Start presentation held at the GLAM-WIKI 2015 conference, The Hague, 10-12 April 2015. www.glamwiki.nl
Conference about collaboration between Wikimedia and Galleries, Libraries, Archives and Museums.
Keynote given in slightly varying versions at the following conferences:
1. "Bildung and Building"
Our Museum Summit 2017
Natural History Museum of Denmark
17 May 2017
http://www.sdu.dk/en/om_sdu/institutter_centre/voresmuseum/summit2017
2. "The Museum as Toolbox"
Open Data for Global Sustainability Goals
Universitá Bocconi, Milano
26 May 2017
https://www.unibocconi.eu/wps/wcm/connect/ev/Events/Bocconi+Events/Open+Data+for+Sustainable+Development+Goals
3. "Old Collections as Building Blocks for New Creativity"
We Are Museums
Art Academy of Latvia, Riga
12 June 2017
http://wearemuseums.com/wam17/
Talk given at the SMK/Maersk event Data in Art | Art in Data
with Jonas Heide Smith, Head of Digital, SMK
26 April 2017
Statens Museum for Kunst, Copenhagen
https://www.eventbrite.com/e/data-in-art-art-in-data-tickets-33142653569
Keynote given in slightly varying versions at the following conferences:
1. "Bildung and Building"
Our Museum Summit 2017
Natural History Museum of Denmark
17 May 2017
http://www.sdu.dk/en/om_sdu/institutter_centre/voresmuseum/summit2017
2. "The Museum as Toolbox"
Open Data for Global Sustainability Goals
Universitá Bocconi, Milano
26 May 2017
https://www.unibocconi.eu/wps/wcm/connect/ev/Events/Bocconi+Events/Open+Data+for+Sustainable+Development+Goals
3. "Old Collections as Building Blocks for New Creativity"
We Are Museums
Art Academy of Latvia, Riga
12 June 2017
http://wearemuseums.com/wam17/
Talk given at the SMK/Maersk event Data in Art | Art in Data
with Jonas Heide Smith, Head of Digital, SMK
26 April 2017
Statens Museum for Kunst, Copenhagen
https://www.eventbrite.com/e/data-in-art-art-in-data-tickets-33142653569
In 2013 organiseerden Wikimedia Nederland en Europeana Fashion samen een aantal Wikipedia edit-a-thons (schrijfdagen) bij musea met modecollecties. Hoe verliepen deze, en wat zijn de lessen hieruit?
Since late 2012, Sandra Fauconnier and Annet Dekker have been working on the CD-ROM Cabinet, an initiative to safeguard artistic CD-ROMs from the 1990s. Here’s a presentation of the first activities in this project.
Workshop gepresenteerd samen met Els Hoek.
ARTtube Academie, 5 september 2014, Museum Boijmans Van Beuningen. Workshop in samenwerking met de Vereniging van Nederlandse Kunsthistorici.
De missie van Wikimedia: "Beeld u een wereld in waarin elke persoon vrije toegang heeft tot alle kennis. Aan die doelstelling werken wij."
De Wikimedia Foundation houdt zich bezig met de groei, ontwikkeling en verspreiding van vrije, meertalige inhoud. Haar bekendste project is Wikipedia, een van de 10 meest bezochte websites in de wereld.
Sinds een aantal jaren werkt Wikipedia rond vrije cultuur steeds intensiever samen met musea, culturele organisaties, bibliotheken en erfgoedinstellingen. Die samenwerking neemt vele vormen aan en betrekt wereldwijd een groot aantal vrijwilligers. Wikimedia Nederland is een pionier op dit gebied, zoals bij de internationale fotowedstrijden Wiki Loves Art (2009) en Wiki Loves Monuments (vanaf 2010). Een aantal culturele instellingen, zoals het Nederlandse Teylers Museum en Tropenmuseum, doneren inhoud aan Wikimedia Commons, een multimediaverzameling die meer dan 12 miljoen multimediabestanden bevat, en werken actief samen met de Wikipedia-gemeenschap.
Sandra Fauconnier is bestuurslid culturele samenwerkingen van Wikimedia Nederland.
Presentatie over Wikimedia-samenwerkingen en mijn Wikipedian in Residenceproject, 'Expeditie Wikipedia. Cultuurforum Leuven, sessie Open Cultuur Data, 23 april 2014.
http://www.cjsm.be/cultuur/cultuurforum-2020/cultuurforum-23-april-2014
Korte introductie over de basisprincipes (de 'vijf zuilen') en afspraken bij Wikipedia: handig om te weten als je voor het eerst gaat bewerken. Presentatie gegeven op de Wikimedia Conferentie Nederland, 2 november 2013.
