Kennedy, 551). Cheever's short story entitled 'The Five–Forty–Eight' portrays a struggle of good vs.
evil. Following the themes of sin, deception, and redemption, we read of a young woman (good) seeking revenge for the evil done to her. Through the
course of the story the reader can distinguish between the traits of good and evil.
The Webster's dictionary defines evil as 'that which is morally wrong.' Blake has some distinct morality issues. Blake, the evil force in the story,
possesses ... Show more content on Helpwriting.net ...
His relationships are not the only area of his life that we see Blake?s evil nature rise. There are subtle hints of his self obsession throughout Cheever?s
story. Early on in the story, Blake is admiring himself in a plate glass window and sees himself with ?a clear reflection? and the crowds ?like
shadows at his back? (551). He then sees Mrs. Dent as a ?contorted being? (551) in the same window. Blake sees himself as a flawless creature of
complete perfection with the mass of city pedestrians as a blur behind his faultlessness, and he can easily pick out the imperfections in other
individuals. He sees himself as the ultimate perfection, instead of seeing the negative impact he has on his friends and family. His negative interactions
with friends and family are the evil force that breaks his relationships. There is no mention of any moral actions performed by him.
We find yet another example of Blake?s immoral actions through his self–conceit. He fails to comfort a crying Mrs. Dent, ?he felt too contented and
warm and sleepy to worry about her tears? (553). Blake has no compassion for others; he only worries about his own affairs. This is indicative that
Blake is morally wrong.
Blake so genuinely sees himself as perfect that it is virtually impossible for him to accept any minor mistakes he makes. When he first comes across
Mrs. Dent after their affair, he is surprised to find that he cannot

Arnold Friend Character Analysis
William Phillips
Ms. Poarch
English 12
16 November 2017
I Am Staying Here, I Have Not Moved (as a response to the title of the story) Have you ever had a strange encounter in a dream? In the realm of
dreams, strange experiences are not uncommon. In Joyce Carol Oates's psychological thriller "Where Are You Going, Where Have You Been?" the
author explores the main character's sexual awakening through a dream sequence. Throughout the short story it can be determined that the story is a
dream sequence through characterization, dialogue, and setting. The characterization of Arnold Friend in the short story gives the reader many clues
as to his nature. In the short story, Arnold Friend is shown to be strange, almost unreal, through his characterization. The following is a good example:
One of his boots was at a strange angle...'anybody can break through a screen door and glass and wood and iron or anything else... If the place got lit
up with a fire, honey, you'd come runnin' out into my arms...' Connie somehow recognized them – the echo of a song from last year. (Oates 7)
In this quote from the short story, one of Arnold's boots is at a strange angle. This is likely uncomfortable, however, a character in a dream would have
no concerns with comfort. Not only is his boot at a strange angle, but he says that "anyone can break through... iron," which is unrealistic. This helps
make Arnold seem unreal, along with Connie's recognition of the words that Arnold is using. She remembers them

Analysis Of Where Are You Going Where Have You Been
In Joyce Carol Oates's short story "Where Are You Going, Where Have You Been," Connie, the protagonist, is a fifteen
–year–old girl who tries to act
as if she is much older than she really is. She takes part in dangerous activities and lives a life that no young girl is supposed to live. She finds herself
in trouble when Arnold Friend, the antagonist, pays her a visit and she is unable to successfully deal with the situation. Some major themes in this short
story include teenage rebellion and loss of innocence. Oates's story shows that in life, we go through many situations that we disagree with, sometimes
is our parent's instructions or simply the law. By rebelling we can lose our innocence, change our society, and better ourselves.
Connie was living a double life and demonstrates this by wearing "a pullover jersey blouse that looked one way when she was at home and another
way when she was away from home" (Oates 95). She was not necessarily the perfect daughter at home, but she was far worse when she was out
with friends. It was evident that she dressed the way she did to get attention from young men. However, she had no idea what type of attention she
was going to receive and from who. This appears to be a problem for her because she is completely unprepared for the kind of attention she receives.
Connie is merely a young self–absorbed girl who had the "habit of craning her neck to glance into mirrors, or checking other people's faces to make
sure her own was all right"

