Block 2.1: Connectivities built by people and groups.
Anne Chahine (Aarhus University, Denmark): Future memory making: Co-creating (post-) colonial imaginations with youth from Greenland and Denmark.
Talk given at the SMK/Maersk event Data in Art | Art in Data
with Jonas Heide Smith, Head of Digital, SMK
26 April 2017
Statens Museum for Kunst, Copenhagen
https://www.eventbrite.com/e/data-in-art-art-in-data-tickets-33142653569
Keynote given in slightly varying versions at the following conferences:
1. "Bildung and Building"
Our Museum Summit 2017
Natural History Museum of Denmark
17 May 2017
http://www.sdu.dk/en/om_sdu/institutter_centre/voresmuseum/summit2017
2. "The Museum as Toolbox"
Open Data for Global Sustainability Goals
Universitá Bocconi, Milano
26 May 2017
https://www.unibocconi.eu/wps/wcm/connect/ev/Events/Bocconi+Events/Open+Data+for+Sustainable+Development+Goals
3. "Old Collections as Building Blocks for New Creativity"
We Are Museums
Art Academy of Latvia, Riga
12 June 2017
http://wearemuseums.com/wam17/
Classifying design experience in digital communication between heritage and visitors help us to understand the outcomes, the challenge, the technology for designing sustainable mediation projects.
Block 2.1: Connectivities built by people and groups.
Anne Chahine (Aarhus University, Denmark): Future memory making: Co-creating (post-) colonial imaginations with youth from Greenland and Denmark.
Talk given at the SMK/Maersk event Data in Art | Art in Data
with Jonas Heide Smith, Head of Digital, SMK
26 April 2017
Statens Museum for Kunst, Copenhagen
https://www.eventbrite.com/e/data-in-art-art-in-data-tickets-33142653569
Keynote given in slightly varying versions at the following conferences:
1. "Bildung and Building"
Our Museum Summit 2017
Natural History Museum of Denmark
17 May 2017
http://www.sdu.dk/en/om_sdu/institutter_centre/voresmuseum/summit2017
2. "The Museum as Toolbox"
Open Data for Global Sustainability Goals
Universitá Bocconi, Milano
26 May 2017
https://www.unibocconi.eu/wps/wcm/connect/ev/Events/Bocconi+Events/Open+Data+for+Sustainable+Development+Goals
3. "Old Collections as Building Blocks for New Creativity"
We Are Museums
Art Academy of Latvia, Riga
12 June 2017
http://wearemuseums.com/wam17/
Classifying design experience in digital communication between heritage and visitors help us to understand the outcomes, the challenge, the technology for designing sustainable mediation projects.
TU Delft faculty of Architecture organises the BauHow5 event on mon 11 + tue 12th of june : Approaches to circularity.
BauHow5 is an alliance of the 5 leading Architecture Faculties in Europe: TU Munich, TU Delft, ETH Zurich, UCL (London) , and Chalmers.
Access > free
More info > https://bit.ly/2ktEZ1e
Museums are content generators by nature. Today their role as connectors between the collection knowledge and the visitors / users is gaining more and more strength. Museums are still exploring ways of connecting stories to people. Wit examples of best practices of museums worldwide on social media, website renovations, online collections, mobile. Digital and Content strategy.
Presentation de solidarite aux eleves francais par les eleves grecsStavroula L
Une presentation par les eleves grecs aux a leurs amis francais pour le projet eTwinning "The Travelling Museum". A presentation made by the greek students of DDMN Primary School in Chania for their partners in Meaux, France, for their common eTwinning project "The Travelling Museum"
GLAM-WIKI 2015: introduction by the programme committeeSandra Fauconnier
Start presentation held at the GLAM-WIKI 2015 conference, The Hague, 10-12 April 2015. www.glamwiki.nl
Conference about collaboration between Wikimedia and Galleries, Libraries, Archives and Museums.
Presentation of shared mobile museum project at Social Media Week Copenhagen, Statens Museum for Kunst, Feb 21, 2013 #SMWCPH
NOW with updated figures for Twitter use in Denmark, based on research by Bysted
http://bysted.dk/globalsite.aspx?ObjectId=f9db99be-5d76-4bd8-8c3b-488a740c2424
TU Delft faculty of Architecture organises the BauHow5 event on mon 11 + tue 12th of june : Approaches to circularity.