In 2013 organiseerden Wikimedia Nederland en Europeana Fashion samen een aantal Wikipedia edit-a-thons (schrijfdagen) bij musea met modecollecties. Hoe verliepen deze, en wat zijn de lessen hieruit?
Since late 2012, Sandra Fauconnier and Annet Dekker have been working on the CD-ROM Cabinet, an initiative to safeguard artistic CD-ROMs from the 1990s. Here’s a presentation of the first activities in this project.
Workshop gepresenteerd samen met Els Hoek.
ARTtube Academie, 5 september 2014, Museum Boijmans Van Beuningen. Workshop in samenwerking met de Vereniging van Nederlandse Kunsthistorici.
De missie van Wikimedia: "Beeld u een wereld in waarin elke persoon vrije toegang heeft tot alle kennis. Aan die doelstelling werken wij."
De Wikimedia Foundation houdt zich bezig met de groei, ontwikkeling en verspreiding van vrije, meertalige inhoud. Haar bekendste project is Wikipedia, een van de 10 meest bezochte websites in de wereld.
Sinds een aantal jaren werkt Wikipedia rond vrije cultuur steeds intensiever samen met musea, culturele organisaties, bibliotheken en erfgoedinstellingen. Die samenwerking neemt vele vormen aan en betrekt wereldwijd een groot aantal vrijwilligers. Wikimedia Nederland is een pionier op dit gebied, zoals bij de internationale fotowedstrijden Wiki Loves Art (2009) en Wiki Loves Monuments (vanaf 2010). Een aantal culturele instellingen, zoals het Nederlandse Teylers Museum en Tropenmuseum, doneren inhoud aan Wikimedia Commons, een multimediaverzameling die meer dan 12 miljoen multimediabestanden bevat, en werken actief samen met de Wikipedia-gemeenschap.
Sandra Fauconnier is bestuurslid culturele samenwerkingen van Wikimedia Nederland.
Presentatie over Wikimedia-samenwerkingen en mijn Wikipedian in Residenceproject, 'Expeditie Wikipedia. Cultuurforum Leuven, sessie Open Cultuur Data, 23 april 2014.
http://www.cjsm.be/cultuur/cultuurforum-2020/cultuurforum-23-april-2014
Korte introductie over de basisprincipes (de 'vijf zuilen') en afspraken bij Wikipedia: handig om te weten als je voor het eerst gaat bewerken. Presentatie gegeven op de Wikimedia Conferentie Nederland, 2 november 2013.
Presentatie uit 2011. Geschiedenis van (nieuwe) mediakunst in vogelvlucht. Gemaakt voor het Nederlands Instituut voor Mediakunst, dat nu helaas opgeheven is.
Strength in Numbers: Complementary Approaches to Content on Collaborative Mus...Sandra Fauconnier
Presentation for Museums and the Web 2013 (Portland, OR) by Emily Lytle-Painter, United States , Sandra Fauconnier, Netherlands, about www.artbabble.org and www.arttube.nl
Read our paper here: http://mw2013.museumsandtheweb.com/paper/strength-in-numbers-complementary-approaches-to-content-on-collaborative-museum-websites/
A 20-minute introduction to the history of digital art.
Presentation for the symposium ‘Transformation Digital Art’
International symposium on the preservation of born-digital art
Stichting Behoud Moderne Kunst and LIMA, Amsterdam, NL
http://www.sbmk.nl/projects/detail/id/36
Presentation given at the "50 Horas" Wikipedia editathon, 27 September 2014, at the Museo Somaya, Mexico City
https://es.wikipedia.org/wiki/Wikiproyecto:Museo_Soumaya/Editat%C3%B3n_Soumaya_Abierto._50_horas_de_arte
Presentation to the CURSO DE VERANO
Bilbao Arte eta Kultura UPV/EHU: museos, redes sociales y tecnología 2.0 (museums, social networks and 2.0 technology)
6-7 July 2010 at the invitation of the University of the Basque Country.
http://tubilbao.blogspot.com/2010/06/bak-uda-ikastaroa-curso-de-verano.html
Indianapolis - Wikipedia and the Cultural Sectorwittylama
Presentation given at IUPUI on 19th April 2010. "Wikipedia and the Cultural Sector" - about some of the problems and advantages that the two communities have in working with each other.
MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...museums and the web
A presentation from Museums and the Web 2010.