Descriptive Essay About High School
School Halls Malcolm was sprinting up the hallway the fastest he ever had before. He was followed by Shay and Rolfe who was freaking out as
usual. "Come in here" Shay yelled The three ten went into a dark room at the end of the hall. They were all panting and used all their strength left
to block the door to stop the fierce beast form comin in, BANG! 24 hours earlier 3:15 Friday afternoon Malcolm, Shay and Rolfe are sitting in
detention waiting for their teacher to come in. "Where is she ?" asked Rolfe "She will be here in a minute . . ." Replied Shay " Well she's not here
so i'm going to go look for her. Who's comin with me?" Malcolm requested "NO!" yelled Rolfe we are staying here and will wait for her it's the
right thing to do. But Shay and Malcolm ignored him and left the room and of course Rolfe followed. "Where are we going first" Rolfe asked "I
don't know anywhere we will just look around until we find someone" Malcolm replied After searching the halls for ages they decided to go back
into the classroom collect their belongings and go if there wasn't a teacher. But when they walked in they saw more then one of the teachers they
saw the whole school's staff sitting against the walls in line to be torn apart by three giant spiders. We walked in at the right time to see the Principle
the last staff member left killed in front of us. When Rolfe walked in and saw the spiders his biggest fear he screamed this echoed down the school
halls over and over again.

Analysis Of The Poem ' The Blazing Sun '
"Twinkle, twinkle little star, how you wonder what we are..." The ghostly figures sing, standing in the hall. Everything goes dark, but Daniel can
hear voices talking. He is unable to make out what they are saying though. It sounds like a different language of some kind. There is one word he is
able to recognize, 'Virgo'. "Hello, what is going on?" Daniel says, hoping for some kind of answer. The chatter of voices continues, as if Daniel said
nothing.
"When the blazing Sun is gone..." Repeats as it did earlier. Daniel isn't able to move, almost as if he is paralyzed. The chatter between the various
entities continues, and increases in speed.
Daniel grunts, holding his head. "What..." He stopped briefly to sit up. "What happened? Where am I?" Daniel got up and braced himself against the
wall. He could barely see anything. He glanced to the light fixture. "Ah crap!" He yelled, turning his head away quickly. He could hear the echo from
the yell as it went through the hallways. Daniel got himself on his feet, slightly dazed. He notices the dark outlines of the boxes in the room. It appears
as though Daniel is in another storage room.
Where am I? What's going on? Why is everything so dark, but the light fixtures so bright?
Daniel can hear people talking in the hallway outside of the room he is in. He makes his way out the door, using the wall to brace himself. As he
looks into the hallway, he can still hear the people talking, but there doesn't appear to be anyone around. Everything

Foxfire The Boy Gang
1.) How is Foxfire a different gang from the others in the previous works we read for class? How is this gang similar? What is significant about the
differences?
In other works all the main groups where boys gangs. The common trend that pulled all the main boy gang groups is the fact that they all came from
similar past and where poor. For this girl gang it's more of what seem like a popular content and people just followed legs. For instance, when Legs
was running from the police she went Maddy's room even though she had a best friend plus the author clearly shows that inference. Incoluntion all the
formally created gangs where bond to their name since they depend on each other for a family support, this scenario was incorporated fairly ... Show
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Joyce Carol Oates create Maddy to be interested in the gang yet decline the more outrageous schemes is to keep the follow with all the members of
the group because she is the easy to connect with and has the appeal as the peacemaker. Thinking from the author's view Maddy is not popular,
which means she is down to earth. Maddy is not dum, so she has a good head on her shoulder which means that she knows right from wrong. Also,
knowing that her mom was a basket case where she was a promiscuous woman that was a druck as well, this is mentioned throughout the book. All
this put together makes it clear she joined to gange to have a family type that she was not getting from home but was not dum enough to get herself in
real

Susan GlaspellвЂ™s Trifles Essay
The first reading I enjoyed was Susan Glaspell's "Trifles". The main character in the plat is a sheriff, his wife, the county attorney, and Mr. and Mrs.
Hale. The opening scene is all of them in John Wright's kitchen. Mr. Hale tells the sheriff and attorney how he a visited the house on the day before
day and Mrs. Wright greeted him but her demeanor was little suspicions. She told him that her husband was upstairs dead. She says she was asleep
when someone choked her husband to death. All the men suspect she is the murderer. While the men look for evidence in the house they criticize Mrs.
Wright's housekeeping skills and that really irritates Mrs. Hale and Mrs. Peter, the sheriff's wife. While the men continue to look around the house,...
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They were on their way to New York City and had about a week left onboard. They are manly type of men. Yank, is the know
–it–alls woker. When
Yank speaks the men listens. Yank is a proud man. Paddy was the eldest of the men. He felt work life onboard the Ocean Liner was a piece of cake
compared to his work onboard a Clipper Ship. Mildred, a wealth passenger volunteered with Manhattan's Lower East Side's less fortunate and was
on her way to do volunteer services in Europe. Mildred's Aunt believed Mildred's service to the less fortunate is "slumming" and does not
understand why she has to do it in another country. She takes a tour of the ships and walks into the men work area. She walks in on one of Yank's
rants. Disgusted by Yank's appearance and behavior she mumbles that he was a filthy beast. Paddy told Yank Mildred looked at him like he was a
big "hairy ape." That angered Yank. Yank ends up getting arrested because he makes a Gentleman in Manhattan miss his bus. While Yank is
imprisoned on Blackwell's Island he finds out that Mildred's father built both the physical and metaphorical cage that had him trapped. His fellow
prisoner tells him he should join the Wobblies or the Industrial Workers of the World. In Scene Seven, Yank visits the local I.W.W. but they kicked him
out because the Secretary thought he was a government spy. In the eighth scene, Yank tried to become friends with an ape.