BauHow5 is an alliance of the 5 leading Architecture Faculties in Europe: TU Munich, TU Delft, ETH Zurich, UCL (London) , and Chalmers.
Access > free
More info > https://bit.ly/2ktEZ1e
Museums are content generators by nature. Today their role as connectors between the collection knowledge and the visitors / users is gaining more and more strength. Museums are still exploring ways of connecting stories to people. Wit examples of best practices of museums worldwide on social media, website renovations, online collections, mobile. Digital and Content strategy.
Presentation de solidarite aux eleves francais par les eleves grecsStavroula L
Une presentation par les eleves grecs aux a leurs amis francais pour le projet eTwinning "The Travelling Museum". A presentation made by the greek students of DDMN Primary School in Chania for their partners in Meaux, France, for their common eTwinning project "The Travelling Museum"
GLAM-WIKI 2015: introduction by the programme committeeSandra Fauconnier
Start presentation held at the GLAM-WIKI 2015 conference, The Hague, 10-12 April 2015. www.glamwiki.nl
Conference about collaboration between Wikimedia and Galleries, Libraries, Archives and Museums.
Presentation of shared mobile museum project at Social Media Week Copenhagen, Statens Museum for Kunst, Feb 21, 2013 #SMWCPH
NOW with updated figures for Twitter use in Denmark, based on research by Bysted
http://bysted.dk/globalsite.aspx?ObjectId=f9db99be-5d76-4bd8-8c3b-488a740c2424
Small Measures, Great Impact. Open Culture, London 2013Merete Sanderhoff
Presentation for the Open Culture conference, in the session "The Digital Transformation" together with Beth Harris and Steven Zucker, SmartHistory, and chaired by Mia Ridge.
Organized by Collections Trust.
Kia Oval, London, July 2nd 2013.
Keynote for #teema14
http://www.nba.fi/fi/museoalan_kehittaminen/teemapaivat/puheenvuorot
Museoalan Teemapäivät/Museum Theme Days 2014
11-12 September, Helsinki
A group of Danish art museums joined forces to develop a shared mobile platform based on open content. SMK initiated the collaborative pilot project between 11 Danish art museums. One of the main objectives was to build a mobile tool for art interpretation and engagement to be used by many museum partners based on the following three common principles; all Public Domain content is freely shareable and re-usable, an existing platform is utilised without custom-building a new one, and target users take part in creating and developing the experience.
Sharing is Caring. Keynote for Public Domain Tagung, HeK Basel 20 April 2015 Merete Sanderhoff
Sharing is Caring. Opening of the collections of SMK. Keynote speech for the conference Public Domain. Gratis Kultur für Alle? Eine Arbeitstagung. 20 April 2015 in Haus der elektronischen Künste Basel, Switzerland.
Towards an open, participatory cultural heritageKris Kitchen
Towards an open, participatory cultural heritage
Keynote for #teema14
http://www.nba.fi/fi/museoalan_kehittaminen/teemapaivat/puheenvuorot
Museoalan Teemapäivät/Museum Theme Days 2014
11-12 September, Helsinki
Slide 29 Kris Kitchen
Sharing is Caring. Societal impact of open collections? Merete Sanderhoff
Presentation for the seminar Open Collections, arranged by the Nationalmuseum in Stockholm, on the occasion of the launh of their Public Domain policy, 7 October 2016
Presentation for the Finnish National Gallery brainstormning seminar and workshop Communicating Digital Collections, at Kiasma Helsinki 22 January 2016
Set art free and the rest will follow? Facilitation as key to successful user...Merete Sanderhoff
Talk given at 'Community Involvement in Theme Museums'
15th Conference of the Estonian Maritime Museum, Tallinn
2-3 September 2015
http://konverents.meremuuseum.ee/en/#/p/avaleht
What is social media and what value can it bring to museums and their audiences? Examples and experiences from Museum of Contemporary Art Kiasma. Presentation for Helsinki University Museology students with Janne Heinonen.
