Steph manipulation of photographs
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This document summarizes the editing process the photographer took to enhance a photograph for use in a magazine. They first altered the colors by increasing red, yellow, and brightness to add a slight pink hue. Shadows and imperfections were removed and the artist's lips were made more defined by changing their color. Minor adjustments were made to straighten the artist's fringe and darken their hair for distinction. The final image had a smoothed monotone background to draw attention to the artist.
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This document discusses the process of creating a documentary poster in Photoshop. It describes using a Canon HD camera to capture quality images. The tools used in Photoshop included selection tools like the magnetic lasso and quick selection, as well as adjustment tools to brighten dark images. Basic tools like the text tool were used to add labels, and filters were considered but ultimately not used due to the high quality camera.
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The author edited two images for a poster using Photoshop and Pixlr Express. In Photoshop, the author felt comfortable using the tools and edited one image, adjusting the color balance. In Pixlr Express, the author had access to more advanced editing effects and used tools like the focal tool to focus on faces and the vibrance/contrast tools to darken backgrounds. For one image, the author additionally used airbrushing in Pixlr Express. The editing in both programs helped make the images creative and realistic while maintaining a horror theme for the poster.
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\\Mercury\410498\media studies\music magazine\evaluation\6
The document discusses the tools and techniques used in Photoshop to edit photos for a magazine project. It describes using the pen tool to cut out images, the threshold tool to add shadows, and grayscale to make photos black and white. It also discusses combining edited images, changing colors, and formatting text and page elements to complete the magazine design. The author reflects on learning how to effectively edit and composite photos to create impactful visuals for readers.
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This document discusses the editing of images for inclusion in a magazine. The author edited images in Photoshop to improve quality and make them more professional. Some images required cropping, adjusting levels and contrast, adding color overlays, or converting to black and white. Location images sometimes needed increased brightness. The goal was to have a variety of high quality, edited images that would appeal to the target audience for the magazine.
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The document discusses the various equipment, resources, and software the creator will use to produce their music magazine, including:
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1. The document describes the process of creating a magazine cover, including photographing a model, editing the background photo, and designing the layout in Photoshop.
2. The key steps were finding a location to photograph the model, getting permission to use a music practice room, selecting the best photo, and designing the cover layout with a red color scheme.
3. The final cover included the masthead, barcode, headlines, and shadowing behind the model to make it stand out, creating a professional look according to the document.
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3) A red drop cap is added to the first letter of the article text to draw readers in and represent the magazine's color scheme in a subtle way.
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This document summarizes the production process used to create a contents page in Photoshop. Key steps included:
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The document summarizes changes made to an image for a poster project. It describes:
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2) Brightening lighting sources by adding white dots with the paint brush and using a hard light layer effect.
3) Changing the sky to orange to maintain a dark atmosphere, using the paint brush and soft light layer effect.
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Presentation4
Photoshop was useful for quickly editing photos and enhancing images. The author used tools like the lasso tool and magic wand tool to cut out backgrounds and the contrast and saturation tools to give images more appealing vintage looks. InDesign allowed the author to easily layout pages using tools like the rectangle tool and preview pages without outlines. Stroke tools in InDesign helped emphasize text for clarity and capture readers' attention with contrast against photos.
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This document describes the various photo editing processes used to prepare a photo for use as a magazine front cover in Photoshop. It details how the author adjusted saturation, used tools like the polygonal lasso and smudge tool to edit aspects of the background and subject's appearance. Issues with eyeliner were addressed using the clone stamp and brush tools. Additional effects like added shadows around the eyes, exaggerated hair curls, and adjustments to contrast, sharpness and cropping were made. Text elements and a color scheme were added to complete the mock-up front cover design.
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Photoshop allowed the document creator to quickly edit photos by using tools like the lasso tool to cut around images. They were able to remove backgrounds using the magic wand tool and then fine tune edges with the lasso tool. Photoshop also helped enhance photos by adjusting things like contrast and saturation. InDesign helped with layout by allowing the document creator to plan page designs using rectangle tools and preview pages without outlines. The stroke tool in InDesign was useful for adding bold outlines around text and images to make the magazine more eye catching and help emphasize elements.
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The document describes the process taken to create the front cover of a magazine in two experiments. In the first experiment, the author searched for a pie image, removed its background, added gradients and text with effects like drop shadows. They created headlines with different fonts and colors. In the second experiment, the author used an iceberg image and adjusted its colors to look darker. They added text with phrases about global warming. For the double page spread experiment, the author placed images and lorem ipsum text, with a headline and pull quote above the central image. The reflection notes elements like drop shadows, barcodes, and limited headlines that will be included in the final product.