The Major Themes Of Andre Dubus Killings In Brownies By Zz...
Throughout our time in literature we have read poetry, short stories, and watched plays. As we did this we were able to break down the key
components of each literature piece, by getting deep into the stories and poems and plays and finding the real meaning and background of them. We
were able to figure out all the themes, plots , more on the character's personalities. As we read these literature pieces i have noticed a lot of the works
themes are the same. About love or death and racism. But all those themes are a real reality to today's world. A short story we read in class that stuck
out to me was "Killings" by Andre Dubus. This short story involved in several aspects of theme such as revenge, morality and murder. The major
theme of the Andre Dubus killings is how far someone would go for the person they love. I believe Andre dubus made the title Killings and not
Killers for a very good reasoning as we talked in class. Such as the story focuses on two deaths of two murders. But it focused more on death of
marriage, friendship, love and trust. This story challenged me to think if i would go that far for someone i love. "Brownies" by ZZ Packer is a great
short story about racial segregation. The theme in the story shows a lot of hostility and racial prejudice. For example the brownie troops at the camp
appear to be either all–white or all–black. There were no mixed race troops. Brownies is told by a african american child's perspective. ZZ Packer
states in her story a lot

Analysis Of Joyce Carol OatesWhere Are You Going, Where...
"Where Are You Going, Where Have You Been?" by Joyce Carol Oates is based on a real
–life event of Charles Schmid Jr. and the murder of multiple
girls. The short story is designed around this historical event and has several key points that are comparable to both the story and the event. This
story starts with a girl Connie who, like any typical teenager, is very flirtatious with a lot of guys; one person, in particular, Arnold Friend, is
portrayed as a cougar. He shows up to Connie's place, takes her somewhere and what's left is an inferred cliffhanger. The short story gives a more
effective ending as it leaves the reader in a state of deep and complex thought in relations to the sudden and abrupt ending. Threats such as burning
Connie's house down, stopping her heart, and "going for a ride" are red flags that hint at Connie's near future. In the movie Smooth Talk by Joyce
Chopra, Connie is very 'productive' and goes to places such as the beach and the mall to look at and flirt with teenage boys. It is evident as to what
consequences will follow when she meets the wrong guy. To start off, Connie goes to the movies. Against her word of telling her parents that she was
going to the movies only, however, she makes a turn towards the mall and hangs out with two friends. Connie goes to a bathroom and does her
makeup and dresses nicely. Knowing that she is trying to make herself pretty, she does it to put herself in a more open, vulnerable position. After some
time, she goes to a

Analysis Of Joyce Carol Oates 'Where Are You Going, Where...
In the short story, "Where Are You Going, Where Have You Been?", Joyce Carol Oates explores the dynamics of feminism through the protagonist,
Connie. The constant biblical allusions, historically contexted religious oppression, and perhaps even an encounter with the Devil himself, all embody
the hellish connotations associated with the liberation of sexuality, a connotation that feminist movements sought to abolish. The first time we see
Oates' biblical reference is quite explicitly in the story's title itself. According to Michele D. Theriot, a professor in literature at Nicholls State
University, "the title of Oates' story is taken almost exactly from Judges 19:17" (The Old Testament). At first glance, one might find it quite odd that a
...
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"Where Are You Going, Where Have You Been" makes no exception. Standing as a monument to the rejoice of women's sexuality, Oates exploits the
oppressive power that religion holds over females. The biblical references, the historical context, and the personification of religion itself all
negatively weave itself through Connie's life, until finally, she is defeated. To blame Connie for her downfall is to reject arguably the most important
takeaway from the story, which is the harmful implications that religion causes. Had Connie never been placed in such a desperate position for power,
then she would have never abused her own innocence in exchange for romance, and would have never encountered Arnold Friend to begin with.
Eventually, this acquaintance crescendoed into destruction of not only Connie's innocence, but the identity that she holds over her own self. All in all,
religious oppression forces individuals into choosing undesirable lifestyles, and although Connie's "trash daydreams" may have seemed to be her
utmost craving, her true reluctance was revealed with the arrival of Arnold, and Connie ultimately fell to the "patriarchy of men". Hopefully, under the
lessons of Carol Joyce Oates, feminist and advocates alike will not cripple to the same