Presentation at #DISH2011 in Rotterdam, in the session "Institutional Change - Change achieved through action" chaired by Michael Edson, Smithsonian Institution, Dec 7, 2011
Keynote address for the cultural heritage hackathon Coding da Vinci Schleswig-Holstein, 11 June 2021
https://codingdavinci.de/de/events/schleswig-holstein
@CdVSH21
@codingdavinci
Cover slide: still from Lucio Arese, Les Dieux Changeants, 2021 https://www.youtube.com/watch?v=rAHmAj0QrHk&t=1s
Keynote given at ELAG2016 (European Library Automation Group) EXIT conference
7 June 2016, The Royal Library, Copenhagen
http://elag2016.org/
#elag2016
Similar to The how's and Why's of sharing at SMK 11052012 (20)
Making Common Sense with our Shared Cultural HeritageMerete Sanderhoff
Keynote speech for the CULTURE TALKS Commons conference 6 December 2022, organized by the Flemish Government and the Antwerp Research Institute for the Arts (ARIA – Antwerp University)
https://www.vlaanderen.be/cjm/nl/agenda/culture-talks-commons
Keynote given at Taiwan's International Conference on Museums and Cultural Democracy, 7 October 2022
https://museum-conference.nstm.gov.tw/2022/En/
Full title:
Open Access is just the first step
How to build relevance and democratic engagement with cultural heritage
Presentation for the OpenGLAM Now! webinar series by the Swedish Heritage Board (Riksantikvarieämbetet)
20 November 2019
https://www.raa.se/in-english/events-seminars-and-cultural-experiences/open-digital-heritage/
Closing keynote for Sharing is Caring X Stockholm
Nationalmuseum Stockholm and The Royal Armoury
16-17 September 2019
http://sharecare.nu/stockholm-x-2019/
Keynote for "Challenges for the school museums and history of education in a time of globalization and digitization", the 18th symposium for school museums and history of education collections, The Royal Danish Library Emdrup, Copenhagen, 3-5 July 2019
http://skolehistorie.au.dk/en/netvaerk/18th-symposium-for-school-museums-and-history-of-education-collections/
Contributing to an Open Society Through Digitised Museum Collections
Public talk in the 'Open Up: Museum Learning in the 21st Century' talk series, hosted by M+ museum for 20th and 21st century visual culture in West Kowloon District, Hong Kong
15 February 2019
Presentation for the conference Museum: A Culture of Digital Copies
University of Copenhagen, 15 November 2018
https://www.conferencemanager.dk/MuseumACultureOfDigitalCopies/the-event.html
Keynote for Museoalan Teemapäivät 2018 #teema18
The Museum Theme Days, 17-18 September 2018,
Amos Rex, Helsinki
https://www.museovirasto.fi/fi/museoalan-kehittaminen/tyokalut-ja-verkostot/museoalan-teemapaivat/sanderhoff_abstrakti
Talk for the PLATEFORME 10 Symposium: Rising to the Challenge. Digital Innovation in Museums
26-28 April 2018
Lausanne, Switzerland
http://plateforme10.ch/en/newsfeed/colloque-le-musee-au-defi-programme
Fra kirsebær til rugbrød. Digital kultur som katalysator for samfundsudvikling? Merete Sanderhoff
Indlæg til konferencen 'Kulturpolitik i den digitale tidsalder'
16. april 2018, Christiansborg, København
http://hum.ku.dk/kalender/2018/april/konference-paa-christiansborg-kulturpolitik-i-den-digitale-tidsalder/
IMPACT. What is it, how can we capture it, and how do we plan to have it?
Presentation for MuseumNext Tech
Jewish Museum Berlin
30 October 2017
https://www.museumnext.com/events/museumnext-tech/
Beyond Open Access: Creating Culture By, With, and For the PublicMerete Sanderhoff
Presentation for Professional Session with Andrea Wallace, Liz Neely, and Simon Tanner
Museum Computer Network, 3 November 2016, The Sheraton, New Orleans
Presentation on how to maintain a multi-annual partnership with a private foundation centered around digital development in museums.
Museum Computer Network, 2 November 2016, The Sheraton, New Orleans.
All artworks by Jamie Seaboch / EyeQ Innovations CC BY-SA 4.0 - unless otherwise stated.
Kunstmuseet som dannelsesinstitution i en digital tidsalderMerete Sanderhoff
Foredrag på sommerkurset "Globalisering og demokrati" http://www.grundtvigs.dk/uge-32-globalisering-og-demokrati på Grundtvigs Højskole, Hillerød, 6. august 2015.