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The document describes the process of editing an image in Photoshop for a poster and magazine. First, the images were sorted and one was selected and cropped to focus on the actress. The layer was duplicated to experiment without affecting the original. YouTube tutorials were used to learn how to remove the background in order to add a new one. The quick selection tool was used to select parts of the image, and the refine edge tool was used to smooth the selection. Effects like sketch, chrome, water paper were tried on half the image to see the results and find ones that could make the image look ghostly. The smudge tool was useful to merge the two halves without a sharp cut.
Question 6
This document discusses the hardware and software used to create a music magazine. It describes using an iMac computer running Photoshop to design pages. A Nikon camera and lighting equipment were used to take photos for articles. Photoshop was used to edit photos and design the magazine layout with colors and images. Word was used to type articles and InDesign combined graphics, photos and text for article pages. A blog was maintained to organize work and receive feedback throughout the process.
Making of the cover
1. The document describes the process of creating a magazine cover, including photographing a model, editing the background photo, and designing the layout in Photoshop.
2. The key steps were finding a location to photograph the model, getting permission to use a music practice room, selecting the best photo, and designing the cover layout with a red color scheme.
3. The final cover included the masthead, barcode, headlines, and shadowing behind the model to make it stand out, creating a professional look according to the document.
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The document discusses the various equipment used to create magazines, including a Canon 600D camera for high-quality photos, Photoshop and InDesign for editing photos and designing pages, backdrops in black and white, studio lights to brighten images, and gel lights to color correct and change the color of subjects and backgrounds. The equipment helped produce professional, polished photos and magazines.
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1) The document discusses different background designs considered for a double-page magazine spread, including a black and white gradient, plain white, and a combination black and white design.
2) Headline and subhead fonts are tested, including "Impact" and "Stencil", with "Stencil" ultimately chosen for its stylish rounded characters.
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Nonlinear methods are widely used to produce higher performance compared with linear methods; however, nonlinear methods are generally more expensive in model size, training time, and scoring phase. With proper feature engineering techniques like polynomial expansion, the linear methods can be as competitive as those nonlinear methods. In the process of mapping the data to higher dimensional space, the linear methods will be subject to overfitting and instability of coefficients which can be addressed by penalization methods including Lasso and Elastic-Net. Finally, we'll show how to train linear models with Elastic-Net regularization using MLlib.
Several learning algorithms such as kernel methods, decision tress, and random forests are nonlinear approaches which are widely used to have better performance compared with linear methods. However, with feature engineering techniques like polynomial expansion by mapping the data into a higher dimensional space, the performance of linear methods can be as competitive as those nonlinear methods. As a result, linear methods remain to be very useful given that the training time of linear methods is significantly faster than the nonlinear ones, and the model is just a simple small vector which makes the prediction step very efficient and easy. However, by mapping the data into higher dimensional space, those linear methods are subject to overfitting and instability of coefficients, and those issues can be successfully addressed by penalization methods including Lasso and Elastic-Net. Lasso method with L1 penalty tends to result in many coefficients shrunk exactly to zero and a few other coefficients with comparatively little shrinkage. L2 penalty trends to result in all small but non-zero coefficients. Combining L1 and L2 penalties are called Elastic-Net method which tends to give a result in between. In the first part of the talk, we'll give an overview of linear methods including commonly used formulations and optimization techniques such as L-BFGS and OWLQN. In the second part of talk, we will talk about how to train linear models with Elastic-Net using our recent contribution to Spark MLlib. We'll also talk about how linear models are practically applied with big dataset, and how polynomial expansion can be used to dramatically increase the performance.
DB Tsai is an Apache Spark committer and a Senior Research Engineer at Netflix. He is recently working with Apache Spark community to add several new algorithms including Linear Regression and Binary Logistic Regression with ElasticNet (L1/L2) regularization, Multinomial Logistic Regression, and LBFGS optimizer. Prior to joining Netflix, DB was a Lead Machine Learning Engineer at Alpine Data Labs, where he developed innovative large-scale distributed linear algorithms, and then contributed back to open source Apache Spark project.
2014-06-20 Multinomial Logistic Regression with Apache Spark
Logistic Regression can not only be used for modeling binary outcomes but also multinomial outcome with some extension. In this talk, DB will talk about basic idea of binary logistic regression step by step, and then extend to multinomial one. He will show how easy it's with Spark to parallelize this iterative algorithm by utilizing the in-memory RDD cache to scale horizontally (the numbers of training data.) However, there is mathematical limitation on scaling vertically (the numbers of training features) while many recent applications from document classification and computational linguistics are of this type. He will talk about how to address this problem by L-BFGS optimizer instead of Newton optimizer.