Innocence Versus The New Er A Vulnerable And Irreversible...
Innocence Versus the New Era: A Vulnerable and Irreversible Choice "Where Are You Going, Where Have You Been," written by Carol oates in
1970, portrays the cultural transition's impact on teenager's behavior in 1960's. The new style of music highly influenced adolescent's behavior,
initiating a revolutionary era. That was a time which culture was rapidly changing. A sexual revolution was taking place, leading people, especially
teenagers, to question the traditional and religious believes from previous generations. In addition, World War II had just ended in 1945, driving
people to promote peace and love amongst themselves, especially through music for the next few decades. Despite all the peace and love movement,
a series of murders began to arise in Tucson, Az. Charles Howard Schmid Jr., a 23–year–old man, brutally murdered numerous girls and made the
national headlines. A creepy predator who was Oates inspiration to create the unscrupulous pedophile character of Arnold Friend. Connie is a
15–year–old girl who lives an ordinary life; confused about the girl she is, and the woman she is becoming. Being a teenager is not an easy thing
overall, for any girl, in any era. Furthermore, she lives in a fast–paced, transitional phase in America; a phase which rock and roll is considered, "the
devil's tool," to most parents; rock and roll lyrics began to be more explicit and provocative, hence, leading the young generation to break the
traditional rules of a conventional era.

Death And The Maiden Short Story
Don't you know who I am? Intro Hook"Where Are You Going, Where Have You Been?" by Joyce Carol Oates, was originally entitled "Death and
the Maiden." In this short story, Oates provides internal events in the form of excitement and suspense. These internal events are also the climax.
Arnold Friend, the demonic adversary, causes Connie, the protagonist, the anguish which drives the plot. Arnold Friend persuades Connie to
cross the threshold into the adult world and lose her innocence. Home life Friend first noticed Connie when she was at the diner, her parents did
not know she was there. Connie has been hiding a lot from her family, including the way she dressed when she was not home. Connie has a home
life which is not ideal. Her father is mentally absent, her mother is jealous of her and therefore treats her poorly, she is always compared to her
sister, she feels she has nothing other than her looks, and seeks attention from boys, since she doesn't get any attention at home. This is what
causes her to meet Arnold Friend. Appearance One of the things about Arnold Friend that cause one to believe he is the Devil is his appearance.
From head to toe, his appearance is meant to be deceptive. He is roughly thirty years old, and dresses like a teenager. Friend has black shaggy hair that
looks like a wig, black thick lashes, and a five o'clock shadow. In literature, it is common for dark hair to symbolize an evil character, and that is
definitely the case here. Friend's face is

Where Are You Going? Where Have You Been?
Where Are You Going? Where Have You Been? In the short story, "Where are you going, Where Have You Been?" by Joyce Carol Oates, Connie
flaunts her beauty to receive attention from the opposite sex and is lead to temptation. The antagonist Arnold Friend, who symbolizes the devil,
shows how simple it is to take away your safe haven through sinister acts. Connie is split between how she acts and portrays herself at home, and
how she acts whenever she is with her group of friends. Connie refuses to be like her mother and sister, because she feels she is above them due to her
appearance. The short story is set in the nineteen sixties, a lot of what the characters are being described as wearing makes you notice it is not set in
the modern day. Connie is a fifteen year old girl who likes to act older then her own age. At home her mother always compares her to her older
sister, June. June is continuously praised at home by their mother and Connie is unable to live up to her expectations. Connie's father is physically
there but whenever it comes to being a parent emotionally, he is completely absent. Connie wants to be nothing like her mother or sister. Connie is a
much conceded child, and is always checking her reflection in the mirror, which is a major annoyance to her mother. Connie's family leaves her home
alone one day to attend a Barbeque at her aunt's house. While Connie stays home to tend to her hair. The mysterious man that she saw in a parking lot
with her friend one