Acknowledging that the only constant in technology is change, this paper proposes ways of ‘thinking outside the audio tour box’ in developing mobile interpretation programs in museums: instead of making mobile interpretation a question of which device, platform, or app the museum should invest in, it puts the focus on cross-platform content and experience design.Putting audiences at the center of museums’ mobile content and experience designs make it possible to engage them through the media consumption practices and platforms that they already use outside of the museum.
Based on research conducted at the Smithsonian American Art Museum, the Indianapolis Museum of Art, and with the principals of SmartHistory.org, this paper offers a ‘question-based’ methodology for developing an interpretive strategy that starts with mapping visitors’ queries in the galleries. From this conceptual map we can derive a matrix of platforms, media, and narrative voices that work cross-platform. The traditional audio tour, with its analog ‘linear’ content and random access ‘stops’, offers important paradigms for ‘mobile 2.0’ content design: on the one hand, conceptual overviews and immersive ‘soundtracks’ provide a ‘score’ for the museum experience, and on the other hand, ‘soundbites’ in a range of media (audio, multimedia, or text) can be searched, saved, shared and favorited in multiple contexts. From social media, we can also learn how to integrate links, apps and user-generated content into the mobile mix. Finally, the paper considers how content style impacts shelf-life. What is the enduring legacy of creating ‘quick & dirty’ interpretive ‘snacks’ versus investing in more nutritional fare? How can museums best allocate their mobile content budgets in this light?
Session: Mobiles: A Panel [mobile]
see http://www.archimuse.com/mw2010/abstracts/prg_335002342.html
100,000 institutions on the Wikimedia projectsIolanda Pensa
Pensa, Iolanda. 100,000 institutions on the Wikimedia projects. A new strategy to activate in a simple way all the institutions around the world, Wikimania Singapore, 18/08/2023, CC BY-SA 4.0. Presentation with the participation of Dario Crespi.
Presentation delivered at 'Shaping Access', Berlin 13 November 2014
http://www.zugang-gestalten.de/shaping-access-more-responsibility-for-cultural-heritage/
Video of presentation: http://vimeo.com/112799188
Social Innovation Labs at Universities: the Case of Medialab UGREsteban Romero Frías
Presentación realizada en el Encuentro Internacional “The Age of Digital Technologies: Documents, Archives and Society”, celebrado en la Facultad de Geografía e Historia de la Universidad Complutense el 24 de octubre de 2017.
Más información en: http://estebanromero.com/2017/10/presentacion-de-medialab-ugr-en-el-encuentro-the-age-of-technology-madrid-2017/
Esteban R. Frías
Social Innovation Labs at Universities: The Case of Medialab UGR – a Research Laboratory for Digital Culture and Society
ICARUS-Meeting #20 | The Age of Digital Technology: Documents, Archives and Society
23–25 October 2017, Complutense University Madrid, Calle del Prof. Aranguren, 28040 Madrid, Spain
Closing keynote given at the Museum Educators of Southern California Summer Workshop on June 25, 2010. It starts with a nod to John Seely Brown and his wisdom about solution confusion in rapidly changing technological times, then explores the boundaries between traditionally siloed museum departments that are merging/under threat in this new environment. From there a brief history of the role for new media interpretation in museums (art and otherwise), a summary of the Visual Velcro idea, and the role of mobile multimedia in supplying hooks to the hookless. Finally a summary of "Making Sense of Modern Art Mobile," and the implications of taking on publication and distribution of a mobile tour in-house. Ends with future plans and questions about the integration of social media in such publications.
Similar to GLAM-WIKI 2015: introduction by the programme committee (20)
Keynote talk for the Baltic Audiovisual Archival Council conference 2018 - 7-9 November in Tallinn, Estonia
http://www.baacouncil.org/cnf-2018
Presentation description:
Since the mid-2000s, cultural institutions around the world have worked together with Wikimedia volunteers in hundreds of collaboration projects. In these GLAM-Wiki projects, cultural organizations make their collections and specialized knowledge more widely accessible via the free encyclopedia Wikipedia and the free media repository Wikimedia Commons. In the past five years, Wikidata (Wikimedia's free, multilingual knowledge base) has gained a lot of influence in this area as well. As a very accessible and re-usable structured data and semantic web project, it has become a popular instrument for cultural institutions to publish collections as Linked Open Data, obtain multilingual data, place their collections in a much broader context, and enrich their collections with crowdsourced metadata. In 2017-19, Wikimedia Commons is also enhanced with structured data from Wikidata, with much improved APIs that make more smooth collaboration in GLAM-Wiki projects possible.