Bio:
DB Tsai is a machine learning engineer working at Alpine Data Labs. He is recently working with Spark MLlib team to add support of L-BFGS optimizer and multinomial logistic regression in the upstream. He also led the Apache Spark development at Alpine Data Labs. Before joining Alpine Data labs, he was working on large-scale optimization of optical quantum circuits at Stanford as a PhD student.
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Unsupervised learning refers to a branch of algorithms that try to find structure in unlabeled data. Clustering algorithms, for example, try to partition elements of a dataset into related groups. Dimensionality reduction algorithms search for a simpler representation of a dataset. Spark's MLLib module contains implementations of several unsupervised learning algorithms that scale to huge datasets. In this talk, we'll dive into uses and implementations of Spark's K-means clustering and Singular Value Decomposition (SVD).
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Similar to Steph manipulation of photographs
Magazine images modified
The document discusses modifications made to photos for use in a magazine. The author cropped backgrounds from photos to focus only on themselves, increased saturation to make the images brighter and livelier as is common in music magazines, and adjusted light and dark levels using Photoshop's levels tool to emphasize props and indicate the genre of the magazine. The same edits of cropping, saturation, and levels adjustments were applied to two photos in order to make them suitable for use on the magazine cover.
Photo edits
The document discusses editing photos for a magazine. It describes editing 5 photos - changing colors, adding frames, adjusting brightness/contrast, and cutting images out of backgrounds. The photos will be used on the contents page, for album covers, and a double page spread. Editing involved techniques like layering, flipping, resizing images and changing colors to make them look sharper and more professional for the magazine.
Original images&edited images
The document describes edits made to several images, including:
1) Cutting out a flower within a skull image using selection tools and adding effects like black and white and vignetting.
2) Adjusting vibrance and color balance of another skull and flower image and adding lens correction effects.
3) Increasing brightness, changing hue and saturation of shoes in different colors, and adding lens correction effects.
4) Brightening a rose image and increasing contrast and saturation to make the rose stand out, and adding lens correction effects.
Editing the digipak
The document describes the process of editing images for a digipak cover. It discusses selecting two initial images, editing one in Photoshop Express to make the red facepaint pop against a monochrome background by increasing saturation and lowering exposure. Text was then added in Photoshop Pro and adjustments were made to positioning, spacing, sizing and colors until the designer was satisfied. Other images in the digipak were heavily edited to create variety and a feeling of recklessness. The final image chosen perfectly encapsulates the ideas behind the project by obscuring the model's face.
Fmp experiment reflection
Abbie took several photographs and edited them in Photoshop using techniques like adjusting exposure, colors, and cropping. She experimented with different layout designs for a nature calendar, including displaying one large image or multiple images on the cover. Based on audience feedback, she chose a blue and green color scheme. For a nature guide book, Abbie placed edited text over a photograph but felt it distracted from the image. She also created a brief video advertisement for a nature photography exhibition, adding transitions between images and outer glow text, but felt it could be improved with more editing time.
3. production experiments
Adele Rolf conducted experiments editing two photos to practice skills for a final product. In the first photo, levels and contrast tools were used to deepen grass and blossom colors and make the image brighter. The second photo aimed to show tree bark detail; contrast and levels tools brightened the image and made pink blossoms stand out against the bark. Reflection notes confidence grew from learning new Photoshop tools and techniques like subtle color overlays. Elements from the experiments, such as using levels tools to subtly alter photos' feels, will be incorporated into the final product.
Editing portrait
The document summarizes the editing process the author took to prepare an image for use as a magazine cover. They cropped the image to remove extra background, increased the brightness and contrast to make it stand out to their teenage audience. They used auto contrast to lighten it but this gave it a yellow tone, so they used hue/saturation to remove the excess yellow. Finally, they adjusted the curves to further refine the brightness levels, producing the final cover image.
Original images&edited images
The document describes edits made to several images. For a skull and flower image, the flower was cut out and put on a separate layer. The background was cropped and made black and white. A lens effect was added to darken the corners. For the final edit, the flower layer was placed back on top of the background. For a second skull and flower image, vibrance and lens effects were used, and the color balance was adjusted to give a vintage look. Shoes were edited by adjusting brightness/contrast and hue/saturation to change colors and make them stand out. A lens effect was used on each shoe image to darken the edges. The final edits show a range of shoe colors with the same editing style applied
6. fmp production reflection
Nathan took a photo at a bridge under a train station to capture an old-fashioned look. He added noise to make it look grainy and adjusted the saturation and exposure to give it a sepia tone. He used the clone stamp tool to remove modern elements from the scene. For precision editing, he used the clone stamp and noise tools in the raw camera filter. He adjusted the hue and saturation to achieve the sepia effect and washed out look that correlates with a dull color scheme preferred by 33% of his audience.