Essay About Arnold Friend
Having a stalker is one thing, but having the devil as a stalker is on another level. "Where Are You Going, Where Have You Been?" is a short story
written by Joyce Carol Oates. Through her writing, she expresses the devil with her use of the character, Arnold Friend. Throughout this story, one
can tell Arnold Friend is a symbolic Satan through his description, use of language, and his knowledge. Arnold Friend's physical description
resembles Bob Dylan's appearance, but the devil is known to take on tempting forms. One source goes on to claim that "Arnold's "shaggy, shabby
black hair that looks crazy like a wig" (p. 2), his "long and hawk–like nose" (p. 4), his unshaven face, his "big and white teeth" (p. 5), his "thick and
black lashes as... Show more content on Helpwriting.net ...
He is described as being short, ageless looking, and having a fake appearance" (Davis). If Arnold is indeed trying to appeal to Connie, it would be
smart to fake his appearance, as he does. This explain why he is described to look like he is wearing a wig and his feet being in weird positions. The
devil would never just show up looking like his physical description, no one would ever trust him in that case. Knowing one's interest and background
could boost the devils chances to gaining their trust. The devil is said to know everything about a person. Arnold Friend's use of language about what
he knows is terrifying. "Arnold's laugh, his persistence, and ability to see what Connie is thinking – these are horrifying to this young, innocent girl.
Figuratively, he knows exactly how to corner her and not allow her to get away" (Davis). The data mentions knowing how to corner her, implying
he was saying all the right things to make her feel trapped, as if he is in her mind. He knows so much about her, and Connie does not know him
and has never met him. She feels cornered in her own mind and her own house. The only way for the devil to enter one's house is by invitation.
Arnold never once steps foot inside but only gets close to the door. "I ain't made plans for coming in that house where I don't belong but just for you
to come out to me, the way you should. Don't you know who I am" (Oates 7). Friend seems to

Similarities Between A & P And Where Are You Going Where...
In the short stories "A&P" by John Updike and "Where Are You Going, Where Have You Been?" by Joyce Carol Oates, both authors tell of story
of transitioning from childhood to adulthood. Sammy, from Updike's story, is a nineteen year old boy whose parents got him a job as a cashier at
the local A&P. Connie, from Oates' story, is a pretty, blonde, fifteen year old girl who has an almost narcissistic attitude as she has a habit of
constantly checking herself and comparing herself to others. Both of these teenagers are in the similar position of growing up, however, they are
doing so in very different ways. Sammy faces the decision of staying at his job or leaving. His parents are friends with the manager of the store,
Lengel. One day three girls walk into the store wearing nothing but bathing suits. Seeing it is a slow day, Sammy observes the girls as they go through
the store and to his luck come to his check out station. Lengel then sees them at checkout and confronts the girls to tell them about the store's policy
that they should be dressed decently upon entering the store, "'Girls, I don't want to argue with you. After this come in here with your shoulders
covered. It's our policy'" (Updike). This is where Sammy has his transitioning experience. Upon hearing this conversation, Sammy tries be a hero for
the girls by making the decision to quit his job, "The girls, and who'd blame, them are in a hurry to get out, so I say 'I quit' to Lengel quick enough for
them to hear,

Victims Of The Revolutionary Era Essay
Victims of the Revolutionary Era "Where Are You Going, Where Have You Been," written by Joyce Carol Oates, portrays the fast
–cultural transition
that heavily impacted teenager's behavior in the 1960's. The new style of music is an example of how the rapidly cultural transition highly
influenced adolescent's behavior from that generation, initiating a revolutionary era. It was a time when culture was rapidly changing. A sexual
revolution was taking place, leading people, especially teenagers, to question the traditional and religious beliefs of previous generations. In
addition, it was a phase which peace and love was emphasized by the ongoing Vietnam war, driving people to promote peace and love amongst
themselves for the whole decade, especially through rock and roll music. Even as the "peace and love movement" arose, a series of murders occurred
in Tucson, AZ. Charles Howard Schmid Jr., a 23–year–old man, brutally murdered numerous girls and made national headlines. A creepy predator was
Oates 's inspiration to create the unscrupulous character: Arnold Friend. Oates creates the perfect picture of a 1960's typical teenager that gets caught
in the middle of the revolutionary era; and eventually becomes a victim of Arnold Friend. Connie is a 15–year–old girl who lives an ordinary life;
confused about the girl she is, and the woman she is becoming. Being a teenager is not an easy thing overall, for any girl, in any era. Furthermore, she
lives in a fast–paced, transitional