Presentation [in Danish with international references] at the summer course "Globalization and Democracy" at Grundtvigs Højskole, Hillerød Denmark, 6 August 2015.
Improving profitability for small businessBen Wann
In this comprehensive presentation, we will explore strategies and practical tips for enhancing profitability in small businesses. Tailored to meet the unique challenges faced by small enterprises, this session covers various aspects that directly impact the bottom line. Attendees will learn how to optimize operational efficiency, manage expenses, and increase revenue through innovative marketing and customer engagement techniques.
Discover the innovative and creative projects that highlight my journey throu...dylandmeas
Discover the innovative and creative projects that highlight my journey through Full Sail University. Below, you’ll find a collection of my work showcasing my skills and expertise in digital marketing, event planning, and media production.
B2B payments are rapidly changing. Find out the 5 key questions you need to be asking yourself to be sure you are mastering B2B payments today. Learn more at www.BlueSnap.com.
Enterprise Excellence is Inclusive Excellence.pdfKaiNexus
Enterprise excellence and inclusive excellence are closely linked, and real-world challenges have shown that both are essential to the success of any organization. To achieve enterprise excellence, organizations must focus on improving their operations and processes while creating an inclusive environment that engages everyone. In this interactive session, the facilitator will highlight commonly established business practices and how they limit our ability to engage everyone every day. More importantly, though, participants will likely gain increased awareness of what we can do differently to maximize enterprise excellence through deliberate inclusion.
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Enterprise Excellence is a holistic approach that's aimed at achieving world-class performance across all aspects of the organization.
What might I learn?
A way to engage all in creating Inclusive Excellence. Lessons from the US military and their parallels to the story of Harry Potter. How belt systems and CI teams can destroy inclusive practices. How leadership language invites people to the party. There are three things leaders can do to engage everyone every day: maximizing psychological safety to create environments where folks learn, contribute, and challenge the status quo.
Who might benefit? Anyone and everyone leading folks from the shop floor to top floor.
Dr. William Harvey is a seasoned Operations Leader with extensive experience in chemical processing, manufacturing, and operations management. At Michelman, he currently oversees multiple sites, leading teams in strategic planning and coaching/practicing continuous improvement. William is set to start his eighth year of teaching at the University of Cincinnati where he teaches marketing, finance, and management. William holds various certifications in change management, quality, leadership, operational excellence, team building, and DiSC, among others.
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Vat Registration is a legal obligation for businesses meeting the threshold requirement, helping companies avoid fines and ramifications. Contact now!
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"𝐄𝐯𝐞𝐫𝐲 𝐞𝐯𝐞𝐧𝐭 𝐢𝐬 𝐚 𝐬𝐭𝐨𝐫𝐲, 𝐚 𝐬𝐩𝐞𝐜𝐢𝐚𝐥 𝐣𝐨𝐮𝐫𝐧𝐞𝐲. 𝐖𝐞 𝐚𝐥𝐰𝐚𝐲𝐬 𝐛𝐞𝐥𝐢𝐞𝐯𝐞 𝐭𝐡𝐚𝐭 𝐬𝐡𝐨𝐫𝐭𝐥𝐲 𝐲𝐨𝐮 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐚 𝐩𝐚𝐫𝐭 𝐨𝐟 𝐨𝐮𝐫 𝐬𝐭𝐨𝐫𝐢𝐞𝐬."
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The how's and Why's of sharing at SMK 11052012
1. Merete Sanderhoff
Project researcher
merete.sanderhoff@smk.dk
@MSanderhoff
Statens Museum for Kunst
The how’s and why’s
of sharing our digitized assets
18. "Everyone interviewed wants to recoup
costs but almost none claimed to actually
achieve or expected to achieve this… Even
those services that claimed to recoup full
costs generally did not account fully for
salary costs or overhead expenses."
Simon Tanner, Reproduction charging models & rights policy
for digital images in American art museums, 2004
19. "Since 2006 the commercial market for [images]
has undergone a revolution, with consumers now
expecting images free of charge, free of usage
restrictions, and instantly available for use…
…more people want more content, from more
complex sources and at more speed, but are less
prepared to pay for it.“
Jo Prosser, Managing Director, Victoria and Albert Enterprises
22. Smithsonian Instituion
“Commons are usually created when a property
owner determines that a given set of resources –
grass for grazing sheep, forest for parkland,
software code, or intellectual property – will create
more value if freely shared.”