Photos and editing effects
The document discusses editing photographs for a magazine. The author cropped backgrounds from photos, adjusted brightness, contrast and added color tints in Photoshop. Images featured in the magazine will have a dark or blue style. One photo was duplicated to show a mirror image. Effects were added to photos to fit the magazine's theme and standards.
Photos and editing effects
The document discusses editing photographs for a magazine. The author cropped backgrounds from photos, adjusted brightness, contrast and added color tints in Photoshop. Images featured in the magazine will have a dark or blue style. One photo was duplicated to show a mirror image. Effects were added to photos to fit the magazine's theme and standards.
Image analysis
I modified several photos for use in my magazine through Photoshop. For the cover photo, I removed the background, increased saturation to make the subject brighter, adjusted levels to emphasize props, and sharpened the image. For interior photos, I removed backgrounds, increased lighting and saturation to match magazine conventions, cropped legs, and added a shadow effect. I also brightened, saturated, and sharpened a double-page photo. Secondary photos were only cropped to show a photo shoot sneak peek. Through these edits, the photos now suit the genre and magazine format.
How I made my album cover
The document describes the process taken to design an album cover in Photoshop and InDesign. Key steps included:
1) Importing a photo into Photoshop and editing colors, brightness, and vibrancy.
2) Selecting and enhancing the color of the subject's skirt to draw attention.
3) Sizing and cropping the photo for the cover in Photoshop and importing into InDesign.
4) Experimenting with fonts and colors for the artist and title and positioning all elements within layout guidelines.
Evaluation
The document discusses an evaluation of photographs taken for a final photography project. The photographer took abstract, landscape, and portrait pictures with a Canon 600D using factory settings. The photos were then edited in Adobe Photoshop CS5, using tools like vibrant and color correction to enhance colors and bring the pictures to life. Through this project, the photographer learned new skills like camera angles and how lighting affects photographs. Examples are given of editing done to two photos to make one seem darker and enhance colors and clouds in another. The evaluation notes strengths in standing out details and personality in the photos but weaknesses in theme consistency. The photographer was pleased overall but would include more landscapes and precise editing for future projects.
Ancillary Task
The document summarizes the process of experimenting with lighting and editing photos for a digipak shoot. The photographer used pink and green gels on the lights to achieve different effects and had to lighten the photos in post-production due to the dark colors of the gels. They also edited photos with different light strengths and created a black gradient on the back cover to make the tracklist stand out, adding a glowing green text. Overall, the document outlines the photographer's experimentation with lighting, editing, and design elements for the digipak project.
Cover layout decisions and photoshop
The document discusses cover layout decisions for a magazine in Photoshop. It describes adjusting the size and positioning of the masthead text, manipulating images by adjusting levels and brightness, changing colors of text for emphasis, and selecting fonts and adding effects to elements to suit the style of a pop magazine. Key decisions included changing the main image to better suit the target audience, adjusting levels of images to create balanced lighting, and altering colors and effects of text elements for visual appeal and indication of content.
Factual Project Production Log
The document summarizes a production log for a student's fanzine project over 4 weeks. Some key details:
1) In the first week, the student created interview pages with images, text layouts, and effects like gradients and metallic text. They also started pages on record labels and streaming services.
2) In the second week, the student continued pages on interviews, labels, and added a page with fisheye photos and quotes. Backgrounds included torn paper and glitch effects.
3) Due to computer issues, the third week involved recreating lost work, and new pages on gender inequality and streaming services with colorful backgrounds and glitch text.
4) The final week
Image manipulation
The document discusses editing photos for a magazine using Photoshop. For the front cover photo of Sarah with a skateboard, the author adjusted brightness and contrast to make colors pop more, used the Vibrance tool to enhance lighter colors, and enlarged the photo to fit the magazine. For the double page spread of Sarah, the author similarly adjusted brightness and contrast to improve colors, darkened the image as it was overexposed, slightly adjusted exposure to darken light areas, and enlarged the photo to fit the spread.