The Fires Of Jubilee Summary
Oates, Stephen B. The Fires of Jubilee, New York: Harper & Row, 1975
Stephen Oates, in a riveting storytelling fashion, captures the desires and anxieties of the early to mid 19th century, with The Fires of Jubilee.
Oates has performed rigorous study to present an accurate portrayal of a fascinating and mysterious man, who lived during an extraordinary period in
American history.
Oates begins the book with a thorough biography of Turner. He makes a real effort to show what lead a man to commit the actions he did. Nat was
born on October 17, 1800 in Southampton County, Virginia. His mother
Nancy was brought to America in 1795. The man who purchased her was
Benjamin Turner, a wealthy tidewater planter. Nancy married a slave whose
name ... Show more content on Helpwriting.net ...
Many believed that the British were invading, or even that the apocalypse had taken place.
Meanwhile Nat's lieutenants continued their attacks. Nat remained behind the entire time, possibly planning what he would do next. In course of
the whole rebellion he had only killed one person; a young girl, who he beat with bare hands. By noon, the insurgents were heading toward
Jerusalem and confrontation. By now many of Nat's troops, about 40 strong, were to drunk to fight or even ride their horses. Nat was furious with
their lack of discipline but pressed on anyway. The Virginia militia was ready with about 200 men to fight the rebels. When the two forces meet on
the road, Nat's force was crushed, and Nat along with 20 others retreated to a nearby plantation. Nat was extremely tired and needed to sleep. Nat tried
to enlist more slaves, but to his shock they turned on him. Suddenly, all that remained of Nat's rebellion was Nat Turner himself. Back in Jerusalem, all
the captured insurgents were tried and hung. After six weeks, Nat was still at large, with many reward hungry whites looking for him. On October 30
Nat was walking through the woods when he heard something. He stuck his head out from behind a tree

Where Are You Going, Where Have You Been by Joyce Carol...
Where Are You Going, Where Have You Been by Joyce Carol Oates In Joyce Carol Oates story, a teenage girl named Connie was stripped of her
innocence. " Gonna get you baby"( 497).This chilling line is what the devil said to Connie the first time Connie came in contact with him which
foreshadows of things to come. This one comment clearly points to a situation where Connie would be taken from a safe haven of innocence. She
would be TAKEN, not simply invited. Connie was a regular teenage girl set in the 1960's who wanted to rebel against her parents and authority. In
conflict with Connie is the character Arnold Friend, the devil. To her, he is everything she wants, he is a manifestation of her own... Show more content
on Helpwriting.net ...
For example, Ellie repeatedly offered to disconnect the telephone wires with questions like "You want me to pull out the phone?"(505), while
Arnold returned comments such as " I toldja shut up, Ellie," and "your deaf, get a hearing aid, right?" (505). Arnold could maybe have been
millions of years old. Seeing as no one except Connie could see him, he could have easily been a mental projection of the devil in the form of a
human being. Throughout the story, the author tries to convey this point indirectly; one way through his physical appearance. A general
stereotype of the devil would be: short and muscular, hooves, horns, a tail, and glassy eyes. This is almost completely filled by the character of
Arnold Friend. "He wasn't tall, only an inch or so taller than she would be if she came down to him... his shortness, the wobbly boots, eyes that
were like chips of broken glass"(500) all point in that direction. Connie describes his appearance to look fake and made up. His eyelashes were "
thick and black as if painted with black tar like material" (502), "His whole face was a mask...tanned down onto his throat but then running out as if
he had plastered make up onto his face but forgot his throat" (504). Arnold is hiding from his true appearance , what he really is to get Connie to
succumb to his wishes. Miss Oates revealed even that her character is

The Importance Of Writing Methods In Short Stories
Introduction The most effective way to pass along information and stories is through books and songs. Both mediums are valuable in the way that
they convey knowledge to their audience through the stories they tell, whether the knowledge is facts or morals. The listener or reader is then
inspired by the words and lyrics to think further into the moral of the story that the authors are trying to portray. This leads to more knowledge being
acquired and more questions to be asked. After reading many books and listening to many songs throughout my lifetime, there has always been one
question nagging in the back of my head; How do the authors get their inspiration for the lessons they choose to convey? Furthermore, do the
processes differ from author to songwriter because of the medium that they are writing in? Methods After digging deeper into the subject, I have come
across two archives. The most efficient way of picking the most helpful articles from the archives is to skim through all the articles to pick the ones
that touched on the question at hand. The first archive being used is The New York Times
– Books, "Writing on Writing." These articles are short
stories written by many novelists on their writing processes and subjects they feel are important. Three articles from this archive stood out the most.
The first is Kent Haruf's article, "To See Your Story Clearly, Start by Pulling the Wool Over Your Own Eyes." The next article is "After 20 Years,
Meditation Still Conquers