This keynote presentation provides a short overview of GLAM-Wiki collaborations and their impact, with special attention for the potential and use of Linked Open Data via Wikidata and via structured data on Wikimedia Commons. It includes examples of GLAM-Wiki projects by audiovisual archives and collections around the world.
Introduction to Wikimedia projects, Linked Open Data and semantic web / structured data and Wikidata in relation to cultural heritage, GLAM and the CIDOC CRM ontology. Part of panel at CIDOC 2018 conference,
Linked Open Data en Wikidata - Erfgoed Gelderland 19 januari 2018Sandra Fauconnier
Workshop voor symposium Open-Up! bij Erfgoed Gelderland, Arnhem, 19 januari 2018 http://erfgoedgelderland.nl/wat-doen-we/symposium-open-up-wikimedia-en-erfgoed/
Sandra Fauconnier, art historian and active Wikipedian, would like to write more articles about the history and protagonists of digital art on Wikipedia. But at this moment that’s still quite difficult. Sandra will give examples, and explain how institutions and artists could make this easier.
Her tips are very closely aligned with general best practice guidelines for archiving, preserving and documenting digital art in general.
A presentation for the conference Future Proof!?, Schiedam, 8-9 February 2017.
Presentatie tijdens studiedag Duurzaam digitaliseren in de museale wereld
https://www.eventbrite.com/e/studiedag-duurzaam-digitaliseren-in-de-museale-wereld-tickets-29214469264
Hoe maak je gebruik van bestaande platformen om je museumcollecties eenvoudig zichtbaar en herbruikbaar te maken? Wikimedia-ecosysteem, Wikipedia, Wikimedia Commons, Linked Open Data publicatie via Wikidata
The Teylers Challenge: Working Together from Shared IdealsSandra Fauconnier
Presentation by Geert-Jan Janse (Teylers) & Sandra Fauconnier (Wikimedia NL) for the GLAM-Wiki conference, April 2013, British Library, UK. https://uk.wikimedia.org/wiki/GLAM-WIKI_2013
The Dutch chapter of Wikimedia and Teyler Museum organised a writing challenge from January till June 2012 to expand the coverage on various topics related to Teylers Museum and its rich collections. Curators and Wikipedians have successfully worked together, resulting in over 300 new articles in more then 13 languages, including Esperanto,Catalan and Volapük. Why did this project take place, how was it organised, what were our experiences, what are the lessons learned and how do we hope to continue our fruitful collaboration?
# Internet Security: Safeguarding Your Digital World
In the contemporary digital age, the internet is a cornerstone of our daily lives. It connects us to vast amounts of information, provides platforms for communication, enables commerce, and offers endless entertainment. However, with these conveniences come significant security challenges. Internet security is essential to protect our digital identities, sensitive data, and overall online experience. This comprehensive guide explores the multifaceted world of internet security, providing insights into its importance, common threats, and effective strategies to safeguard your digital world.
## Understanding Internet Security
Internet security encompasses the measures and protocols used to protect information, devices, and networks from unauthorized access, attacks, and damage. It involves a wide range of practices designed to safeguard data confidentiality, integrity, and availability. Effective internet security is crucial for individuals, businesses, and governments alike, as cyber threats continue to evolve in complexity and scale.
### Key Components of Internet Security
1. **Confidentiality**: Ensuring that information is accessible only to those authorized to access it.
2. **Integrity**: Protecting information from being altered or tampered with by unauthorized parties.
3. **Availability**: Ensuring that authorized users have reliable access to information and resources when needed.
## Common Internet Security Threats
Cyber threats are numerous and constantly evolving. Understanding these threats is the first step in protecting against them. Some of the most common internet security threats include:
### Malware
Malware, or malicious software, is designed to harm, exploit, or otherwise compromise a device, network, or service. Common types of malware include:
- **Viruses**: Programs that attach themselves to legitimate software and replicate, spreading to other programs and files.
- **Worms**: Standalone malware that replicates itself to spread to other computers.
- **Trojan Horses**: Malicious software disguised as legitimate software.
- **Ransomware**: Malware that encrypts a user's files and demands a ransom for the decryption key.
- **Spyware**: Software that secretly monitors and collects user information.
### Phishing
Phishing is a social engineering attack that aims to steal sensitive information such as usernames, passwords, and credit card details. Attackers often masquerade as trusted entities in email or other communication channels, tricking victims into providing their information.
### Man-in-the-Middle (MitM) Attacks
MitM attacks occur when an attacker intercepts and potentially alters communication between two parties without their knowledge. This can lead to the unauthorized acquisition of sensitive information.