Image manipulation completed
The document describes the process of editing a photograph in Photoshop to improve it. The person made the subject's skin, hair, and makeup brighter and more colorful. They removed the dull grey background and replaced it with a clean white background. These edits made the image look more professional. The edited photo was then used as the cover of a magazine, where further touch-ups were done to crop and enhance it to look like a high-quality professional magazine cover.
Editing the image Shopping rugs
The document describes editing a rug image in Adobe Photoshop Elements to adjust its brightness, contrast, saturation and colors. Specifically, it discusses using tools like Unsharp Mask and Hue/Saturation to reduce pixilation and emphasize the wide variety of colors in the image. It also touches on selectively increasing the hue and saturation of red tones, as well as using effects like Brightness/Contrast and Sharp to further lighten the photo and enhance its colors and contrast.
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Use of digital technology and ict.
The student will need various technology tools to complete their A2 media coursework, including a high-quality camera, laptop, and video editing software. Specifically, they will use a Fujifilm camera, Adobe Premiere Pro and Photoshop software, and After Effects. Storage devices like USBs and SD cards will also be required. Presentation software like PowerPoint and websites like Prezi and Slideshare will help showcase their work online through a blog.
Isabel
Isabel was a lonely girl bullied at school who reached out to new classmates Hannah and Claire for help and friendship. However, out of fear of also being bullied, they ignored her pleas. On a dark afternoon when Isabel was supposed to go out with Hannah and Claire but they did not show up, her bullies chased her into a forest where she was caught in a fire and died. One year later, Hannah and Claire tried to contact Isabel's spirit using a Ouija board to apologize but accidentally summoned her vengeful spirit, which does not forgive them easily for their past actions.
Isabel
Isabel was a lonely girl bullied at school who reached out to new classmates Hannah and Claire for help and friendship. However, out of fear of also being bullied, they ignored her pleas. On a dark afternoon when Isabel had arranged to meet with Hannah and Claire but they did not show up, her bullies chased her into a forest where she hid under a tree and a fire broke out, engulfing her in flames. One year later, Hannah and Claire went to Isabel's grave to contact her spirit using a Ouija board to apologize but accidentally summoned her vengeful spirit instead of the reunion they hoped for.
Magazine title designs.
The document discusses three magazine title designs created by the author. The first title used a red first letter and sans-serif font. The second title used a bolder font and added a blue blur and purple shapes for visual interest. The third title combined aspects of the previous titles, using a bolder font and a single purple line. In the end, the author chose the first title for its simplicity and readability.
Cover progression
The document describes the process taken to design the front cover of a magazine. It involved editing a photograph of an artist to be the central image, and then adding various design elements around it like the magazine title, artist name, upcoming single details. Background textures and colors were adjusted to improve visibility and fit the rock/pop theme. Conventions from other magazines were followed to create a professional looking cover design that would appeal to readers.
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Steph manipulation of photographs
- 2. This was the original photograph that I took. I decided to take this photograph as I wanted a side-on image for use within the Double Page Spread of my magazine. I used various lighting targeted at the artists face, as I felt this would highlight and distinguish the artists face more than the rest of the photograph, thus drawing attention to the artists expression. I liked the photograph, but I felt that certain aspects could be enhanced for a more professional looking image. Therefore, I decided to edit the image so that all features of the photograph collaborate more effectively together.
- 3. The first step in editing my photograph was to alter and enhance the colours in the photograph. I inserted the RAW image into Photoshop, and began by increasing the Red and Yellow aspects of the RGB colour spectrum. This added a slight hue of pink to the photograph, which I felt would work well with the Eastern parasol. Then, I increased the brightness of the image and slightly increased the contrast to create a brighter and more appealing image. I also created an overlay of lilac onto the artist’s iris, which altered the colour slightly to fit in with the image’s colour range.
- 4. Next, I decided to focus on several imperfections within the photograph and alter them to create a more professional image. This included the removal of the shadow created by the parasol by painting over the shadow with the colour picked from the background. Then, I decided to change the colour of the artist’s lips. This was because I felt that the artists features would look better if they were more defined, as they were quite pale and blended in with the light coloured background. I achieved this by creating an overlay layer of colour #c34e3e with an opacity of 70%.
- 5. This was the final image result. The last steps that I took to edit the photograph was to alter some minor aspects of the photograph. I slightly changed the artist’s fringe to make it more straight, as there was a minor wave in it. I did this by using the clone stamp tool within Photoshop. I also used the same technique to darken the side of the artist’s hair to make it more distinguished against her skin. Finally, I smoothed out the colours of the background to create a more monotone background, subsequently drawing attention to the artist. I like the final image, as I feel the colours all work well together as they are variations of a common shade of pink/purple.