Where are you Going? Where Have you Been? by Joyce Carol...
Where Are You Going, Where have you been? is a short story written by Joyce Carol Oates. The 75 year old American author and professor at
Princeton University, introduce the story of 15 year old Connie who is rebelling against her mother's whishes. A very arrogant and selfish girl that in
her world the only thing that matters is how many heads she can turn when walking into a room. Through the story life gives her a test, to confront
Arnold Friend, the antagonist of the story; who possesses a nefarious power beyond her own experience. Oates takes us to a journey of rebellion as the
protagonist sorts through self–created illusion in order to come to terms with her own sexual inexperience. Connie's desires for attention from the
opposite... Show more content on Helpwriting.net ...
An article by Hurley, C. Harold "Cracking The Secret Code In Oates's 'Where Are You Going, Where Have You Been?" provides to the reader a
good understanding to the description Oates gives towards Arnold Friend's way to move. "His feet do not all the way down to his
boots"(Cracking the secret code....). In this article tells us that Charles Schmid used folded cans in his boots to appear taller, which makes sense
it could also be the reasons Arnold friend walked in a strange way. "Like Friend, Charles Schmid was short (5'3") and muscular, and he tried to
appear younger and to disguise his lack of height by dying his hair black and wearing pancake makeup"(Where You Going...As Pure Realism). The
fact that the author might have been inspired by the story of Charles Schmid's, does not mean Oates did not try to give life to a satanic figure
created by Connie's mind. It is indeed highly inspired to the story but Oates vivid imagination and skills made the story be written as if it was a
horrible dream Connie was having. Very interesting clues have been found proving he is the devil. One of the things that catches the attention of the
reader is the fact that he knows every single detail about everything her family is doing while at the barbecue (76). Something only God and the
devil are capable to do. Also if you take the two "R's " in Arnold Friend you get "an old fiend", and the oldest fiend through time is

Comparing A & P And Where Are You Going, Where Have You...
Comparing and Contrasting of Coming of Age Stories Throughout the short stories, "A&P" by John Updike and "Where Are You Going, Where Have
You Been" by Joyce Carol Oates there are a various number of similarities and differences between the two. Both Updike and Oates short stories
focused on the sexuality of younger girls and force the main characters to make a life changing decision. Leaving their innocence behind, whether they
like it or not, by the end of the stories, Sammy and Connie have come into adulthood. Throughout comparing and contrasting the stories point of view,
main characters, parent involvement, antagonists, and ending of the stories, you'll come to see that they are coming of age stories. Both John Updike's
and Joyce Carol Oates' short stories were published in the 1960's and focused on the transitional period of the main characters. While "Where Are You
Going, Where Have You Been" had multiple settings, the main climax took part at Connie's home, and in, "A&P", the whole story took place at the
supermarket. While "A&P" was told in first person, through Sammy's eyes, "Where Are You Going, Where Have You Been" was told by an outside
view in third person. Although the point of views are different, they both helped the reader understand the text thoroughly. Without "A&P" being told
through Sammy eyes, the reader wouldn't to be able to understand his obsession with the girls as they walk through the store and why in the end he quit
his job. The third

The Yellow Wallpaper and Where Are You Going, Where Have...
Comparison of the characterization in "The Yellow Wallpaper" and "Where Are You Going, Where Have You Been?" In the two short stories, "The
Yellow Wallpaper" by Charlotte Perkins Gilman and "Where Are You Going, Where Have You Been?" by Joyce Carol Oates, the narrator of "The
Yellow Wallpaper" and Connie from "Where Are You Going, Where Have You Been?" both deal with some eerie situations. In "The Yellow
Wallpaper" written byCharlotte Perkins Gilman, the narrator suffers from nervous depression which causes her to stay locked in this room doing
nothing active until she actually goes hopelessly insane. The short story, "Where Are You Going, Where Have You Been?" written byJoyce Carol Oates
, Connie deals with a stranger named Arnold ... Show more content on Helpwriting.net ...
One of the more strange things of this story is when Arnold sees Connie after the movie theatre, he says that he knew she was the one for him and he
wants Connie so badly. Arnold Friend eventually becomes more threatening and if Connie does not listen to him, he will do something absolutely
terrible to her family when they arrive back home after their barbeque. Connie is frightened. She runs to grab the telephone from the front door. In this
short time frame, something terrible happens. Connie starts to sweat profusely, she sweats and screams for her mother because she needs help. She
eventually ends up sitting on the floor absolutely terrified, shocked and even stunned. All of what Arnold Friend does is just flat out creepy, sketchy
and even frightening. In this short story written by Charlotte Perkins Gilman, "The Yellow Wallpaper", there aer these two different patterns of
wallpaper up on the wall that the narrator resides in. The sub–pattern is one of those patterns that definitely appears to be a woman who tries her best to
escape out from behind the main pattern of the wallpapers. In this story, the narrator; whom is not named, sees this same woman in the sub–pattern of
the wallpaper. She sees this person in the wallpaper creeping or even lurking around in the day when she is able to escape for a little bit, while at
night time the narrator sees her shaking the bars violently as if she is trying to get out of the wallpaper. In this