### Denial-of-Service (DoS) and Distributed Denial-of-Service (DDoS) Attacks
Bridging the Digital Gap Brad Spiegel Macon, GA Initiative.pptxBrad Spiegel Macon GA
Brad Spiegel Macon GA’s journey exemplifies the profound impact that one individual can have on their community. Through his unwavering dedication to digital inclusion, he’s not only bridging the gap in Macon but also setting an example for others to follow.
1.Wireless Communication System_Wireless communication is a broad term that i...JeyaPerumal1
Wireless communication involves the transmission of information over a distance without the help of wires, cables or any other forms of electrical conductors.
Wireless communication is a broad term that incorporates all procedures and forms of connecting and communicating between two or more devices using a wireless signal through wireless communication technologies and devices.
Features of Wireless Communication
The evolution of wireless technology has brought many advancements with its effective features.
The transmitted distance can be anywhere between a few meters (for example, a television's remote control) and thousands of kilometers (for example, radio communication).
Wireless communication can be used for cellular telephony, wireless access to the internet, wireless home networking, and so on.
This 7-second Brain Wave Ritual Attracts Money To You.!nirahealhty
Discover the power of a simple 7-second brain wave ritual that can attract wealth and abundance into your life. By tapping into specific brain frequencies, this technique helps you manifest financial success effortlessly. Ready to transform your financial future? Try this powerful ritual and start attracting money today!
APNIC Foundation, presented by Ellisha Heppner at the PNG DNS Forum 2024APNIC
Ellisha Heppner, Grant Management Lead, presented an update on APNIC Foundation to the PNG DNS Forum held from 6 to 10 May, 2024 in Port Moresby, Papua New Guinea.
5. Practical stuff
• Always wear your badge!
– Grey, yellow, red
• Meeting room on
Saturday
• Group photo
• Conference phone number
• Leave building before 6PM
• Guided tour (Sunday)
• Photo exhibition!
6.
7.
8. Imagine a world in which
every single human being
can freely share
in the sum of all knowledge.
That's our commitment.
Vision statement of the Wikimedia Foundation
9. We are doing the same thing
for the same reason,
for the same people,
in the same medium.
Let's do it together.
Liam Wyatt
17. We tend to overestimate the effect
of a technology in the short run
and underestimate the effect
in the long run.
Roy Amara (paraphrased by Cringley)
35. Practical Electrics Mar 1924 Cover. Published by Experimenter Publishing Company Inc. Hugo
Gernsback, President; Sidney Gernsback, Treasure; R. W. DeMott, Secretary. [Public domain], via
Wikimedia Commons
Government Press Office (GPO) - Bird's-Eye View of the Temple Mount. By
http://www.flickr.com/people/69061470@N05 [CC BY-SA 3.0], via Wikimedia Commons
Flag-map of the world. By Transparent 6lue [Public domain], via Wikimedia Commons
Jane in stroopwafel t-shirt. Own work, CC-BY, Sandra Fauconnier
La Sortie de l'opéra en l'an 2000 (ca. 1902), Albert Robida [Public domain], via Wikimedia Commons
Cycling in Amsterdam, By Alfredo Borba (Own work) [CC BY-SA 4.0], via Wikimedia Commons
Hauptgraben, Tullnerfeld, by Herzi Pinki (Own work) [CC BY-SA 3.0], via Wikimedia Commons
Garmin III Plus, by Florian Fuchs [CC BY 3.0], via Wikimedia Commons
36. Asus CD-ROM drive, by Asim18 [CC BY 3.0], via Wikimedia Commons
Tape library, CERN, Geneva 2 by Cory Doctorow / CC BY-SA
Internet of Things, by Wilgengebroed on Flickr [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via
Wikimedia Commons
Instagram and other social media apps, by Jason Howie, Flickr, CC BY
DARPA Big Data, by DARPA (Defense Advanced Research Projects Agency (DARPA)) [Public domain], via
Wikimedia Commons
Market Pharmacy Tana, By Marco Schmidt [1] (Own work) [CC BY-SA 3.0], via Wikimedia Commons
Chart of printed books at Amazon Warehouse, research by Paul Heald.
Logos Gent, by Michiel Hendryckx (Own work) [CC BY-SA 3.0], via Wikimedia Commons
Shi DeRu (Shawn Xiangyang Liu) and Shi DeYang (Shi WanFeng), by Shi DeRu, CC BY-SA 3.0, via
en.wikipedia.org