Smithsonian Web and New Media Strategy, 2009, p. 19
http://smithsonian-webstrategy.wikispaces.com/file/view/20090729_Smithsonian-Web
23. Yale University
“…as the legal designation “public domain” is
supported by the rationale that eventually all
creators and/or owners of content must relinquish
their monopolies over such content making such
content available for unmitigated access and use,
attempts to restrict access through licensing
provisions may be neither legally enforceable nor
ethically prudent.”
Memo on open access to digital representations of works in the public domain
from museum, library, and archive collections at Yale University (5 May 2011)
39. Evaluation
• Increased usage? (blogs, Wikipedia, education,
publications, TV productions, print products,
creative projects, hackathons etc.)
• Increased traffic to smk.dk? (CC BY asks the users
to credit the source)
• More visitors to SMK?
40.
41. "When SMK releases images of 159 artworks
under CC BY, it means that we in Wikipedia
are able to write better articles about both
the artists, the artworks, and the motifs.”
Ole Palnatoke Andersen, Wikipedia Denmark
http://wiki.creativecommons.org/Case_Studies/Highlights_from_SMK,_The_National_
42. ”One example: In 1646, Jan van Goyen painted a prospect of the city of
Arnhem. This image is not only fit to illustrate the article about van Goyen, but also the
one about Arnhem, 1646, tonal landscape painting, and tulipomania - not just in Danish,
but in all the languages that Wikipedia is available in.”
Jan van Goyen, View of the City of Arnhem, 1646
43. More sharing
• All digitized images in PD available for free download
• All publications under CC license
• All digital productions cleared for all social platforms
• Open API to collection data
44. Long term goals
• Running government smarter
– Public Domain content should be free
• Running business smarter
– Building a loyal & supportive community of
users/ambassadors
• Supporting a culture of sharing
– An environment where learning, innovation and
creativity thrives through access for all
45. Merete Sanderhoff
Project researcher
merete.sanderhoff@smk.dk
@MSanderhoff
Povertà vien dal timor!
Oralto’s aria ”Chi dal cielo”
Antonio Vivaldi, La Fida Ninfa, 1731
(a work in the Public Domain)
Editor's Notes
[LINK] SMK and Ny Carlsberg Glyptotek the only two Danish museums so far who have joined the art project. A chance to raise awareness of Danish art collections (a small cultural area) through a vast international portal that many users will find. Show the nice interface but also that GAP is a walled garden
SMK saw GAP participation as an opportunity to go further
SMK wants our content to be available on as many platforms as possible to enhance the probability that users will find it. It is our obligation as state subsidized national gallery to reach as many users as possible. Creative Commons licenses enhances findability and communicates openness.
Free download – easy, no login, no barriers, and a license that allows all use types as long as you credit the source CC case study – inspire other museums in the community by sharing our reflections and experiences, hoping to urge others to follow This is a small pilot inspired by others, and now inspiring others.
Show CC license in action
159 CC licensed images also up on Flickr
and Pinterest
Mai needed hires images that have been in the PD for centuries, for educational purpose Her modest fee for giving the lecture would be eaten up by buying images from the state gallery that she’s already paid for via taxes
As state organisation, we need the support of tax payers. They must get reasonable value for their money, or they will vote against our continued existence We need our users to be ambassadors of the product we offer: Art experiences, knowledge of art In order to do that, we need to allow users to share and use our assets – otherwise they won’t be useful to them, and then why should they care? We must give something that makes our users feel appreciated, loved, so they will love us back. That surprising extra generous thing that makes users feel sympathy for us and not grump when they pay taxes, because they know and feel that it’s for a good, important, common cause Business thrives on users sympathy
SMK has a product that we don’t make substantial gross revenue on (100,000 USD a year in a total operating budget of approx. 30 mill. USD). The revenue we’re making is eaten up by heavy administration. And we’re tripping up the usage of tax financed common resources. If our images aren’t present and available where the users are – they simply don’t exist! And we want to exist! It is our obligation to exist for tax payer’s money. Photo sales of Public Domain images is a bad match with mission statement. O ur photo sales model obstructed the support of our users.
In a broader perspective: Recent studies have shown that the business model of museums selling hires images isn’t viable anymore. In the networked society, people are used to finding free images in abundance across the internet. So why pay for ours?