Essay on Arnold Friend
Arnold Friend
Arnold Friend is a seductive man, or should I say ArN OLD FrIEND with a dark appearance hiding something deeper, something evil? Arnold, posing
as a teen–age boy, is none other than the devil himself, which shows in his words and actions, and in his physical traits. From the very beginning of,
Joyce Carol Oates', "Where are you going, Where Have you been?" a certain number of religious references are interspersed throughout. These
references help to maintain a biblical feeling, as well as to set a path for Friend's entry into the story. They also foreshadow that; powers beyond a
human level will be presented. Friend looks like one person in the beginning, but as the story unfolds, he is shown as someone else or ... Show more
content on Helpwriting.net ...
He states that he is only eighteen years old but he looks to be at least thirty, possibly even older. "…Friend's much older self begins to emerge
through his painted lashes, black wig, reflecting sunglasses, and cosmetically tanned face…" (Creighton 118). He is a short man who in order
to stand erect; he must push his shoulders back. At one point, Friend removes his glasses, and reveals his eyes which "…were chips of broken
glass that catch the light…" (Oates 474). Friend has a mask–like face that stops when it reaches his neck, almost as if it is painted on to his head.
Whenever Friend speaks, his words seem to come out in a singsong style sounding as if he were repeating the lyrics of a song.
There are two specific details in this story that lead someone to believe Friend is an evil man. The first one is the way his boots turn almost as if
his foot is not even in it. Marie Urbanski states that "his feet resemble the devil's cloven hooves," which explains why his feet do not fit into the
boots properly (403). The other detail is the fact that Friend has a muscular neck. Often times this "suggest the reptillian, as does the fact that he slid
rather than stepped out of the car" (Urbanski 403). In this last statement, Friend is being portrayed as a snake, which is often meant to be a symbol of
evil, or the devil himself. In several instances, Friend appears to be holding himself up by leaning on different objects, such as

Navigating The Kitchens Was Surprisingly Easy
Navigating the kitchens was surprisingly easy. People were running around, focusing so much of their attention on their own duties that they didn't
even think twice about Maela and Ralan walking through. The guild in charge of cooking was under the Harvest Guild, so green tunics and robes
were everywhere, although there was the occasional white of a knight. There were no blue merchants or others in the yellow of the Craft Guild.
They were only stopped once, and that was by a Harvest Guild member. Ralan's explanation of broken equipment needing fixed resulted in nothing
more than a comment of "Hurry up, dinner will be served soon."
They had turned down yet another hallway when Ralan leaned over and whispered to Maela, "Those two with the ... Show more content on
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The carafes shattered on the floor, covering it in glass.
"You idiots! You have ruined my dress whites!" Enraged, the knight turned to the two Harvest guild members who were issuing a stream of apologies.
Maela tugged on Ralan's arm, and they briskly walked past the knight, who had completely forgotten about them.
When they were well past the knight, Ralan whispered, "Did you plan for them to escort us?"
"People are clumsy," she replied, not even trying to hide her smile.
"The defenses here aren't very good," Ralan noted as he and Maela looked through the door of the prison dining hall. Prisoners were actually fed in their
cells, so the hall itself was more of a room for the jailors and a large prep area for taking food to the prisoners.
Maela turned and glared at Ralan. "Nothing is ever easy. Don't forget that. Without a plan you would have been captured in the Flats, on the Circle,
and in the hallway back there." Maela took a breath and then softened her voice. "But you are correct about the defenses. But what is there to defend?
The prisons are well–guarded, and who would attack the Knight Tower?" They continued on.
The other side of the prison kitchen dining hall opened up to hallway off of the main atrium of the prison part of the Tower. Unlike the small, cramped
kitchen halls, the halls of the Tower proper were wide and imposing. Knights walked through them at regular intervals. Also unlike the kitchen halls,
there weren't any other guild members in the Tower

Character Analysis Of Arnold Friend In Where Are You Going, Where Have You Been

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Character Analysis Of Arnold Friend In Where Are You Going, Where Have You Been