More and more museums around the globe are giving away digital copies of artworks in the Public Domain for free. Research has proven that the traditional business model of charging for access to and use of images is losing museums large sums of money. So there seems to be good reason in changing tracks. (Front runners: Yale University, Rijksmuseum Amsterdam, Victoria & Albert Museum, Metropolitan Museum of Art, National Gallery of Art Washington D.C., Los Angeles County Museum of Art, Walters Art Museum, British Museum…)
[LINK] The dynamic of online – just one example of the power of access and social sharing The trick of making Monty Python videos available for free online in 2009 boosted DVD sales of the comedy sketch show. It was a brilliant move, making their intellectual property officially available, labeled, sorted and categorized in high-quality If you compare DVD sales figures on Amazon before and after the creation of the Monty Python YouTube channel, the boost apparently tallies in at around 23,000% Business in a state institution is of course different than commercial business. Giving away something generously creates more value. Value redefined: Not control and scarcity of supplies - - but abundance, cornucopia, that creates attention, sympathy and loyalty in users
International tendency to release digitized cultural heritage resources that are in the Public Domain. Shows that we care best for the art by allowing users to find, share, and build upon images in the Public Domain. People care more if they have access, and if they can use the images – not just to appreciate from a distance but as a tool for learning and creativity.
A strong statement, setting the agenda: More than 250,000 hires images released
Yale, as of May 2011
NGA, as of February 2012
An excellent example of why freely available images with no copyright restrictions serve museum mission well: Rijksmuseum in Amsterdam has released hires images for free download under CC0 The problem of the Yellow Milkmaid - - explain briefly and add figures of before and after
[LINK] The open licensing has enabled Wikimedia Commons to harvest their images. Show how these have pushed out older, poorer versions (scans from books, lores photos etc.) and replaced with high quality linking back to the source, thus generating traffic and interest for the museum
[LINK] Furthermore, the freely available and usable images are enriching Wikipedia articles, and spurring new ones. Wikipedia being the no. 1 source of knowledge search in the world. This is digitized cultural heritage working for the common good.
Collaborations and pilot projects across institutional boarders Getting people to sit down around the table and join efforts to solve common challenges Challenge for museum sector: We risk being outmatched by other entertainment offers with far bigger marketing budgets Working hypothesis: To be competetive, museums need to collaborate and support remix culture. On tight budgets and in time of financial restraint, we need to create shared solutions to common challenges. We need to create synergies between our collections/platforms in order to send users on to each other and increase the general interest in and support for art/culture.
Pilot projects 2009-11: how to establish free image sharing between Danish art museums (theory) 2011-: building a shared networked mobile platform (practice) Throughout these pilots, we have learned that Danish museums are waiting for SMK to take leadership in the change process. If we move first and start sharing our assets for free, others will follow. Practical example: After SMK released our GAP contribution under CC BY, The Glyptothek is considering following along.
Inspiration, network, and benchmarking gained during a month long professional research visit to USA to meet and learn from a range of international first moving institutions What I learned there supported our endeavours with substantial evidence. Free and open access is being implemented in large institutions and they are not losing money, but gaining users and community goodwill
Important networks Twitter International digital museum conferences Danish cultural heritage
Advisory board: Bringing in high profile external advisors from large international institutions of high renown = highly effective Smithsonian, Tate, MoMA, Metropolitan Museum, Walker Art Center, Centre Pompidou, etc. Advice: Think Big, Start Small, Move Fast - - and Make Mistakes Edson: A year from now, what have you accomplished?
Patience, and flexibility – if the fish don’t bite when you use this kind of bate you have to change tactics.
Our own initiatives to raise awareness and set an agenda about openness in the cultural heritage sector
Success criteria and metrics are being developed in the wake of the release As I said it’s a messy process! Evaluation: Analysis of increased traffic, usage of SMK images on other platforms (Wikipedia, blogs, creative communites, practical userfacing projects, effect on fundraising/philanthropy, decline in photo sales revenue etc.) will be tracked and investigated.
SMK strategy on social media is that every post is a present that you can share. Inviting our users to be ambassadors by starting a generous process of sharing What will users share back?
An ending remark from a piece of Public Domain art that I am passionate about: Poverty comes from fear. Dare to share!